Tlscapital source profile cover photo


  • Content Count

  • Joined

  • Last visited

  • Sales Feedback


Everything posted by Tlscapital

  1. Isn't that rather the single sided forthcoming Carmen LP project done only halfway that features an instrumental version of 'I know you're leaving me' and the original of where 'I wonder why' was sourced ? As your sale title present an EP thing (even if dating 1975) that might confuse us with the 1982 EP...
  2. Was thinking at first just the same. But when it comes to Tamla group LP's there's IMO very few that are actually that fully exciting to listen to from beginning to end without suffering the "all time" classic that you do not want to hear home anymore or the filler tune that they found on reels that ruins the whole picture. Thinking on the spot of the Temptations 'with a lotta soul', Marvin Gaye 'what's going on' the Miracles 'cookin' with' that should be reachable to Joe Public as well as to connoisseurs. But for the rest they are either collectors/fans albums or keepers for the one or two tracks that didn't got a 45 release kind of LP's to own.
  3. Yes the term audiophile is wrong as there is no such vinyl thing. Qualities of different plastics yes. The 180 grams is only to minimize warp/dish-ing of the "pizza" but more plastic doesn't mean better playback definition. Audiophile mastering and/or recording materials do exists though. And those limited records sell brand new in the £100's a piece. Still that is another matter mostly dedicated to "audiophile" music aiming for high-end phone gear$... But MONO in my world IS KING undoubtedly. STEREO is always a sound engineer process thing. MONO is natural and STEREO an illusion that I don't care for one bit even though many do feel strongly about it. Used to or addicted to...
  4. My 2 cents; the world has change (wrong word (since no revolution have occurred) but it's the lingual formula for 'evolve' in such phrase/context) and the number of venues capable to host such (cheap) events are on every street corner. Where some decades ago it took an organization to host, finance, promote and get the 'DJ's' with the (right) records, mind and body to bring and entertain the crowd. All that is not required by some (cheapskates) anymore. Everything now is only few 'clicks' away... My 1 cent; to tell appart: there use to be the scenes before the splits/schisms between the trendies (mods, skinheads, scooterists, rockers and what have youZ) and the records chasers. For the trendies, music was only one of the many artifact to own for (wanna) being what they were/are. For the records chasers music matters on it's own. Understandingly the trendies from today shan't shy to step on anybody's toe daring to have at least an arrogant stand compensating for all the rest they're evidently lacking.
  5. Canada Cameo that looks like a USA WDJ but not; a regular Canadian stocker... Ex condition with faint sticker mark at 2 O'clock on 'the 81' side. Don't forget the fantastic 'evergreen' nonchalant sing-a-long finger snapper 'two happy people' flip side. Scans of both sides from actual record for sale. £20 FREE SHIPPING ALL OVER THE WORLD. ADD £6 TO HAVE IT REGISTERED. Grading through M - EX - VG - G... PM me to inquire
  6. Wrong section ? Try in 'wants' maybe...
  7. You're right. Not the same singers nor the same instrumental take. The Chuck Corby for me does it better with the little necessary Oomps that really lacks in the Rhythm Rascals 'light'n'tight' version that, no offense to anyone, I never liked.
  8. Years ago I was shown a small 'paper clip' in a fanzine taken from an American music magazine with a very contrasted black and white photo (not the best quality but still) of the group. If I can remember who showed me that, I could maybe ask him if he still has that...
  9. No never seen that one. Story goes from the Brits. that young trainees in the pressing plant chain where tested with spare printed labels and whatever templates was lying around to learn the work. And so some odd mismatch (even with distant catalogue number like in this case) labels are to be found occasionally if ever they managed to escaped the bin. Some such British releases are said to fetch some money on the market with few collectors of the likes of the Beatles and such collector's band (Yawn !). But if ever you'd venture in such a field my dear friend, I have a single sided promo Johnny Sayles 'don't turn your back on me' on Mar-V-Lus playing Gene Chandler 'think nothing about it'... Open for trades LOL !
  10. Hopefully a vinyl compilation, when done with taste and some 'representative' tunes that don't have the favor from all on the "scene", is a much smarter move as they aim anyway to those who can't afford the 45's yet still want to hear, discover and 'educate' their ear to "new" sounds as well. For those reasons I always favored my Kent compilations (pre N°50) as a 'beginner' and always had a dedicated dislike for the Inferno see through comp vinyl and cover with that 'tainted love' tune lasting 15 minutes and on the flip the house party pre-mixed job of too few "good" ol' classics. Onto which all was made as an artifact for the kids 'house party'. Here now I think it's a rather fair selection they did there. Maybe a tad too much on the 'safe' side of things. But I'm not concerned by comps anymore. Still it's good to see younger ones going for them and buzzing on about tunes
  11. Thanks. For some reason since this morning I can't open any Discogs pages. It's like their server is down... Apparently not. I will try it back later.
  12. Flip side attributed to LaBrenda Ben & the Vandellas as well ?
