Ady Croasdell
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Everything posted by Ady Croasdell
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No i don't see any rose coloured specs here. Your criticism of him seems to be that he was too wordy and off topic and that he didn't go to some London soul dances. You can quote a Nietzsche book title now, so perhaps some of his erudition rubbed off on you and Mick, Terry and the rest of the crowd never had any problems with Dave not attending certain venues. He was never a part of the scene more a welcome observer and contributor. You don't have to attend continually to be a Northern fan, there's other stuff going on in the world too.
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Soulful Saint was spot on. Also dave's contributions to Northern Soul were really from roughly 1968-1972 when the scene was forming. This was actually a surprisingly long period as no one expected the phenomenon to go on for more than a couple of years. we had no idea how much stuff was out there. He was eventually dispirited by the commerciality and some personal feuds he ended up in and though he looked on it fondly in later years was never a part of it again.
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Carl Carlton to sing at the 14th Cleethorpes Weekender View full article
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Detroit soul legend "Little" Carl Carlton has been added to the bill for the 6TS Northern & Modern Soul Weekender on the 9th, 10th & 11th June. Like his Cleethorpes co-star Darrow Fletcher, Carl was a teenage soul sensation in the 60s and also went on to have a long and successful career well into the eighties. His biggest hit "Bad Mama Jama" has featured in three major films recently but it's his more soulful dance numbers like "I Can Feel It", "Nothing No Sweeter Than Love", "So What", "Drop By My Place", "You Can't Stop A Man In Love" and of course the monumental "Competition Ain't Nothin'", that he will perform live for his Cleethorpes crowd. Like Darrow, his early start to his career means he is younger than some of the more weathered DJs appearing at the weekender. These include Butch, Mick Smith, Keith Money, Ginger, Pat Brady, Bob Hinsley, Soul Sam, Roger Banks, Terry Jones, Andy Davies, Ivor Jones, Cliff Steele, Arthur Fenn, Mark Randall, Dave Rimmer and the fresh faced Harboro Horace; to name but a phew. There are weekend dance passes available. Go to www.6ts.info for booking details.
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Thanks folks Ady
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I got an E-mail from a Stephen Dennis at Customer Details E-Bay, the subject was "Please update your account" it came through in my bulk mail. Does anyone know if it is legit or not?
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Bennett with two Ts. I'm glad you like it. The insts on the GWP CD which is a cracker and the vocal will be on Vol 2 along with some other corkers like the Hesitations. But you'll have to wait! It was co written with Larry Banks, the team that brought you Go Now.
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Being a lover of show tunes and co-incidently staying in Boy's Town LA at the moment (I'm here for the Oscars; not!), I think this is fantastic. Jim Carrey once did a "live" version of it on the Larry Sanders show, it was an absolutely incredible moment of television in loads of ways. On the same tack 'Seasons Of Love' from "Rent" brings out the hankies, the cast version not the Stevie Wonder version which is OK too.
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No the nearest thing to it was KentStax which I think is long deleted now, it had quite a few of the same tracks on it.
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Mike's around and would be chuffed someone's interested in his label. ask Paul at Echoes for his addy.
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A short lived small run UK label run by Echoes scribe Mike Atherton. He also issued Ike Turner's instrumental Sue single 'The New Breed'. I think it was late 80s.
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The Charmaines was unissued as far as I know, but I've been wrong before. The First Choice and Chris Jackson's were acetates as far as I remember (Mick Smith would know) but the Sam Nesbit was a vinyl test pressing Dave Godin didn't even know about.
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For sale on E-Bay under horacesrecords (one word) And a 96 Tears original!!!
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Darrow Fletcher for Cleethorpes View full article
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Chicago soul legend Darrow Fletcher will be appearing at the world's longest running Northern Soul Weekender in Cleethorpes on June 9-11th. The sprightly 54 year old will be prforming his classic 60s &70s soul songs The Pain Gets A Little Deeper, Infatuation, What Good Am I , My Young Misery, The Rising Cost Of Love, Changing By The Minute, It's No Mistake and What Have I Got Now. Run by the 26 year old 6TS organisation, dance passes for this exceptional event are still avalable. Go to www.6ts.info for details. We now accept Pay Pal
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Quite possibly, some of dave's tape machines were a bit knackered by the 90s. We copied it on a good machine so that's how they recorded it. All we try and do is reproduce the way the recording was made as clearly and as well balanced as possible. It's slightly subjective of course but our engineers try to get as much musical information off the original recording as possible and filter out hiss, crackle feedback etc.
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You would have thought so Ted but I'm by the record player near a phone right now. It's the personal touch.
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Yes it's on Verve and its not rare just brilliant and hard to get if you want it. I just played the flip which is very nice indeed in the Annabel Fox mode. Credit to the big guy.
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That's fine Pete, we'll have to produce an aural "Neanderthal" series for the likes of yourself who prefer crackle, hiss and awful EQs. Perhaps it's just nostalgia for the first Goldmine series when a lot of the records were dubbed off centre and you could hear the needle on the sip mat. I understand what you're saying but I don't think you're beng objective about the recordigs. I just wanted to point out that Searling's acetate was made from the master tapes that we bought and have re-issued. It's not a different recording.
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For sale on E-Bay. No one seems to know the Audrey Royal on 60s Alston 'Come On Playoy', it's excellent, I'll play it over the phone this morning if there's not a sound file about. Pat Thomas is the brilliant version f 'My Baby's face' that we play at the end of the 100 Club. And there's a UK Brian Hyland! All under horacesrecords (one word). Finishing today.
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Thanks Billy but this highlights the problem with sound files, they sound poor. I can hardly tell the difference between 1 & 3 they both sound speeded up. In reality they are very different alternatives. The Searling sound file is just a very bad quality variation on the first Kent release, it's not a different piece of music just an inferior copy that is sometimes speeded up or not as in the vesion on show here. It's like playng a record at 45 and then at 48 and saying it's a different piece. I challenge anyone to seriously compare the Searling acetate and the original Kent version by playing a few seconds of each n turn all the way through and say there is anything different in the recording apart from varied speed, different EQ (bass, treble etc) and editing.
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I agree Billy, it's the one a commercial record label would want to go with. I personally prefer the original acetate and the previous Kent releases which are more emotional and soulful.
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Ironically this is running slower than the Kent and Dave Hamilton version, hence Ann sounds a bit deeper. It's exactly like I said a poor quality version shortened at the start and finish by editing, there's absolutely no difference in the mix or vocal version to the one we put out. Play five seconds of one then five seconds of the other all the way through and you'll see for yourself. Thanks for posting it. What do you think of the true alternate version I played on the radio.
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I've compared them several times and the only differences are that Searling's misses the first drum roll and fades earlier so technically the endings are different but there's less on the original acetate, not more. There's no different take apart from the one on the new CD. Either compare them yourself again or send me a copy of the one you have. I'd love there to be more mystery to this one but I'd be very surprised indeed if there was.
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Hi Eddie, we could do an instrumental for Vol 4 if the masses demand it. Pete, pay attention, Searlings version was the same as on Vol 1, sometimes he slightly speeded it up sometimes he didn't. You may be confusing bad audio with alternate versions.
