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Soul Junction SJ544 Cam Cameron 'They Say I'm A Lonely Man'

Soul Junction SJ544 Cam Cameron 'They Say I'm A Lonely Man'
Press Release:   Cam Cameron   They Say/I’m A Lonely man   SJ554
Release Date: Monday 29th January 2024
Cam Cameron appears to be another one of those performers from an infinite list of Black American artists that cut a solitary 45 single and then disappear into obscurity never to be seen or heard from again. Couple this with the passing of any of the relevant protagonists from the time along with any of the surviving ones ever diminishing memories and the job of collating events and artists back stories from over 50 years ago becomes that much harder.

Cam Cameron appears to be another one of those performers from an infinite list of Black American artists that cut a solitary 45 single and then disappear into obscurity never to be seen or heard from again. Couple this with the passing of any of the relevant protagonists from the time along with any of the surviving ones ever diminishing memories and the job of collating events and artists back stories from over 50 years ago becomes that much harder.
Cam Cameron appears to be one of those artists (although our investigations are ongoing). Therefore, from the information currently gleaned, the artist Cam Cameron was none other than Alvin Cameron the writer of the featured song “They Say”, with Cam being a kind of nickname. The string arrangements on both “They Say” and “I’m A Lonely Man” were provided by the late John Andrew Cameron a hugely respected arranger, producer and songwriter within the Chicago music scene of the 1960’s and early 70’s, more often credited as Johnny Cameron. Johnny’s credits can be found on many recordings of the time often working with fellow Chicago music scene producer Clarence Johnson, some of the highlights from this liaison being the song “I Really Love You” recorded by both Jimmy Burns (Erica) and Bobby James (Karol) and the girl group, ‘The Lovelites’, on their acclaimed album “With Love From The Lovelites” (Uni). Johnny’s involvement with the Scott Brothers goes as far back as 1965 when he provided the musical arrangements on The Howard Scott penned song “I’ve Got To Get Over” recorded by Syl Johnson for the TMP-Ting label. Although they share the same surname, Alvin (Cam) Cameron is believed to be of no relation to Johnny Cameron.

“They Say” would gain a release on the independent Capri label owned by Sephus Howard Scott who together with brother Walter Scott composed the 45’s flipside “I’m A Lonely Man”. Howard also featured as one of the songs producers alongside the mysterious Edgar Mullins (a name which has been found on a couple of other tape boxes, the investigations continue). 
Musical accompaniment was provided by The Scott Brothers Band, with both songs being recorded at RCA Victor’s Chicago number 2 Recording Studio at 445 North Lake Shore Drive, in the Navy Pier section. on the 10th of August 1967 and released on Capri Records during the month of February 1968. 

Cameron’s “They Say” was another 45 that was first introduced to UK Soul Collectors via those much lamented and fondly remembered soul packs, always regarded as a quality collector’s 45 the only regular turntable action remembered was provided by Northampton’s very own discerning DJ Cliff Steele at venues such as ‘Detroit Academicals’, ‘Bretby Country Club’ and later ‘Albrighton’ during the leaner days of the UK Rare Soul Scene?! “They Say” is a snappy little dancer that from Ira Gates opening drum roll gets your toes tapping straight away, the perfect crossover record in every respect! While the flipside although set at a slightly gentler pace builds into a great brass and vocal crescendo and is a song that is gaining plenty of radio airplay at the moment. surely a wider appreciation of both sides of this soulful Windy City 45 now beckons! The second release in Soul Junction’s Capri following Reggie Soul’s “My World Of Ecstasy/Mighty Good Loving” SJ553.
For further information please contact Soul Junction:
E-mail: sales@souljunctionrecords.co.uk
Website
https://souljunctionrecords.co.uk
 
Videos
 
 
 
 
 
By Chalky in Soul News ·

New 45 -Wee - Trying To Tell You How I Feel - Soul Direction Records

Soul Directions next upcoming release goes like this...
Release Notes
Soul Direction Records are pleased to announce the next release in the catalogue.
Wee – “Trying To Tell You How I Feel” / “We Could Get It Together” SD022
Pre-Order from Friday 26th January for release date 5th February 2024.
Both tracks “We Could Get It Together” & “Trying to Tell You How I Feel” featured in this latest Soul Direction outing were part of a master tape of unreleased tracks that never saw an addition to the album but came to light on a 2008 Numero LP. They were slightly remixed for the album, “We Could Get It Together” More so, but we are releasing the original tracks which came from the master tape which have never been released in this way before.
The group from Columbus Ohio were active from around 1974 to 1978 and consisted of the following members: Benji Harris, Bimbo Brown, Norman Whiteside, Spanky Jones, Vick Martin.
Wee mastermind Norman Whiteside was born and lived in an entirely different Columbus than Capsoul’s Bill Moss or Prix’s Clem Price. His career was later derailed by a three-decade stretch in prison. He was released on Parole on the 1st September 2016. Owl recording Studios was the brainchild of Youngstown Ohio’s Tom Murphy. Tom moved to Columbus Ohio after high school and began assembling equipment in 1972 with partners Don Kyre and Mike Wheeler who had played in a Columbus band called The EbbTides.
In September of 1972, Mike Wheeler was playing guitar with Osiris, and Tom brought his recording equipment to their gig (at Mr. Brown’s Descent near Ohio State University) and recorded them. That introduced Tom to Osiris members Sterling Smith, Dan Lawson, and Dave Hessler, who would later become partners/ stockholders in Owl. Tom Murphy’s passion for recording evolved into what is now “Track Record”, a very successful studio in North Hollywood, California. Robin Jenney went on to engineer a number of platinum selling R & B records for the likes or Roger Troutman and Zapp.
Scans
  

 

 
Videos
Both tracks “We Could Get It Together” & “Trying to Tell You How I Feel” featured in this latest Soul Direction outing were part of a master tape of unreleased tracks that never saw an addition to the album, but came to light on a 2008 Numero LP. They were slightly remixed for the album, but we are releasing the original tracks which came from the master tape which have never been released in this way before.
 
