[Kolla]

Excerpt from an article in the New York Blade

"Shapiro ties in two disparate strains of music that together became the prototype of the disco sound: Motown and Northern Soul, which originated in the hardscrabble coal counties of Northern England (and influenced the Beatles). "

I totally agree that disco influenced the Beatles but at odds to see the connection between disco, motown and northern. Throwing it over to the forum - can someone assist...

[miff]

I would say that all dance records were released to be played in a Disco and as such are Disco records, Soulies seem to forget that and have a real bad time with the term Disco, All the records we love and hold dear, were all made to be danced to and sell to make the artists money, and be played in a disco. We tend to pick the ones that diddnt make it, for What ever reason, Lack of exposure, poor management, etc, etc,
I would arguee that there is most defently a link with Motown Northern & Disco
and up to the presant day, It is all dance music and each decade seems too adapt it to its own taste and the technolagy available at the time. Disco Has a liniage go back to the slaves, gospal,Jass R&B, Soul, Funk, Disco, To the presant day R&B
Hip Hop / Rap. We just seem to aprechate the 60s 70s bit and call it Northern.

[Dayo]

I first started hearing things like Dr. Love, Talk Of The Grapevine, Fortune Teller etc in 1970. I distinctly recall that they were known as Disco records - the term Northern Soul didn't really catch on till probably '73 (I'll stand corrected if my memory is playing tricks).

The first "proper" disco record that I heard - as I understand the genre - was Gloria Gaynor's Never Can Say Goodbye. There may have been others before, but the energy propelled by those splashy hi hats seemed really fresh and exciting (at least it did for a week or so!)

[wendy]

of course there's a connection, it's all the same thing in a way, just a refinement/progression of the drum beats.... james jamerson played on Rock The Boat, I'm sure there's heaps more connections, I'm just not good at remembering musicians' names

ps how are motown and northern 'disparate strains of music' - that's bullshit. stupid lazy music journalism

[Dayo]

As for the Northern Soul/Beatles comment, I suspect he means that the Mop Tops were partly influenced by early 60's R n B records, which is true of course. But the Beatles stole from everywhere including Little Richard, The Everlys, C & W, and probably Edmondo Ross! Made it their own though didn't they?

[rachel]

Kolla, on Jul 13 2005, 08:24 AM, said:

"Shapiro ties in two disparate strains of music that together became the prototype of the disco sound: Motown and Northern Soul, which originated in the hardscrabble coal counties of Northern England (and influenced the Beatles). "

<{POST_SNAPBACK}>

It reads as if Motown and Northern Soul were English-made music

[in town Mikey]

As a Northern Soul youth in the mid 70's. I had an anti-disco league badge.

I saw disco as being largely a popular music culture, and Northern Soul being the exact oposite. An underground scene that rejected mainstream popularity that disco sought.

[miff]

rachel, on Jul 13 2005, 10:02 AM, said:

It reads as if Motown and Northern Soul were English-made music 

<{POST_SNAPBACK}>

Northern Soul Is

It is the term used to describe the music we dance too It embraces music from differant genre, Records have and are still played from Rock to Pop , Disco to Funk, The majority being uptempo Soul music

I have greet trouble tring to explaine this to normal people. Car'nt belive ime doing on a soul site

[ElGeePee]

Kolla, on Jul 13 2005, 08:24 AM, said:

Excerpt from an article in the New York Blade

"Shapiro ties in two disparate strains of music that together became the prototype of the disco sound: Motown and Northern Soul, which originated in the hardscrabble coal counties of Northern England (and influenced the Beatles). "

I totally agree that disco influenced the Beatles  but at odds to see the connection between disco, motown and northern.    Throwing it over to the forum - can someone assist...

<{POST_SNAPBACK}>

I assume that this a review of Pete Shapiro's new book on the history of disco where he does indeed go into a fair amount of depth about Motown's influence on disco (the Temptations particularly) and - a bit more clutching at straws here - Northern's influence (particularly that of Ian Levine who appears throughout the book). Pointing out the importance of places like Blackpool Mecca or Wigan in the 70s are fine but what influence did this have on what was basically New York gay/black/hispanic nightlife? - not much! Still it's a good book on the subject. I rated it 8/10.

