As Doris has received a couple of mentions on here very recently (one being in the Top 20 LP's thread), thought I'd ask how her stuff is viewed by US collectors ....
We 1st got to know her via her Doris Willingham Jay Boy (UK) 45 which got club plays here (67 onwards). Next we had her work with Swamp Dogg, that from 'Day One' was championed as being Deep Soul of the highest order here in the UK (Dave Godin rightly waxing lyrical on her 1st LP at every opportunity).
The album ('I'm A Loser') spawned 2 hit 45's (both on Canyon) -- "To The Other Woman" which made the national US Top 10 soul chart and "Feet Start Walking" which only just made the Top 40. Her output after the first album suffered due to her strained relationship with Swamp (they didn't get on or like each other) but more releases followed from the pairing. After Canyon Records quickly 'crashed & burnt' due to problems getting money in from distributors, the RRG label was quickly set up & a 45 from Doris escaped on the label (the tracks also being lifted from her 1st LP). Next up, Swamp secured a deal to run the Mankind label & he again worked with Doris. But I believe this LP (1971) was only really rated (at the time) here in the UK.
She moved on to cut for Mainstream & then with the British team that ran Contempo Records. In the US, her Contempo stuff was brought together for a LP release on Scepter (though "Woman of the Ghetto" had escaped on a US Sam 45).
A quiet spell followed for her, this ending in the early 1980's when a 45 Escaped on Beantown Records from up Boston way.
Her Beantown 45 (cover) track "What Will Tomorrow Bring" is not too well known (due to rarity I guess) but is again a gudun.
So Doris was always highly rated by UK soul fans. Seeing how often she quickly moved on from record labels, perhaps she was a difficult artist to deal with (but many were). Perhaps if she had established a solid trusting studio relationship with a producer, we would have gotten to enjoy even more great cuts from her.
... ANOTHER QUESTION ....... I know she was in a few gospel outfits before recording as Doris Willingham. Did she handle lead vocal duties on any recordings by these groups / choirs ??
As Doris has received a couple of mentions on here very recently (one being in the Top 20 LP's thread), thought I'd ask how her stuff is viewed by US collectors ....
We 1st got to know her via her Doris Willingham Jay Boy (UK) 45 which got club plays here (67 onwards). Next we had her work with Swamp Dogg, that from 'Day One' was championed as being Deep Soul of the highest order here in the UK (Dave Godin rightly waxing lyrical on her 1st LP at every opportunity).
The album ('I'm A Loser') spawned 2 hit 45's (both on Canyon) -- "To The Other Woman" which made the national US Top 10 soul chart and "Feet Start Walking" which only just made the Top 40. Her output after the first album suffered due to her strained relationship with Swamp (they didn't get on or like each other) but more releases followed from the pairing. After Canyon Records quickly 'crashed & burnt' due to problems getting money in from distributors, the RRG label was quickly set up & a 45 from Doris escaped on the label (the tracks also being lifted from her 1st LP). Next up, Swamp secured a deal to run the Mankind label & he again worked with Doris. But I believe this LP (1971) was only really rated (at the time) here in the UK.
She moved on to cut for Mainstream & then with the British team that ran Contempo Records. In the US, her Contempo stuff was brought together for a LP release on Scepter (though "Woman of the Ghetto" had escaped on a US Sam 45).
A quiet spell followed for her, this ending in the early 1980's when a 45 Escaped on Beantown Records from up Boston way.
Her Beantown 45 (cover) track "What Will Tomorrow Bring" is not too well known (due to rarity I guess) but is again a gudun.
.... https://www.youtube.com/watch?v=dgfo-mZzGXY
So Doris was always highly rated by UK soul fans. Seeing how often she quickly moved on from record labels, perhaps she was a difficult artist to deal with (but many were). Perhaps if she had established a solid trusting studio relationship with a producer, we would have gotten to enjoy even more great cuts from her.
... ANOTHER QUESTION ....... I know she was in a few gospel outfits before recording as Doris Willingham. Did she handle lead vocal duties on any recordings by these groups / choirs ??