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BGP have a new series underway with two vinyl lps released, 'aimed at vinyl buyers who wants a genre specific compilation to excite their ears'

This Is Mod - BGPD 1115
This Is Mod” is part of a new series aimed at vinyl buyers who wants a genre specific compilation to excite their ears. Two sides of fantastic music, at an affordable price, cherry picked from Ace and its associated catalogues.
Compiled by Dean Rudland, who also writes the liner notes, “This Is Mod” takes you to the darkened cellars of Soho, where everyone is wearing the sharpest clothes and dancing to the finest most danceable sounds from Black America. Soul, R&B and a touch of jazz are the order of the day.
Within the grooves we have gritty southern soul from Clarence Carter and Jimmy Hughes, the sound of Memphis courtesy of James Carr, Danny White and Timmy Thomas, and R&B from Lowell Fulsom and Richard Berry.
There's also nascent northern soul from, amongst others, Mary Love and Darrow Fletcher, making “This Is Mod” perfect intro for those who want the best music to go with their mohair.
https://www.acerecords.co.uk/this-is-mod
Side 1
01 Looking For A Fox - Clarence Carter
02 Money (That's What I Want) - Lonnie Mack & The Charmaines
03 Hi Heel Sneakers - Jimmy Hughes
04 Camel Walk - The Ikettes
05 Have Love Will Travel - Richard Berry & The Pharaohs
06 Sundown - The Merced Blue Notes
07 Talkin' Woman - Lowell Fulsom
Side 2
01 The Pain Gets A Little Deeper - Darrow Fletcher
02 Lay This Burden Down - Mary Love
03 Keep My Woman Home - Danny White
04 Elijah Rockin' With Soul - Hank Jacobs
05 Coming Back To Me Baby - James Carr
06 I Can't Stop (No, No, No) - Arthur Conley
07 It's My Life - Timmy Thomas

This Is Street Funk - BGPD 1116
“This Is Street Funk” is part of a new series aimed at vinyl buyers who wants a genre specific compilation to excite their ears. Two sides of fantastic music, at an affordable price, cherry picked from Ace and its associated catalogues.
Compiled by Dean Rudland, who also writes the liner notes, “This Is Street Funk” brings you 14 tracks of hard hitting, heavy funk, and sums up the sound of 70s Black America. A combination of fatback drums, syncopated bass, rhythmic guitars and explosive vocals.
The line-up of tracks includes classics from the Fatback Band and Millie Jackson, dancefloor favourites from Billy Garner and Billy Sha-Rae and screaming organ instrumentals from the Fame Gang and Larry & Tommy.
This is fourteen tracks that defy you to start dancing.
https://www.acerecords.co.uk/this-is-street-funk

Side 1
01 Brand New Girl - Billy Garner
02 Mister Bass Man - The Fatback Band
03 Bad On Bad - Chet Ivey
04 Grits And Gravy - The Fame Gang
05 Foolish Man (Part 1) - The Huck Daniels Co featuring Johnny Adams
06 Funky Kingston - Tribe
07 Over Dose (Of Your Love) - The Two Things In One
Side 2
01 Stop! - Camille "Lil" Bob
02 Hypocrisy - Millie Jackson
03 Do It - Billy Sha-Rae
04 Mother Popcorn - The Mello Matics
05 Here Comes The Judge - Larry & Tommy
06 Soul Feeling Pt 1 - Eddy Giles
07 Get Me Back On Time, Engine #9 - National Soul Review

By Source Team in Soul News · April 11, 20241 yr

Delighted to announce two new Jai Alai references, this time consisting in four favourite tracks never released on 7" before. Both Maze songs are simply outstanding so it´s certainly surprising Warner Bros didn´t pick up any of them for single releases ("Love Is" was quite hard to get on vinyl too, as the album only came out as promo). Same could be said about the dancefloor delight (an Isaac Hayes production, no less) "Everyday" and the CD only album track by Gerald Levert, obviously influenced by Curtis Mayfield.

PRE-ORDER NOW FOR 17TH APRIL
www.soul4real.es

JAR13 - MAZE feat. FRANKIE BEVERLY – SOMEBODY ELSE´S ARMS / LOVE IS

The package, posted from Inglewood in California, dropped through my letter box…
I was looking forward to seeing this, the VHS of the then relatively ‘unknown’ but now legendary live show at the Saenger Theatre in New Orleans by Maze featuring Frankie Beverly. But when I fed it into my VHS player, I was disappointed. I could not quite figure out why. The band were tight, each musician sounded great, the product of being on the road, year after year, club after club in the States, sometimes playing five shows a night, all propped up by one of the best soulful voices we had ever heard, the maestro Frankie Beverly.
It took a second play to realise what was missing. It was ‘too comfortable’ an atmosphere. A few wealthy customers sat around coffee tables quaffing champagne. It seemed to me that this audience, somehow, did not fit the band.
Paul Fenn at Asgard promotions received the contract from the band to appear live in London and Manchester. I became more and more convinced that his UK fans were going to be a lot more responsive than those from New Orleans.
We put the word out with just a couple of exclusive ‘shout outs’ by Robbie Vincent on his Radio London Soul programme. Those two plugs were enough to sell out all four shows at London’s premier music venue, the Hammersmith Odeon. The ticket office was rammed and the queue six deep, stretched halfway down Queen Caroline Street.
“I have never seen anything like it” expressed the manager of the theatre as he rolled down the shutters and turned on the “Sorry, SOLD OUT” notice above the theatre box office.
I was curious, so I went up and stood in the wings of the Hammersmith stage on that first show. Frankie, introduced to the stage by his sound engineer, Greg Blockman, sauntered past me, strumming his rhythm guitar, dressed in a casual dark green towelling suit, a brown leather visor and flip flops…and then five seconds later, he suddenly stopped. He seemed suddenly to be aware of the thunderous ’Welcome to London Maze’ roar, circling around the theatre about to engulf him. He slapped every black and white hand offered up to him that night, with a huge smile as he circled the edge of that stage. We wanted to get next to him, even if it meant climbing over rows of seats in front of us to do so.
That was the beginning of our love affair with Maze and Frankie Beverly. It certainly wasn’t New Orleans comfort; it was more like a crazy, but friendly, London riot.
Five albums on from the “Live in New Orleans” LP, Frankie sauntered into the California recording studio, probably with the same swagger as in London, to cut the delightful A-side here, “Somebody Else’s Arms”, from his aptly named ‘Silky Soul’ album. Along with the B-side, ‘Love is’ (from the “Back To Basics” CD, 1993) both are so delicious you might want to relax and pour yourself that London glass of champagne, 1983 vintage. Tell your mates your Maze/Hammersmith story too. You deserve it.

Grahame Joyce

JAR14 - DONAL BYRD AND 125th STREET, N.Y.C. – EVERYDAY / GERALD LEVERT – THE TOP OF MY HEAD

DONALD BYRD AND 125th STREET, N.Y.C.

The latest release on Jai Alai follows the format of forgotten vinyl tracks never before released on 7” format, or previously CD only album tracks, and will raise some eyebrows in artist selection and pairing.
Donaldson Toussaint L’Ouverture Byrd II was one of the most significant jazz artists of all time having joined Art Blakey’s Jazz Messengers in the mid-50s and establishing himself as one of the best hard bop trumpeter/flugelhorn players. His progression was continuous through the 50s/60s working with John Coltrane, Gigi Gryce, Pepper Adams, Thelonius Monk, Sonny Rollins as sideman, and became one of Blue Note Records leading artists.
By the end of the 60s Byrd decided to move away from that idiom, experimenting with jazz fusion, African music and Rhythm & Blues. He worked hard to make jazz and its history part of the curriculum in US music colleges and he taught at many including Rutgers, Hampton, Howard, and Columbia, the latter from who he received his PhD in music.
Byrd took a great interest in how Miles Davis’ experimentation was resonating with a younger audience, and despite being castigated by his musical peers, his development of jazz fusion changed the jazz scene forever. His work with the Blackbyrds was a cornerstone for the progression of jazz funk in the UK.
The effect of his hook-up with brothers Larry & Fonce Mizell was immediate and his Blue Notes albums “Black Byrd” (1973), “Street Lady”, “Stepping Into Tomorrow” (1974), “Places & Spaces” (1975) and “Caricatures” (1976) became legendary on the newly evolving jazz funk scene with certain tracks such as “Change (Makes You Wanna Hustle)” normalising dance jazz on the disco floors, not to mention being a rich source for many hip-hop samples.
A slightly leaner period followed when he moved to Elektra Records and of the three albums with his new incarnation 125th Street NYC, a group of musicians he taught at North Carolina Central University, two were produced by Isaac Hayes including “Words”, “Sounds, Colors & Shapes” (1982) from which “Everyday”, a fabulous forgotten piece of mellow jazz funk derives.
By the end of the 80s he had returned to his harder straight-ahead jazz roots, but his place in history and the evolving of jazz as a dance culture in our clubs should never be forgotten.

GERALD LEVERT

There is only so much tragedy one family can take and legendary O’Jay Eddie Levert has surely had more than most. To have lost both sons by the time they reached 40 is incomprehensible, particularly ones so talented, and in such tragic circumstances; an accidental but fatal mixture of over-the-counter drugs and prescription pain-killers in Gerald’s case, and due to incompetent medical care whilst temporarily incarcerated in Sean’s.
Gerald Levert left quite a legacy though. He set up his first band LeVert in 1985 with younger brother Sean, and childhood friend Marc Gordon. They released an album each year for the next five years enjoying increasing success, recording seven in total of which four went gold. Their initial album “I Get Hot” (1985 Tempre) was critically acclaimed as one of the greatest soul albums of the decade.
A solo career beckoned in 1991 and he immediately topped the R&B charts with Private Line and the following year had huge success with the number one hit “Baby Hold On To Me”, a duet with his father, which led to the album “Father And Son” in 1995. Levert released nine solo albums, discovered the R&B groups the Rude Boys, Men At Large and 1 Of The Girls, as well as being part of the Black Men Unlimited, the collective who scored with U Will Know, the soundtrack to the widely acclaimed ghetto film “Jason’s Lyric”.
Gerald was also a member of supergroup LSG, with Keith Sweat and Johnny Gill (their initials forming the name) who between them had enjoyed thirty number one R&B hits and album sales of more than thirty million. Their debut album unsurprisingly sold over 2 million copies with the single “My Body” going platinum.
Of his solo albums, all but the first two were CD only, and the selection here, “The Top Of My Head”, is a delicate string-laden stepper taken from arguably his finest album, “G Spot” (2002 Elektra), and features his lead falsetto vocal interwoven with his own background vocals. Pure class.

Steve Hobbs

By Alexsubinas in Soul News · April 10, 20241 yr

I frequently have a tendency to delve into researching a particular subject, only to find myself veering off course after about a month or so, leaving some interesting facts sat on my computer’s desktop. Some might attribute this behaviour to ADHD, but who knows?
Navigating the soul and R&B scene can be a labyrinthine journey, unbelievably it’s a small world where boundaries can blur effortlessly. Delving into research often leads to a mass of discovery, and you can easily lose track of the paths taken and feel overwhelmed! Recently, a discussion about Ree Flores popped up once again, amongst a few friends on Facebook. It made me reflect on some research I did a few years ago - I was able to have a few great conversations with the late George Ree Flores, his wife Betty, and their daughter Jamie, whom I still maintain regular contact with. As my life takes a new journey with the expected arrival of my first born in June, I find myself with more time on my hands so I decided to put the effort in and share my research on Ree Flores and M&H Records and for it's first publish on Soul Source!

Original release of Ree Flores - Look Into My Heart on M&H Records
Click here to Listen
I've always been a fan of both versions of 'Look Into My Heart,' and when I started delving into Ree Flores's background, it coincided with my purchase of a 45 by The Tribulations’ entitled 'Packin Up My Bags' and released on Shelly Records (Click here to Listen) (See what I mean about veering off course). This purchase led me to track down and chat with the producer of that recording, Floyd Martin. We talked on FaceTime and he reminisced about a guy he met named Elree Flores. Elree was a member of The Facades, a fellow act under Shelly Records. Floyd's introduction to Elree was during the rehearsal sessions for The Facades' songs, following their signing to Shelly Garret's label based in San Bernardino, California. As you can imagine, I eagerly inquired if this Elree Flores was the same guy as Ree Flores who recorded for M&H Records... Floyd wasn't sure, but he kindly connected me with the Elree Flores he knew. Needless to say, I was thrilled, but little did I know, the story was about to take an unexpected turn!
After a few back and fourth text messages to Elree - It transpired that Elree Flores wasn't the one who recorded 'Look Into My Heart'; instead, to my surprise, he informed me that it was his brother, George Ree Flores, who recorded that track. Elree provided me with George's mailing address, mentioning that George preferred traditional communication methods and wasn't active on social media or email. Embracing the old-fashioned approach, I composed a couple of letters and reached out to George, but sadly received no response. After a month or so, his brother Elree provided me with his direct telephone number so we could chat. Initially, George wasn't entirely convinced by my letters and seemed somewhat suspicious of my motives as a mere music enthusiast. He opened up about how the music industry had let him down multiple times in the past with many false promises. Never the less, after the second phone call, we were able to talk a little deeper about his life. George was now in his 80s with a slightly faded memory, but with the assistance of his wife, he managed to recall and share valuable information about his time in the West Coast music scene.

George Ree Flores with his Mother & Father
©MDRECORDSGROUPLTD
George Ree Flores was born on January 11th, 1940, to Thelma Blake and Gregorio Flores. His father, originally from the Philippine Islands, immigrated to San Francisco in August 1922. Before moving to Los Angeles, George's father served two years in the First World War as part of the 2nd Hawaiian Infantry. Following his relocation, he settled himself working at Joelsons Restaurant in Los Angeles. He was later drafted for the Second World War at the age of 44 in February 1942, when George Ree Flores was just two years old.
George's mother came from Texas before relocating to the Los Angeles area. She primarily worked as a seamstress, a housekeeper, and also offered music lessons. In 1939, Thelma tied the knot with Gregorio (also known as George), and together they were blessed with five children. All the children were brought up within the church and were instilled with the values of serving God and the community.
In 1952, George's brother, El Ree Flores, came into the world. El Ree demonstrated a passion for sports during his school years at Pacific High School. He actively participated in the school's football team whilst delving into his other love - music. He wrote, and recorded for Shelly Garrett's 'Shelly' label. He was the lead vocalist of the soul group, The Fasades and El Ree contributed to the group's releases on the 'Shelly' label in 1967. Notably, he penned both songs on their singles: "Mary Sunshine" b/w "You're Driving Me Out of My Mind," as well as "Take It Like I Give It" b/w "Willie B. And Lera." These songs were recorded at Harmony Studio, which later evolved into the renowned 'Audio Arts' studio under the management of Madelon Baker - This transformation led to the creation of Northern Soul classics by artists such as The Incredibles, The Remarkables, and King George.