[Matt Male]

The closest i ever came to the experience of places like New York's Studio 54 was the Balli Hai room at the Birmingham Locarno alldayers. Every now and again as a break from the northern in the main room me and my mates (all of us 14 years old) would step just inside the doorway and watch in awe the black guys smooching with white ladies to exotic latin sounds (in New York it was probably other guys, but this was Brum remember). I agree with the person earlier that disco was certainly an underground scene with it's own set of rules and lifestyle that equalled the exclusivity of northern.

I found this great site about westcoast clubs in the US in the late 70s and early 80s and when you read it you might think they were describing northern nights, music, drugs, dancing, all part of the scene. They even thought the lighting was important and DJs and lighting engineers were a team.

www.hyperactivemedia.com/5am/

Matt

[GrooveJunkies]

miff, on Jul 13 2005, 09:04 AM, said:

I would say that all dance records were released to be played in a Disco and as such are Disco records, Soulies seem to forget that and have a real bad time with the term Disco, All the records we love and hold dear, were all made to be danced to and sell to make the artists money, and be played in a disco. We tend to pick the ones that diddnt make it, for What ever reason, Lack of exposure, poor management, etc, etc,
I would arguee that there is most defently a link with Motown Northern & Disco
and up to the presant day, It is all dance music and each decade seems too adapt it to its own taste and the technolagy available at the time. Disco Has a liniage go back to the slaves, gospal,Jass R&B, Soul, Funk, Disco, To the presant day R&B
Hip Hop / Rap. We just seem to aprechate the 60s 70s bit and call it Northern.

<{POST_SNAPBACK}>

[Makemvinyl]

miff, on Jul 13 2005, 09:04 AM, said:

I would say that all dance records were released to be played in a Disco and as such are Disco records, Soulies seem to forget that and have a real bad time with the term Disco, All the records we love and hold dear, were all made to be danced to and sell to make the artists money, and be played in a disco. We tend to pick the ones that diddnt make it, for What ever reason, Lack of exposure, poor management, etc, etc,
I would arguee that there is most defently a link with Motown Northern & Disco
and up to the presant day, It is all dance music and each decade seems too adapt it to its own taste and the technolagy available at the time. Disco Has a liniage go back to the slaves, gospal,Jass R&B, Soul, Funk, Disco, To the presant day R&B
Hip Hop / Rap. We just seem to aprechate the 60s 70s bit and call it Northern.

<{POST_SNAPBACK}>

Didnt have discos in the mid 60's used to go to "Clubs"
King MOJO club
Twisted Wheel club
The link was made when some bright spark came up with the name Discoteque
and they started naming new clubs Discoteques so America was brought to
the UK once again.
But the music came first.
Another example Ronnie Scotts Club
The 100 Club
Mayfair RAF Club
Soul RnB Motown where the fore front of the music in the Uk that was taken to the masses
Cavern Club
list is endless add a few
bui must admit to not reading the review
Doug

Edited by MAKEMVINYL, 13 July 2005 - 09:57 PM.

[funky4u]

Yer - I can totally see the link - we've already touched on this in other posts.

One clue from the artists angle is artists like Archie Bell & the Drells "Tighten Up" - with this group becoming a mainstay in the Disco sound.

Alot of Northern, Disco & now House share the same 'sto,mmp' effect & mid tempo which allows for dancing for alot of hours.

I've found alot of the original Northern Soul ppl recongnised Disco & hooked onto it straight away.
some even consider some of Tavarress's musi9c as Northern - contentious to some I know.

Take Gwen McCrae's "Keep The Fire Burning" the beat / rpesentation is Funk / Disco - but the sentiment & feel of the music could have been in 60's soul.

"I never knew what disco was" - Gwen McCrae.

Gwen's label TK records in miami became attached to this 'disco' label - but as someone rightly said the term 'disco' refers to the popularity of these venues & their discotech events.

'Allniter' is attached to the northern scene - but if we started talking of 'allniter' music the music would be a wide spectrum as disco is.


Disco can emcompass soul, reggae, funk, blues, latin, soca, gay elements - all of these areas - but it is not owned by one....


Can you deny the soulpower of tracks linked to disco like:

"Funky Nassau" - The Begining Of The end"

"Soul City Walk", "Don't Let Love Get You Down" -Archie Bells & the drells

"Ain't No Mountain High Enough" - Diana Ross - or Jocelyn Brown's version.

