Ian Dewhirst

I'd have mine triple encrypted and sent to the government for safekeeping!

Wouldn't be caught dead with anyone elses MP3's mate. Mine would be RARE! Ian D

Yep, yer right. When we start discussing Johhny Dankworth records it's time to call it a day LOL... Night, night Ian D

Always a risk with basements - water has a tendency to go downwards! But I was wondering whether Sean had 'em insured for their true worth or just under a contents policy? It's notoriously difficult getting rarities insured - lotsa paperwork and lotas premiums etc..... Ian D

I wasn't too happy when my Joe Mathews snapped. I HATE styrene presses....... Ian D

And Emperor Rosko was good on Northern too. I saw him once @ Brighton Locarno when I was 17 on holiday and he played "I've Been Hurt" for me. I was dead impressed, mainly 'cos he turned up on his Harley Davidson with a blonde behind him, rode right through the venue, up a ramp to the stage, parked up, grabbed the mike and said "Brighton, Are You Ready To Rock!" Great gig and not a bloody laptop in sight LOL...... Ian D

Wasn't some kind of ultra fast horn instrumental where he used to intersperse a couple of 'woofs' from his dog Arnold LOL....... Ian D

Surely it the Hairy Monster Dave Lee Travis's theme wasn't it? Ian D

Absolutely right! Ian D

What!!! And you'd deprive future generations of potential Northern Soulies the priviledge of hearing a monster rare tune? Typical of this bloody generation....it's all me me me........ Ian D

Yeah, I have seen that and looks quite fun to use but I think the Ableton gear allows you to do lots of interesting things which can improve the mixes. Haven't learnt it yet but I've yet to hear a negative thing about it. Will report back round about March next year...... Ian D

But what will you do when that rare original wears out or gets too worn to play? Remove it forever, thus depriving people of the right to hear it? Ian D

The only difference is a cosmetic one Chalky. It'll cost £20 to cut it to a carver, there'll be a slight loss of quality but you will be credible 'cos it's vinyl LOL! And the thread has weaved around an interesting series of viewpoints, all of 'em interesting, but the point of the thread was 'does it make any sense to play rare originals at venues and wear 'em out eventually'. The general concensus seems to be that it DOES make sense, so I wouldn't want to be a collector looking for a decent copy in 10-20 years..... And if you're going to do a carver on that King Moses I'd seek written permission from whoever paid the big money for the original copy and take a couple of bodyguards with you to any gig you might play it at! Ian D

And I do Mark! But I do think the Serato scratch thingy is a bit of a fraud really - probably designed for showman scratchers rather than anything else. Ableton Live seems to be the software in favour right now, so this is what I'll be learning from January onwards - not for Northern gigs I might add! Greg Wilson also uses a Reel-To-Reel together with a laptop and I was knocked out when I saw what he could do - as were the several hundred punters who never left the floor all night. He played a devasting set of live mixes from the early 70's - things like "Grazing In The Grass" - Friends Of Distinction. "Low Rider" - War, "Soul Makossa" - Manu Dibango etc, etc and THAT'S when I realised the possibilities of laptops even though I was cynical up to that point. Not looking forward to learning it though LOL.... Ian D

Blimey. Can't believe this has suddenly gone rare. It used to be quite common back in't day. I'm pretty sure my mate's got a 12" knocking around....... Ian D

Now that is horrifying! I'd be interested to know what the insurance people say. Were they insured as rarities? And was it a basement? Ian D

Yep, never clean records when you're hyped-up for a set. I've been known to rip door handles off in my excitement to get to a gig and caused many a minor accident to myself when over-enthused. The could have been my old copy Steve.......another one bites the dust....... Ian D

First white promo I've ever seen! Shame about the crack LOL. Yep. That's right up there with the worst of 'em. My condolences Mark. Ian D

Totally spoils it for me too. I seem to spend a lot of my time now queuing to go out into some ridiculously impractical area simply to have a cigarette. It's absolutely killing most of the (former) places I used to go. Given the choice between freezing my balls off outside and feeling like a social pariah, I'd rather be round at either my gaff or someone elses where the rules are a bit more relaxed and we can do what we want in a relaxed fashion. So, house parties are the way forward. Or promoters could think more along the lines of hiring a private space where these rules don't apply. Mind you, I've met a whole heap of other pariahs since this thing started! I'm not generalising but in many cases club goers tend to be the fun, slightly neurotic, buzzy types like me who are born clubbers and often the life and soul of a place, so it's a shame that we're now being disciminated against. Can't tell you the amount of places I've been just lately where the action has been in the smoking area LOL. I met so many good people in the outside smoking area @ the Forum the other week it was almost like a private party...... Ian D

LOL!

