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Posts posted by Goldsoul
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Guest Colin Day talks AI and features some great tracks written and produced by himself!-
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Well known Burnley DJ and in more recent times, Skipton…..Keith Fletcher passed away a few days ago.
His career took him from clubs in Lancashire to P&O Cruises to Blackpool Tower and a long stint on BBC Radio Lancs. The last 2 years he hosted evenings on 45 Radio.
Our deepest condolences to the family, in particular his wife Barbara Alton.-
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New series from Charly Records featuring guests DAVID NATHAN(co-owner of Soul City 60’s), TIM BROWN, JORDAN WILSON.
Forthcoming programmes feature NEIL RUSHTON, CORRINE DREWERY, SEAN CHAPMAN, RICHARD SEARLING plus Artists, Exclusive stories from a generation of experience
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Hi- Feel free for a rach out. Looks like a good haul. I’m probably the only person who ever met all parties involved. Robert, Eugene on lead, Tony Camillo RIP and Mike Szymanski, who also owned the Phoof label.
I can link you to Rob Paladino if you wish to talk to him.
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7 hours ago, Mackwell said:
Hi everyone, by chance I have acquired a treasure trove that seems to be the old stock of records, master tapes, and promotional photos, etc. that belonged to one of the the owners of the defunct record label Sandbag Records in New York. This includes some original copies of "you don't love me" as well as some interesting metal recording discs that I am looking to identify.
So far I have not played them or attempted to do anything to them because they are so fragile.
The information from Robert Paladino in the article on the history of the record mentions early demos, so I believe these might be them or some versions of them. If anyone can give me some advice on how to identify them / any insight it would be greatly appreciated. Thanks!
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5 hours ago, Benji said:
I‘ve read somewhere that Dave Evison is behind some/most/all recent Northern Soul 45s on Charly. Is this correct?
The company select qualified compilers for specific titles. Dave lent his hand to the Mr M’s release.
11 minutes ago, Peter99 said:Is there any need for comments like that? You sure can be prickly when you want to be Kev.
Peter
With good cause!
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On 07/08/2024 at 18:24, Soulman said:
Hi all,
Does anyone have a contact for Charly Records? With the resurrection of the label I'm hoping this isn't another scam as per The Nurons issue on whatever label it was - Brewerytown springs to mind (yeah, I never received neither the issue or demo from them but did get a copy courtesy of Happy Feet on here for which I am eternally grateful). I ordered the Mill Evans quite some time ago but have received nothing. Anyone else had the same issue as I saw people posting on Facebook that their copy had arrived and even seen it on set lists when played out. I haven't checked my Paypal transaction history yet to get the date but I know it's been a while.
Steve
Why haven’t you contacted them direct? Another scam……..that’s pretty nasty aimed at a company trading for half a century.
sales@charly.co.uk or contact them via the website www.charlydirect.com -
4 hours ago, Geeselad said:
Out of interest who owns Charlie, now?
The owner is Jean Luc Young. Celebrating 50 years as a record company with excellent product. See them on line www.charlydirect.com
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On 08/08/2024 at 15:43, Soulman said:
That's what I'd seen hence my question. As stated above by Happy Feet, shipping could be from 6th August. I will wait another week although my initial enquiries to Charly have proved fruitless to date.
Steve
sales@charly.co.uk
52 minutes ago, Roburt said:Didn't Charly first go 'off-shore' when they were in trouble for releasing Chess tracks (to Holland I seem to recall).
Another scandalous comment from one of life’s great trouble makers!
1 hour ago, Roburt said:Didn't Charly do a big promotion at the recent Blackpool weekender ... utilising Levanna, the leader of the Bristol soul crew. Think their new NS 45's were launched at the event. I'm sure the promoters of that event (Richard Searling, etc.) would know who to contact at Charly.
sales@charly.co.uk
All clear?
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Top quality buyer. Superb Rod.
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22 minutes ago, Windlesoul said:
Just heard Buzz Cason passed away. Between him and Mac Gayden, they were responsible for writing and producing a ton of huge country, soul and pop hits in the '60s and beyond. When I tracked Buzz down for "House of Broken Hearts: The Soul of 1960s Nashville", he was intrigued to hear of the UK rare soul scene's interest in lesser known material that he had a hand in. In all, a really accommodating, friendly guy who helped me nail more than a few Nashville tales for the book.