"Backstabbers" - The Ojays

"Standing In Line" - ESG

"Over & Over" - Sylvester

"Spreadlove" - Al Hudson & the Partners - (Check the wkd Soulful House cover of this by Lenny Fontanna of this with Kenny Bobien on vocals & Grant Green on guitar).

"Valdez In The Country" / "Nature Boy" / "The World Is A Ghetto" - George Benson.

"Message In Our Music" - The O'jays - (& the emotio in that record is up there with any 60's / northern track - it screaches out! ).


"People & The World" - Roy Ayres

"Rejoice" / "Best Of my Love" - The Emotions

"I'm Every Woman" - Chaka Khan

& from the Saturday Nite Fever film I really dig:

"Disco Inferno" & "Salsation"

Note - the break from Salsation has been sampled many times & trevor Nelson was using it as the theme music to his radio show.

Yer - disco was popular & universal -as House (son of Disco) is now.

& Many of the above i list didn'tgo anywhere near the top 20 on release.

Here's another of my faves:
"Free Love" - Jean Carn - that album only sold 1000 copies & was then deleted when it was first released.


I still DJ many of these & the wider soul music spectrum love these as classics.

for me it's whether I like the music - not the side psychology of thinking I'm the only one in the world to know or own a record - if you've got something good - why not share it? - each to their own.

many or few records sold on it's own does not make a record good or bad for me - it's all about the music(IMO)






Each to their own - luv the music & soul not the labels we attach (IMO).

Edited by funky4u, 14 July 2005 - 03:59 AM.

[epic]

I mentioned on a previous thread that way back "then" Chubby Checker was "At The Discotheque".

I don't think "At The Place That Plays Rare Uptempo Sixties Soul" was ever considered as an aternative title.

[daved]

Good post Mr funky4u. Some excellent tunse mentioned.

BTW, it doesn't sound like Kenny Bobien singing on Lenny Fontana's "Spread Love" to me.

Edited by daved, 14 July 2005 - 05:26 PM.

[Godzilla]

epic, on Jul 14 2005, 05:12 PM, said:

I mentioned on a previous thread that way back "then" Chubby Checker was "At The Discotheque".

I don't think "At The Place That Plays Rare Uptempo Sixties Soul" was ever considered as an aternative title.

<{POST_SNAPBACK}>

and then there was the "Capitol Discotheque '66 Series" beloved of UK collectors.

Here's another take on the name:

The very origin of disco was during the French resistance during World War Two. Basically an illicit form, it was a music - jazz - that the Nazis in wartime Paris had banned because it related to several things that they didn't want to deal with like Americans, Jewishness, blacks, so they banned it. So it became the official resistance music in clubs. Discotheques started out in this completely illicit environment, they weren't tolerated by the state, and they never lost that underground appeal.

MW: After the war, Paris clubs like the Whiskey A Go Go continued the festivity of the private record library, literally the translation of the French word, "discotheque". The spirit of the underground disco was marked by the size of the clubs (they were tiny with even smaller dance floors); the subversion (parties were announced via word of mouth); and even the privacy of the clubs was conveyed through the manner in which drinks were consumed, says Peter Braunstein.

PB: People didn't order drinks the way we do, like OK, I'll have a whiskey, OK, I'll have another whiskey. They'd buy an actual bottle of whiskey, it would have their name emblazoned on it, and then they would keep the whiskey in a locker at the bottom room with the midget dance floor. So you would then go back week after week and you'd still be working off this one whiskey bottle.

MW: By the early sixties, New York City had created its own versions of the Paris discotheques. They slowly grew bigger in size and by the end of the decade, the novelty had worn off, but the hedonism hadn't. As Peter Braunstein explains, the inherent hedonism of sixties disco culture was co-opted by a more creative group of revelers.

PB: This was the era of gay disco culture, underground discos. The most notorious one was right behind the Port Authority Bus Terminal, it was called the Sanctuary. Basically it was scandalous because it was a former church, a Lutheran church that was converted into a gay nightclub. As if that wasn't crazy enough for most people, you had the deejay who actually started to mix. And this club was notorious. You would have people outside at 4 am, piling out into the street.

MW: The glamour of late nights that the gay scene started then got mainstreamed by New York clubs like Studio 54. But some Americans hated it, and a few even went so far as to riot against disco.