  13. Does the LaBrenda Ben on Motown really exist ? That scan is the only one found on the net and it looks rather suspicious IMHO. The Gordy edition is established to be around September or October 1962. Still the scan is odd to me. The Motown in regard of the catalogue attributed number Motown 1033 (even if cancelled if ever) in regard of the previous catalogue number Motown 1032 dating from July and following Motown 1034 dating from November 1962. Yet LaBrenda Ben Motown 1033 is supposedly from December 1962. Even if those dates ( source) don't correlate so well, they all tend to post date the Gordy release which makes no sense. Then the label typo and colors don't fit. The Motown 'camel walk' dating from December 1962 credit LaBrenda Ben & the Vandellas. But Martha & the Vandellas first 45 only came out on Gordy 7011, some two release numbers after LaBrenda Ben 7009 and supposedly dates from September 1962.
  14. More to go my way. Did I say the guy was megalomaniac ? Reading that I thought this fact can't be right nor true. Not a specialist on such matter the answer was only few clicks away and here we are;
  15. Yes that got. And yes again, I agree with you that there should always be room for doubt. I even left some of that in my previous sentencing Some or a little at least But since he left out all the Drew and Sidra credentials on the Stemmons Express record, this can only be intentional in my book. And so even if he was given those backing track reels by someone with authority over hem, it's once again all about him, himself and he.
  16. Thanks for posting this article. It kinds of put a light on the character this Sam Colin guy was. Suing John Lennon (or anybody else for that matter ) because a song's title bared the word 'karma' !? Is that guy anything else but a megalomaniac paranoid crook nut ? Both backing tracks 'such misery' and 'if this is love' where stolen (or maybe borrowed but...) from the Sidra/Drew vaults to release these none the less fantastic new compositions by this Houston group on the Karma Houston based label without credentials to the originators. Quote; he says he has been successful because he surrounded himself with "businessmen, not frustrated musicians" (nice to say BTW...). Now, get his 'punch line' on this; "easier to teach music to a businessman than to teach business to a music man"... This clearly is bull Sh*t ! Which one was he then ? Do I hear a business man trying to flip flop the reader's mind while pretending doing it for the music ? He was just a stealer that even manage to sell it to Wand records to re-release the best record from his Karma label trying to cash on music he stole in the first place. Hear me; I always loved the Stemmons Express but never could get my head around how this backing track ended up there ! How could it have been in done a 'nice' way as in 'fair'. Finishing the article with his quote "And Karma belongs to me". T H E R E ' S N O T H I N G E L S E T O S A Y
  17. Yes as shown below. Indeed the second 'lease on life' of the 2 last releases on Sidra post dates the lasts label productions. This begs the question; was the use of the Precisions backing tracks almost a year later given or stolen ? This Sam (officially he signs as Gerald apparently) Coplin character is not so clear or necessary benefiting the benefit of the doubt IMO. Not crediting the musical productions for his Karma release and re-release on Wand (even getting rid of Jay Lewis in the composition credit) shows. Barbara Mercer Sidra 9012 (Oct. 1967) Timmy Willis Sidra 9013 (Nov. 1967) Last release on Sidra then dismissal of the label before these got re-issued Barbara Mercer Capitol 2059 (Nov. 1967) Timmy Willis Veep 1279 (Dec. 1967)
  18. Oops, my-my that's well spotted !!! Such poor muffled down mastering job they did on this Capitol issue in comparison with the Sidra release, I actually never bothered to look at it closer. Good you did. So that could explain how they letted "the wolf in sheep clothing" into the Sidra/Drew vaults and allow him to steal/borrow those 1966 backing tracks and "lend" them for the Stemmons Express over-dub recording... Or were they "given to him" on fair terms not even to have their publishing rights acknowledged after promesses of other future deals with major companies just before the dismissal of the Sidra company short after November 1967 ?
  19. Remember a quote on the phone from Roger Banks ('R'n'B' on here ) some 15 years ago or so over a BSC picture cover of Betty Lloyd. He was kinda bluffing leading anyone to hope that it would be for her 'I'm catching on' but I understood that it was for another release of hers. Now I know about her second BSC single 'six days til Christmas' cute 1969 novelty single, could this release have had a picture sleeve ? This I thought to be possible as Gino Washington had a picture sleeve for his 'it's winter' 45 on Atac (same pressing plant) from 1971 though...
  20. File a complaint to both Discogs and Paypal; the seller must provide the new entry for his alternate press that is a bootleg that which Discogs does not accept in the first place. Then with Paypal as well for an having received an item that is not as described with the seller refusal to refund with exchanged messages attesting all of that. Get your money back and send that crook bastard to hell !
  21. Yes, in Jamaica they use to (at least) call them lacquers, acetates, one offs or more commonly 'dub plates'. And by some courageous DJ's they were played with resin styluses that were to be swapped off quickly due to their soft constituency. The resin styluses were evidently less damaging to the groove even though they would leave their 'grease' into the groove of the record after each play that would induce a swipe clean afterward as well. Although it sounded amazing, that didn't last... If those DJ's lacquers records survived through the "rough" DJ handling, carrying and natural drying-out, they are still considered by many as true "collectors" items. With diamond or steel styluses the groove of those "acetates" will wear much faster. Most find their ways through the bins after they had their 'slice' of life. Nowadays some propose carvers that ar just carved "cut-ins" on plastic vinyl one-offsl that might have longer life span but logically have a less good mastering process to none actually.

  • Create New...

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.