 
 
For more rare and previously unreleased tracks visit   https://www.soul-direction.co.uk
 
 
SD022 - Wee Promotional Press Release.pdf
By Mike in Soul News ·

A Review of Mind Over Matter: The Myths and Mysteries of Detroit's Fortune Records

"The Rosetta Stone of Rock'n'Roll"?
A Review of Mind Over Matter: The Myths and Mysteries of Detroit's Fortune Records by Billy Miller and Michael Hurtt from Joel E Turner
Intro
It’s been two Xmas’s since I was gifted this tome which has rarely left the office reading table.
Mind Over Matter: The Myths and Mysteries of Detroit’s Fortune Records by Billy Miller and Michael Hurtt is a sprawling 500+ page, hardbound, well-illustrated history of legendary Fortune Records.
I’m only going to say this once: if you are a fan of Detroit music and its history – buy this book.
 
The full review can be read here...
https://wp.me/p5WzGW-nS
 
By Joel E Turner in Soul News ·

New Book - The Last Note: A Northern Soul Classic, the Stories Behind the Songs - Sharon McMahan

Mark B from Big Man Records has passed on news all about an upcoming book from Sharon McMahan
Going by the title it could be an interesting one, due out on Feb 12th,  details and link below
 
The Last Note: A Northern Soul Classic... the Stories Behind the Songs! by Sharon McMahan
 
About the Author
SHARON MCMAHAN SONGWRITER / ARTIST / PUBLISHER / PRODUCER
Sharon was born in Sevierville, Tennessee but raised and musically disciplined in Detroit, Michigan.
Sharon began her career, as a teen in Detroit, Michigan. She wrote her first songs at the age of 12. After auditioning her, Ollie McLaughlin launched her writing career by publishing and producing and releasing several of her songs on his own record lables, KAREN, CARLA, MOIRA & RUTH Records. McLaughlin recorded Sharons songs on major artists, Barbara Lewis, Deon Jackson, Gracie Darnell and Johnnie Mae Matthews. He also secured a UK release for Sharon's song, Someday We're Gonna Love Again, recorded by the London based group, The Searchers. It charted to #11 in Billboard, in several countries and to #23 here in the United States, in 1964/65. Thus, Sharon has a tremendous fan base in the UK and Western Europe.
Later, another Detroit based publisher/producer became familiar with Sharons writing skills. He was Don Davis, producer of Johnnie Taylor, executive producer of The Dramatics and many more artists. He recorded Sharons songs on current Hall of Fame artists, Etta James and Mavis Staples. He was also responsible for Sharons song to be recorded and released on The Three Degrees.
In 1973 Sharon was signed to Columbia Records as a writer/artist, under the direction of then president, Clive Davis. Her released single was titled, Get Out Of My Life, produced by Toxey French, who arranged the rhythm section. The strings and horns arranged by Philly master arranger, Bobby Martin.
Sharon was later associated with Benny Golson, jazz composer and musician. He included one of her songs on his Columbia Records album. The song title is Love Is The Key.The album title, I'm Always Dancing To The Music.
In the late 1980's, Sharon was introduced to Elvis Presley, songwriter, Otis Blackwell. He recorded and released a McMahan song titled, I'm Happy Just The Way I Am, on his own Bullion record label.
In 2007, Sharon released a CD of original songs with herself as artist. The CD was titled, Somebody Else. It was released on CDBABY and It is still available in digital downloads.
In June 2015, Sharon was invited to perform in London, England (UK) at the Beachcomber Holiday Centre in Cleethorpes. She was invited to sing several of the songs she wrote in the 1960's for other artists during her teens. Most of the songs she performed that night, she had never performed for anyone before. She was well received and musically embraced by lovers of Northern Soul.
Sharon continues to work in association with the crafts loves.
Her favorite quote: THE JOY IS IN THE JOURNEY
Product details
ASIN ‏ : ‎ B0CR5TBSLQ
Publisher ‏ : ‎ Bookbaby (12 Feb. 2024)
Language ‏ : ‎ English
Paperback ‏ : ‎ 238 pages
ISBN-13 ‏ : ‎ 979-8218326388
 
Link
https://amzn.to/3S6Gp11
 

By Mike in Soul News ·

Event Guide - Our Next 100 Soul Weekenders Page - 2024 and beyond

Another quick highlight/reminder post for all those who like to be organised!
We do have a dynamic look forward planning list of the next 100 top soul related Weekender events taken direct and in real time from our very active Source Event Guide.
Basically what you get is a simple dynamic list of the next 100 Weekenders posted by you (the members) in our Event Guide,  all on one page
The link to the page is below and can also now be found on our Weekender Index page
https://www.soul-source.co.uk/events-next-100-soul-weekenders/
By Mike in Soul News ·

Pre-order: New LP - Bella Brown & The Jealous Lovers- LRK Records

Bella Brown & the Jealous Lovers Unveil "Soul Clap" LP: A Fusion of Retro Soul/Funk and Modern Grooves Los Angeles-based retro soul/funk sensation Bella Brown & the Jealous Lovers are set to ignite the music scene with their highly anticipated LP, "Soul Clap."
Born from the creative genius of Grammy Award-winning vocalist/songwriter Carol Hatchett, Bella Brown emerges as a diva with a fiery stage presence, drawing inspiration from the likes of Tina Turner and Sharon Jones, and channeling the empowered female leads of 70s Blaxploitation films.
Led by producer/bassist/songwriter Daniel Pearson, The Jealous Lovers assemble an impressive ensemble of A-list musicians, boasting pedigrees that include names like Mick Jagger, Elton John, Whitney Houston, Prince, and Stevie Wonder. This musical collective is on a relentless quest to redefine the boundaries of music, infusing soul and funk with elements of jazz, rock, and Afro-Caribbean influences.
The essence of "Soul Clap" is derived from the cultural phenomena it is named after—a shared and improvised rhythm-making by a collective.
The LP, spanning 40 minutes of pure musical bliss, invites the audience to immerse themselves in the groove and discover their individual truths in the music.

The title track, "Soul Clap," and the infectious "Living Proof" serve as funky dance bangers, echoing the spirit of Bohannan and The Tramps. These tracks, punctuated with jazzy improvisations and soulful horn arrangements, are simple yet joyful expressions of shared humanity and self-love.