PB: "Good Times" came out within a year of the infamous Kaminsky Park riots, the "disco sucks" demolition in which Chicago White Sox fans during an impromptu disco demolition rally between games went nuts and began tearing up the stadium, and they had to cancel the game and it caused a lot of damage. There was sort of a backlash against a lot of the demographics that disco represented, its core audience being gay men, a lot of blacks listened to disco, in fact it represented every other demographic except the traditional white male rock fans, and they were so afraid every time that disco would take up a couple more notches on the charts, they would see it as a personal attack as if their identity was being violated.

MW: Compare the sounds on the dance floor of 1979 with those at disco's roots during the French resistance, and there appears to be little in common. What they did share was a rhythm that moved the counterculture and would-be revolutionaries to while the hours away until they could emerge into the daylight, and act like everybody else.

- Marco Werman

original article offline, copyright Marco Werman

More at
http://www.geocities...Braunstein.html



Godz

[rachel]

miff, on Jul 13 2005, 11:17 AM, said:

Northern Soul Is 

It is the term used to describe the music we dance too It embraces music from differant genre, Records have and are still played from Rock to Pop , Disco to Funk, The majority being uptempo Soul music

I have greet trouble tring to explaine this to normal people. Car'nt belive ime doing on a soul site 

<{POST_SNAPBACK}>

I meant the article read as if Motown and the assorted records we call Northern were produced here, rather than the US (of course there's the odd British thing) - would be misleading/ confusing to a reader who didn't know about it.. bad writing, that's all...

[ShaneH]

I know this may be off topic a little but here goes....

I was always under the impression that back in the 50's and early 60's people would dance to the sounds of a live band. It wasnt until later that DJ's were the form of entertainment. Can anyone confirm the first known DJ's in the UK?

I would be interested to hear about the early RnB clubs such as the Flamingo and places. Did DJ's play alongside the touring bands or did that come later? I know radio stations existed but were these DJ's playing the first imports in clubs?

Shane

[Dayo]

ShaneH, on Jul 14 2005, 06:29 PM, said:

I know this may be off topic a little but here goes....

I was always under the impression that back in the 50's and early 60's people would dance to the sounds of a live band. It wasnt until later that DJ's were the form of entertainment. Can anyone confirm the first known DJ's in the UK?

I would be interested to hear about the early RnB clubs such as the Flamingo and places. Did DJ's play alongside the touring bands or did that come later? I know radio stations existed but were these DJ's playing the first imports in clubs?

Shane

<{POST_SNAPBACK}>

Some contend that Jimmy Saville was the first disc jockey in UK ballrooms. Ouch.

[Felonious Munk]

Dayo, on Jul 14 2005, 11:42 PM, said:

Some contend that Jimmy Saville was the first disc jockey in UK ballrooms. Ouch.

<{POST_SNAPBACK}>

Jimmy Saville has a good claim on it.

Live bands played and there were smaller groups playing in between the headlining act so as they could go to the nearest pub for a pint.

Jazz fans were importing discs as far back as the twenties.

Clubs twigged after the success of midweek and lunchtime gigs that DJ's could pull a crowd. In the late sixties bands went heavy and clubs went disco. The Mecca ballrooms still had showbands playing live but they too eventually ended with DJ's.

Below is the scene when the Modern and Wigan fans declared a truce.

[miff]

rachel, on Jul 14 2005, 05:42 PM, said:

I meant the article read as if Motown and the assorted records we call Northern were produced here, rather than the US (of course there's the odd British thing) - would be misleading/ confusing to a reader who didn't know about it.. bad writing, that's all... 

<{POST_SNAPBACK}>

Like my spelling then

[Brett]

Not comfortable with the thought that (according to the author) the first Dj's came out of Nazi Germany

Found this link with a chronological path of the history of the Turntable (near bottom of page)
http://www.ilikemusi.../make music/301

1906 THE FIRST EVER RADIO DJ: American Engineer, Reginald A Fessenden, was the first person to play a record over the airwaves.

Certain Dave Rimmer knew this fellow as a school child

Edited by Brett, 15 July 2005 - 08:04 AM.

[Kolla]

Hottwaxx, on Jul 15 2005, 01:10 AM, said:

Again, Disco had such a bad rep due to what people at the time heard the media deem 'disco'.