The Fasades, Brothers: George Flores (Left) & Elree Flores (Right)
©MDRECORDSGROUPLTD
For years, UK Soul enthusiasts have mistakenly identified George Ree Flores and his brother El Ree Flores as the same single individual, with people often sharing the above article as ‘proof’ of who Ree Flores really is. When in reality, they are two different recording artists, albeit from the same family. George Ree Flores, recorded on M&H and El Ree Flores recorded on Shelly and was in the group The Facades.
George Flores made his first debut on Bumps Blackwell's 'Chelan' label with 'Fine Girl,' (Click to Listen Here) co-written by George and Art Jackson, and 'Never Let Me Go,' penned by Johnny Ace. These recordings, made in his early twenties, featured vocal assistance from local group The Duprells, marking George's emergence as a promising artist and songwriter. Unfortunately, George revealed that these tracks were "stolen" by Bumps Blackwell, unbeknownst to him, and released without his knowledge. George went on to confirm that he was indeed both the solo writer and the recording artist of “Fine Girl”, but going onto explain that he only found out about the release of his track when a relative of his, who was in the US military, called him after hearing one of them playing in a jukebox joint.
With this being his first experience into the music scene as a recording artist, and being young George was unfamiliar with how to handle such a situation, and his rights as an artist and songwriter. Not knowing where to start, he consequently, chose to move on and part ways with Bumps Blackwell and continued to perform live gigs locally across California, expanding his network within the industry.
During his lifetime, George registered 18 songs with BMI Music, several of which featured on his CD 'Understanding Love,' (Click here) produced in 2006 at Isom Green's Studio. Notably though, three tracks from 1967 highlighted his collaborations with M&H Records. These songs included 'Look into My Heart,' recorded by both himself and Little Willie Faulk, as well as 'Love I Could Never Have,' utilised as the B-side for Little Willie Faulk's release. Additionally, there was a great yet lesser-known track titled 'You've Got to Sing A Song of Happiness,' recorded by Linda Walker and co-wrote by Louis Cuccio and Donald Welshans.
These tracks were released through Cresta Verde Music and House of Joseph, forming part of the 'Circle City Sound' catalogue. This diverse collection encompassed soul, R&B, and even ventured into Psychedelic Rock territory with the California Bear group.
Following my conversation with George Ree Flores, my interest was definitely peaked. I was eager to discover if the master tapes for M&H Records still existed. Unfortunately, George didn’t have any copies of his records; he mentioned how he never even received a copy of his "Fine Girl" release and his recollection of his involvement with M&H Records was faded; he described his active involvement in the R&B and Jazz scenes, and M&H was an exciting project he stumbled into. I was determined to uncover who was behind M&H Records and delve deeper into George's association with the label – but I hit a brick wall. There was limited information to work with – lacking label addresses for cross-referencing with US Census Records, nothing in newspaper archives, and Cresta Verde Music was no longer registered with BMI. Starting a fresh, I scoured the label and searched for any individuals associated with it. Considering Rene Hall's passing in 1988, I embarked on locating Louis Cuccio and Donald Welshans, hoping they could provide insight!

Unseen Photographs of Ree Flores performing Live
©MDRECORDSGROUPLTD
Using Ancestry, I successfully tracked down George Flores' co-songwriter, Louis Cuccio. I found an address for him, but no direct telephone number. So before I started to mail overseas letters… I joined local Facebook groups in his area in hope to find family or friends to connect me and surprisingly, I was swiftly connected with Louis. His reaction was one of shock, to say the least, upon discovering people were interested in his very brief involvement within the music industry over 50 years ago!
He told me, "We aimed to emulate Motown," he explained. "I was a huge fan of soul, Motown, and overall black music. I'd constantly find myself singing and crafting songs in my head." Louis went onto expand on M&H Records, recalling the main man responsible for the label. "Harvey House! – I met him when he came into the department store Robinson's where I worked. He was incredibly personable and inquired about my interests. I mentioned my passion for music and song writing, and in no time, I was being introduced to Ree Flores and subsequently planning a recording session."
Reflecting on his memories with Harvey House and M&H Records, Louis fondly reminisced about the recording of "You've Got to Sing A Song of Happiness." And it’s flip “This World We Live In” It was a project where he was granted complete creative freedom and control by Harvey - an opportunity he deeply appreciated. He fondly recalled the incorporation of a full orchestra and how he was captivated by the strings and the harmonies from the choir— something which low budget productions didn’t have back then! Which prompted me to ponder... Where were these grandiose production sounds records? But I'll delve into that later...
After my conversation with Louis, during which he shared details about Harvey House, the man behind M&H Records, I set out on another journey to locate Linda Walker (Do you recall my mention of veering off course earlier?). Eventually, I managed to connect with Linda’s grandson, Antone! I owe thanks to Alan Kitchener (Man From Soul) for uploading a sound file of Linda's M&H 45 on his YouTube Channel and bringing it to my attention – it was through his post that I noticed Antone's comment, confirming that it was indeed his grandmother singing. Antone informed me that Linda had only recorded one double-sided 45 for M&H Records when she was just 17 years old, serving as a gospel singer. The M&H team had discovered her performing at a nightclub and invited her to record the tracks Louis, Donald, and Ree had co-written. Linda signed a contract and recorded the songs with the Amos Temple Youth Choir from her hometown church. Although she was approached to record more tracks after the 45's release, Linda chose to focus solely on her gospel singing. Eventually, she found a way to terminate her contract and never returned to the recording studio again.

Louis acknowledged that although time has blurred some memories, the tracks he co-wrote with Ree Flores and Donald Welshams were the only songs of his ever to be released. He clarified that he never actively pursued a career in music; it was simply a venture he became involved in during that period and he sadly couldn't recall any memories involving Little Willie Faulk, although does recall his name but his projects were mainly based around the Linda Walker tracks and Harvey was involved with Ree Flores & Little Willie Faulk.
After delving deeper into my research, I soon found myself connected to Harvey House Jr, Harvey’s son, and he scheduled a call to chat with his Dad. Below is the transcript of our conversation, shedding light on Harvey House's involvement in the music scene and the M&H Records.
"It all began when my mother took me to the Church of God & Christ. Every Sunday spent with her felt like attending a rock concert, while going with my father, who was a Baptist resembled a visit to a library; it was always so quiet. Naturally, I preferred going to church with my mother. In School I studied music. My music teacher was the jazz violinist Joe Kennedy. He played the violin and released an album titled 'Jamal at The Penthouse.' Throughout my school years and during band rehearsals with Joe, we were privileged to have people around us such as Duke Ellington, Paul Gonsalves, and others visit to lecture us."
“That initial exposure really ignited my passion for music. After completing school, I joined the military, and when I got out, I joined the staff at RCA Victor, located at the studio at 6363 Sunset Boulevard in Hollywood. Working there got me the opportunities to be around artists like Jon Denver and Little Jack Jones, which was a pretty cool experience.”
“I was a 'let's go for it' type of person—I'd dive into various opportunities. My entry into RCA Victor came through Rene Hall. I met Rene around 1964 or 1965. Working with Rene was fantastic—he had able to copyright songs for me, which was quite challenging back then. You had to meticulously transcribe the music onto onion skin paper and mail it off to the Library of Congress for copyright protection. Rene excelled at this task, which contributed to his widespread recognition with a lot of the indie labels. He freelanced for numerous independent labels and was renowned for his musical. He could effortlessly read and write music, truly a brilliant individual. He played on all of my M&H releases.”
Harvey House and House Records
©MDRECORDSGROUPLTD
“My initial venture into the music industry was my label M&H Records, operating under the name ‘The Circle City Sound’ from Corona, California, in the mid to late 60s, whilst working at RCA Victor. I first encountered George Ree Flores while he was performing. He was an extraordinary singer and an exceptional performer. It was in the late 60s, during one of his performances, that I had the pleasure of meeting him. Impressed by his talent, I decided to record him alongside my other groups, California Bear and a folk ensemble I managed. George was a remarkably gifted young man, possessing strong stage presence and performance skills. Around that time, I was also collaborating with Jan Davis. Jan recorded a remake of Ernie Freeman's hit "Raunchy," which was released on Direct Hit and RCA. We even managed to get him on The Merv Griffin Show. However, there was a small mishap – Jan didn't have a suit for the show! So, I had to borrow Ree Flores' suit for him. Jan got a little too carried away and ended up messing up the suit in his excitement, but we had a blast nonetheless”
“Other musicians who contributed to the M&H recordings, alongside Rene Hall, included guitarist Roy Gaines and Wilton Felder on bass, despite his primary role as a horn player and being with The Crusaders”
“It's remarkable how interconnected the music scene was back then. We predominantly recorded our tracks at RCA Victor Studio where I worked. We would sneaking in at night, we worked with engineer Mickey Crawford. He allowed me to take the reins and record a lot of material there. Having the freedom to experiment in such a professional studio environment contributed immensely to achieving that great sound in comparison to the low budget studios around”.

I inquired with Harvey about Willie Faulk. "Willie Faulk was a singer from Rose California. He was incredibly talented, but he had his emotional struggles. There were hints that he might have been involved with drugs or something of the sort. I always loved his humor," Harvey explained. He confirmed that Willie Faulk was indeed his real name. "Willie, well, he was somewhat... How can I put it? You know, during the hippy movement, when everyone was smoking weed and doing drugs? I'm not saying he was involved in that, but he was part of those circles," Harvey elaborated. "I remember Willie writing a song about a woman he fell in love with, but we never got around to recording it. He was adamant about recording it—a song about him falling in love with a white woman. In the 60s, with the civil rights movement in full swing, I told Willie that releasing such a song could potentially lead to trouble, even harm. Willie was undeniably talented, but he was different—pleasant and polite in his own way."
I proceeded to ask from Harvey why the records are now so scarce on M&H, and what became of them. "Well, the records were pressed quite some time ago, and when I didn't receive the airplay I had hoped for, I decided to move on. In 1989, I began collaborating with an artist named Henry C. During this time, I recorded a gospel album titled 'I Wanna Live for You, Lord'. The music scene underwent significant changes. Back in the M&H days, I used to stroll around with a stack of 45s and sell them on street corners!"
"Working and developing at RCA Victor marked a significant change for me. I underwent a big learning curve; it felt like to attending college. Richard Moorland and Gary, who managed the West Coast operations, were instrumental in my learning process. We each had our own little office space, which was quite a cool setup - and all credit for that goes to René Hall. He was the individual who orchestrated this arrangement."
M&H Records had a total of five releases throughout 1969, Harvey moved on to do other things and the M&H team broke away. Harvey kept very active in the music and film scene throughout his life with ‘House Productions’. Harvey still produces artists now with a gospel genre. He still supports the local music scene and is still very much in tune with what’s going on. Unfortunately – no master tapes exist from the M&H days and no physical copies are the 45s have surfaced.

Ree Flores preforming at California Jazz Festival
©MDRECORDSGROUPLTD
Ree Flores continued his love for music following his adventure with M&H Records. He performed at the annual Jazz Festival in California and at various venues across the West Coast, captivating audiences with his piano skills. In 2006, he went back into the studio and completed an album, which is available on Amazon. He was preforming right up until his passing at the age of 81 in Sacramento, California in November 2021.
Despite the ups and downs of his musical journey, George Ree Flores left behind a legacy that remains cherished by the UK Soul Scene. A heartfelt thank you goes out to Jamie, George's daughter, and Betty, George’s wife, for their invaluable assistance and encouragement in this research.
Additionally, gratitude is extended to Harvey House and Harvey House Jr for sharing their insights into the creation of the music we love on the all-nighter scene in England. Their anecdotes highlight the talent of individuals from that era, a talent often taken for granted. As we eagerly seek out original copies of these tracks. Together, we are planning to collaborate with Harvey, M&H Records and MD Records Group.
I hope this write up has been of interest!
© Jordan Wilson

artists

By Northernjordan12 in Articles · April 9, 20241 yr

The just gone Easter Weekend saw 5 new releases from Kent/Ace records, 2 on the Select imprint, 2 on the Repro and one on their Measured Mile one.
Details, audio and Kents release notes follow below...

Sylvia & The Blue Jays / The Soul Children -Put Me In The Mood / Standing In The Safety Zone - Kent Select 092
The unknown Sylvia & The Blue Jays cut two tracks for Stax, a southern ballad and this atmospheric, laid-back funky dancer. We first put a version out by Memphis keyboard player Art Jerry Miller who rather swamped the song in organ on our “Let’s Crossover Again” CDKEND 174 in 1999. Underneath that lead instrument was a great vocal performance that we later found out was Sylvia & The Blue Jays.
CITY_092-1-1.mp3
CITY_092-2-1.mp3

Jesse Davis / Gus Jenkins - Night Bloomin' Jasmin / Tricky Too - Kent Select 093
Best known for ‘Gonna Hang On In There’, its storming Northern Soul flip side, the more subtle ‘Night Bloomin’ Jasmin’’ also has admirers on the rare soul scene. Modernists, in particular, will go for the suave jazz-elegance of this recording which is even scarcer than its original A side - due to being one of two different flips.
CITY_093-1-1.mp3
CITY_093-2-1.mp3

Bobby Garrett / The Bob & Earl Band - My Little Girl / My Little Girl - REPRO 16
What is Northern Soul? Well, you could start with the pounding, but vocally-restrained, soul of Bobby Garrett’s ‘My Little Girl’ as a prime example. When the UK’s Jay Boy issued the instrumental version from the two-track master tape in 1972, Northern Soul kids who craved instrumentals were in ecstasy. At last, the two are coupled and issued on the famed Mirwood imprint – just as they should be
REPRO_16-1-1.mp3
REPRO_16-2-1.mp3

Tobi Lark - Challenge My Love / Sweep It Out In The Shed - REPRO 14
In the 70s ‘Happiness Is Here’ was the standard, Motown-influenced, Northern Soul play by legendary Detroit artist Tobi Lark. By the 80s and 90s soul fans tastes had matured and the slower and deeper ‘Challenge My Love’ took over to such an extent that it was the go-to Lark recording. The final twist was the discovery that its flip, the moody and bluesy ‘Sweep It Out In The Shed’ was a new floor-filler to spin to the R&B-loving dancers.
REPRO_14-1-1.mp3
REPRO_14-2-1.mp3

Act I - It's The Same Old Story / Night Of The Wolf - MEASURED MILE 517
The latest 7" single on Bob Stanley's MEASURED MILE label is a floor-filling double-sider.
The percussion-and-woodwind driven ‘Night Of The Wolf’ has been played out at northern soul nights in the UK, at Brooklyn discotheques in the mid-70s, and originally it was an Italian progressive rock album track. Much loved by everyone. It was issued as a super-rare US 45 in 1975 under the name the Al Foster Band, and this is its first official reissue.
ACT 1's 70s modern soul midtempo classic ‘It’s The Same Old Story’ also got played out in the early discos of New York, Chicago and LA, but it was only ever an album track. This marks its first ever release on a DJ-friendly 7"

NW_517-1-1.mp3
NW_517-2-1.mp3

Availability
45s available via Ace Records website - (tap), and various record stores including our very own Source Store - (tap)

By Source Team in Soul News · April 8, 20241 yr

Press release just passed on...
Margate Soul Festival is back and bigger than ever, it's simply the best beachside festival this summer, packed with soul legends!
Taking place on 2-4 Aug, it will be Margate's biggest and most eco-friendly festival, and it's also the longest running - this year is its 22nd year.
We have a huge new beachside stage down on the prom behind the iconic Lido where you can dance right next to the sea.
This year's epic headliners include
House Gospel Choir / Dexter Wansel / Heatwave / Izo Fitzroy and finally legends Harold Melvin's Blue Notes.
Plus more stages across Margate Old Town, a sunset bike ride with mobile soundsystem, a Balearic beats stage and lots of collaborations happening with venues and pop ups all over town (more on this after Easter).
Imagine swaying to soulful melodies with the iconic Margate coastline as your backdrop – pure bliss!