"Coming For You" is Bella's audacious response to the soul/funk classic Apache, boldly announcing her and The Jealous Lovers' arrival on the modern soul landscape. "I Found You" takes a northern soul love song approach, reminiscent of Gloria Jones with a touch of modern influence, giving it a distinct Amy Winehouse feel.

Bella Brown seamlessly weaves social commentary into her art. "Bang Bang Bang," an uptempo, funky Motown groove, cleverly uses Curtis Mayfield's sense of sarcasm to reflect on American gun culture. "Lady Time" takes a driving afrobeat groove, employing brassy horns and reggae-like echoes to address the issue of homelessness.
However, the album is not without its lighthearted moments. "Fast As Lightning" celebrates a cleaner future by imagining Jimi Hendrix joining Ike and Tina Turner’s band to create a classic Chuck Berry car song. "There Is Love" blends horns, strings, and vocals reminiscent of The Stylistics over a Chi-Lites style rhythm section, to create a lush message of support to those among us with mental health issues.
Finally, "What Will You Leave Behind," is a revamped version of the group's sold-out vinyl 45 release. This track serves as a powerful call to action for a better future, delivered over a straight-up Motown groove with a funky Sly Stone finish.

Bella Brown & the Jealous Lovers have crafted an album that transcends genres, embracing the roots of soul and funk while pushing musical boundaries.
"Soul Clap" is a celebration of individual truths, shared experiences, and the timeless power of music.
Soul Clap is set for release on Feb. 2nd 2024 on LRK Records(UK) and will be available on all major streaming platforms. 
Rated 5/5 in UK Music Republic Magazine "Sounds like a long lost crate digging find from the vaults!"
credits
releases February 2, 2024

Bella Brown(Carol Hatchett): Vocals, Tariqh Akoni: guitar(8), Curt Bisquera: drums(1-8), Lèo Costa: drums(9), David DelHomme:
keyboards(3,5,6) guitar(3), Jordan Donald: tenor sax(5), Kat Dyson: guitar(1,2,4-7,9), Taku Hirano: percussion(1,3,4), Daniel
Pearson: bass(1-9) guitar(2,4,5) keyboards(9), Matt Rohde: keyboards(1,4,7), Ed Roth: keyboards(1,2,8,9), Enrique Sanchez:
trumpet(5), Linda Taylor: guitar(3), Dino Soldo: flute/oboe/soprano sax/melodica(9), Brad Walker: alto sax(1), Alex Wasily:
trombone(1,5,9), Christine Wu: violin(9),The Regiment Horns: Sean Erick: trumpet, Leon Silva: tenor/bari sax, Kevin Williams:
trombone(2-4,6-8)
All songs composed by Carol Hatchett, Daniel Pearson
Publishing: Avenue J Music(BMI), Velvet Sundae(ASCAP)
Produced by Daniel Pearson
Recording Engineer: The Jealous Lovers
Mix Engineer: Daniel Pearson
Mastering Engineer: J J Golden
Horns arranged by Daniel Pearson except (9) Dino Soldo Daniel Pearson
Executive Producer: Avenue J Music, Liam Kenney(LRK Records)
Logo Artwork: Nori Shirasu
Photography: Walter Tabayoyong
Artwork: Andrea Lotz
Special thanks to: Shelia E, Bernard Fowler, Darryl Jones, Enrique Gonzalez Muller, Sean Slade, Vanguard Audio Labs
 
Pre-order here: https://lrkrecords.bandcamp.com/album/soul-clap-2
All formats available VINYL/CD/DIGI 
Soul Clap by Bella Brown & The Jealous Lovers

By LRK in Soul News ·

Event Guide - Our Next 100 Allnighters Page - 2024 and beyond

Just a quick highlight/reminder post for all those who like to be organised!
We do have a dynamic look forward planning list of the next 100 top soul related Allnighter events taken direct and in real time from our active Source Event Guide.
( Note our Allnighter section does cover both full Allnighters and also mini-niters. )
Basically on offer is a simple dynamic list of the next 100 Allnighters posted by you in our Event Guide,  all on one page
The link to the page is below and can also now be found on our Allnighter Index page
https://www.soul-source.co.uk/events-next-100-soul-allnighters/
By Mike in Soul News ·

Sandra Phillips (Sandra Reaves-Phillips) R.I.P. (1944-2023)

Known for her 45s on Broadway [Sue] and collaboration with Swamp Dogg
Here are links to a few stories reporting her passing.
https://www.hollywoodreporter.com/movies/movie-news/sandra-reaves-phillips-dead-actress-singer-1235777164/
https://www.pinkvilla.com/trending/world/who-was-sandra-reaves-phillips-exploring-life-and-career-of-actress-and-singer-as-she-passes-away-at-79-1268729
https://www.thenews.com.pk/latest/1143586-sandra-reaves-phillips-raisin-star-takes-final-bow
 