<{POST_SNAPBACK}>

I'm guilty of this which was why i posted the original question. Until I read the replies to this thread, my understanding of the genre of "disco" was defined by sounds like:-

Anita Ward - Ring My Bell
Young Hearts Run Free - Candi Staton
Native New Yorker - Odyssey
I Feel Love - Donna Summer

...And all the stuff played when I was sitting on the waltzers at the shows (sic; fair in English)

-----------------------------
Ian Levine records aside, if disco covers tracks including those mentioned by Funky4U and other posters then yes.. I can see the connection now. CHeers

[Sebastian]

For those of you interested in the development of DJ-ing culture and the music genres associated with it... there's a book called "Last Night A DJ Saved My Life - The History Of The Disc Jockey" written by Bill Brewster and Frank Broughton that I highly recommend. It's not perfect, but it's a very good book spanning the years between the first turntable and right up until the early 2000s. Should be £7.99 in any good UK book store.

[Sebastian]

Hre's a VERY good site about disco:
http://www.jahsonic.com/Disco.html

And here's another one:
http://www.disco-disco.com/

[Kolla]

FrankM, on Jul 15 2005, 12:29 AM, said:

Jimmy Saville has a good claim on it.

<{POST_SNAPBACK}>

Did anyone see Jimmy Saville last night on that Jarvis Cocker programme?


Bob Casey ( a major influence on the New York music scene) made what I believe were the first double-deck turntables - back in 1955.

[funky4u]

Kolla, on Jul 15 2005, 08:33 AM, said:

  I'm guilty of this which was why i posted the original question.  Until I read the replies to this thread, my understanding of the genre of "disco" was defined by sounds like:-

Anita Ward - Ring My Bell
Young Hearts Run Free - Candi Staton
Native New Yorker - Odyssey
I Feel Love - Donna Summer

...And all the stuff played when I was sitting on the waltzers at the shows (sic; fair in English)

-----------------------------
Ian Levine records aside, if disco covers tracks including those mentioned by Funky4U and other posters then yes.. I can see the connection now.  CHeers 

<{POST_SNAPBACK}>

- I know the Ian Levine records you're talking about.

Incidently - I like allthe records you mention - i know "ring my bell" is a little tacky, kitch or camp.

But "Young Hearts, Run Free" & Native New Yorker I Luv.

But's just my taste.

[funky4u]

daved, on Jul 14 2005, 05:25 PM, said:

Good post Mr funky4u. Some excellent tunse mentioned.

BTW, it doesn't sound like Kenny Bobien singing on Lenny Fontana's "Spread Love" to me.

<{POST_SNAPBACK}>

Sorry - line's crossed - there is two different songs called "spread Love" - Kenny is on the latter version made by Louie Vega.

Grant Green is deff on the guitar on Lenny'sversion of the Partners cover

[ged parker]

The meaning of terms such as 'Disco' seem to alter over time. Remeber the Casino was voted ahead of Studio 54 as the 'Best Disco' in the world.

[rachel]

Kolla, on Jul 15 2005, 08:41 AM, said:

Did anyone see Jimmy Saville last night on that Jarvis Cocker programme? 
Bob Casey ( a major influence on the New York music scene) made what I believe were the first double-deck turntables - back in 1955.

<{POST_SNAPBACK}>

Good programme that Wasn't Jimmy the first in the UK to use two turntables? (by wiring two seperate ones together)... sure I read that somewhere, possibly 'Last Night A DJ Saved My Life'.

[Matt Male]

Kolla, on Jul 15 2005, 08:33 AM, said:

  I'm guilty of this which was why i posted the original question.  Until I read the replies to this thread, my understanding of the genre of "disco" was defined by sounds like:-

Anita Ward - Ring My Bell
Young Hearts Run Free - Candi Staton
Native New Yorker - Odyssey
I Feel Love - Donna Summer

<{POST_SNAPBACK}>

This opens up a whole new set of questions. I love all of the records above and could never understand why some of them never got played at 'northern' events, especially Candi Staton and things like The Emotions - You Got the Best of My Love and Earth Wind and Fire - Boogie Wonderland. I could easily see myself on the floor to these 'disco' classics.

There seems to be an unnatural division sometimes that's not even down to the dancability of the music in a northern sense. Sometimes there is a bit of a blurring like when Edwin Starr's Contact is played or even Happy Radio. But even then these tunes still don't qualify as Crossover sounds like the Montclairs or the Moments etc..

Just a thought...

M.

[funky4u]

^ ^ Yes for me it IS part of soul music.

& yes I agree "young Hearts Run Free" has more in common musically than alot of later recorded material that ppl consider Northern Soul.


What ever it is I like it.