A complimentary "soul train" will take festival-goers on a soulful journey from the station straight into the heart of the action.
The festival promises an unforgettable weekend steeped in soul, sunshine, and good vibes. It's going to be the best beachside festival you can go to in the UK this year!
Website
https://margatesoulfestival.co.uk/

events

By Source Team in Soul News · March 30, 20241 yr

This months releases from Ace includes a brand new cd from Kent, details and more below...
New Kent Cd - Atlanta - Hotbed Of 70s Soul - Various Artists (Hotlanta/ GMG) - CDKEND 518
Release Notes Clip

The GRC Records set-up in Atlanta produced a wealth of great soul music. Because of the sudden curtailment of the company, due to owner Michael Thevis’ incarceration, so much of it never saw a release.
The tapes were preserved though and with many tracks being issued. This latest batch of tape discoveries is of shockingly high quality. Sam Dees’ presence is a major cause of this.
Standouts include Miss Louistine’s original version of ‘Con Me’ – surely a contender to be a Deep Soul Treasure, had Dave Godin heard it. Her take on Dees’ ‘Extra Extra’ is possibly the opposite emotion – sheer joy at finding her lover; equally well expressed. ‘Paperman’ is a classic mid 70s Dees’ composition, well sung by Wes Lewis with his group Alpaca Phase III. Dees collaborated with another major GRC talent, Joe Hinton, for the funkier ‘Shouldn’t I Be Given The Right To Be Wrong’. Hinton co-penned two songs with backing singer Louvain Demps who left her job with Motown’s backing girls the Andantes to move to Atlanta with Hinton. Their ‘Grant Me One More Day’ is a beautiful track and ‘Depend On Me’ is another worthy find.
Full release notes can be had via the link below
Tracks
Side 1
01 Con Me - Miss Louistine
02 Paper Man - Alpaca Phase III
03 Is There Someone Else - Deep Velvet
04 The Souls Of Black Folks - Kenneth Wright
05 Grant Me One More Day - Joe Hinton
06 Keep On Walking - The Steppers
07 Time Is Winding Up - Dorothy Norwood
08 Love Making - Jean Battle
09 Extra-Extra - Miss Louistine
10 I'm Tired Of Dreaming - Deep Velvet
11 Depend On Me - Joe Hinton
12 Me And Jen - Kenneth Wright
13 What Am I To Do - Joe Graham
14 Sure Could Do With Some You - Shirlean Fant
15 Someone To Run To - Alpaca Phase III
16 Can I Hold You To It? - Lorraine Johnson
17 When Will I Stop Loving You - Lorraine Johnson
18 I Need Me Some More Of You - Dee Ervin
19 Shouldn't I Be Given The Right To Be Wrong - Joe Hinton
20 Fight Fire With Fire - King Hannibal
21 Talk's Cheap - The Surprise Sisters
22 Loneliness Hurts Just A Little Bit - Joe Graham
23 There'll Always Be Forever - Lomita Johnson
24 My Peaceful Forest - Dee Clark
Availability and more via
https://www.acerecords.co.uk/atlanta-hotbed-of-70s-soul

By Mike in Soul News · March 28, 20241 yr

News of 4 new 45s due out from Daptone and available as a bundle from £21 (£25 for the colour bundle), or as individual 45s, release notes below

Daptone 45 Drop
Out March 29th

Sharon Jones & the Dap-Kings
"Don't Wanna Lose You" b/w "Don't Give a Friend a Number"

We are proud to present two unreleased sides from the late Queen of modern soul, and her Dap-Kings. Recorded during the sessions for Soul of a Woman and penned by sax stalwart and Daptone co-founder Neal Sugarman, "Don't Wanna Lose You" is a heavy slice of soul sophistication teeming with groove and vibe. "Don't Give a Friend a Number" is a haunting, R&B tinged mover whose eerie background vocals provide the perfect backdrop for Sharon to take an unqualified lover to task.

Leon Dinero
"Heartbreak" b/w "Cut Both Ways"

Leon Dinero returns with more rocksteady magic from producer Victor Axelrod. Originally written and recorded by James Hunter, "Heartbreak" gets the Axelrod treatment, turning this mid-tempo R&B gem on its head, reinventing the modern classic with a deep island groove that gets in your bones. The laid back vocal and tasteful organ give "Heartbreak" a wholly fresh vibe whilst staying respectfully true to the original. On the flip is "Cut Both Ways" an instrumental version courtesy of The Inversions. One listen and you'll find that these are some of the baddest musicians in the game.

Jalen Ngonda
"Here To Stay" b/w "If You Don't Want My Love"

An unreleased gem from the Come Around and Love Me sessions, "Here to Stay" is a gorgeously breezy ballad that will most definitely appeal to fans of the sweet soul output from our Penrose imprint. A standout track from the aforementioned long player, "If You Don't Want My Love" delivers a one-two punch of class and style that harkens back to the sounds coming out of Motown in the late sixties and early seventies. Coupled with Jalen's uncommonly soulful voice and lyrical prowess you have another top-shelf composition that can hang with the very best of 'em.

Lee Fields
"Two Jobs" b/w "Save Your Tears For Someone New"

Arguably the very best soul singer alive, Lee comes correct with two massive tunes from his critically acclaimed Sentimental Fool LP. With the deep piano intro, frantic shuffle and pleading vocal "Two Jobs" has the conviction of James Brown with the swing of Bobby Bland. A sound very few folks could pull off, yet Lee triumphs with command and swagger in equal measure. "Save Your Tears for Someone New" is a deep, dark R&B ballad tailored-made for Lee's ferociously soulful voice. A veritable masterclass in rhythm and soul.

https://shopdaptonerecords.com/collections/45s

By Source Team in Soul News · March 27, 20241 yr

News about a new Northern Soul CD sent in from Wienerworld
Released on Friday the 29th March, the press release follows below...
Northern Soul 2024
CD Cat. No: WNRCD5127
£12.99
Welcome to Northern Soul 2024, a sizzling collection of 24 new recordings capturing all the essence of classic Northern Soul by vintage soul artists and fresh new talent!
The first "Northern Soul" series CD since 2012, with three new songs written with Fiachra Trench for the first time in 35 years!
This brand-new Northern Soul 2024 release captures all the essence of the classic soul records of the sixties and early seventies. The 2024 release of Northern Soul features three brand new songs from Fiachra Trench. Together Levine and Trench sold twelve million records in the 1980s and after 35 years they are bringing the sizzle back into the lives of every Northern Soul fan! This album is a treasure box of 24 tracks including new recordings from The Flirtations, Jimmy Helms, Angelo Starr, Pat Lewis, Sidney Barnes, Nat Augustin and Lorraine Silver.
Since 1975 - nearly 50 years ago – Ian Levine has written and produced more than 2500 songs, pioneering the 80s High Energy sound, writing the million-selling anthem of that genre, reuniting more than 100 former Motown artists for his Motorcity project in the late 80s and producing boy bands like Take That, Blue and Bad Boys Inc.
Returning to his Northern Soul-roots, Levine has amassed 40 pop hits in the UK. Undoubtedly, since the BBC did Northern Soul at the Proms, the music is now more popular than ever. So get down to the dance floor and enjoy this sizzling collection of vintage and brand new Northern Soul talent.
Track Listing:
1)      The Flirtations – Moving At The Go-Go
2)      Lorraine Silver – One Week At A Time
3)      Elliot Zimmerman – Trapped In Stormy Weather
4)      Sharon McMahan – Moving On
5)      Venicia Wilson – Luckie
6)      Jennifer Dee – On The Horizon
7)      Tahira Jumah – Face Behind The Mask
8 ) Angelo Starr – Drown In My Own Tears
9)      Sidney Barnes – Dancing On The Weekend
10)    Richie Sampson – Lay Down My Defences
11)    The Concentrations – Sandcastles
12)    Earnestine Pearce – Eyes On The Target
13)    Pat Lewis – Misunderstood
14)    Tahira Jumah – Suffer In Silence
15)    The Flirtations – Queen On A Throne
16)    Lorraine Silver – Fever Raging Out Of Control
17)    Elliot Zimmerman – Heading Up North
18)    Angelo Starr – Another Lonely Christmas
19)    Jimmy Helms – My Heart Is Helpless
20)    Nat Augustin – Whenever You Need Someone
21)    Venicia Wilson – I Can’t Stop This Feeling
22)    Jennifer Dee – Endless Possibilities
23)    The Concentrations – Playing The Part Of A Fool
24)    Pat Lewis – Just A Little Appreciation
More info via
https://www.wienerworld.com/product/northern-soul-2024/

By Source Team in Soul News · March 27, 20241 yr

Two new releases from Soul Direction, read and listen below
Soul Direction are pleased to announce 2 releases on the “Origins” Label.

Tommy McGee – “Come On” / “To Make You Happy” – SDO-1009
The Summits – “Window Shopping” / Phillips – “People Clap Your Hands” – SDO1010.
Release Date – 29th March 2024
Tommy McGee – “Come On” / “To Make You Happy” – SDO-1009
Tommy McGee
Soul Direction have taken two tracks from his first two 45s “To Make You Happy” and
“Come On”. “To Make you Happy” was originally titled “Just to Make You happy” for a
rerelease to give some energy back to these two superb tracks, that have seemingly been
missed by so many collectors over the years, but also have become more elusive in recent
years. They feature on the “Positive-Negative” Album as well as rare 45 releases.

The Summits – “Window Shopping” / Phillips – “People Clap Your Hands” – SDO1010.
The Summits.
Supporters of the Soul Direction label and the general soul collecting movement will be
more than aware of the DC band The Summits.
The track featured “Window Shopping” was part of a almost lost master tape and only
released in digital format

Phillips.
The group covered massive ground on their six-track EP, touching on everything from feel-
good disco to funky fusion, to modern soul, and back again, recovered from countless tapes
People Clap Your Hands” is one of the Six tracks they laid down that day and here at Soul
Direction we believe the best one so with pleasure we bring it to you for the first time on
vinyl.

Alan Kitchener
(Soul-Direction)
https://www.soul-direction.co.uk

By Mike in Soul News · March 26, 20241 yr

Soul Up North Magazine #119 Spring Issue 2024 is now out and about
Details below...
SOUL UP NORTH - issue 119
OPENING PAGE : CONTENTS – EDITORIAL & INFO
GOOD TUNES & GREAT GROOVES
Dave Halsall
ISSUE CD TRACK LISTING – ‘BIRD BRAIN’
Martyn Bird
FUNK IN YO’ FACE – GETTING IT BACK - THE STORY OF CYMANDE
Howard Priestly
DAVE LEEDHAM – A TRIBUTE
Phil Morely
COLLECTING BRITISH
Lord Snooty
SOUL SPOTLIGHT – THE BRY-WEK LEGACY PART TWO
Steve Guarnori
SOULFUL SEVENTIES SPINS aka ‘PLUMB’S PEACHES’
Steve Plumb
A JOURNY THROUGH RUGBY SOUL CLUB AND BEYOND
Tom Page
LITTLE SILVER DISCS
Howard E
CHICAGO SOUL (FLASHBACK!)
Shane Cox
HOT OFF THE VINYL PRESS
Howard E
WHITE FRATERNITIES & BLACK MUSIC IN THE USA IN THE EARLY ‘60’S
Chris Jones
LITTLE SILVER DISCS – THE BOX SETS
Howard E
OLIVER CHEETHAM – THE SECOND TIME AROUND
Dave Welding
THE LASTING IMPACT OF THE VIBRATIONS
John Smith
THE LADIES CHOICE – COLLECTING RARE SOUL
Julie Molloy
THE EMBERS – A RARE SOUL AND BEACH MUSIC PHENOMENON
E. Mark Windle
HOT OFF THE VINYL PRESS
Howard E
SOUL IN PRINT – MAGAZINES & FANZINES (Part 22)
Iain McCartney
HOT OFF THE VINYL PRESS – extra!
Howard E
SOUL IN A DIGITAL AGE
John Farrar
VIEW FROM THE APE HOUSE
Tim Brown
FEET TO THE BEAT
Geoff Green
AND FINALLY – DEEP SOUL CORNER
Mike Finbow

Availability
Available now from all the usual stockists including our very own Source Store
Tap here to purchase Soul Up North 119 Spring Issue via Source Store

By Mike in Soul News · March 25, 20241 yr

Press Release:   Oliver Cheatham   “Don’t Pop The Question (If You Can’t Take The Answer)/Good Guys Don’t Make Good Lovers”   SJ555
Release Date:   Friday 5th April 2024

In 2012 we at Soul Junction were able to release two previously unissued songs on the Internationally renowned recording artist, Oliver Cheatham. The songs recorded in Detroit circa 1974/75 were cut under the supervision of Olivers cousin William R. Miller. “Don’t Pop The Question (If You Can’t Take The Answer)” went on to become Soul Junction’s biggest seller, selling in excess of over a thousand copies, but such is the enduring quality of the song that there hasn’t been a week gone by where we haven’t received a sales enquiry for a copy. So, after much deliberation we have decide to re-release the 45 again with a nifty 300 limited press run to hopefully satisfy this continuing demand. During the ensuing years the soulful sweet soul ballad b-side “Good Guys Don’t Make Good Lovers” has also grown in stature with collectors of this genre with many of the sales enquiries received coming from the direction of the West Coast’s lowrider scene.

Oliver Cheatham will forever be remembered for his timeless 1983 R & B hit “Get Down Saturday Night” on MCA records, which he co-wrote with fellow Detroit musician and ‘One Way’ group member Kevin McCord. Oliver’s own career began way back in the mid 1960’s when his future brother-in- law Allen Cocker invited Oliver to join his group the ‘Young Sirs’ to recorded the mellifluous “There’s Something The Matter (With Your Heart)” for Ernest and Barbara Burt’s Magic City label with Oliver now being the groups lead singer.

Into the 70’s the Young Sirs, briefly became ‘Butch & The Newports’ who under the auspices of George McGregor recorded “I’m Only A Man/Out Of My Mind” on the Black Rock label, with Butch being Oliver’s nickname. “I’m Only A man” was released for a second time on Marvin Higgin’s Grand Junction label, this time credited to ‘The Gaslight’ along with a further two releases.  A subsequent Gaslight release “Just Because Of You/It’s Just Like Magic” reputedly came out on the local T.E.A.I label before being picked up for national distribution by Polydor Records. Under the guidance of influential Detroit radio DJ and record producer Al Perkins, Oliver firstly became the lead singer of the group Sins Of Satin later re-named Roundtrip and then following a further re-naming just becoming known as Oliver.

Following on from “Get Down Saturday Night” Oliver continued to score chart success with “SOS”, “Celebrate Our Love” followed by two duets with Jocelyn Brown “Turn Out The Lights” and “Mind Buster”. Further chart success came in 2003 when Oliver featured as a guest vocalist on Room 5’s UK No1 hit “Make Luv” which incidentally sampled Oliver’s “Get Down Saturday Night”. Oliver at this juncture was residing in England and had previously recorded a garage version of the old standard “Our Day Will Come” with the London based band, Native Soul. Sadly, Oliver passed away in November 2013.
For further information contact:  sales@souljunctionrecords.co.uk
or visit thew website at https://souljunctionrecords.co.uk/SJ555.html

By Chalky in Soul News · March 24, 20241 yr

Event News
Just a heads up as seen that The Piercebridge Weekender has moved from 'cancelled' status to a 'back on' status...

events

By Mike in Soul News · March 23, 20241 yr

Out today, a new lp from Thee Sinseers via Colemine Records
THEE SINSEERS - Sinseerly Yours
CATALOG: CLMN-12030
RELEASE DATE: 22 March 2024
Release notes
To say that Thee Sinseers play oldies would be a misnomer. Fronted by bandleader and son of East Los Angeles Joey Quinones, the group has quietly chipped away at the sounds of R&B and soul for the last half-decade. Quinones and his crew have continuously created a distinctive vibe that explores all aspects of a timeless genre, bringing together their interpretation of music through an unmistakable modern lens.
With their most recent effort, the aptly titled Sinseerly Yours (Colemine 2023), the band recorded most of the album live in the studio. With Quinones on vocals and keys, vocalist Adriana Flores, Christopher Manjarrez on bass, Francisco Flores on guitar, Bryan Ponce on guitar and vocals, Luis Carpio on drums and vocals, saxophonists Eric Johnson and Steve Surman, and Jose Luis Jimenez on trombone, Thee Sinseers achieves their most fully realized sound to date.
All of the album’s stunning tracks were recorded in a converted studio space in Rialto, California, known as Second Hand Sounds. The converted studio space, which used to be a dentist's office, allowed the group to experiment with their sound like never before—this time, the group managed to take a series of big swings, only to emerge with a fuller, more pronounced version of themselves. Despite those new strides, the band remains wholly committed to its sonic aesthetic while injecting its brand of vibrant 21st-century cool.
Of course, the group has never been the type to shy away from their influences as they expertly toggle between '60s pop vis-à-vie early Beatles records to obscure dancehall Jamaican tunes––all fully extrapolated and reinterpreted through modern Chicano soul sound that the group has built their everlasting repertoire on.