By jukeboxgeorge in Soul News ·

Footie & 45s Weekends By Dave Moore

FOOTIE AND 45s WEEKENDS By Dave Moore

As lifelong Burnley Football Club fans, I am so chuffed that Bev, my Grandkids, (who are also season ticket holders) and the club, play a central role in this tale. We left Burnley in 1985 but as a family we still attend most home games and quite a few away games which, when your grandson plays grass roots football on Saturday and Sundays, can be a challenging programme at the best of times, as even the home games result in a 300 mile round trip for us!  However, for three weekends in December 2023 the trips couldn’t have been more worthwhile. Combining two interests that have dominated my life is a first for me and I’m still walking around with a big beaming smile on my face!  To find out why,  read on…    
As a town Burnley has punched above it’s weight in a number of ways during my lifetime, the football team being a good example of this.  We’ve won the League, The FA Cup, played in Europe and are currently battling away against the mighty billionaires of the Premier League. The club is woven into the DNA of the townspeople as it always will.  The other way it punched above it’s weight was in the world of rare soul collecting. East Lancs was a hotbed of rare soul collecting and back in the mid 70s soul clubs were in abundance in the town as were the sales boxes of many of the areas premier soul collectors/sellers. Back to our tale… 
At one of the home games in November (v West Ham), I was approached on the concourse by a good mate of mine ‘Bob’.  He told me that his friend had told him of a record collection in town that may well be up for sale as the collector had passed a while back and his brother wanted shut of the 45s that were gathering dust. I asked the obvious questions of How Many? What Genre? Has anyone sifted it yet?  Bob couldn’t answer any of the questions and confirmed he’d make some more enquiries.  The following weekend I was up in my home town once again to watch the Mighty Clarets trounce relegation rivals Sheff Utd 5-0) and, having handed the grandkids over to their Dad on Sunday morning ended up in a post-match soul gig in Rishton, a small town a few miles away, that same afternoon. During a pretty good afternoon catching up with Chris Waterman, Ashley Fellows and Mick H, Bob turned up and relayed that he’d been told there were thousands of records and that they were primarily RnB and Jazz. He gave me the business card of the guy with his phone number on and we arranged to try and get there the following weekend.  Burnley were away to Brighton the following Saturday but Bev and I had arranged to watch the match in Burnley at our good friends and fellow Clarets Bev and Kev Parker, before us all setting off to go to the Beamish Museum in Co Durham. So, it was gonna be a tight fit to get it all done on Saturday.  Fortunately Sky TV, hadn’t messed about with the 3pm KO and would give me a few hours digging about.   
Unfortunately Bob remembered he had his works ‘do’ on that day and so I rang the guy and arranged to meet him at noon. I picked up my rather ‘fuzzy headed’ best mate Billy (LOL!) and off we went with a pocket full of cash and the belief that we’d probably be returning with it intact.

The location was an old Mill type Building near the centre of the town. (1) Although the town’s cotton heritage is well known, many of the old buildings from the industrial revolution have been demolished but there is a will in the town to preserve what can still be utilised and improvements and renovations can be found in various areas of the town.  As we approached I felt sinking feeling as Tom (2)  met us at the roller door and explained the records were in the cellar! I experienced visions of dark, damp cellars full of mouldy old 45s similar to the ones encountered in Philadelphia, Miami, St Louis, Chicago, and New Orleans but was pleasantly surprised to find that once we entered the underground the space it opened up to reveal a large dry room with good electrics that housed a mountain of electrical music equipment. Turntables, speakers, moogs, keyboards, Amps, 2 complete band set ups and a whole host of recording kit, mixing boards and various guitars scanning 4 decades filled the room. A quick chat with Tom revealed that he was a sound engineer, DJ, from back in the day whose brother Mal had passed a while ago.  He was in the process of selling off all the equipment on his retirement from the sound business. This included his joint record collection that he and his brother built up, many as new releases.  After a quick tour of the place my attention was drawn to shelves and bags full of 45s and albums sat lurking on one side of a wall and with Billy, having left his specs at home and having a head like a pneumatic drill, deciding he was a little too under the weather to sift thousands of dusty ole’ 45s, I bailed in alone.
After a few minutes it became apparent that the shelves were indeed primarily 60s UK labelled RnB, Soul albeit interspersed with hits of the day by the Beatles, Rolling Stones and the odd pop hit from the same era.  The first seam of the day quickly showed itself as I picked out UK Tamla Motown copies of Barbara McNair, The Hit Pack, The Spinners (‘Sweet Thing’ AND ‘I’ll Always Love You’) amongst others. A few minutes later The Marvelettes on Fontana (‘Mr Postman’ AND ‘Twistin’ Postman’) made an appearance alongside a number of Oriole issues. There was also a copy of Paul Gayten’s ‘The Hunch’ on London which I’ve always suspected was the first ‘Motown’ orientated product released in UK.  We were off and running!  In the next handful was a slew of Garnet Mimms on UA and Howard Tate on Verve. 

Now on a normal days record hunting that would already be a great result for sure, especially in today’s climate where the days of finding untouched 45s of this calibre are almost a thing of the past.  I moved to the next shelf and was greeted by what I thought may well be a whole run of UK SUE labelled rnb/soul. A quick confirmation that Ernestine Anderson, Jackie Day, Danny White, Fascinations etc were present amongst the Ike and Tina, John Lee Hooker and Elmore James 45s and the smile grew even wider on this Burnley lad’s face!

Having started to stack the 45s into categorized piles I came across a seam of UK Black Chess 45s, probably around 30 of them and was puzzled as to why they were all RNB/Blues by Bo Diddley, Muddy Waters, Little Milton etc, until I moved onto the next shelf to find The Gospel Classics, Ramsey Lewis, Fontella Bass, The Dells, The Radiants, Cash McCall and Jackie Ross waiting for me.  
Speaking to Tom as I flicked through the 45s I learned a little bit more about his exploits and those of his brother Mal.  They were both musicians who were in a local rock/rnb band in the 60s/70s.  He relayed many of the places they played locally including The Imperial Ballroom in Nelson, The Birdtrap in Brierfield (which coincidentally runs a soul night there at which Bob is currently a regular DJ). As was the norm in these RnB/Soul clubs of the time, DJs would play in between the band appearances, (much like today) and Tom and his brother would take on that role in addition to Tom being the sound man and his brother a band member. Tom, it appears liked the rock side of things whilst his brother Mal leaned toward RnB/Blues and later slid into the fledgling Northern Soul sound. It was a thrill to listen to his tales of gigging around the North West and his memories of the bands and people of the time. I’d been around in the mid 70s in Burnley, even running soul nights until 1980 when I left and to think that this collection had remained unknown to me and my peers whilst we were DJing around the corner (In one case right across the road!) was fantastic. To be able to rescue it for future fan’s enjoyment was even better!  
One of the more prolific labels that eventually secured releases on it’s own logo in the UK was the STAX imprint from Memphis. And the history of it’s dealings as it strove to establish itself was all here on the shelves, told by the 45s themselves.  The journey through their earlier releases on London giving way to the Atlantic logo before finally hitting the shops on their own blue label was captured on these shelves. What a shame that the familiar Blue Polydor distributed records didn’t get released in sleeves and that we would have to wait until EMI got hold of the distribution to see the now famous finger clicking logo! On investigating, the Blue Stax pile I had now built up revealed that there were 6 missing, something that I will rectify shortly. The yellow Polydor and later Pye distributed records were a little more thinner on the ground which I put down to the guys interest in DJing waning as the 70s progressed. 