Sad news indeed.
A quick reminder of the great body of work from Cason/GaydenMac Gayden talks Soul
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4 hours ago, Stephen Houghton said:All the comments are quite varied and interesting. As for me a old duffer from a era when the music and venue just did it ,but lately we probably go to about one a mth now mainly the cost is getting silly.hotel now £150 and the cost of the night runs at about £200.the last one last week was the Kings Hall alldayer never been before even though we live in Stoke but thought we would give it a try ,we stayed 2hrs and left ,we were cheesed off with drunks on the dance floor and beer on the floor and if that wasn't bad enough the music was just mediocre at best .After 45yrs of souling it about I think our time has come to call it a day but who knows
What an absolute load of nonsense. Tell us about the mediocre music played by Jordan Wilson, Ginger Taylor, Mick Taylor, Rob Smith, Hitsville Chalky, Sean Chapman, Ozz Osborne?
There were no drunks at all in that building on Saturday.
You live in Stoke but you’ve never been to the King’s Hall before……….Although we are back to All Nighters from September, last Saturday was a terrific display of some of the best and rarest 45’s the scene has to offer.
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Eddie- Perfectly understandable theory due to B&S articles but Van McCoy was a man of mystery when recording and he taught Chris Bartley well.
I’m not in any way trying to muddy waters, but I have spent time with Bill Downs(co-owner of Right On) and Chris Bartley.
Returning to an earlier posting whereby I said ‘Downs didn’t know of a Marke Chris Jackson…….well I have an update……nether does Caesar Berry of the Tymes……he just messaged me. Now his memory(like all us) could be fading, but they had a Top 10 with ‘You Little Trustnaker’ and he doesn’t know him!Clearly a matter of opinion, but it easy to divert attention to others when under contract. Ron Dunbar was also a friend and he happily took the plaudits for Freda Payne’s multi million seller , in contrast to the heavy rumors H-D-H wrote it.
Dave Godin was a great journalist with an imagination who could easily have had to play along with whatever scenario he was faced with at the time. Best if we keep an open mind and keep looking for clues-
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4 hours ago, Blackpoolsoul said:
Spotted this quote Kev
"Chris Jackson came to us through a manager called Bill Barnes. Bill Barnes was a New York based manager that worked with a lot of Philadelphia acts. He was responsible for the Ad-Libs, he also worked with Van McCoy and that’s how we got connected to Chris Jackson. He came to London and that’s when we met him."
The article is flawed! Bill Downs he means not Barnes. As mentioned before Bill Downs was a friend of mine.
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37 minutes ago, Mickey Finn said:
This is from Discogs, where it also says that Chris Jackson was an alias used by Marke.
Yet Bill mentioned to me ‘he didn’t know who Jackson was. Could have easily been Van or Bartley on lead with a stooge brought in for a photo shoot.
Bill at the time was arranging press/publicity for the ‘Fantastic Puzzles’……..i doubt they were the same group as the image, more Pat Adams and Greg Carmichael.
Bill was a creative and talented guy.
I still don’t believe the vocalist is ‘Chris/Marke Jackson on ‘I’ll Never Forget You.
Chris Bartley lived near me in New Jersey in 1981 and continually mentioned the amount of sessions he did for Van and others.-
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1 hour ago, Simon T said:
they all sound the same to me
Chris - marke - van
I doubt there is a Chris Jackson. Bill Downes(RIP) was a friend of mine. He managed the Ad Libs, Chris Bartley and the Jelly Beans.
He had never heard of Jackson.
I agree…….they do sound similar. So, sticking one’s neck out……figure on Bartley or McCoy as Jackson. I thought that in 1975 and still do. -
1 hour ago, Julianb said:
Sorry, don't know. Maybe Frank Elson, Franny O'Brien or Ian Levine could help. Unfortunately one or two who may have known have sadly passed away.
Julian- Are we sure there is a ‘Chris Jackson’?
Regardless of the image of him, my moneys on Chris Bartley or Van McCoy. Both had strong falsetto voices.
Soul Junction recently released one of my discoveries by Van- April/Blackwood acetate.