Quinones and bandmates have continued to apply what they’ve learned from their previous releases and their relentless touring schedule throughout the country. It’s clear here that the work is paying off, putting to practice their musical chops thoroughly with all members expertly honing their sound. The melting pot of ideas is showcased with incredibly lush orchestrations and arrangements, married with pitch-perfect harmonies, allowing the group to further solidify themselves in the pantheon of the Southern Californian songbook.

TRACKLIST:
1. What's His Name
2. Keep On Calling
3. Can't Call Me Baby
4. Give It Up You Fool
5. Hold On
6. It's Such A Shame
7. Talking Back
8. Like I Can Give
9. Can't Do That To Her
10. Sinseerly Yours
https://www.coleminerecords.com/products/thee-sinseers-sinseerly-yours-release-date-3-22-24

Streams and more purchase links
https://colemine.lnk.to/clmn12030

Thee Sinseers - Sinseerly Yours [FULL ALBUM STREAM]

By Mike in Soul News · March 22, 20241 yr

Tonys Ballroom Blackburn got a recent mention in the news via a uk govt announcement
Clip and link below
The funding will be used to help preserve the much-loved Tony’s Ballroom’s place in Northern Soul music history whilst providing a new arts venue to bring communities together...
https://www.gov.uk/government/news/208m-investment-in-the-north-to-transform-towns-and-cities
Be interesting seeing firm plans, a case of time will tell?
----------------------------------------------------------------
For info the 2023 'Tonys Ballroom - lets bring it back' Campaign Video

Tony's Ballroom Documentary

By Mike in Soul News · March 21, 20241 yr

Kent has a new addition to its Select Imprint
Carolyn Crawford - Get Up And Move / Sugar Boy - Kent Select 094
Release notes, video and such follow below
Release notes from Kent/Ace Website
This Kent single has been eagerly awaited for some time. Plays at the 100 Club and other venues of ill-repute, has made it a must-play, dancefloor-filling track.
Carolyn Crawford had a brief sojourn at Mickey Stevenson’s Mpingo label, in the early 70s, as a temporary member of Hodges, James & Smith when they were billed as The Firm Of Hodges, James, Smith & Crawford. Stevenson International’s tapes revealed that Mickey had also cut some solo tracks with Carolyn. ‘Ready Or Not Here Comes Love’ has already wowed the Northern Soul world; this fabulous self-written song will cross over to all scenes. Its slow, steady, groove start builds up to an infectious rhythm that few can resist. Congas abound and a subtle brass section layers the music to perfection. The jazz element will see this 45 accepted on all rare black music scenes.
The flip ‘Sugar Boy’ is more typical of Carolyn and Mickey’s time at Motown with a bouncy beat and appropriately cute lyrics. Both sides debut here.
Video - Carolyn Crawford - Get Up And Move

Availability
Release was delayed but is now out and about and available via Ace Records website - (tap), and various record stores including our very own Source Store - (tap)

By Mike in Soul News · March 20, 20241 yr

Unfinished
Unissued
Until…now!
Epsilon Record Co. proudly presents its latest release
EPS029 1969 Milwaukee / City in Wisconsin
HARVEY SCALES & THE SEVEN SOUNDS A: LOVE THAT ONE (2:38) (previously unissued from Cuca records stable)
WRITERS / COMPOSERS T. Brown

B: DON'T YOU EVER LET IT END (2:47)
WRITERS / COMPOSERS
Lennie Lacour

Available to pre-order today!
Limited edition 300 copies
(release date 15th March 24)
£17.50 inc shipping to the UK
£20 inc Worldwide shipping
https://www.epsilonrecord.com/

By Yann V in Soul News · March 9, 20241 yr

Events - The Next 100 Soul Allnighters as at March 2024
A heads up Event Guide shout
Direct from our Source Event Guide a dynamic grab of the next upcoming 100 Soul Allnighter Events

Links
Event Guide Main Page (tap)
Event Guide Allnighter Section (tap)

events

By Mike in Soul News · March 6, 20241 yr

New Big Man Records 45
The Embers - First Time / I Wanna Be (Your Everything) BMR 1018
Just been released and now available
Label Release notes
This JCP northern soul monster first championed on the scene by the likes of Guy Hennigan, an Embers original song written by Jackie Gore has become a big collectable on it's USA original, with their fabulous cover of the Manhattans Carnival classic 'I Wanna Be (Your Everything)' which The Embers very much make their own certainly a real sleeper of a flip.
Under licence from embers entertainment enterprises to big man records will come with custom card picture sleeve, Sleeve notes by Mark Windle, A6 collectors card in a poly sleeve.
Available now via stores or email bicknellmark@aol.com or bigmanrecords1@gmail.com
Promo

By Mike in Soul News · March 4, 20241 yr

Events - The Next 100 Soul Weekenders March 2024
A start of the month Event Guide shout
Direct from our Source Event Guide a dynamic grab of the next upcoming 100 Soul Weekender Events
Links
Event Guide Main Page (tap)
Event Guide Weekender Section (tap)

events

By Mike in Soul News · March 1, 20241 yr

WE ARE THRILLED TO ANNOUNCE OUR NEXT BIG MAN RELEASE BMR 1019 - ANTHONY AND THE AQUA LADS - I REMEMBER B/W THE TWILIGHTS - YOU'RE THE ONE, BLUE EYED CAROLINA SOUL OF THE HIGHEST ORDER, UNDER LICENCE FROM ANTHONY MANER OF THE AQUA LADS AND WITH THE BLESSING OF GARY LOWDER (WRITER AND LEAD SINGER OF THE TWILIGHTS) BOTH RECORDS ON THEIR ORIGINAL LABELS GOLD BEE AND AQUA HAVE BEEN FINE COLLECTABLES FOR MANY YEARS SO A PERFECT PAIRING FOR THIS BIG MAN RELEASE FOLLOWING ON FROM BMR 1017 AND BMR 1018 EMBERS RELEASES.
THE RELEASE WILL COME IN A CUSTOM CARD PICTURE SLEEVE WITH DETAILED SLEEVE NOTES BY MARK WINDLE, A6 COLLECTORS CARD IN A POLY OUTER SLEEVE CURRENTLY IN PRODUCTION WITH A DUE RELEASE DATE OF EARLY SUMMER 2024, FURTHER DETAILS EMAIL Bicknellmark@aol.com OR bigmanrecords1@gmail.com
IN CONJUCTION WITH KHP RODUCTIONS, GARY LOWDER, EARL DAWKINS, ANTHONY MANER, TO HAVE THE BLESSING AND COOPERATION OF THE PEOPLE WHO ACTUALLY MADE THE RECORDS IN THE FIRST PLACE IS REWARDING ENOUGH AND EVERY EFFORT IS MADE TO DO THE RECORDINGS JUSTICE.

received_777692260871506.mp4

By Mark Bicknell in Soul News · February 29, 20241 yr

Groove Machine - The Earl Young Drum Sessions Various Artists CDTOP 1629
A new Cd release from Kent Records honouring the musical achievements of Earl Young...
Clips of Release Notes
Earl turned 83 in June 2023 (and a very active 83 at that!). To honour his lifetime of musical achievement, Kent presents “Groove Machine – The Earl Young Drum Sessions” a representative but also all-encompassing selection of Earl’s studio work as a drummer and singer from the mid-60s to the late 70s with the emphasis on the up-tempo
For almost 60 years Earl Young has been the heartbeat and pulsebeat of soul music in Philadelphia – the drummer on literally hundreds of sessions dating back as far as 1964, and the man who has propelled so much of the City Of Brotherly Love’s hit list in that time.
As well as being the drummer for the band that eventually became MFSB Mk. 1 and, subsequently, the Salsoul Orchestra, Earl has also led the Trammps since they came together as the Volcanoes in the mid-60s, and is still leading the group in 2023 (and playing several dozen shows a year) as their bass vocalist.
It’s fair to say that the classic 70s Sound Of Philadelphia as soul fans know it could not have existed without Earl Young behind the drum kit on so many defining sessions. His ‘four on the floor’ style essentially shaped the sound of dance music as it evolved through the middle of the decade and particularly during the peak years of Disco. Earl’s presence is immediately recognisable on just about every session he participated in, whatever the tempo of the recording.
The full release notes can be read via https://acerecords.co.uk/groove-machine-the-earl-young-drum-sessions

Leaflet Preview Scans

Track Listing

1 Penguin at the Big Apple/Zing! Went the Strings of My Heart (Medley) - The Trammps
2 Storm Warning - The Volcanos
3 Do the Hand Jive - Archie Bell & The Drells
4 I Ain't Got the Love of One Girl (On My Mind) - The Ambassadors
5 Silly Silly Fool - Dusty Springfield
6 Trying to Make a Fool of Me - The Delfonics
7 Please Give Me One More Chance - Clyde McPhatter
8 Backstabbers - The O'Jays
9 Just Can't Get You Out of My Mind - The Spinners
10 I Like to Live the Love - B.B. King
11 The Love I Lost (Part 1) - Harold Melvin & The Blue Notes
12 Do It Again - Charles Mann
13 The Sound of Philadelphia - The Three Degrees
14 Be Truthful to Me - Billy Paul
15 I'm Doin' Fine Now - New York City
16 I Just Can't Say Goodbye - Philly Devotions
17 A Mother for My Children - The Whispers
18 Be Thankful for What You Got (Part 1) - William DeVaughn
19 I Can't Fight Your Love - The Modulations
20 Touch and Go (12" Version) [feat. Barbara Roy] - Ecstasy, Passion & Pain
21 My Love Is Free - Double Exposure
22 Hit and Run - Loletta Holloway
23 Time Will Tell - Eddie Holman

Availability
https://acerecords.co.uk/groove-machine-the-earl-young-drum-sessions

By Mike in Soul News · February 27, 20241 yr

Three new 'Repro' 45s from Kent are released today, featuring Little Ann, Ty Karmin, Melvin Davis, the details and Kent release notes follow below...

Little Ann - Who Are You Trying To Fool - Kent Repro 15
Little Ann’s ‘Who Are You Trying To Fool’ was unknown until the late 90s when Ace acquired Dave Hamilton’s tapes and this glorious soul dancer was discovered. It has since sold out two Kent 45 releases and due to demand we have resurrected it. This time it is on a TCB repro label, which is the imprint it would have been issued on, had Dave had the finances to cover it.
For its flip we have gone for the beautiful, midtempo ‘The Smile On Your Face’ - never before on a 45 and one that will please her devoted fans
REPRO_15-1-1.mp3
REPRO_15-2-1.mp3

Ty Karim - Wear Your Natural, Baby / If I Can't Stop You - Kent Repro 17
‘Wear Your Natural, Baby’ was a good seller when issued on Kent Harris’ Romark label in the late 60s – judging by the, at least, three pressings of it. Understandably so, as it is a captivating rhythm for a then very current political and fashionable message. Towana was in fact Ty Karim, singing under her young daughter’s name.
On this flip, Ty recorded as herself on a cover of the CB Overton’s hit ‘If I Can’t Stop You’. However, Kent Harris decided to not go with this recording at the time and re-cut it with new lyrics as ‘Keep On Doin’ Whatcha’ Doin’’ as a duet with George Griffin issued in 1980 on Sheridan House.
That record has become a modern soul classic over time and this alternate solo version, with the different lyrics, by Ty is sure to excite lovers of that genre.
REPRO_17-1-1.mp3
REPRO_17-2-1.mp3

Melvin Davis - Wedding Bells / It's No News - Kent Repro 18
Melvin Davis’ ‘Wedding Bells’ 45 - first issued on the Ke Ke label out of Detroit in 1964, was an early Dave Hamilton project that he collaborated with Melvin for. Both sides are noteworthy, ‘It’s No News’ has particularly amusing lyrics over a dance-friendly rhythm.
Melvin is a legendary singer and sometime drummer who has suffered ill health in recent years; this release is our tribute to him. Known as Detroit’s soul ambassador, all those who have met him will testify as to how great a guy he is.
REPRO_18-1-1.mp3
REPRO_18-2-1.mp3

Note - Carolyn Crawford - Get Up And Move / Sugar Boy - Kent Select 094 was originally planned for release today but the release date has now been put back to 15 March 2024
CITY_094-1-1.mp3

Availability
All now available via Ace Records website (tap), and of course various record stores including our very own Source Store - (tap)

By Mike in Soul News · February 23, 20241 yr

Charlie Ingui a veteran blued eyed soul singer who formed the band “The Soul Survivors” in the 60's is back with a brand-new single called 'Wake Up Old World'
“Wake Up Old World” is a song about making the world a better place and is due out digitally 23rd Feb 2024. Where it will be available on all streaming platforms.