No black record collection from this era could be regarded as fully representing the timeline without a fair slew of Motown and although I mentioned some choice bits earlier I now found myself opening a large canvas bag that revealed quite a portion of Motown but on the earlier Stateside logo. Happy days! As a stream of 45s passed smoothly from my hands to a new pile I’d added Earl Van Dyke, Carolyn Crawford, The Contours, The Miracles, The Temptations and a host of others to my ever growing piles of 45s. 

By now I’d amassed about 650 records and the Clarets v Brighton was calling so I decided to take a chance and arrange to come back the next weekend when Burnley were at home to Everton.  Tom was more than happy with that and a price for the first haul was agreed, duly paid and we parted with the agreement that we would not tell anyone about the 45s remaining and return on Friday the day before The Match in order to have a full day searching the remaining 45s. I arrived at Bev and Kev’s just before kick off with what must have been the look of a Cheshire Cat!
Needless to say the trip to the Beamish was informative and entertaining, especially The Dentist! but as my friend Bev commented…  you’re a bit distracted aren’t you Dave? LOL!   
It was a nervous week as I hoped and prayed no one would find out about the collection until after I’d been through every 45 which was the plan on the Friday. I rang Tom on Thursday to confirm our appointment and that no one had been to see them in the meantime. Duly assured that no one had at 7:00am I set off alone on the 150 mile journey, Bev and Grandkids would come up on Saturday and we’d stay over after the game. By 11 am I’d picked up Billy, Bob and we were walking down those cellar steps to complete the task.  Another Footie and 45 Weekend beckoned!   
On arrival the three of us took a section each and pulled anything of interest out, my first delve into yet another canvas bag yielded a whole slew of Pye International RnB Series 45s. This series was designed to release foreign outings in UK and although it’s early 60s outings contain many US RnB artists by 1963 the label released a mix of styles of black music including artists as diverse as Willie Dixon through to Dionne Warwick under its RnB Series banner. Blues, RnB and Soul artists of the era litter the catalogue and names as diverse as Chuck Berry, Billy Stewart, Bo Didley, Tommy Tucker, John Lee Hooker, Sugar Pie DeSanto and Tony Clarke sit alongside each other. It won’t have escaped the readers’ attention that many of these artists were signed to the Chess logo which up until 1965 had no output on its own now famous black logo   This particular Pye Series lasted for just over a year before the Pink PYE logo was introduced and the label became even more diverse.  For anyone interested in the development of RnB and how it laid some of the foundations for the soul explosion round the corner, the Pye International label is a great starting point. Most don’t cost a king’s ransom and there are one or two gems in there. As a bonus there was a pristine, sleeved blue PYE copy of Etta James – ‘At Last’ that I was particularly pleased to find. (3) 

In the corner up against the LP shelves were 3 or 4 old wooden DJ record cases and they were next on the search.  On opening the first one I discovered a couple more handfuls of the Chess catalogue and as I flicked through the 200 or so 45s in this particular box I picked out a number of others. At the end of that box I had piled up almost 60 of them.  The search was on for the remainder! The usual suspects of Ramsey Lewis, Fontella Bass, Billy Stewart, The Dells, Jackie Ross were all there as were the likes of Gene Chadler’s – ‘Such A Pretty Thing’ all Northern favourites but strangely no Tiffanies and not a single promo. 

On unzipping another canvas bag that had seen better days the first handful delivered a fistful of Bobby Bland 45s and as any collector/soulfan knows, if Bobby’s around it’s best to slow down and ensure you don’t miss a single 45! True to form, Bobby preceded a rather nice haul of Vocalion 45s.  That included not just himself but also Tommy Neal, Bud Harper, Al TNT Braggs and Little Johnny Taylor amongst others. 

The second half of the bag revealed another slew of early TMG Motown 45s. and that particular ever growing pile was enhanced by 45s from Kim Weston, Brenda Holloway, Shorty Long, Chris Clark and Jr Walker and The All Stars amongst others.  I wondered if the TMGs were finished or if some of the later releases were still to be found and on opening a battered 7inch cardboard box I got my answer.  The Contours, Isley Brothers, Jr Walker, Marvin and Tammi, Rita Wright and The Undisputed Truth were amongst the haul from the early 70s.  


As the piles of 45s grew, I started taking a break from searching and concentrated my efforts on ‘sifting’ the piles we’d built for any real quality 45s in slow time.  As I’d come across interesting bits I’d simply placed them on a separate pile and it was this particular pile that would now yield the ‘icing on the cake’.   The pile had slowly grown to about 100 x 45s all of which were Northern Soul. In amongst this pile of vinyl treasures were copies of Chubby Checker – ‘You Just Don’t Know’ – Cameo Parkway Demo, Dee Dee Warwick – ‘Worth Every Tear I Cry’ – Mercury, Both Little Anthony’s big Northern outings on UA, Sapphires – ‘Got To Have Your Love’ – HMV, Poets – ‘She Blew A Good Thing’ – London, Jimmy Robbins – ‘I Just Can’t Please You’ – President, Skull Snaps – My Hang Up Is You – GSF, ke and Tina – Dust My Broom – HMV Demo. Gene McDaniels – ‘Walk With A Winner’ – Liberty.  It was proving to be a good afternoon!  

Once I’d sorted that pile into 2 separate piles and made a mental note not to add any more but to start another ‘Northern’ pile I delved into the bottom shelves of the racks that held another approx. 500 x 45s.  The first handfuls delivered a series of Beatles EPs that under normal circumstances I would have lifted but the condition proved too poor to make them worthwhile, disappointed I put them back and pulled out another handful. It was Action Time!  45s by Little Carl Carlton, The Showmen, Dee Dee Sharp, Clifford Curry, The Olympics, Minnie Epperson, Wilmer and The Dukes and Jeanette Williams were amongst that shelf’s wares. 