Unless someone categorically prove there is a ‘CJ’………I go with CB or VM as the recorders of ‘Since There’s No Doubt’ -
3 hours ago, Chalky said:
Why? Enough people with the original
Karl- I think he means…..as there are so many gigs these days, it’s doubtful many would not have an original to play.
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Sammy lived in Plainfield. NJ.
Jamie Gayden(Harold Lipsius) signed him as Tyrone Ashley in 1968.
Blackwell did have a notorious name for ‘leaning on’ competitors.
The argument was a regular occurrence in the business. George was asked to help and finance the new single ‘Job Opening’ which he did……but does that give him a financial interest?Following a period of zero sales, Sammy and the group decided to go it alone omitting Blackwell from any future dealings. George clearly didn’t agree.
Back to the light blue reissue……..the wording on the label that Sam supplied ie Tyrone Ashley, could have been some sort of smoke screen, but it wouldn’t have made any difference, apart from 10 copies I gave to Stan Krause(Catamount/Journal Square) the rest were distributed in the UK……..without much success.-
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Well fellas…………it’s totally and utterly legal.
Ian Levine hooked me up with Sammy Campbell in 1975 and he pressed 500 copies.
Remember Ian was already dealing with Sam(Tyrone Ashley). I continued a friendly relationship with Sam over the years, topping off with an appearance by the only 3 surviving members(at the time) in 2006 for a Soultripusa appearance at the Hilton, New Brunswick, NJ.
Ironically Sammy was nervous at the time of manufacture, citing George Blackwell as an interested party but also as a hostile one.
Apparently GB had manufactured the initial promo and failed to do anything with it, leaving the band to fund their own release in late 1965.
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14 minutes ago, Greedy Mick said:
Very sad news. Another great artist gone.
Love and prayers to his family and friends..
I have always loved baby I'm sorry possibly more than I'll never know why. But 2 great songs of which I am thankful for.
I have often wondered if he sang on thee checkers lack of love as it is a similar voice??
Rip Freddie, and show those angels how a soul record should be sang...
He didn’t but Dave Newman, born David Nunez did.
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FREDDIE CHAVEZ. RIP
https://youtu.be/ah1-N22b3Yw
Freddie appeared at Soultripusa Las Vegas 2018
The New Mexico Music Awards 3d · Marco Nunez tells us that a New Mexico legend passed last evening. Freddie Chavez has died at the age of 76. Freddie was the little engine that could. He began his career in 1959 at the age 11 and never looked back. Born and raised in Albuquerque, Freddie loved his town and the Duke City loved him back. He played in a band all through high school, performing at high school sock hops and weddings on the weekends. His bands, The Freddie Chavez Foundation and Spinning Wheel were the most popular bands in the state for many years, so in demand that they would often be booked for two or more events on the same day. In the 60s, Freddie was best known for the Northern Soul anthem, 'They'll Never Know Why'. Freddie was not afraid to change with the times. While he loved playing Spanish music and corridos, he would also adapt to the newer funk, psychedelic rock and soul of the late 60s and early 70s. When everyone else was showing up with a 4 piece rock ensemble, Freddie was touring with a full horn and rhythm section, dressed in a tux and making sure his band was also appropriately dressed. If you weren't, you got fined a dollar. The Foundation always had the best gigs at hotels and opening for giants in the music industry. As the years rolled by, Freddie wanted to spend more time with his family. He married his high school sweetheart and raised three girls. He downsized his band, but the demand for his music always kept him on stage. Eventually, it was just Freddie and Sal Garcia (on saxophone) playing small lounges and finally just Freddie as a solo act, his audience following him wherever he went. He played every weekend until his health prevented him from doing so. Freddie was a human jukebox. You could ask for anything, from country to blues to rock to your favorite polka and he could play it. His voice was incredible and he could bring you to tears or make you stand up and cheer. Freddie was inducted into the New Mexico Music Hall of Fame in 2005, well before other New Mexico legends like Al Hurricane or Glen Campbell were so honored. The music of New Mexico and the industry we know today was built on a solid foundation of people like Freddie Chavez. He will truly be missed.
Freddie(Left) (John Wagner owner of Look right)
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The Scene Is In Safe Hands
in Freebasing
Posted
I should have paid more attention to Dave Withers wisdom in the Wigan Coke Bar