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Coolnotes

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Coolnotes last won the day on March 4 2022

Coolnotes had the most liked content!

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  • Gender
    Male
  • Location
    Keighley
  • Interests
    Soul Jazz Reggae ,Football. Running Cooking Fair Trade ,Sailing
  • Top Soul Sound
    Gladys Knight and the Pips Nobody but you.

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  • A brief intro...
    Been a committed fan of Soul/Black music in many forms since mid 1970's. Through Disco',Jazz Funk , Northern , Reggae, Rare Groove, Modern/Crossover Soul,some Hip Hop, Jazz, RnB,Ska. Club history includes  Crackers, Purley All Dayers, Wigan Casino, 6Ts 100 Club, Talking Loud/Cross the Tracks Dingwalls, Good Times Sound System, White Bull Gisburn, Prestatyn and North Lancs Weekenders. Kings Hall Stoke. More interested in the positives that this fantastic music gives us than any petty 'Soul politics' . Committed to equality and diversity and social change. More into dancing and laughing than collecting .  Fav DJs,   Norman Jay, Gilles Peterson, Roger Williams, Colin Curtis, Paul Jones. Ginger Tony, Mick Smith, Soul Sam, Bob Jones. Shaun Evans . 

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  1. If last nights episode was anything to go by GP shows a lot of respect for his 'subjects' , which included a Grime Rapper, Pub Landlord , and the owner of a Peak District tea room, all from the Asian community discussing amongst other things how they have absorbed these cultural spaces , two of which involved moving beyond their own cultural backgrounds to adopt a new one. Sadly not without some shameless bigotry for the tea room manager . What this country has done well going back hundreds or thousands of years is to absorb new ideas often delivered by migrants , and adapting or reinventing them as our own. Tea , Fish and Chips , Chicken Balti , Two Tone , Pantomime , and dare I suggest Northern Soul . What has been less easy is for migrants to find a comfortable English (as opposed to British) identity , but both national sport , music , politics and events like the Queens funeral have progressed this. I really admire GP but don't share his reluctance to embrace English pride fearing that it might be misconstrued for bigotry. That just surrenders Englishness to the bigots . KTF . Cool Notes
  2. Grayson Perry’s The Full English Channel 4 Thursday 9th February 9-10pm Quirky artist and TV presenter Grayson Perry concludes his three part examination of what it means to be English’ these days . This sees him journey North where he supposedly chats to a pair of Northern Soul enthusiasts in Wigan before visiting an All Niter in Blackpool. (There is also an interview with Paul Heaton :Ex Beautiful South ) He’s not everyones taste but he doesn’t take himself too seriously - He Plans to wear a dress to receive his Knighthood from the King ! In the first episode he was prepared to shatter some myths and stereotypes about England football fans . Here’s hoping he’ll show similar respect for our scene . The production team Swan Films did an excellent job looking at masculinity a few years ago. Keep the Faith . Cool Notes. added by site, video of the Northern Soul Segment
  3. A legend for both his contribution to the HDH Motown legacy and his own solo work . My favourite being this sophisticated example of Lamont’s classical roots are apparent in the popular “ Why Can’t We Be Lovers ‘ from the 1974 album Love and Beauty .By the time of its release he had already parted from the failing Invictus label, and the Holland brothers put the album out to capitalise on his solo success with ABC. The track develops a lush growing orchestral score , a haunting melodic horn solo all overlaid with Lamont’s painful reflections on love gone wrong. it could easily have come out of the PIR stable. RIP. KTF. Cool Notes
  4. Im very short of being a royalist but caught this on the Sunday Parade which displayed the UK's cultural history during the Queens reign . The lorry had dancers and there were a few dancing on the street . Needless to say "Do I Love You " got a hearing. It fell between Disco and Punk on the cultural continum . There was a time when the No Talc issue made a front page headline on the Keighley News .. but thats another story. KTF. Cool Notes .