Charlie explains 'This has always been a theme in our songs inspired very much by our collaboration with Kenny Gamble and Leon Huff of Philadelphia International Records whose songs like "Love Train" and "Love Is The Message" had a positive and spiritually uplifting message.'
In 1967, Charlie Ingui formed the band The Soul Survivors. They scored a hit record with Gamble and Huff' It was Gamble and Huff’s first major hit with the song "Express Way To Your Heart” It Reached number 3 on the R&B chart, spent 15 weeks on the Billboard Hot 100 and sold over one million copies! Charlie and Richie grew up in the Lower East Side of New York and were the same scene in NY with The Rascals, Joey Dee and the Starlighters, The Vanilla Fudge, and many other Blue Eyed Soul Bands that paved the way for folks like Hall and Oates.
Originally, they were a trio and had a third singer, Kenny Jeramiah, who went on to have success in Atlantic City.
They went on to make several other great records including “Mama Soul” which was also included on the 1969 album with Muscle Shoals producer. Rick Hall called. “Take Another Look” The Swampers with Duane Allman played on that album. In 1974, Gamble and Huff got a custom CBS label – Philadelphia International Music and signed the Soul Survivors once again. They made a fantastic record with their amazing band, Charlie and Richie Ingui, John "Beedo"Dzubak & The amazing Fred Beckmeier on bass. He was a major influence.
“Wake Up Old World” is the first side of an upcoming limited edition 45 vinyl on LRK Records.
'Movin' In Love's Direction' is the next single and the flip side of the limited edition 45 vinyl which is coming soon. It is set for a 22/3/24 release. It had long been part of The Soul Survivors live show, but never appeared on a record until now. Lyrically, it is about positivity, and the desire to create a better world.
credits
Vinyl releases March 22, 2024
Wake Up Old World by Charlie Ingui

By LRK in Soul News · February 23, 20241 yr

Cannonball Records CBLL045 - The L.A. Propinquity "U Need Me"
Previously unreleased 70s Soul out soon.
Alberto has been pretty ill lately but thankfully he is bouncing back and his label hit the streets again with a previously unreleased 70s dancer by group The L.A. Propinquity entitled "U Need Me".
Alberto says......
“U need me” by the LA Propinquity surfaces as part of a body of productions initially meant to be put out all together on an album. As often seen, for many reasons this didn’t happen and we are offered the privilege to release it on our flagship label first time ever. A modern soul dancer of the highest order out of a couple of premium recording studios in Los Angeles (included Hit City West with award winning engineer Avi Kipper at the controls) by the hands of Maestro Sanifu Hall and his Aljoni Music Co. featuring what could easily be defined the L.A. Dream Team of musicians, to include the infectious groove of drummer supreme James Gadson (previously featured also on our long sold outs with Mike James Kirkland) and many other stellar players from the area.
I know I’m a weirdo so, to my taste, the flipside is as remarkable. Sanifu’s slick instrumental arrangement enriched by the flute of Todd Del Giudice, seamlessly in and out from the verses, makes it a sublime slice of original Soul Jazz from the late 70’s. Actually we really struggled to put this version on the back up side of this release as, with that hint of west coast fusion, it’d be worth a main side on its own. Just listen to both versions in this video, judge by your excellent selves and make your move accordingly.
To pre-order or buy visit https://cannonballsoul.com/cannonballrecords/

By Chalky in Soul News · February 22, 20241 yr

Official re-release of Frankie Staton & Speckled Rainbow's very rare soul 45 'Love One Another' and 'Bi-Centennial - 1976' on Tramp Records
Having been featured on Tramp's recent 'Can You Feel It' compilation album, Frankie Staton's debut release is highly sought after in Soul and Funk 45 collectors circles.
https://tramp.kudosrecords.co.uk/release/tr327/frankie-staton-bi-centennial-1976-feat-speckled-rainbow
A second re-release I would like to recommend is by William Cummings.
'Make My Love A Hurting Thing' does not need an introduction, the same goes for the flip side 'Your Soul Searchin' Love ', an equally rare deepfunk track. Not many can claim to own original copies of these two 45s since they are very hard to come by. Therefore many DJs, collectors, and music lovers will certainly be made happy with this long overdue re-issue.
https://tramp.kudosrecords.co.uk/release/tr329/william-cummings-your-soul-searchin-love

Added by Site

By pleasedtobeheard in Soul News · February 16, 20241 yr

After a break of 3 months with no Soul4Real releases I´m excited to announce two new 7"s by Tommy Tate and The Staples. Liner notes by Finland's finest Heikki Suosalo and our very own Iu Adell. As usually, great remastering courtesy of Jorge Muñoz-Cobo (Circo Perrotti) and fantastic job by Jordi Duró on design/artwork duties.
Order now for 1st March: https://soul4real.es

𝗧𝗢𝗠𝗠𝗬 𝗧𝗔𝗧𝗘 (S4R33)
I Can´t Do Enough For You Baby / Hold On (To What We´ve Got)
Tommy was born in 1945 in Homestead, Florida, and after his first foray into music in a church choir, he launched his secular recording career in Jackson, Mississippi, working mostly with Tim Whitsett and his Imperial Showband in the latter half of the 1960s. After a short stint with the Nightingales, he signed with KoKo in 1971 and had six impressive singles released, followed by records on Sundance, Juana and Urgent Records.
“I Can’t Do Enough for You Baby” is a mellow and melodic slow-to-mid-tempo song that sounds almost inspirational, while “Hold On” is a beautiful waltz-time ballad which James Carr released on Atlantic in 1971. Both of these songs were cut as demos probably in 1969 after Tommy and Carson Whitsett had signed a deal to become staff writers with Malaco Records.
Tommy was a magnificent singer and songwriter, who never got the credit he deserved mainly because of poor business choices and unfortunate incidents throughout his career. However, he was a beautiful person, gentle and humble.
𝑯𝒆𝒊𝒌𝒌𝒊 𝑺𝒖𝒐𝒔𝒂𝒍𝒐

𝗧𝗛𝗘 𝗦𝗧𝗔𝗣𝗟𝗘𝗦 (S4R34)
Take This Love Of Mine / Precious, Precious
With the collapse of Stax Records, The Staple Singers signed with Warner Bros in 1975, leading to a brief and fruitful collaboration with Curtis Mayfield. Their first work, the OST ‘Let´s Do It Again’, became the Staples’ all-time best seller. Such was the success that the major decided that Mayfield would also produce their next work, ‘Pass It On’, in 1976.
Along with the group’s new sound and shift in lyrics, there also came a new image and a shortened name: The Staples. “Take This Love Of Mine” is a catchy two-stepper dancer, with a passionate and powerful vocal performance and uplifting chorus. “Precious, Precious” is an elegant and sophisticated ballad with less presence of arrangements but which is still incredibly moving and oozing quality. Both tracks, overlooked as singles, closed an album destined to consolidate the success of the new era.
Unfortunately, sales fell short of WB's expectations, leading to Curtis being removed from the production of the subsequent Staples records. Undoubtedly, one of their finest albums and a true favorite among soul fans.
𝑰𝒖 𝑨𝒅𝒆𝒍𝒍

By Alexsubinas in Soul News · February 15, 20241 yr

Press Release:  Shirley Diamond & Jesse James “You Don’t Know Who You Sleeping With” SJ1021
Release Date:  Monday February 26th 2024
Diamond & James are none other than our old friend, the evergreen Jesse James in tandem with Southern soulstress Shirley Diamond.  Jesse has known and worked with Shirley for some time following their introduction by Shirley’s former manager/producer the late Harvey Scales. Shirley a native of Atlanta, Georgia and is not only a performing artist and occasional Congo drummer but a trained educator who has taught first to fifth grade students in the past. She is currently working as a E.I.P also known as an Education Support Teacher working with students who are experiencing learning difficulties.

Shirley has successfully managed her performing career around her academic career performing at weekends and school summer holidays which in the state of Georgia typically last from late May into the middle of August. Shirley’s career has either seen her open shows or work as a backing singer for some of black music’s greatest artists, Atlantic Starr, The Bar Kay’s, Bobby Bland, Tyrone Davis, Millie Jackson, Ann Nesby, Joe Simon, Johnnie Taylor (with whom she toured with for 7 months) as well as the aforementioned Jesse James amongst many others.

Shirley’s previous recordings include the CD album project ‘Shirley Diamond With Magic Mushroom’ entitled “You Don’t Have To Be Sad, To Sing The Blues” which included credible cover versions of Tyrone Davis’s “Homewrecker” and Marvin Gaye’s “Inner City Blues” plus the heavily radio played “See And Don’t See”.  The 2016 “Strong Woman” album on Phat Sak Records was followed by the Harvey Scales penned song “Are You Setting Me Up” in 2013 released as a download only. In 2021 Shirley recorded a song that she co-wrote with Terry Dukes “You Don’t Know Who You Sleeping With” which she has recently re-recorded as a duet with Jesse under the production supervision of Con Funk Shun main man Felton Pilate with additional instrumentation added to the arrangements.
Both versions of this song have been united as a double A sided release by Soul Junction, with this being Shirley’s first ever vinyl release.
A further Shirley & Jesse duet entitled “Another Love Lay Over” will soon be featured as part of a future Jesse James project, watch this space.

For further information contact Soul Junction: E-mail: sales@souljunctionrecords.co.uk
To pre-order/buy visit https://souljunctionrecords.co.uk/SJ1021.html

By Chalky in Soul News · February 14, 20241 yr

We are now hitting issue #36 of this very long running informative 'Northern Connections' series from ken Brown aka @Kenb

Northern Connections # 36 Deception

Today (2023) it would hardly be considered the crime of the century to operate a 'near victimless mail scam' or cause a deception for the benefit of a few 45 records. However, not so in Virginia 1972. Back then, defrauding a record club and stereo tape club carried a U.S. District Court indictment. Some still may say that's justice, a crimes - a crime. In the event, a man was convicted of 12 counts of fraud pertaining to the 12 addresses. The convicted man had an obvious twinkle in his eye when it came to the execution of the fraud he enacted upon the Capitol Record Club of Thousand Oaks, California, and Columbia Stereo Tape Cartridge Service, Indiana. Although the addresses used were real, the man used fictitious names to apply for club memberships and later club membership numbers issued were used in obtaining free bonus records for sponsorship of other bogus applicants. A few of those fictitious names included Mary Willson, Jackie Wilson and James Carr (nod to artists, maybe?).

As always you can check out all Kens other quality 35 Northern Connections and more via his 'activity' profile page, via the link below...
https://www.soul-source.co.uk/profile/37754-kenb/content/?type=cms_records5&change_section=1

connections

By Kenb in Articles · February 12, 20241 yr

A recent update of this Soul Source feature leads us to an excuse for a site shout/reminder
Using this feature viewers can view both...
1. Members Locations
https://www.soul-source.co.uk/communitymap/
2. Upcoming Soul Events Locations (from the event guide)
https://www.soul-source.co.uk/communitymap/?group=events
For future use can find the link under the 'extras' menu on our navbars.

You can quickly drill right down to street level via +/- icons or mouse wheel
Screenshot ( use link below the image to use our Source Map feature)

Tap below to visit feature
https://www.soul-source.co.uk/communitymap/

By Mike in Soul News · February 9, 20241 yr

Ace Records have pushed out a digital release just in time for that day...
Release Notes
Step into a world of soulful nostalgia with the perfect blend of warmth, beauty, and precision just in time for Valentine's Day. In 1967 – ZZ Hill recorded his soulful take on 'When a Man Loves a Woman,' a masterpiece crafted just a year after Percy Sledge claimed the top spot on the Billboard charts with the original. From the velvety vocals to the carefully produced arrangements, 'Valentine's Soul' – is released just in time for Valentine's Day. 40 years after the tragic accident that would later on claim Z.Z Hill's life it's time for the world to hear his masterful version of 'When a Man Loves a Woman'. Don't miss the release that will set the mood for an unforgettable Valentine's experience.
For two decades Z Z Hill was a go-to guy for anyone who needed a shot of blues-tinged soul music. His catalogue of recordings includes many masterpieces of southern soul, his Texas roots showing through wherever he recorded. After years of critical acclaim, and a late flourish of hits, he was about to take his career to a bigger stage in 1984 when complications from the aftermath of a car crash robbed black American music of one of its finest singers.
Z.Z. Hill recorded his soulful take on 'When a Man Loves a Woman,' a masterpiece crafted just a year after Percy Sledge claimed the top spot on the Billboard charts with the original.
From the velvety vocals to the carefully produced arrangements, 'Valentine's Soul' – is out now and released just in time for Valentine's Day.
Listen on your favorite music streaming platform here:
https://lnk.to/ZZHill-ValentinesSoul

By Mike in Soul News · February 9, 20241 yr

A new site block will be showing on Soul Source, showing all members their current account email and asking if it is still valid

How It Works
If answer yes then the block will disappear and you wont see it again for 180 days
If answer no you will be led in to the change email routine
Note for this to work that you will need access to your old email and password
If you do have any problems with this please contact the site via the below link when logged in
https://www.soul-source.co.uk/contact/
stating your new email and we will then try and sort the change of account email for you

Screenshot

Reason why you need a valid email
#1 We often get many long time members losing access to the site account as they have forgotten or lost their password and as their account email is no longer valid they are unable to recover account access
#2 In the near future the login will change from username to email so you will need to know your current account email
#3 Notifcations to work correctly

By Mike in Soul News · February 8, 20241 yr

Funky Way - Venture Records 1967-1969 - Calvin Arnold CDKENM 528
A new album release from Kent Records, just released and the release notes follow below
Release Notes
This is the first album of Mickey Stevenson’s Venture material. ‘Funky Way’ was the label’s first release and a hit in 1967, despite limited airplay due to having the word “funky” in the title. It went on to become an early funk classic, covered by Rufus Thomas for Stax, Tommy Strand for Fame, Jimmy Bee for Kent, Ray Johnson and others.
Though mainly recorded in Los Angeles, Calvin Arnold was a southern soul singer from Atlanta, Georgia and the material is in that vein – there are Mighty Hannibal produced tracks, recorded in Atlanta. Apart from the eight released sides, Mickey Stevenson’s tapes have provided five previously unreleased numbers including the up-tempo mover ‘Your Love Is Too Much’ and the superb southern funk grooves of ‘Trying To Fly My Kite (In Rainy Weather)’ and ‘Fool Me Baby’.
The package features never before seen photos and a 5,000-word biography of the revered singer from Atlanta musicologist Brian Poust.
More information and purchase options
https://www.acerecords.co.uk/funky-way-venture-records-1967-1969-1
https://amzn.to/48QUhUC
Scans

Track Listing
01 Funky Way
02 Snatchin' Back
03 Lovely Way To Go
04 Scoobie Doo
05 Mama-In-Law
06 Mini Skirt
07 You Got To Live For Yourself
08 Just A Matter Of Time
09 Tryin' To Fly My Kite [In Rainy Weather]
10 Your Love Is Too Much
11 Fool Me Baby
12 Messin' With The Old Folks Home
13 Mo Jo Hannah

By Mike in Soul News · January 26, 20241 yr

Soul Junction SJ544 Cam Cameron 'They Say I'm A Lonely Man'
Press Release: Cam Cameron They Say/I’m A Lonely man SJ554
Release Date: Monday 29th January 2024
Cam Cameron appears to be another one of those performers from an infinite list of Black American artists that cut a solitary 45 single and then disappear into obscurity never to be seen or heard from again. Couple this with the passing of any of the relevant protagonists from the time along with any of the surviving ones ever diminishing memories and the job of collating events and artists back stories from over 50 years ago becomes that much harder.

Cam Cameron appears to be another one of those performers from an infinite list of Black American artists that cut a solitary 45 single and then disappear into obscurity never to be seen or heard from again. Couple this with the passing of any of the relevant protagonists from the time along with any of the surviving ones ever diminishing memories and the job of collating events and artists back stories from over 50 years ago becomes that much harder.
Cam Cameron appears to be one of those artists (although our investigations are ongoing). Therefore, from the information currently gleaned, the artist Cam Cameron was none other than Alvin Cameron the writer of the featured song “They Say”, with Cam being a kind of nickname. The string arrangements on both “They Say” and “I’m A Lonely Man” were provided by the late John Andrew Cameron a hugely respected arranger, producer and songwriter within the Chicago music scene of the 1960’s and early 70’s, more often credited as Johnny Cameron. Johnny’s credits can be found on many recordings of the time often working with fellow Chicago music scene producer Clarence Johnson, some of the highlights from this liaison being the song “I Really Love You” recorded by both Jimmy Burns (Erica) and Bobby James (Karol) and the girl group, ‘The Lovelites’, on their acclaimed album “With Love From The Lovelites” (Uni). Johnny’s involvement with the Scott Brothers goes as far back as 1965 when he provided the musical arrangements on The Howard Scott penned song “I’ve Got To Get Over” recorded by Syl Johnson for the TMP-Ting label. Although they share the same surname, Alvin (Cam) Cameron is believed to be of no relation to Johnny Cameron.

“They Say” would gain a release on the independent Capri label owned by Sephus Howard Scott who together with brother Walter Scott composed the 45’s flipside “I’m A Lonely Man”. Howard also featured as one of the songs producers alongside the mysterious Edgar Mullins (a name which has been found on a couple of other tape boxes, the investigations continue).
Musical accompaniment was provided by The Scott Brothers Band, with both songs being recorded at RCA Victor’s Chicago number 2 Recording Studio at 445 North Lake Shore Drive, in the Navy Pier section. on the 10th of August 1967 and released on Capri Records during the month of February 1968.