Whilst the next one gave up a handful of Dave Godin’s Soul City labelled 45s, Gene Chandler, Bessie Banks and Chris Jackson amongst them.   

As the afternoon drew to a close I once again turned my attention to the mounting stacks of 45s that we’d accumulated and checked each one again. Although none of the records were mint and unplayed they were in surprisingly good nick to say they’d been shelved down here for god knows how long and in amongst the piles we’d set aside we confirmed hauls of Atlantic, Polydor, Direction, Monument, Columbia, Capitol Mercury and Track that were confirmed as keepers.

 

 

As I checked the Stateside pile that had also grown quite healthily, I was pleasantly surprised to see quite a few there that would soon nestle in my own collection that I’d not owned since 1990 when I actioned off my then UK collection.  The likes of Sammy Ambrose, The Incredibles, Mickey Lee Lane, The Sharpees The OJays and Bettye Lavette would be returning to ‘Casa Moore’ for sure!

As we reached the end of the shelves and emptied the last couple of cardboard boxes from which we added to the now lopsided stacks of records.  I turned my attention to number of promos that I’d stacked during the afternoon’s activities and these were duly transferred to the ‘we’re taking these’ stacks alongside the US 45 stack that had crept up on me as I’d simply placed anything familiar in to a pile and was quite pleased when I checked through the stack again. 


During the 2 days of hunting, I’d not really taken much notice of the US 45s we came across so it was something of a nice surprise to realise we had actually fared quite well on the US records too! 

It was now time to finalise a price that both Tom and I were happy with and once that was concluded and the cash exchanged we boxed another 650 up and transferred to the car upstairs.  It had been a great couple of days, rooting through the records had taken me back to the mid 70s soul clubs around East Lancashire and reminded me of the fantastic times we had. Memories of record guys like Steve Bradley, Barrie Waddington, Dave Taylor, Guy Hennigan, Alan Hughes etc, all happy to educate a fledge-ling soul collector.  The mad, cross country trips to hit the record bars of venues and the great trips home comparing what we’d managed to snag.     
That evening we sat around at Billy’s cherry picking the haul to everyone’s satisfaction, as Bob left with his particular bagful, Billy and I slowly sifted the 45s to decide which we would keep and which we might possibly move on.  We both decided that apart from a few 45s that would be given to close friends, we would absorb them into our collections.  The collection we’d stumbled over would stay together albeit in 2 locations.
After a night on Billy’s settee surrounded by records it was ‘up and at ‘em for’ breakfast with my sister Julie and Billy before I picked up the Grandkids and Bev from their Dad who’d driven up from Malvern and after a chaotic lunch we hit Turf Moor. Despite a poor performance against our ex manager Sean Dyche’s team Everton, in which 3 ex Burnley players played a crucial role in our 0-2 defeat, I wasn’t quite as miserable as the kids!  An overnight with the kids at our second home (Premier Inn - where the kids fall asleep watching Match Of The Day!) and next morning their Dad picked them up after a hearty breakfast and Bev and I made our way to Billys to pick up almost 1000 x 45s.  
The drive home was different than usual. Our Mighty Clarets been well beaten again but the chat was decidedly upbeat in our car!  
When I decided to write up the weekend’s activities I was a bit concerned that it would simply become a list of ‘I then found this’, ‘I then found that’, (which essentially is what it is) but decided that other collector’s might appreciate the tale. I was always enthralled when listening to other collectors’ tales of record hunting and in todays climate of internet, ebay, discogs, having changed the face of the hobby beyond recognition over the years, it felt particularly good to rely on old school skills for a change.  
I’d like to wish other record hunters a Very Happy and Fruitful New Year and hopefully look forward to more tales of record rescuing in 2024.
Dave Moore
Jan 2024 

  
 REFERENCES:
1.    At the request of Tom I have not divulge the exact location of the building. 
2.    I have used a pseudonym for ‘TOM’ and for his brother ‘MAL’ as he wasn’t keen on his identity or that of his location being made public. However, if anyone is interested in buying any LPs or Speakers, Amps, Technics Turntables, Sound Gear etc I’d be happy to put you in contact with him.  
3.    Etta James – ‘At Last’ was my Son and Daughter In Law’s first dance at their wedding and I intend to frame the 45 alongside the sheet music and a picture of the happy couple on the dancefloor.   
 
PDF Version
Complete article in PDF Format:
footie-and-45s-by-dave-moore-jan-2024.pdf

By Dave Moore in Articles ·

Rare Singles  'a love letter to Northern Soul' - New Book

Details of an upcoming book due out Aug 2024 from author Benjamin Myers.
Bloomsbury has acquired Rare Singles, a "full-throated hymn to the sorrows and triumphs of soul music" from author Benjamin Myers.
"Over in Chicago, Bucky Bronco is down on his luck – and has been since the loss of his beloved wife. The best he can hope for is to make ends meet, and try and stay high. But then an unexpected invitation arrives, from someone he’s never met, to come to somewhere he’s never heard of."
More info and details via
https://www.thebookseller.com/rights/bloomsbury-nabs-myers-book-on-soul-music
 
https://uk.bookshop.org/p/books/rare-singles-benjamin-myers/7624795
By Mike in Soul News ·

45 - Pals & Gal - Lil Bit Different - Epsilon Record Co EPS025

Pals & Gal - Lil Bit Different -  Epsilon Record Co EPS025
Previously Unissued Funky tune with a killer sax
A. "LIL' BIT DIFFERENT” (4:44)
B. "LIL' BIT DIFFERENT” (instrumental version) (4:44)
Produced, Arranged, and written by Ron Foster 
publisher: Ron Foster Publishing BMI 
Montclair New Jersey USA / 1980
 
Pals & Gals
Tim Williamson
Eileen Moore
Ron Foster
Malcolm Cobb Jr (sax)
 
