Patti La Belle always liked Brits & this showed throughout her career.
Patti & the Bluebelles toured the UK in the mid 60's. On their gigs they were backed up by Bluesology who featured Elton John among their number. Patti & Elton struck up a close friendship that lasted for many years (when he was due to play his 1st big Philly solo concert in the 70's, he rang her to invite her along to the show. Not realising her old mate Dwight had evolved into Elton John, she asked him who he was playing piano for on the show).
The Bluebelles were much feted in the UK in 1966, their record label staging a reception for them that the likes of Mick Jagger, Keith Richards & Tony Hall attended. The group obviously met Vicki Wickham (of RSG) at the time as she was to become their manager by 1970.
It was Vicki Wickham that convinced the remaining trio (Cindy Birdsong having left to join the Supremes) to change their image at the very end of the 60's, the 'new' outfit being renamed LaBelle. Vicki arranged for the group to sign a record deal with Track Records' Kit Lambert & Chris Stamp. The group were due to have a release in 1970 on Track's then proposed new label Fly (was this the label that went on to release stuff by the likes of Joe Cocker, Procol Harum, etc. The labels obviously had links coz after Track issued their Backtrack series of LP's, Fly put out some LP's badged up as Flyback).
Anyway, a release on Track at that time didn't materialise; the group cut an album at Record Plant in New York with Kit Lambert & Vicki Wickham acting as producers and this LP was released on Warner Bros in 1971 (WS 1943).
However, they had cut at least one earlier track for Lambert, Stamp & Track Records. This was their version of the old song "Miss Otis Regrets". This cut was recorded in London in 1970 with a full orchestra when the group first got together with Kit Lambert and Chris Stamp.
The cut eventually escaped in the UK as a Track 45 in 1976 (# 2094 131) and became so well respected in music circles that it was recently included as a 'bonus cut' on a CD of new material released on LaBelle.
Anyone got the Track 45; if so can they post up a label scan ??
Patti La Belle always liked Brits & this showed throughout her career.
Patti & the Bluebelles toured the UK in the mid 60's. On their gigs they were backed up by Bluesology who featured Elton John among their number. Patti & Elton struck up a close friendship that lasted for many years (when he was due to play his 1st big Philly solo concert in the 70's, he rang her to invite her along to the show. Not realising her old mate Dwight had evolved into Elton John, she asked him who he was playing piano for on the show).
The Bluebelles were much feted in the UK in 1966, their record label staging a reception for them that the likes of Mick Jagger, Keith Richards & Tony Hall attended. The group obviously met Vicki Wickham (of RSG) at the time as she was to become their manager by 1970.
It was Vicki Wickham that convinced the remaining trio (Cindy Birdsong having left to join the Supremes) to change their image at the very end of the 60's, the 'new' outfit being renamed LaBelle. Vicki arranged for the group to sign a record deal with Track Records' Kit Lambert & Chris Stamp. The group were due to have a release in 1970 on Track's then proposed new label Fly (was this the label that went on to release stuff by the likes of Joe Cocker, Procol Harum, etc. The labels obviously had links coz after Track issued their Backtrack series of LP's, Fly put out some LP's badged up as Flyback).
Anyway, a release on Track at that time didn't materialise; the group cut an album at Record Plant in New York with Kit Lambert & Vicki Wickham acting as producers and this LP was released on Warner Bros in 1971 (WS 1943).
However, they had cut at least one earlier track for Lambert, Stamp & Track Records. This was their version of the old song "Miss Otis Regrets". This cut was recorded in London in 1970 with a full orchestra when the group first got together with Kit Lambert and Chris Stamp.
The cut eventually escaped in the UK as a Track 45 in 1976 (# 2094 131) and became so well respected in music circles that it was recently included as a 'bonus cut' on a CD of new material released on LaBelle.
Anyone got the Track 45; if so can they post up a label scan ??
Edited by Roburt