Cameron’s “They Say” was another 45 that was first introduced to UK Soul Collectors via those much lamented and fondly remembered soul packs, always regarded as a quality collector’s 45 the only regular turntable action remembered was provided by Northampton’s very own discerning DJ Cliff Steele at venues such as ‘Detroit Academicals’, ‘Bretby Country Club’ and later ‘Albrighton’ during the leaner days of the UK Rare Soul Scene?! “They Say” is a snappy little dancer that from Ira Gates opening drum roll gets your toes tapping straight away, the perfect crossover record in every respect! While the flipside although set at a slightly gentler pace builds into a great brass and vocal crescendo and is a song that is gaining plenty of radio airplay at the moment. surely a wider appreciation of both sides of this soulful Windy City 45 now beckons! The second release in Soul Junction’s Capri following Reggie Soul’s “My World Of Ecstasy/Mighty Good Loving” SJ553.
For further information please contact Soul Junction:
E-mail: sales@souljunctionrecords.co.uk
Website
https://souljunctionrecords.co.uk

Videos

By Chalky in Soul News · January 24, 20241 yr

Soul Directions next upcoming release goes like this...
Release Notes
Soul Direction Records are pleased to announce the next release in the catalogue.
Wee – “Trying To Tell You How I Feel” / “We Could Get It Together” SD022
Pre-Order from Friday 26th January for release date 5th February 2024.
Both tracks “We Could Get It Together” & “Trying to Tell You How I Feel” featured in this latest Soul Direction outing were part of a master tape of unreleased tracks that never saw an addition to the album but came to light on a 2008 Numero LP. They were slightly remixed for the album, “We Could Get It Together” More so, but we are releasing the original tracks which came from the master tape which have never been released in this way before.
The group from Columbus Ohio were active from around 1974 to 1978 and consisted of the following members: Benji Harris, Bimbo Brown, Norman Whiteside, Spanky Jones, Vick Martin.
Wee mastermind Norman Whiteside was born and lived in an entirely different Columbus than Capsoul’s Bill Moss or Prix’s Clem Price. His career was later derailed by a three-decade stretch in prison. He was released on Parole on the 1st September 2016. Owl recording Studios was the brainchild of Youngstown Ohio’s Tom Murphy. Tom moved to Columbus Ohio after high school and began assembling equipment in 1972 with partners Don Kyre and Mike Wheeler who had played in a Columbus band called The EbbTides.
In September of 1972, Mike Wheeler was playing guitar with Osiris, and Tom brought his recording equipment to their gig (at Mr. Brown’s Descent near Ohio State University) and recorded them. That introduced Tom to Osiris members Sterling Smith, Dan Lawson, and Dave Hessler, who would later become partners/ stockholders in Owl. Tom Murphy’s passion for recording evolved into what is now “Track Record”, a very successful studio in North Hollywood, California. Robin Jenney went on to engineer a number of platinum selling R & B records for the likes or Roger Troutman and Zapp.
Scans

Videos
Both tracks “We Could Get It Together” & “Trying to Tell You How I Feel” featured in this latest Soul Direction outing were part of a master tape of unreleased tracks that never saw an addition to the album, but came to light on a 2008 Numero LP. They were slightly remixed for the album, but we are releasing the original tracks which came from the master tape which have never been released in this way before.

For more rare and previously unreleased tracks visit https://www.soul-direction.co.uk

SD022 - Wee Promotional Press Release.pdf

By Mike in Soul News · January 22, 20241 yr

"The Rosetta Stone of Rock'n'Roll"?
A Review of Mind Over Matter: The Myths and Mysteries of Detroit's Fortune Records by Billy Miller and Michael Hurtt from Joel E Turner
Intro
It’s been two Xmas’s since I was gifted this tome which has rarely left the office reading table.
Mind Over Matter: The Myths and Mysteries of Detroit’s Fortune Records by Billy Miller and Michael Hurtt is a sprawling 500+ page, hardbound, well-illustrated history of legendary Fortune Records.
I’m only going to say this once: if you are a fan of Detroit music and its history – buy this book.

The full review can be read here...
https://wp.me/p5WzGW-nS

By Joel E Turner in Soul News · January 20, 20241 yr

Mark B from Big Man Records has passed on news all about an upcoming book from Sharon McMahan
Going by the title it could be an interesting one, due out on Feb 12th, details and link below

The Last Note: A Northern Soul Classic... the Stories Behind the Songs! by Sharon McMahan

About the Author
SHARON MCMAHAN SONGWRITER / ARTIST / PUBLISHER / PRODUCER
Sharon was born in Sevierville, Tennessee but raised and musically disciplined in Detroit, Michigan.
Sharon began her career, as a teen in Detroit, Michigan. She wrote her first songs at the age of 12. After auditioning her, Ollie McLaughlin launched her writing career by publishing and producing and releasing several of her songs on his own record lables, KAREN, CARLA, MOIRA & RUTH Records. McLaughlin recorded Sharons songs on major artists, Barbara Lewis, Deon Jackson, Gracie Darnell and Johnnie Mae Matthews. He also secured a UK release for Sharon's song, Someday We're Gonna Love Again, recorded by the London based group, The Searchers. It charted to #11 in Billboard, in several countries and to #23 here in the United States, in 1964/65. Thus, Sharon has a tremendous fan base in the UK and Western Europe.
Later, another Detroit based publisher/producer became familiar with Sharons writing skills. He was Don Davis, producer of Johnnie Taylor, executive producer of The Dramatics and many more artists. He recorded Sharons songs on current Hall of Fame artists, Etta James and Mavis Staples. He was also responsible for Sharons song to be recorded and released on The Three Degrees.
In 1973 Sharon was signed to Columbia Records as a writer/artist, under the direction of then president, Clive Davis. Her released single was titled, Get Out Of My Life, produced by Toxey French, who arranged the rhythm section. The strings and horns arranged by Philly master arranger, Bobby Martin.
Sharon was later associated with Benny Golson, jazz composer and musician. He included one of her songs on his Columbia Records album. The song title is Love Is The Key.The album title, I'm Always Dancing To The Music.
In the late 1980's, Sharon was introduced to Elvis Presley, songwriter, Otis Blackwell. He recorded and released a McMahan song titled, I'm Happy Just The Way I Am, on his own Bullion record label.
In 2007, Sharon released a CD of original songs with herself as artist. The CD was titled, Somebody Else. It was released on CDBABY and It is still available in digital downloads.
In June 2015, Sharon was invited to perform in London, England (UK) at the Beachcomber Holiday Centre in Cleethorpes. She was invited to sing several of the songs she wrote in the 1960's for other artists during her teens. Most of the songs she performed that night, she had never performed for anyone before. She was well received and musically embraced by lovers of Northern Soul.
Sharon continues to work in association with the crafts loves.
Her favorite quote: THE JOY IS IN THE JOURNEY
Product details
ASIN ‏ : ‎ B0CR5TBSLQ
Publisher ‏ : ‎ Bookbaby (12 Feb. 2024)
Language ‏ : ‎ English
Paperback ‏ : ‎ 238 pages
ISBN-13 ‏ : ‎ 979-8218326388

Link
https://amzn.to/3S6Gp11

books

By Mike in Soul News · January 19, 20241 yr

Another quick highlight/reminder post for all those who like to be organised!
We do have a dynamic look forward planning list of the next 100 top soul related Weekender events taken direct and in real time from our very active Source Event Guide.
Basically what you get is a simple dynamic list of the next 100 Weekenders posted by you (the members) in our Event Guide, all on one page
The link to the page is below and can also now be found on our Weekender Index page
https://www.soul-source.co.uk/events-next-100-soul-weekenders/

By Mike in Soul News · January 12, 20241 yr

Bella Brown & the Jealous Lovers Unveil "Soul Clap" LP: A Fusion of Retro Soul/Funk and Modern Grooves Los Angeles-based retro soul/funk sensation Bella Brown & the Jealous Lovers are set to ignite the music scene with their highly anticipated LP, "Soul Clap."
Born from the creative genius of Grammy Award-winning vocalist/songwriter Carol Hatchett, Bella Brown emerges as a diva with a fiery stage presence, drawing inspiration from the likes of Tina Turner and Sharon Jones, and channeling the empowered female leads of 70s Blaxploitation films.
Led by producer/bassist/songwriter Daniel Pearson, The Jealous Lovers assemble an impressive ensemble of A-list musicians, boasting pedigrees that include names like Mick Jagger, Elton John, Whitney Houston, Prince, and Stevie Wonder. This musical collective is on a relentless quest to redefine the boundaries of music, infusing soul and funk with elements of jazz, rock, and Afro-Caribbean influences.
The essence of "Soul Clap" is derived from the cultural phenomena it is named after—a shared and improvised rhythm-making by a collective.
The LP, spanning 40 minutes of pure musical bliss, invites the audience to immerse themselves in the groove and discover their individual truths in the music.

The title track, "Soul Clap," and the infectious "Living Proof" serve as funky dance bangers, echoing the spirit of Bohannan and The Tramps. These tracks, punctuated with jazzy improvisations and soulful horn arrangements, are simple yet joyful expressions of shared humanity and self-love.

"Coming For You" is Bella's audacious response to the soul/funk classic Apache, boldly announcing her and The Jealous Lovers' arrival on the modern soul landscape. "I Found You" takes a northern soul love song approach, reminiscent of Gloria Jones with a touch of modern influence, giving it a distinct Amy Winehouse feel.

Bella Brown seamlessly weaves social commentary into her art. "Bang Bang Bang," an uptempo, funky Motown groove, cleverly uses Curtis Mayfield's sense of sarcasm to reflect on American gun culture. "Lady Time" takes a driving afrobeat groove, employing brassy horns and reggae-like echoes to address the issue of homelessness.
However, the album is not without its lighthearted moments. "Fast As Lightning" celebrates a cleaner future by imagining Jimi Hendrix joining Ike and Tina Turner’s band to create a classic Chuck Berry car song. "There Is Love" blends horns, strings, and vocals reminiscent of The Stylistics over a Chi-Lites style rhythm section, to create a lush message of support to those among us with mental health issues.
Finally, "What Will You Leave Behind," is a revamped version of the group's sold-out vinyl 45 release. This track serves as a powerful call to action for a better future, delivered over a straight-up Motown groove with a funky Sly Stone finish.

Bella Brown & the Jealous Lovers have crafted an album that transcends genres, embracing the roots of soul and funk while pushing musical boundaries.
"Soul Clap" is a celebration of individual truths, shared experiences, and the timeless power of music.
Soul Clap is set for release on Feb. 2nd 2024 on LRK Records(UK) and will be available on all major streaming platforms.
Rated 5/5 in UK Music Republic Magazine "Sounds like a long lost crate digging find from the vaults!"
credits
releases February 2, 2024

Bella Brown(Carol Hatchett): Vocals, Tariqh Akoni: guitar(8), Curt Bisquera: drums(1-8), Lèo Costa: drums(9), David DelHomme:
keyboards(3,5,6) guitar(3), Jordan Donald: tenor sax(5), Kat Dyson: guitar(1,2,4-7,9), Taku Hirano: percussion(1,3,4), Daniel
Pearson: bass(1-9) guitar(2,4,5) keyboards(9), Matt Rohde: keyboards(1,4,7), Ed Roth: keyboards(1,2,8,9), Enrique Sanchez:
trumpet(5), Linda Taylor: guitar(3), Dino Soldo: flute/oboe/soprano sax/melodica(9), Brad Walker: alto sax(1), Alex Wasily:
trombone(1,5,9), Christine Wu: violin(9),The Regiment Horns: Sean Erick: trumpet, Leon Silva: tenor/bari sax, Kevin Williams:
trombone(2-4,6-8)
All songs composed by Carol Hatchett, Daniel Pearson
Publishing: Avenue J Music(BMI), Velvet Sundae(ASCAP)
Produced by Daniel Pearson
Recording Engineer: The Jealous Lovers
Mix Engineer: Daniel Pearson
Mastering Engineer: J J Golden
Horns arranged by Daniel Pearson except (9) Dino Soldo Daniel Pearson
Executive Producer: Avenue J Music, Liam Kenney(LRK Records)
Logo Artwork: Nori Shirasu
Photography: Walter Tabayoyong
Artwork: Andrea Lotz
Special thanks to: Shelia E, Bernard Fowler, Darryl Jones, Enrique Gonzalez Muller, Sean Slade, Vanguard Audio Labs

Pre-order here: https://lrkrecords.bandcamp.com/album/soul-clap-2
All formats available VINYL/CD/DIGI
Soul Clap by Bella Brown & The Jealous Lovers

By LRK in Soul News · January 12, 20241 yr

Just a quick highlight/reminder post for all those who like to be organised!
We do have a dynamic look forward planning list of the next 100 top soul related Allnighter events taken direct and in real time from our active Source Event Guide.
( Note our Allnighter section does cover both full Allnighters and also mini-niters. )
Basically on offer is a simple dynamic list of the next 100 Allnighters posted by you in our Event Guide, all on one page
The link to the page is below and can also now be found on our Allnighter Index page
https://www.soul-source.co.uk/events-next-100-soul-allnighters/

By Mike in Soul News · January 11, 20241 yr

Known for her 45s on Broadway [Sue] and collaboration with Swamp Dogg
Here are links to a few stories reporting her passing.
https://www.hollywoodreporter.com/movies/movie-news/sandra-reaves-phillips-dead-actress-singer-1235777164/
https://www.pinkvilla.com/trending/world/who-was-sandra-reaves-phillips-exploring-life-and-career-of-actress-and-singer-as-she-passes-away-at-79-1268729
https://www.thenews.com.pk/latest/1143586-sandra-reaves-phillips-raisin-star-takes-final-bow

By jukeboxgeorge in Soul News · January 8, 20241 yr

FOOTIE AND 45s WEEKENDS By Dave Moore

As lifelong Burnley Football Club fans, I am so chuffed that Bev, my Grandkids, (who are also season ticket holders) and the club, play a central role in this tale. We left Burnley in 1985 but as a family we still attend most home games and quite a few away games which, when your grandson plays grass roots football on Saturday and Sundays, can be a challenging programme at the best of times, as even the home games result in a 300 mile round trip for us! However, for three weekends in December 2023 the trips couldn’t have been more worthwhile. Combining two interests that have dominated my life is a first for me and I’m still walking around with a big beaming smile on my face! To find out why, read on…
As a town Burnley has punched above it’s weight in a number of ways during my lifetime, the football team being a good example of this. We’ve won the League, The FA Cup, played in Europe and are currently battling away against the mighty billionaires of the Premier League. The club is woven into the DNA of the townspeople as it always will. The other way it punched above it’s weight was in the world of rare soul collecting. East Lancs was a hotbed of rare soul collecting and back in the mid 70s soul clubs were in abundance in the town as were the sales boxes of many of the areas premier soul collectors/sellers. Back to our tale…
At one of the home games in November (v West Ham), I was approached on the concourse by a good mate of mine ‘Bob’. He told me that his friend had told him of a record collection in town that may well be up for sale as the collector had passed a while back and his brother wanted shut of the 45s that were gathering dust. I asked the obvious questions of How Many? What Genre? Has anyone sifted it yet? Bob couldn’t answer any of the questions and confirmed he’d make some more enquiries. The following weekend I was up in my home town once again to watch the Mighty Clarets trounce relegation rivals Sheff Utd 5-0) and, having handed the grandkids over to their Dad on Sunday morning ended up in a post-match soul gig in Rishton, a small town a few miles away, that same afternoon. During a pretty good afternoon catching up with Chris Waterman, Ashley Fellows and Mick H, Bob turned up and relayed that he’d been told there were thousands of records and that they were primarily RnB and Jazz. He gave me the business card of the guy with his phone number on and we arranged to try and get there the following weekend. Burnley were away to Brighton the following Saturday but Bev and I had arranged to watch the match in Burnley at our good friends and fellow Clarets Bev and Kev Parker, before us all setting off to go to the Beamish Museum in Co Durham. So, it was gonna be a tight fit to get it all done on Saturday. Fortunately Sky TV, hadn’t messed about with the 3pm KO and would give me a few hours digging about.
Unfortunately Bob remembered he had his works ‘do’ on that day and so I rang the guy and arranged to meet him at noon. I picked up my rather ‘fuzzy headed’ best mate Billy (LOL!) and off we went with a pocket full of cash and the belief that we’d probably be returning with it intact.