Eileen (Foster) Moore's
Musical background started at an early age. I was singing and accompanying my mom and sister on many occasions at my church. At around age 13 my pastor asked me to play for our children’s choir and shortly after was requested by another pastor to play for their youth choir on alternate Sundays.  I was playing and directing young adult choirs as well. I continued playing and directing these choirs for a great number of years. I stopped for a very short time when I was approached by another pastor to head up their music ministry which I did for an additional great number of years. I’m presently at that same church playing and directing the children’s choir.  I’ve also played for other churches on off Sundays.  I’ve been involved with music all of my life, teaching piano, playing, singing, and directing, mostly gospel music.
I was hired by my brother (Ron Foster) to provide vocals on a few tracks one of which is Lil Bit Different!
Musical background started at an early age. I was singing and accompanying my mom and sister on many occasions at my church. At around age 13 my pastor asked me to play for our children’s choir and shortly after was requested by another pastor to play for their youth choir on alternate Sundays.  I was playing and directing young adult choirs as well. I continued playing and directing these choirs for a great number of years. I stopped for a very short time when I was approached by another pastor to head up their music ministry which I did for an additional great number of years. I’m presently at that same church playing and directing the children’s choir.  I’ve also played for other churches on off Sundays.  I’ve been involved with music all of my life, teaching piano, playing, singing, and directing, mostly gospel music.
I was hired by my brother (Ron Foster) to provide vocals on a few tracks one of which is Lil Bit Different!
Malcolm Cobb Jr
Malcolm Cobb Jr is a jazz based saxophonist who enjoys performing at venues. I play many styles of music but enjoy playing smooth jazz and r&b. I have a video of myself on YouTube to wit: Malcolm Cobb- Europa which had garnered some likes and attention. I have performed with George Benson, the Legendary Escorts and many more.
Ronald Foster
Ron Foster has been a player in the soul and R&B industry for years, having appeared on TV shows including Don Cornelius Soul Train, the Mike Douglas Show and The Gene Woods Dance Show. He is an accomplished keyboardist and music writer and arranger.
The former keyboard player with 70s group Ecstasy Passion and Pain, Ron Foster continues to build on his 50+ years in the music industry as a performer, songwriter, conductor, producer and arranger 
 
Get it here:
https://www.epsilonrecord.com
 
By Yann V in News Archives ·

45 Kenyatta - Kick It Off - Movin' Music - Killer 70's Deep Funk / Soul - Epsilon Record Co EPS026

EPS026 Kenyatta - Kick It Off - Movin' Music - Killer 70's Deep Funk / Soul
Killer 70's Deep Funk / Soul 
Written & Arranged by James Crabbe Robinson & Keith Rose
CBS studio in Manhattan New York 1974
(Special thanks for Paris Ford & Steve Clancy)
A: KICK IT OFF (3:24)
 
 
B: MOVIN' MUSIC (2:57)
 
Kenyatta
Members: 
James Crabbe Robinson
Paris “Peewee” Ford
Keith “Key Boy” Rose
Henry “Butch” Jackson
Paul (GQ) Service
Kenny Kirkland
 
Produced by Art Weiseger
BMI: Little Jason Music Music Co.
 
James E. Robinson, New York, U.S.A.
Lead vocalist, songwriter & producer
Based in New York, James sang guest lead vocals with artists including Norman Connors('Stella' and 'Listen') and Lonnie Liston Smith ('Song For The Children' and 'Love Is The Answer').
He replaced Luther Vandross in Change and singing lead with the group on songs including 'The Very Best In You' (1982). 
As a solo artist he signed to Tabu Records in 1987 where his one album was 'Guilty'.
That album contained the popular track 'I Feel Like Going On'.
Other artists he has recorded with include Jeff Lorber ('Every Woman Needs It'), Lenny White('Attitude') and Bob Baldwin.
While with Lonnie Liston Smith, incidentally, James wrote 'Speak About It' on which he also played guitar.
James's cousin is Paris Ford, who played with Norman Connors, Lonnie Liston Smith and was the original bassist on Tyrone Thomas And The Whole Darn Family's '7 Minutes Of Funk'.
In 1995, Robinson teamed up with Mark Johnson for the track 'Daydream', taken from an album on JVC called 'Daydream', which became popular at Soul Weekenders and on London's Jazz FM radio station.
In 2001, he teamed up with another jazz keyboard artist, Bob Baldwin, for his album 'City Sketches'.
The track 'Stay', taken from this set, being highly popular.
James Robinson is also known as James 'Crab' Robinson.
 
Paris Ford, New York, U.S.A.
Bass Player
One of the most enduring Bassist of the past decades, PARIS FORD has taken his place as one of the most groundbreaking “New Old School” session players in popular music, from sharing recording sessions with the likes of Marcus Miller and Anthony Jackson to Recording and/or touring with everyone from Punk/Funk R&B recording artist Rick James to Jazz Fusion Violinist Micheal Urbaniak to name a few. 
PARIS FORD’s early days of Junior High School in the Bronx, playing in local bands with a great deal of his influences Larry Graham, Graham Central Station and Francis Rocco Prestia of Tower Power to name a few, makeup the unique style of his bass playing technique. His production combines the undeniably funky soulful song writing skills of R&B Jazz/Funk and Hip Hop. 
PARIS FORD has released several Recordings throughout Europe and has played Bass for Rick James, The B.B.&Q Band, Johnny Gill, New Edition, Evelyn “Champagne” King, Lenny White, Tyrone Thomas, Norman Conners, Lonnie Liston Smith, Micheal Urbankiak, Urszula Dudziak, James Robinson, Invisible Man's Band, The Village People, Glen Jones, Vicki Sue Robinson, Jean Carn, Val Young, J Plunky & Oneness and many other well known major recording artist also playing on many Jingles. 
PARIS FORD endorse Spector Basses (since 86'), EMG"s Bass pickups, Mutron products and DR Handmade strings
Check Paris Ford new single:
https://parisfordrecords.wixsite.com/my-site
 
