Do they exist?

 

Ady

Adrian, there are real early blues/jazz/r&b on romark from the 50's, I m sure I have had 101 and 104 in the past, I look at my books see if I can find em. very lional Hampton esk. Is one called backfire or backstab or similar? backslant, ? up tempo r&b, inst

There's Backtrack an inst flip to Billy Williams Too Much or Eddie Bridges Peekaboo. I know about the Blues ones but the label didn't start until 63

Do they exist?

 

Ady

Hi Ady

You maybe mean 1004 Mighty Hannibal  but I've got no record of 101, 114 or 117 for that matter

that's amazing given the nature of the backtrack (genre)

I thought it was much  earlier

wasn't billy Williams some sort of big band leader in the 40's and 50's?

anyway you know them, cant find out anything quickly Adrian, because spread of hoarding materials is country wide at present and not to hand

what's the latest date for romark? Not sure if I thought ive seen something later than the total destruction, maybe a 12". maybe tripping again or miss identity

<

 

link there ady you prob been there though

 

 

 

 

 

 

 

 

 

 

 

KENT HARRIS

Born Kent L. Harris, 1930, Oklahoma City, Oklahoma

Kent Harris was born in Oklahoma City and raised in San Diego. He moved to Los Angeles in 1952 after serving four years in the US Air Force and began his songwriting career in 1955 with American Music, the publishing company of Sylvester Cross, who also owned Crest Records in Hollywood. In 1956 he recorded two singles for Crest, under the name of Boogaloo & His Gallant Crew. The first of these was "Big Fat Lie"/"Talk About A Party" (Crest 1014). Both tunes were in a jumping Louis Jordan vein, with Freddie Simon's band masque- rading as the Gallant Crew. However, it is especially his second record, "Clothes Line (Wrap It Up)"/"Cops And Robbers" (Crest 1030), for which he is remembered. Both are hilarious talking blues tracks, this time with backing by Ernie Freeman's Combo. Bo Diddley quickly covered "Cops And Robbers" (Checker 850), prompting Crest to take out trade ads in favour of the original. In practice, American Music stood to gain as much if not more from the better known Diddley's version as from Boogaloo's original.

In 1960, the Coasters recorded "Clothes Line" in the form of a song titled "Shoppin' For Clothes" (Atco 6178). According to an interview with Jerry Leiber and Mike Stoller, Billy Guy told them of a song he had heard on the radio, but he could only remember a few lines of the lyrics. They didn't know which song Guy had heard, but they wrote the rest of "Shoppin' For Clothes" around that fragment. It was issued as composed by Elmo Glick, an often used pseudonym of Leiber and Stoller. American Music alleged copyright infringement and a compromise was reached whereby the authorship of the song was jointly shared by Harris, Leiber and Stoller. I prefer the original 1956 version, which has been described by some as "too wordy", but IMO it is both funnier and more powerful than "Shoppin' For Clothes", which is basically a dialogue between Billy Guy (the customer who is trying to buy an expensive suit on credit) and Will "Dub" Jones (the salesman).

Following the relative failure of his two Crest singles, Kent Harris abandoned his recording ambitions in favour of a career behind the scenes. He is listed with 64 songs in the BMI songwriters' database. Harris saw a number of his songs recorded by artists on Atlantic, Capitol, RCA and Columbia. With Hank Jacobs, he penned both sides of the instrumental single "Monkey Hips And Rice"/""So Far Away" by Hank Jacobs (Sue 795 in the US, Sue 313 in the UK). Dimples Harris, who had a fabulous R&B single on Crest ("This I Do Believe", Crest 1013), is Kent Harris's sister. In 1960, Harris formed his own label, Romark Records, and eventually went into record retailing, running the Target record store in L.A.

The four Crest sides are available on the CD "Talk About A Party! : The Crest Records Story" (Rockstar RSRCD 017, 1999),

 

 

 

]

 

 

Edited April 21, 201312 yr by enchantedrythm

Hi Ady

You maybe mean 1004 Mighty Hannibal  but I've got no record of 101, 114 or 117 for that matter

Same here but they're missing numbers in the sequence so I wondered if they existed? I've got Hannble (sic) Ta

that's amazing given the nature of the backtrack (genre)

I thought it was much  earlier

wasn't billy Williams some sort of big band leader in the 40's and 50's?

anyway you know them, cant find out anything quickly Adrian, because spread of hoarding materials is country wide at present and not to hand

what's the latest date for romark? Not sure if I thought ive seen something later than the total destruction, maybe a 12". maybe tripping again or miss identity

<

 

link there ady you prob been there though

 

 

 

 

romark.jpg

 

romark 2.jpg

 

 

 

 

 

 

 

 

KENT HARRIS

Born Kent L. Harris, 1930, Oklahoma City, Oklahoma

Kent Harris was born in Oklahoma City and raised in San Diego. He moved to Los Angeles in 1952 after serving four years in the US Air Force and began his songwriting career in 1955 with American Music, the publishing company of Sylvester Cross, who also owned Crest Records in Hollywood. In 1956 he recorded two singles for Crest, under the name of Boogaloo & His Gallant Crew. The first of these was "Big Fat Lie"/"Talk About A Party" (Crest 1014). Both tunes were in a jumping Louis Jordan vein, with Freddie Simon's band masque- rading as the Gallant Crew. However, it is especially his second record, "Clothes Line (Wrap It Up)"/"Cops And Robbers" (Crest 1030), for which he is remembered. Both are hilarious talking blues tracks, this time with backing by Ernie Freeman's Combo. Bo Diddley quickly covered "Cops And Robbers" (Checker 850), prompting Crest to take out trade ads in favour of the original. In practice, American Music stood to gain as much if not more from the better known Diddley's version as from Boogaloo's original.

In 1960, the Coasters recorded "Clothes Line" in the form of a song titled "Shoppin' For Clothes" (Atco 6178). According to an interview with Jerry Leiber and Mike Stoller, Billy Guy told them of a song he had heard on the radio, but he could only remember a few lines of the lyrics. They didn't know which song Guy had heard, but they wrote the rest of "Shoppin' For Clothes" around that fragment. It was issued as composed by Elmo Glick, an often used pseudonym of Leiber and Stoller. American Music alleged copyright infringement and a compromise was reached whereby the authorship of the song was jointly shared by Harris, Leiber and Stoller. I prefer the original 1956 version, which has been described by some as "too wordy", but IMO it is both funnier and more powerful than "Shoppin' For Clothes", which is basically a dialogue between Billy Guy (the customer who is trying to buy an expensive suit on credit) and Will "Dub" Jones (the salesman).

Following the relative failure of his two Crest singles, Kent Harris abandoned his recording ambitions in favour of a career behind the scenes. He is listed with 64 songs in the BMI songwriters' database. Harris saw a number of his songs recorded by artists on Atlantic, Capitol, RCA and Columbia. With Hank Jacobs, he penned both sides of the instrumental single "Monkey Hips And Rice"/""So Far Away" by Hank Jacobs (Sue 795 in the US, Sue 313 in the UK). Dimples Harris, who had a fabulous R&B single on Crest ("This I Do Believe", Crest 1013), is Kent Harris's sister. In 1960, Harris formed his own label, Romark Records, and eventually went into record retailing, running the Target record store in L.A.

The four Crest sides are available on the CD "Talk About A Party! : The Crest Records Story" (Rockstar RSRCD 017, 1999),

 

 

 

]

 

All correct apart from the date of Romark. Ta

 

This Billy Williams was probably not a band leader, the last Romark was 73 at an educated guess.

Edited April 22, 201312 yr by ady croasdell