The location was an old Mill type Building near the centre of the town. (1) Although the town’s cotton heritage is well known, many of the old buildings from the industrial revolution have been demolished but there is a will in the town to preserve what can still be utilised and improvements and renovations can be found in various areas of the town. As we approached I felt sinking feeling as Tom (2) met us at the roller door and explained the records were in the cellar! I experienced visions of dark, damp cellars full of mouldy old 45s similar to the ones encountered in Philadelphia, Miami, St Louis, Chicago, and New Orleans but was pleasantly surprised to find that once we entered the underground the space it opened up to reveal a large dry room with good electrics that housed a mountain of electrical music equipment. Turntables, speakers, moogs, keyboards, Amps, 2 complete band set ups and a whole host of recording kit, mixing boards and various guitars scanning 4 decades filled the room. A quick chat with Tom revealed that he was a sound engineer, DJ, from back in the day whose brother Mal had passed a while ago. He was in the process of selling off all the equipment on his retirement from the sound business. This included his joint record collection that he and his brother built up, many as new releases. After a quick tour of the place my attention was drawn to shelves and bags full of 45s and albums sat lurking on one side of a wall and with Billy, having left his specs at home and having a head like a pneumatic drill, deciding he was a little too under the weather to sift thousands of dusty ole’ 45s, I bailed in alone.
After a few minutes it became apparent that the shelves were indeed primarily 60s UK labelled RnB, Soul albeit interspersed with hits of the day by the Beatles, Rolling Stones and the odd pop hit from the same era. The first seam of the day quickly showed itself as I picked out UK Tamla Motown copies of Barbara McNair, The Hit Pack, The Spinners (‘Sweet Thing’ AND ‘I’ll Always Love You’) amongst others. A few minutes later The Marvelettes on Fontana (‘Mr Postman’ AND ‘Twistin’ Postman’) made an appearance alongside a number of Oriole issues. There was also a copy of Paul Gayten’s ‘The Hunch’ on London which I’ve always suspected was the first ‘Motown’ orientated product released in UK. We were off and running! In the next handful was a slew of Garnet Mimms on UA and Howard Tate on Verve.

Now on a normal days record hunting that would already be a great result for sure, especially in today’s climate where the days of finding untouched 45s of this calibre are almost a thing of the past. I moved to the next shelf and was greeted by what I thought may well be a whole run of UK SUE labelled rnb/soul. A quick confirmation that Ernestine Anderson, Jackie Day, Danny White, Fascinations etc were present amongst the Ike and Tina, John Lee Hooker and Elmore James 45s and the smile grew even wider on this Burnley lad’s face!

Having started to stack the 45s into categorized piles I came across a seam of UK Black Chess 45s, probably around 30 of them and was puzzled as to why they were all RNB/Blues by Bo Diddley, Muddy Waters, Little Milton etc, until I moved onto the next shelf to find The Gospel Classics, Ramsey Lewis, Fontella Bass, The Dells, The Radiants, Cash McCall and Jackie Ross waiting for me.
Speaking to Tom as I flicked through the 45s I learned a little bit more about his exploits and those of his brother Mal. They were both musicians who were in a local rock/rnb band in the 60s/70s. He relayed many of the places they played locally including The Imperial Ballroom in Nelson, The Birdtrap in Brierfield (which coincidentally runs a soul night there at which Bob is currently a regular DJ). As was the norm in these RnB/Soul clubs of the time, DJs would play in between the band appearances, (much like today) and Tom and his brother would take on that role in addition to Tom being the sound man and his brother a band member. Tom, it appears liked the rock side of things whilst his brother Mal leaned toward RnB/Blues and later slid into the fledgling Northern Soul sound. It was a thrill to listen to his tales of gigging around the North West and his memories of the bands and people of the time. I’d been around in the mid 70s in Burnley, even running soul nights until 1980 when I left and to think that this collection had remained unknown to me and my peers whilst we were DJing around the corner (In one case right across the road!) was fantastic. To be able to rescue it for future fan’s enjoyment was even better!
One of the more prolific labels that eventually secured releases on it’s own logo in the UK was the STAX imprint from Memphis. And the history of it’s dealings as it strove to establish itself was all here on the shelves, told by the 45s themselves. The journey through their earlier releases on London giving way to the Atlantic logo before finally hitting the shops on their own blue label was captured on these shelves. What a shame that the familiar Blue Polydor distributed records didn’t get released in sleeves and that we would have to wait until EMI got hold of the distribution to see the now famous finger clicking logo! On investigating, the Blue Stax pile I had now built up revealed that there were 6 missing, something that I will rectify shortly. The yellow Polydor and later Pye distributed records were a little more thinner on the ground which I put down to the guys interest in DJing waning as the 70s progressed.

No black record collection from this era could be regarded as fully representing the timeline without a fair slew of Motown and although I mentioned some choice bits earlier I now found myself opening a large canvas bag that revealed quite a portion of Motown but on the earlier Stateside logo. Happy days! As a stream of 45s passed smoothly from my hands to a new pile I’d added Earl Van Dyke, Carolyn Crawford, The Contours, The Miracles, The Temptations and a host of others to my ever growing piles of 45s.

By now I’d amassed about 650 records and the Clarets v Brighton was calling so I decided to take a chance and arrange to come back the next weekend when Burnley were at home to Everton. Tom was more than happy with that and a price for the first haul was agreed, duly paid and we parted with the agreement that we would not tell anyone about the 45s remaining and return on Friday the day before The Match in order to have a full day searching the remaining 45s. I arrived at Bev and Kev’s just before kick off with what must have been the look of a Cheshire Cat!
Needless to say the trip to the Beamish was informative and entertaining, especially The Dentist! but as my friend Bev commented… you’re a bit distracted aren’t you Dave? LOL!
It was a nervous week as I hoped and prayed no one would find out about the collection until after I’d been through every 45 which was the plan on the Friday. I rang Tom on Thursday to confirm our appointment and that no one had been to see them in the meantime. Duly assured that no one had at 7:00am I set off alone on the 150 mile journey, Bev and Grandkids would come up on Saturday and we’d stay over after the game. By 11 am I’d picked up Billy, Bob and we were walking down those cellar steps to complete the task. Another Footie and 45 Weekend beckoned!
On arrival the three of us took a section each and pulled anything of interest out, my first delve into yet another canvas bag yielded a whole slew of Pye International RnB Series 45s. This series was designed to release foreign outings in UK and although it’s early 60s outings contain many US RnB artists by 1963 the label released a mix of styles of black music including artists as diverse as Willie Dixon through to Dionne Warwick under its RnB Series banner. Blues, RnB and Soul artists of the era litter the catalogue and names as diverse as Chuck Berry, Billy Stewart, Bo Didley, Tommy Tucker, John Lee Hooker, Sugar Pie DeSanto and Tony Clarke sit alongside each other. It won’t have escaped the readers’ attention that many of these artists were signed to the Chess logo which up until 1965 had no output on its own now famous black logo This particular Pye Series lasted for just over a year before the Pink PYE logo was introduced and the label became even more diverse. For anyone interested in the development of RnB and how it laid some of the foundations for the soul explosion round the corner, the Pye International label is a great starting point. Most don’t cost a king’s ransom and there are one or two gems in there. As a bonus there was a pristine, sleeved blue PYE copy of Etta James – ‘At Last’ that I was particularly pleased to find. (3)

In the corner up against the LP shelves were 3 or 4 old wooden DJ record cases and they were next on the search. On opening the first one I discovered a couple more handfuls of the Chess catalogue and as I flicked through the 200 or so 45s in this particular box I picked out a number of others. At the end of that box I had piled up almost 60 of them. The search was on for the remainder! The usual suspects of Ramsey Lewis, Fontella Bass, Billy Stewart, The Dells, Jackie Ross were all there as were the likes of Gene Chadler’s – ‘Such A Pretty Thing’ all Northern favourites but strangely no Tiffanies and not a single promo.

On unzipping another canvas bag that had seen better days the first handful delivered a fistful of Bobby Bland 45s and as any collector/soulfan knows, if Bobby’s around it’s best to slow down and ensure you don’t miss a single 45! True to form, Bobby preceded a rather nice haul of Vocalion 45s. That included not just himself but also Tommy Neal, Bud Harper, Al TNT Braggs and Little Johnny Taylor amongst others.

The second half of the bag revealed another slew of early TMG Motown 45s. and that particular ever growing pile was enhanced by 45s from Kim Weston, Brenda Holloway, Shorty Long, Chris Clark and Jr Walker and The All Stars amongst others. I wondered if the TMGs were finished or if some of the later releases were still to be found and on opening a battered 7inch cardboard box I got my answer. The Contours, Isley Brothers, Jr Walker, Marvin and Tammi, Rita Wright and The Undisputed Truth were amongst the haul from the early 70s.

As the piles of 45s grew, I started taking a break from searching and concentrated my efforts on ‘sifting’ the piles we’d built for any real quality 45s in slow time. As I’d come across interesting bits I’d simply placed them on a separate pile and it was this particular pile that would now yield the ‘icing on the cake’. The pile had slowly grown to about 100 x 45s all of which were Northern Soul. In amongst this pile of vinyl treasures were copies of Chubby Checker – ‘You Just Don’t Know’ – Cameo Parkway Demo, Dee Dee Warwick – ‘Worth Every Tear I Cry’ – Mercury, Both Little Anthony’s big Northern outings on UA, Sapphires – ‘Got To Have Your Love’ – HMV, Poets – ‘She Blew A Good Thing’ – London, Jimmy Robbins – ‘I Just Can’t Please You’ – President, Skull Snaps – My Hang Up Is You – GSF, ke and Tina – Dust My Broom – HMV Demo. Gene McDaniels – ‘Walk With A Winner’ – Liberty. It was proving to be a good afternoon!

Once I’d sorted that pile into 2 separate piles and made a mental note not to add any more but to start another ‘Northern’ pile I delved into the bottom shelves of the racks that held another approx. 500 x 45s. The first handfuls delivered a series of Beatles EPs that under normal circumstances I would have lifted but the condition proved too poor to make them worthwhile, disappointed I put them back and pulled out another handful. It was Action Time! 45s by Little Carl Carlton, The Showmen, Dee Dee Sharp, Clifford Curry, The Olympics, Minnie Epperson, Wilmer and The Dukes and Jeanette Williams were amongst that shelf’s wares.

Whilst the next one gave up a handful of Dave Godin’s Soul City labelled 45s, Gene Chandler, Bessie Banks and Chris Jackson amongst them.

As the afternoon drew to a close I once again turned my attention to the mounting stacks of 45s that we’d accumulated and checked each one again. Although none of the records were mint and unplayed they were in surprisingly good nick to say they’d been shelved down here for god knows how long and in amongst the piles we’d set aside we confirmed hauls of Atlantic, Polydor, Direction, Monument, Columbia, Capitol Mercury and Track that were confirmed as keepers.

As I checked the Stateside pile that had also grown quite healthily, I was pleasantly surprised to see quite a few there that would soon nestle in my own collection that I’d not owned since 1990 when I actioned off my then UK collection. The likes of Sammy Ambrose, The Incredibles, Mickey Lee Lane, The Sharpees The OJays and Bettye Lavette would be returning to ‘Casa Moore’ for sure!

As we reached the end of the shelves and emptied the last couple of cardboard boxes from which we added to the now lopsided stacks of records. I turned my attention to number of promos that I’d stacked during the afternoon’s activities and these were duly transferred to the ‘we’re taking these’ stacks alongside the US 45 stack that had crept up on me as I’d simply placed anything familiar in to a pile and was quite pleased when I checked through the stack again.

During the 2 days of hunting, I’d not really taken much notice of the US 45s we came across so it was something of a nice surprise to realise we had actually fared quite well on the US records too!

It was now time to finalise a price that both Tom and I were happy with and once that was concluded and the cash exchanged we boxed another 650 up and transferred to the car upstairs. It had been a great couple of days, rooting through the records had taken me back to the mid 70s soul clubs around East Lancashire and reminded me of the fantastic times we had. Memories of record guys like Steve Bradley, Barrie Waddington, Dave Taylor, Guy Hennigan, Alan Hughes etc, all happy to educate a fledge-ling soul collector. The mad, cross country trips to hit the record bars of venues and the great trips home comparing what we’d managed to snag.
That evening we sat around at Billy’s cherry picking the haul to everyone’s satisfaction, as Bob left with his particular bagful, Billy and I slowly sifted the 45s to decide which we would keep and which we might possibly move on. We both decided that apart from a few 45s that would be given to close friends, we would absorb them into our collections. The collection we’d stumbled over would stay together albeit in 2 locations.
After a night on Billy’s settee surrounded by records it was ‘up and at ‘em for’ breakfast with my sister Julie and Billy before I picked up the Grandkids and Bev from their Dad who’d driven up from Malvern and after a chaotic lunch we hit Turf Moor. Despite a poor performance against our ex manager Sean Dyche’s team Everton, in which 3 ex Burnley players played a crucial role in our 0-2 defeat, I wasn’t quite as miserable as the kids! An overnight with the kids at our second home (Premier Inn - where the kids fall asleep watching Match Of The Day!) and next morning their Dad picked them up after a hearty breakfast and Bev and I made our way to Billys to pick up almost 1000 x 45s.
The drive home was different than usual. Our Mighty Clarets been well beaten again but the chat was decidedly upbeat in our car!
When I decided to write up the weekend’s activities I was a bit concerned that it would simply become a list of ‘I then found this’, ‘I then found that’, (which essentially is what it is) but decided that other collector’s might appreciate the tale. I was always enthralled when listening to other collectors’ tales of record hunting and in todays climate of internet, ebay, discogs, having changed the face of the hobby beyond recognition over the years, it felt particularly good to rely on old school skills for a change.
I’d like to wish other record hunters a Very Happy and Fruitful New Year and hopefully look forward to more tales of record rescuing in 2024.
Dave Moore
Jan 2024


REFERENCES:
1.   At the request of Tom I have not divulge the exact location of the building.
2.   I have used a pseudonym for ‘TOM’ and for his brother ‘MAL’ as he wasn’t keen on his identity or that of his location being made public. However, if anyone is interested in buying any LPs or Speakers, Amps, Technics Turntables, Sound Gear etc I’d be happy to put you in contact with him.
3.   Etta James – ‘At Last’ was my Son and Daughter In Law’s first dance at their wedding and I intend to frame the 45 alongside the sheet music and a picture of the happy couple on the dancefloor.

