Steve G

shandy??? I am drinking beer this weekend

no Ian, I always end up with loads of records pulled out of the box that I don't get round to playing - an hour is never enough. ForgET the van all I need is a 100 / 200 box.

You done let the daylight catch you - great tune.

Let's be honest if we are talking 45s you are only going to play about 20-25 records in an hour so a 200 box, of carefully selected sounds is more than enough. In many cases a 100 count box is fine. The only time I'd need an MP3 player with 20,000 tunes is if I was gonna play a request for Barbara McNair or something, and I won't do that anyway.

Agree, not ground breaking - over the last few months it's actually become something of a play safe floor filler

another non rare record fetching a ridiculous price

Butch started the revival on this but it's popular for a number of DJ's. Always fills the floor down this way.

First signs were 67/68 in the context of the Hippie revolution. Modern soul in it's true sense to me is something from the last 2-3 years. However in the contect of the northern scene it means something that is in a modern style when compared to a 60s headbanger - so anything post 69/70 employing more than 2 track recording, in stereo, with strings, vibes and a softer beat. Same issue with Jazz - modern jazz encompasses anything from the 50s onwards yet I don't hear those boys arguing about the terminology much.

Certainly. I have been on record as saying that if I clear the floor at least once and maybe twice during a set then I am content that I have pushed the boundaries. In other words if the floor stays full throughout then you've probably played it toooooo safe. It's a risky strategy and the key of course is getting them back onto the floor after you've pushed the boat out. Where I think some fail is they can't read the floor period and so go with a style that clearly isn't working and are seemingly unable to change that - anyway enough about you . All joking aside Simon (and that was a joke), that is where I draw the distinction - on the one hand clearing the floor for one or two radical things and on the other doing a set that kills a venue dead. Hope that clarifies. Steve

No real stories about them then, just a bunch of local thugs in trendy brown suits and kipper ties as I remember them. My only encounter was going to wigan with £2 in my pocket and a return train ticket. So I paid my £1.50 to get in and they have system where Mrs Wood gives you a ticket and you give it in to a bouncer on the steps about five feet beyond where you buy it. So I give the bouncer my ticket, and proceed upstairs at which point he says - "hey you - you haven't given me a ticket" (I had). Load of balls really, I am detained for 40 mins telling him that yes I had bought a tivket and yes I had given it to him. He's going "no you didn't, you are not coming in" - tried to mug me for another £1.50 and eventually I convinced him that I only had 50p left, had come up from Kent etc etc. And eventually when he realised I wasn't going to pay again I got in. But what a low lie tosser he was and I wonder how many people he got an extra £1.50 out of? Good riddance, there are no great stories with those thugs!

Youd be surprised how many "DJs" struggle with these basic concepts

Not sure why everyone is getting wound up by this topic yet again..... Play it on original or carver if it's an acetate/cover up . If you don't have an original, don't play it. Play something else. Balls to this "it doesn't matter what format it's on" malarky espoused exclusively by those without the vinyl or the Sad Girl / Snake / Frank Wilson fraternity. Elsewhere there's a load of moaning going on about too many DJ's....well lets have a cull of those: who don't have the records for a start. We can then expand it to include DJs a) who can't read a dancefloor who don't play something exciting c) who can't use a mike d) who are unable to consistently cue up records without loads of dead air time or needles falling off the record. A simple but radical solution methinks.

Wot my one with the scratched out address no good now Actually I haven't played it for a while.......

An old Yarmouth spin and a fantastic side.....builds and builds.....I'd say 25 is a bar gin for the issue.

Lars has the other copy in Germany - a tremendous find on ebay. All the other copies that DJs play out are carvers - would a scan of a carver suffice Simon, in which case I am sure there are several who can supply it

including the many thousands who dance to frank wilson when not played by Kenny B or Tim B it would seem......

Look on the archives and you'll find a thread on this topic just about every week.

Yes my one is the one that's been passed around about 20 people......and yet it still plays brilliantly. All I'll say is the 2nd copy is in Europe (not UK). The owner is on here and if he wants he can come on. I am sure some of you will hear him play it soon enough though

Yes the label won't be scratched out. BTW King Moses died soon after making the record.

Will probably end up going for some OTT price. Don't think it's really that rare at all. Now if it was a Rouser copy

...and eventually onto me......then the 2nd copy turned up this year. It';s a record I never tire off even if I am not playing it out much these days.

Fantastic record which gets plays here at the more discerning venues.

Great sweet soul record both sides. Love it. Only on styrene I believe.

This happens on the modern scene. Saw Mike Ward play a 1 hour set off of two CDRs. But I think the northern scene is different as there isn't the same emphasis on original vinyl.