Well said! My sentiments exactly. THIS is precisely what I was getting at when the thread started. As I said before there's not an inexhaustable supply of these records hence the astronomical cost of many of them. In a few years time people will be lamenting the fact that there are no decent copies around of the rarest of the rare! I'll give you a good example. In the late 60's and early 70's there was a scene in Belgium which favoured lots of early almost bluesy instrumentals - they went for things like "East Side" - the B side of "Elijah Rocking With Soul" - Hank Jacobs and "Gonzo" - James Booker etc, etc. For a few years the biggest and rarest record on that scene was called "Heartless Lover" by the Dick Baker Combo on Kool Kat (from L.A. not the same label as Joe Mathews). They had one cracked, beat up copy which played terribly but it had still become the most expensive and desired record on that scene. The result was that the Belgium collectors were willing to pay £2000 in 1976 for a copy - the equivalent of £15K at todays prices. I found a copy in a box of records at a hardware market in East L.A. (along with 2 Terrible Tom's, I Johnny Caswell and 50 Eloise Laws). The guy from Belgium flew over to L.A., handed the dosh over and put the record in a metal 7" record case. I asked him what he was going to do with it and he said he was going to make a few dubs (or carvers) of it and then preserve it because they'll probably never find another copy and they'd lived with an almost unplayable beaten up copy until that point. Smart move IMHO. These records are RARE! They should be cherished as such. Ian D

Valid nonetheless! My gut feeling is that is that things will have to evolve and there'll probably be an uneasy period in a few years time where it'll be a combination of vinyl and CD. There'll probably be a younger generation who are not as enamoured with the original vinyl as we are. It makes sense - I was never a big fan of 78's - they were yesterday's news for me and I'm sure a fresh generation coming onto the scene may not be so enamoured with 45's. For the most part they wouldn't be able to afford them anyway LOL..... I remember going to the Rocket in Holloway a few years back which, in my opinion, had all the ingredients to be one of the best Northern venues ever. The first night was ram-packed with around 1500 people in I believe. The place was full of a combination of die-hard Northern fans, Mods and London fashionista youth all set for a great time. The buzz was incredible. But then DJ politics got in the way and instead of a brilliant buzzing night it turned into a damp squib which didn't cater to the audience because some of the DJ's were on an ego trip and the night ended up falling flat. The venue closed to Northern shortly thereafter and an opportunity to re-invigorate the scene was lost. Bye bye a brilliant All-Nighter venue and 1500 punters who were looking for a great time. I get the point entirely about love of vinyl - I've got 20K of the buggers here, but to me, it's always been about taste and I don't think that can be replicated so easily. I honestly think it's all about the music - so much the better if it's on a rare 45 but really I just want great music whatever the format. Ian D

Blimey. I hope not. But there is a massive amount of change going on in the wider Music Biz at the moment which is devastating traditional practises and revolutionising things very fast - for better or worse. Worse in my opinion - I'm worried. I think the worse thing that could happen, is if the Northern scene became too insular and eventually reduced down to a collector's-only type scene who met once a month in the back room of a pub and admired each other's records. I think that would be the kiss of death.... You never know. The wider availability of Northern stuff and easier accessibility of it may spread it faster to a new generation of enthusiasts. A couple more Lambrini, Kentucky Fried Chicken and Boots type ads may even be doing it already. One of the best gigs I've been to in the last couple of years was a Gaz's Rockin' Blues gig which was packed full of youngsters who, shock horror, actually dressed-up, danced all night and looked extremely lively and enthusiastic with Gaz's mixture of R'n'B, Soul and Northern-ish stuff for the most part. Again, it was the inspired choice of music which made the atmosphere. I doubt whether any of them actually gave a shit what format the tunes were being played on! Ian D

Both. Norman plays quite an eclectic selection so he'll be well-armed on both formats. Ian D