PDF Version
Complete article in PDF Format:
footie-and-45s-by-dave-moore-jan-2024.pdf

vinyl

By Dave Moore in Articles · January 5, 20241 yr

Details of an upcoming book due out Aug 2024 from author Benjamin Myers.
Bloomsbury has acquired Rare Singles, a "full-throated hymn to the sorrows and triumphs of soul music" from author Benjamin Myers.
"Over in Chicago, Bucky Bronco is down on his luck – and has been since the loss of his beloved wife. The best he can hope for is to make ends meet, and try and stay high. But then an unexpected invitation arrives, from someone he’s never met, to come to somewhere he’s never heard of."
More info and details via
https://www.thebookseller.com/rights/bloomsbury-nabs-myers-book-on-soul-music

https://uk.bookshop.org/p/books/rare-singles-benjamin-myers/7624795

By Mike in Soul News · January 3, 20241 yr

Pals & Gal - Lil Bit Different - Epsilon Record Co EPS025
Previously Unissued Funky tune with a killer sax
A. "LIL' BIT DIFFERENT” (4:44)
B. "LIL' BIT DIFFERENT” (instrumental version) (4:44)
Produced, Arranged, and written by Ron Foster
publisher: Ron Foster Publishing BMI
Montclair New Jersey USA / 1980

Pals & Gals
Tim Williamson
Eileen Moore
Ron Foster
Malcolm Cobb Jr (sax)

Eileen (Foster) Moore's
Musical background started at an early age. I was singing and accompanying my mom and sister on many occasions at my church. At around age 13 my pastor asked me to play for our children’s choir and shortly after was requested by another pastor to play for their youth choir on alternate Sundays. I was playing and directing young adult choirs as well. I continued playing and directing these choirs for a great number of years. I stopped for a very short time when I was approached by another pastor to head up their music ministry which I did for an additional great number of years. I’m presently at that same church playing and directing the children’s choir. I’ve also played for other churches on off Sundays. I’ve been involved with music all of my life, teaching piano, playing, singing, and directing, mostly gospel music.
I was hired by my brother (Ron Foster) to provide vocals on a few tracks one of which is Lil Bit Different!
Musical background started at an early age. I was singing and accompanying my mom and sister on many occasions at my church. At around age 13 my pastor asked me to play for our children’s choir and shortly after was requested by another pastor to play for their youth choir on alternate Sundays. I was playing and directing young adult choirs as well. I continued playing and directing these choirs for a great number of years. I stopped for a very short time when I was approached by another pastor to head up their music ministry which I did for an additional great number of years. I’m presently at that same church playing and directing the children’s choir. I’ve also played for other churches on off Sundays. I’ve been involved with music all of my life, teaching piano, playing, singing, and directing, mostly gospel music.
I was hired by my brother (Ron Foster) to provide vocals on a few tracks one of which is Lil Bit Different!
Malcolm Cobb Jr
Malcolm Cobb Jr is a jazz based saxophonist who enjoys performing at venues. I play many styles of music but enjoy playing smooth jazz and r&b. I have a video of myself on YouTube to wit: Malcolm Cobb- Europa which had garnered some likes and attention. I have performed with George Benson, the Legendary Escorts and many more.
Ronald Foster
Ron Foster has been a player in the soul and R&B industry for years, having appeared on TV shows including Don Cornelius Soul Train, the Mike Douglas Show and The Gene Woods Dance Show. He is an accomplished keyboardist and music writer and arranger.
The former keyboard player with 70s group Ecstasy Passion and Pain, Ron Foster continues to build on his 50+ years in the music industry as a performer, songwriter, conductor, producer and arranger

Get it here:
https://www.epsilonrecord.com

By Yann V in News Archives · December 31, 20231 yr

EPS026 Kenyatta - Kick It Off - Movin' Music - Killer 70's Deep Funk / Soul
Killer 70's Deep Funk / Soul
Written & Arranged by James Crabbe Robinson & Keith Rose
CBS studio in Manhattan New York 1974
(Special thanks for Paris Ford & Steve Clancy)
A: KICK IT OFF (3:24)

B: MOVIN' MUSIC (2:57)

Kenyatta
Members:
James Crabbe Robinson
Paris “Peewee” Ford
Keith “Key Boy” Rose
Henry “Butch” Jackson
Paul (GQ) Service
Kenny Kirkland

Produced by Art Weiseger
BMI: Little Jason Music Music Co.

James E. Robinson, New York, U.S.A.
Lead vocalist, songwriter & producer
Based in New York, James sang guest lead vocals with artists including Norman Connors('Stella' and 'Listen') and Lonnie Liston Smith ('Song For The Children' and 'Love Is The Answer').
He replaced Luther Vandross in Change and singing lead with the group on songs including 'The Very Best In You' (1982).
As a solo artist he signed to Tabu Records in 1987 where his one album was 'Guilty'.
That album contained the popular track 'I Feel Like Going On'.
Other artists he has recorded with include Jeff Lorber ('Every Woman Needs It'), Lenny White('Attitude') and Bob Baldwin.
While with Lonnie Liston Smith, incidentally, James wrote 'Speak About It' on which he also played guitar.
James's cousin is Paris Ford, who played with Norman Connors, Lonnie Liston Smith and was the original bassist on Tyrone Thomas And The Whole Darn Family's '7 Minutes Of Funk'.
In 1995, Robinson teamed up with Mark Johnson for the track 'Daydream', taken from an album on JVC called 'Daydream', which became popular at Soul Weekenders and on London's Jazz FM radio station.
In 2001, he teamed up with another jazz keyboard artist, Bob Baldwin, for his album 'City Sketches'.
The track 'Stay', taken from this set, being highly popular.
James Robinson is also known as James 'Crab' Robinson.

Paris Ford, New York, U.S.A.
Bass Player
One of the most enduring Bassist of the past decades, PARIS FORD has taken his place as one of the most groundbreaking “New Old School” session players in popular music, from sharing recording sessions with the likes of Marcus Miller and Anthony Jackson to Recording and/or touring with everyone from Punk/Funk R&B recording artist Rick James to Jazz Fusion Violinist Micheal Urbaniak to name a few.
PARIS FORD’s early days of Junior High School in the Bronx, playing in local bands with a great deal of his influences Larry Graham, Graham Central Station and Francis Rocco Prestia of Tower Power to name a few, makeup the unique style of his bass playing technique. His production combines the undeniably funky soulful song writing skills of R&B Jazz/Funk and Hip Hop.
PARIS FORD has released several Recordings throughout Europe and has played Bass for Rick James, The B.B.&Q Band, Johnny Gill, New Edition, Evelyn “Champagne” King, Lenny White, Tyrone Thomas, Norman Conners, Lonnie Liston Smith, Micheal Urbankiak, Urszula Dudziak, James Robinson, Invisible Man's Band, The Village People, Glen Jones, Vicki Sue Robinson, Jean Carn, Val Young, J Plunky & Oneness and many other well known major recording artist also playing on many Jingles.
PARIS FORD endorse Spector Basses (since 86'), EMG"s Bass pickups, Mutron products and DR Handmade strings
Check Paris Ford new single:
https://parisfordrecords.wixsite.com/my-site

Keith "Key Boy" Rose, New York, U.S.A.
Lead Vocals / Percussionist
Lonnie Liston Smith, Hip hop Single and voice of 80s Rapper "The Rake - Street Justice"
Paul Service(RIP)
Recording the Platinum-selling group's Album GQ "Disco Nights"
He was deported to his hometown of Jamaica where he succumb to his death in the 90s
Kenny Kirkland (RIP)
Born in Brooklyn, New York in 1955, Kirkland was six when he first sat down at a piano keyboard. After years of Catholic schooling, Kirkland enrolled at the Manhattan School of Music, where he studied classical piano performance, classical theory, and composition.
Kirkland's first professional work came with Polish fusion violinist Michal Urbaniak, touring throughout Europe with his group in 1977.
Coincidentally, his next high-profile gig was with another Eastern European jazz émigré, Miroslav Vitous. Kirkland is featured on Vitous' ECM recordings First Meeting and Miroslav Vitous Group.
In 1980, while Kirkland was on tour in Japan with Terumasa Hino, he met Wynton Marsalis, which began their long association.
On Marsalis's self-titled debut album, Kirkland shared the piano duties with one of his musical influences, Herbie Hancock, but was the sole pianist on Marsalis's subsequent releases Think of One, Hothouse Flowers, and Black Codes. After his association with Wynton Marsalis, Kirkland joined Branford Marsalis's band. He is also on Marsalis's funk band album Buckshot Lefonque. When Branford Marsalis assumed the high-visibility role of bandleader for NBC TV's The Tonight Show with Jay Leno, Kirkland became the band's pianist.
In 1991, he released his debut as a leader, Kenny Kirkland, on GRP Records. Thunder And Rainbows (1991, Sunnyside Records), by "Jazz from Keystone", is a trio album with Kirkland, Charles Fambrough, and Jeff "Tain" Watts.
Leading up to and on June 1–3, 1998, Kirkland worked with long-time associate Jeff "Tain" Watts on the drummer's debut recording Citizen Tain. According to producer Delfeayo Marsalis, "He was clearly not in good shape." When asked about going to the doctor, Kirkland responded, "After the session. If I go now, they'll make me check into a hospital." On June 4, doctors told Kirkland he had a congestive heart condition that required an operation. He attributed his poor health to twenty years of touring without adequate vacations and exercise and deemed his chances of surviving any surgery 50/50 or less. Fearful of having a cardiac procedure, Kirkland accepted his fate and was soon on the road with Branford Marsalis again.
On November 7, 1998, Kirkland attended Marsalis's wedding in New Rochelle, New York. Kirkland was found dead in his Queens apartment on Friday, November 13, 1998.
The official doctor's report listed his death as due to congestive heart failure. He was survived by his mother, a brother and two sisters.
Get it here:
https://www.epsilonrecord.com

By Yann V in News Archives · December 30, 20231 yr

The Winter 2023/4 Issue of Soul Up North is out just in time for Christmas
Details below...
SOUL UP NORTH - issue 118
OPENING PAGE : CONTENTS – EDITORIAL & INFO
GOOD TUNES & GREAT GROOVES
Dave Halsall
ISSUE CD TRACK LISTING – ‘HOUSE OF MYSTERY’
Adam Strange
FUNK IN YO’ FACE – WARDELL QUEZERGUE - “MR BIG STUFF’
Howard Priestly
JESSE JAMES ARRIVES AT NORTH BROAD STREET.
James O’Connor
PICTURE ME GONE (BUT NOT FORGOTTEN) PT. 6
Martin Scragg
SOUL IN A DIGITAL AGE
John Farrar
SOULFUL SEVENTIES SPINS aka ‘COSBY’S CHESTNUTS
Bob Cosby
SOUL SPOTLIGHT – THE BRY-WEK LEGACY PART ONE Steve Guarnori
HOT OFF THE VINYL PRESS (1)
Howard E
SOUL IN PRINT – MAGAZINES & FANZINES (Part 21)
Iain McCartney
ALL PLATINUM -THE MAKING OF A SOUND – BOOK REVIEW
HFE + STEVE GUARNORI
GLOBAL RECORDS – SWAN/CREAM/PEACHTREE
Rick Cooper
HOT OFF THE VINYL PRESS (2)
Howard E
THE LADIES CHOICE – COLLECTING RARE SOUL
Julie Molloy
MD RECORDS – LOOK BACK AND WONDER
Mark Anderson/Jordon Wilson
FEET TO THE BEAT (1)
Geoff Green
CHICAGO SOUL
Shane Cox
JEAN KNIGHT - RIP
JACKIE WILSON - LIVE !
John Smith
VINYL PRESS EXTRA
Howard E
VIEW FROM THE APE HOUSE
Tim Brown
COLLECTING BRITISH
Lord Snooty
AND FINALLY – DEEP SOUL CORNER
Mike Finbow

Availability
Available now from all the usual stockists including our very own Source Store
Tap here to purchase Soul Up North 118 Winter Issue via Source Store

By Source Team in News Archives · December 21, 20231 yr

A Merry Christmas and a Happy New Year Soul Source shout out to all.
May it be a most 'soulful' time for all
Best Wishes
mike (on behalf of all the Source Team)

Photo by Bradley Gossett on Unsplash

By Source Team in News Archives · December 21, 20231 yr

WE ARE PROUD TO ANNOUNCE OUR NEXT RELEASE BMR 1018 - THE EMBERS - 'FIRST TIME'/'I WANNA BE (YOUR EVERYTHING)' FOLLOWING ON FROM BMR 1017 - 'JUST CRAZY 'BOUT YOU BABY/'AWARE OF LOVE'
CONTINUING WITH THE SOUND OF THE EMBERS, THIS JCP NORTHERN SOUL MONSTER FIRST CHAMPIONED ON THE SCENE BY THE LIKES OF GUY HENNIGAN, AN EMBERS ORIGINAL SONG WRITTEN BY JACKIE GORE HAS BECOME A BIG COLLECTABLE ON IT'S USA ORIGINAL, WITH THEIR FABULOUS COVER OF THE MANHATTANS CARNIVAL CLASSIC 'I WANNA BE (YOUR EVERYTHING)' WHICH THE EMBERS VERY MUCH MAKE THEIR OWN CERTAINLY A REAL SLEEPER OF A FLIP.
UNDER LICENCE FROM EMBERS ENTERTAINMENT ENTERPRISES TO BIG MAN RECORDS WILL COME WITH CUSTOM CARD PICTURE SLEEVE, SLEEVE NOTES BY MARK WINDLE, A6 COLLECTORS CARD IN A POLY SLEEVE.
THE RELEASE IS CURRENTLY IN PRODUCTION WITH AN EARLY 2024 RELEASE DATE SCHEDULED. TO RESERVE COPIES EMAIL bicknellmark@aol.com OR bigmanrecords1@gmail.com
MANY THANKS TO EVERYONE WHO HAS SUPPORTED BIG MAN RECORDS THROUGHOUT 2023, WE WOULD LIKE TO TAKE THIS OPPURTUNITY TO WISH EVERYONE A HAPPY CHRISTMAS AND SOUL FILLED NEW YEAR.

Embers First time Promo.mp4

By Mark Bicknell in News Archives · December 17, 20231 yr

Big Man Records latest 45 release is now available
The Embers - Just crazy 'bout you baby b/w Aware of love - BMR 1017

Label release notes
We are thrilled to announce our next release BMR 1017 - The Embers - 'Just crazy 'bout you baby' b/w 'Aware of love', under licence from Embers Entertainment Enterprises/Khp productions to Big Man Records.
The Embers need no introduction to the rare soul scene, formed in 1958 by co founders Bobby Tomlinson (drummer) and Jackie Gore (lead singer) the group have recorded a host of albums and 45's over the years
The northern scene has enjoyed such records as 'Watch out girl' (MGM) 'First time' (JCP) 'Where did I go wrong' (Atlantic) and this sublime double header 'Just crazy 'bout you baby' was issued twice on the groups own EEE records (Embers Entertainment Enterprises) label the rarer issue being with the sublime Jerry Butler/Curtis Mayfield song 'aware of love' on the flip also recorded by Jerry Butler and the Impressions, The Embers smash it out of the ball park with a dream of a version which has been championed for many years by the likes of Guy Hennigan at the rare soul venues and rightly so.
The tracks have been remastered and sound fabulous. 'Crazy 'bout you baby' is simply dance floor dynamite which gained favour at the allnighters back in the early 80's but needs it's day in the sun again.
The release will come in a custom card picture sleeve with sleeve notes, a6 collectors card, facsimile signed group promo picture card insert in a poly sleeve

Video Trailer

Availability
Available now via Big Man Records ( pm @Mark Bicknell or via email bicknellmark@aol.com or bigmanrecords1@gmail.com )

By Mike in News Archives · December 13, 20231 yr

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