  5. What stopped them using some Soul music to promote it on You Tube. !! instead of the Muszak ! . KTF.
  6. A quality selection , Nice One .. Keep the Faith
  7. Ive some respect for her passion and commitment for the music and desire to spread the word to a younger generation. An error to suggest "its never reached over to young people' evidenced by many a film clip. Is her venue posted on Soul Source ? R
  8. The Drifters Girl throws a spotlight on the murky world of a music industry often marked by accusations of betrayal, exploitation and plagiarism through a complex web of accusation and counter accusation. Soul music history is of course rife with such tales, but few matched The Drifters in its scale and length.If you probe a bit further you find a litany of broken promises and contracts , poached talent and double crossing that many football fans might recognise.The Drifters Girl musical presents Faye as a feisty heroine fighting for the groups name , but the Treadwell family made some shrewd and sometimes ruthless decisions to assert control over what in effect was less of a creative collective and more of a lucrative ‘Brand “ or Franchise. The show includes Faye declaring “The Drifters are like the New York Yankees , you can change the team but you can’t replace the Yankees.” . The Treadwell’s are just three members of a complex web of characters who , over 60 years , fought for rewards that came with such a popular brand name. “There Goes My First Love “ In 1953 Atlantic Records co founder Ahmet Ertegun seized an opportunity to coax Clyde Mc Phatter , lead tenor with Billy Ward and the Dominoes - away with the promise of his own backing group, The Drifters.Ertegun initially recruited, but soon ditched five members of the gospel Mount Lebanon Singers , in favour of another line up which achieved early success for Atlantic .Mc Phatter later used his army draft as the opportunity to pursue a solo career leaving the Drifters. In doing so he sold his share of the groups name to George Treadwell. In doing so Clyde later admitted that he denied the existing and subsequent members little or no control over the group or their income. Treadwell was a Jazz Trumpeter and husband of Sarah Vaughn , Under Treadwells control the group achieved success but was soon marred by financial disputes and departures including lead tenor Bill Pinkey , who was later to form his own group “ Bill Pinkney's Original Drifters” , further disputes also saw former members start ‘The Original Drifters ‘, Within five years of the groups birth there had been, at least 5 lines ups involving three groups and three managers in dispute over control of the brand. During a performance of at the Harlem Apollo feuds escalated to fights, and in a ruthless move Treadwell sacked all the group and persuaded the manager of The Five Crowns (Lover Patterson) to rebrand them as The Drifters, bringing B E King as lead. Musically this is the equivalent of Wimbledon FC being relocated to Milton Keynes as a new entity , which rightly earned the wrath of most football fans . Treadwell’s decision also didn’t initially go down well with the Drifters fans who were loyal to Mc Phatter . This reportedly saw some frosty audiences before most succumbed to Ben E King and chart success . Treadwell’s loyalty to his wife was equally flimsy . During a stay in LA he wooed a member of the Board of Education and daughter of Arkansas Baptist Minister Fayrene Johnson, who turned a blind eye to his marital status , until they were free to wed. The musical suggests Faye impressed George with some shrewd and adept suggestions and that he eventually took her on board to help manage the group. Following Mc Phatters’s departure the Drifters were plagued by further complex changes in their line up.Ben E King’s period is often cited at their ‘Golden Years ‘ but in truth Johnny Moore was the groups main stay during their most successful period in the late fifties and early sixties . During this time group members were in effect salaried employees of the Treadwells ‘Drifters Inc’ , Members of a group often referred to as ‘The Treadwell Drifters.’ Group members were denied a share of royalties or record shares and any right to use of the groups name. This was a period of relentless touring schedules , which continued into the seventies and eighties . At one point , Moore, the groups mainstay quit due to exhaustion but later returned only to die of pneumonia aged just 64. He was cremated in Croydon in 1998.George Treadwell met an early death in 1967 aged just 47 , and Faye was left with control of the group. Litigation and a move to the UK In 1969 magazine editor Larry Marshak planned a series of retro Rock and Roll tribute shows and recruited some former members to perform. (Finding an ex and often emitted Drifter never proved too difficult , there have been at least sixty in circulation . ) He subsequently began to promote them as The Drifters , which triggered a twenty year litigation battle with Faye Treadwell over rights over the name.Faced with declining sales and chart success in a new age of music in 1972 Faye moved The Drifters to England where they secured both extensive live tours and chart success with an extension of their brand of popular RnB/Soul. The UK offered Faye and the ever changing Drifters a wealth of cabaret and working mens clubs and provincial theatres as well as a number of US Air Force bases, not to mention markets in mainland Europe. In the stage show there is evidence that the move also allowed Faye to delay costly US litigation proceedings, which led to an accusation of ‘abandonment’ of the brand name in the USA . Whilst UK success later helped fund Faye’s litigation , it brought with it further splits and legal wrangles. So in the same year that The Drifters were inducted into the US Rock and Roll Hall of Fame , a legal battle was being played out in the UK by rivals operating out of Woking and Cleveleys. You could imagine “There Goes My First Love” playing over this sad event. Two former members of The Drifters Inc , Tour Manager Mark Lundquist and Agent Phil Lunderman set up The Drifters UK.It was eventually resolved in Faye’s favour. (Public records reveal that Lundquist was allegedly fighting for performance revenues that averaged £218,000 a year, hardly lavish !)By 2001 Faye returned to the USA allegedly bankrupt. Control was handed over to her daughter Tina (who is featured in the Drifters Girl show as a child) it was to be another seven years before the litigation with Larry Marshak was resolved in Faye’s favour of the Treadwells. By which time the number of variations of The Drifters had exceeded to absurd levels . These would include The American Drifters, Don Thomas and the Drifters, The Dock Green Drifters , The UK Drifters , The Drifters Legends, Clyde Mc Phatters Drifters , Bill Pinkeys Original Drifters , The New Drifters. At least a third of these were in the UK . There was a version of The Drifters to suit every purse, cause and venue. They were booked by Princess Anne , Tony Blair and Bill Clinton, .They offered stage appearances for Primary school children, swooped in to a Birmingham ASDA for Children in Need , or you could win a chance to record your favourite Drifters song with them via The Daily Express . These were not mere ‘Tribute Acts’ , each of them might lay claim to a lineage that spread back to Ahmet Ertegun and Clyde Mc Phatter. Faye Treadwell died of breast cancer aged of 84 in 2011. Beverley Knight and Tina Treadwell Today Tina Treadwell is president of the Treadwell Entertainment Group based in Los Angeles, a long way from the world of her parents. She was a graduate of Princeton University , and went on to a successful career as a Casting Manager for Disney Films .She written a number of award winning stage productions , served as a US Foreign Emissary in SE Asia and is planning a film about her parents. The West End Musical staring Beverley Knight was supposedly based on a book by Tina , but I have yet to find details of it .The Drifters were certainly not the only group to fracture into multiple line ups, Soul music is littered with similar stories. The Platters , The Temptations. Like the Drifters they hide stories of feuds , alleged betrayal, and often greed. Truth be told many of the audiences probably didn’t even care of the legacy of the group they were seeking. Yet you could argue that Brand over Band serves in some way to cheapen the music in some way. Cool Notes The Drifters Girl opens at the Garrick Theatre London next week.
  9. This COVID delayed musical was due to open in London some months ago but saw its launch moved to Newcastles Royal Theatre for three weeks ahead of a four month run at the Garrick Theatre from 4th November. Beverley Knight has built up an impressive stage repertoire that includes , The Bodyguard , Memphis , and Cats . Here she delivers a performance that is totally convincing as Faye Treadwell ,the feisty Southern newcomer to the male dominated world of music management . With her husband George we chart their role in what proved to be one of the most successful acts of their age, and their often bewildering line up changes that saw over sixty members come and go and years of litigation over the rights to the name. Beverley Knight perfectly captures the determination and confidence Faye would have needed to hold her own in her battles with the record industry , rival managers , the ego’s of the group and racist bigotry of the age. Yet its not all heartache , there is a tongue in cheek sense of fun and wit running through this production which delivers a high degree of versatility from the four guys who double up in roles such as Ahmet Ertgun and Herb Abramson , Judges , UK promoters and hotel staff, and even Bruce Forsyth ! I was relieved to see our Bev’ given a number of solo songs which I sensed were written to progress the plot . She delivered these with the sense of passion and professionalism we have come to expect from her, every one warmly applauded by a sell out matinee audience. Given the chart success of The Drifters , you know you are never going to wait long before they deliver a three minute gem likely to have been crafted by masters of the art -Lieber and Stoller. I counted at least a dozen. Anyone who came hoping to hear “Pour Your Little Heart Out “ or “Got to Pay Your Dues” was going to be disappointed .We were reminded that in the turmoil of litigation over the brand name Faye Treadwell relocated the Drifters to the UK in the early 1970’s where they were welcomed with open arms by promoters and audiences. Sadly less so by many provincial hotels whose racism met sharp rebukes from Mrs Treadwell, and we were given flash card reminders of this legacy and the BLM campaign. By the time Faye and The Drifters left the UK they had secured 7 chart hits from the pens of British song writers Roger Greenaway and Tony Macaulay. (Which included “Love Games “ , which is no less deserving of being heard at Northern Soul events. ) I’ll avoid any spoilers ,suffice to say Beverley and the boys deliver an uplifting tribute to both The Drifters in all their guises and to Faye’s story. They close with rousing finale in front of the band which brought most of the audience to its feet (No easy task given our ages) The Newcastle launch became apparent. A lot of them , like myself had grown up on this music and/or had long been fans of Beverley Knight , our own Soul Diva from Wolverhampton. The lack of continuity in the ever changing line ups of the group were never going to be enough to detract from what was an exceptional catalogue of feel good hits , on the commercial end of the Soul music spectrum. Cool Notes The Drifters Girl moves to Londons Garrick Theatre to open on 4th November to Saturday 26th March . Joining Beverley Knight will be Tosh Wanogho-Maud (Ben E King), Tarinn Callender (Johnny Moore), Adam J Bernard (George Treadwell) and Matt Henry (Clyde McPhatter) Running time: 2 hours 20 mins https://www.nimaxtheatres.com/shows/the-drifters-girl/
  10. A heads up on a Talking Pictures , my go to source for Norman Wisdom films are showing the 90 mins 2012 documentary Keep on Burning: The Story of Northern Soul (2012) on 2.10 pm Sunday 17th October. Just to be clear this is no way my endorsement of the programme or views shared on it, make your own minds up .It also has contributions from Ian Levine , Stuart , Cosgrove , Richard Searling , Ady Croasdell, Edwin Starr and others. For those of you that lack access to Tallking Pictures channel the entire film is on You Tube with irritating ad breaks but some choice comments . The film has yet to warrant a promo’ slot on Talking Pictures Facebook page. Talking Pictures is a cult TV channel run from a garden office in Hertfordshire . Started by Noel Conin a film obsessive who had a huge collection of material that everybody else had forgotten about , … mmmm sounds familiar. ! Keep the Faith . Cool Notes This is their own spin on the film Keep on Burning: The Story of Northern Soul (2012) on Sunday 17th Oct at 2.10pm. In 1970s, the Wigan Casino was home to a music phenomenon which became known as Northern Soul. This documentary looks back at the music and the people involved. Casino owner, Russ Winstanley and DJ Tony Blackburn are among those interviewed. It also has contributions from Ian Levine , Stuart , Cosgrove , Richard Searling , Ady Croasdell, Edwin Starr and others. https://www.youtube.com/watch?v=nQwuYE_mpS0
  11. Im not sure of the expected boundaries of these photo's , but .. A couple of my scooter 'Gladys' , the first one taken in the Yorkshire Dales. The 3rd one ..taken on one of our early "Lock Down" walks , when we came across Lizzy - an eccentric local runner who went out in fancy dress just to lift peoples spirits. Here on the Leeds - Liverpool canal.
  12. I came over from Yorkshire , stopping with my sister in Cheshire after the event. It was my first All Niter and trip to this venue for some time. Most of the seating in the main room was taken very quickly , but that didn't bother me as Id really come for the Windsor Room to hear more modern stuff , occasionally dipping into the main room . Big Respect to the DJ's and dancers who made the modern room a success , especially John and Julie . Great variety of sounds all round . I heard some gripes about the bar queues , which might have been justified but not enough to spoil the night Id waited too long for . Keep em coming and Keep the Faith. Cool Notes.


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