Keith "Key Boy" Rose, New York, U.S.A.
Lead Vocals / Percussionist
Lonnie Liston Smith, Hip hop Single and voice of  80s  Rapper "The Rake - Street Justice"
Paul Service(RIP)
Recording the Platinum-selling group's Album GQ "Disco Nights" 
He was deported to his hometown of Jamaica where he succumb to his death in the 90s
Kenny Kirkland (RIP)
Born in Brooklyn, New York in 1955, Kirkland was six when he first sat down at a piano keyboard. After years of Catholic schooling, Kirkland enrolled at the Manhattan School of Music, where he studied classical piano performance, classical theory, and composition.
Kirkland's first professional work came with Polish fusion violinist Michal Urbaniak, touring throughout Europe with his group in 1977.
Coincidentally, his next high-profile gig was with another Eastern European jazz émigré, Miroslav Vitous. Kirkland is featured on Vitous' ECM recordings First Meeting and Miroslav Vitous Group.
In 1980, while Kirkland was on tour in Japan with Terumasa Hino, he met Wynton Marsalis, which began their long association.
On Marsalis's self-titled debut album, Kirkland shared the piano duties with one of his musical influences, Herbie Hancock, but was the sole pianist on Marsalis's subsequent releases Think of One, Hothouse Flowers, and Black Codes. After his association with Wynton Marsalis, Kirkland joined Branford Marsalis's band. He is also on Marsalis's funk band album Buckshot Lefonque. When Branford Marsalis assumed the high-visibility role of bandleader for NBC TV's The Tonight Show with Jay Leno, Kirkland became the band's pianist.
In 1991, he released his debut as a leader, Kenny Kirkland, on GRP Records. Thunder And Rainbows (1991, Sunnyside Records), by "Jazz from Keystone", is a trio album with Kirkland, Charles Fambrough, and Jeff "Tain" Watts.
Leading up to and on June 1–3, 1998, Kirkland worked with long-time associate Jeff "Tain" Watts on the drummer's debut recording Citizen Tain. According to producer Delfeayo Marsalis, "He was clearly not in good shape." When asked about going to the doctor, Kirkland responded, "After the session. If I go now, they'll make me check into a hospital." On June 4, doctors told Kirkland he had a congestive heart condition that required an operation. He attributed his poor health to twenty years of touring without adequate vacations and exercise and deemed his chances of surviving any surgery 50/50 or less. Fearful of having a cardiac procedure, Kirkland accepted his fate and was soon on the road with Branford Marsalis again.
On November 7, 1998, Kirkland attended Marsalis's wedding in New Rochelle, New York. Kirkland was found dead in his Queens apartment on Friday, November 13, 1998.
The official doctor's report listed his death as due to congestive heart failure. He was survived by his mother, a brother and two sisters.
Get it here:
https://www.epsilonrecord.com
By Yann V in News Archives ·

Soul Up North Magazine #118 Winter Issue 2023/4 Out Now

The Winter 2023/4 Issue of Soul Up North is out just in time for Christmas 
Details below...
SOUL UP NORTH - issue 118
OPENING PAGE : CONTENTS – EDITORIAL & INFO
GOOD TUNES & GREAT GROOVES
Dave Halsall
ISSUE CD TRACK LISTING – ‘HOUSE OF MYSTERY’
Adam Strange
FUNK IN YO’ FACE – WARDELL QUEZERGUE - “MR BIG STUFF’
Howard Priestly
JESSE JAMES ARRIVES AT NORTH BROAD STREET.
James O’Connor
PICTURE ME GONE (BUT NOT FORGOTTEN) PT. 6
Martin Scragg
SOUL IN A DIGITAL AGE
John Farrar
SOULFUL SEVENTIES SPINS aka ‘COSBY’S CHESTNUTS
Bob Cosby
SOUL SPOTLIGHT – THE BRY-WEK LEGACY PART ONE Steve Guarnori
HOT OFF THE VINYL PRESS (1)
Howard E
SOUL IN PRINT – MAGAZINES & FANZINES (Part 21)
Iain McCartney
ALL PLATINUM -THE MAKING OF A SOUND – BOOK REVIEW
HFE + STEVE GUARNORI
GLOBAL RECORDS – SWAN/CREAM/PEACHTREE
Rick Cooper
HOT OFF THE VINYL PRESS (2)
Howard E
THE LADIES CHOICE – COLLECTING RARE SOUL
Julie Molloy
MD RECORDS – LOOK BACK AND WONDER
Mark Anderson/Jordon Wilson
FEET TO THE BEAT (1)
Geoff Green
CHICAGO SOUL
Shane Cox
JEAN KNIGHT - RIP
JACKIE WILSON - LIVE !
John Smith
VINYL PRESS EXTRA
Howard E
VIEW FROM THE APE HOUSE
Tim Brown
 COLLECTING BRITISH
Lord Snooty
AND FINALLY – DEEP SOUL CORNER
Mike Finbow

Availability
Available now from all the usual stockists including our very own Source Store
Tap here to purchase Soul Up North 118 Winter Issue via Source Store
By Source Team in News Archives ·

BMR 1018 Big Man Records New release - Due Early 2024 - The Embers

WE ARE PROUD TO ANNOUNCE OUR NEXT RELEASE BMR 1018 - THE EMBERS - 'FIRST TIME'/'I WANNA BE (YOUR EVERYTHING)' FOLLOWING ON FROM BMR 1017  - 'JUST CRAZY 'BOUT YOU BABY/'AWARE OF LOVE'
CONTINUING WITH THE SOUND OF THE EMBERS, THIS JCP NORTHERN SOUL MONSTER FIRST CHAMPIONED ON THE SCENE BY THE LIKES OF GUY HENNIGAN, AN EMBERS ORIGINAL SONG WRITTEN BY JACKIE GORE HAS BECOME A BIG COLLECTABLE ON IT'S USA ORIGINAL,  WITH THEIR FABULOUS COVER OF THE MANHATTANS CARNIVAL CLASSIC 'I WANNA BE (YOUR EVERYTHING)'  WHICH THE EMBERS VERY MUCH MAKE THEIR OWN CERTAINLY A REAL SLEEPER OF A FLIP.
UNDER LICENCE FROM EMBERS ENTERTAINMENT ENTERPRISES TO BIG MAN RECORDS WILL COME WITH CUSTOM CARD PICTURE SLEEVE, SLEEVE NOTES BY MARK WINDLE, A6 COLLECTORS CARD IN A POLY SLEEVE.
THE RELEASE IS CURRENTLY IN PRODUCTION WITH AN EARLY 2024 RELEASE DATE SCHEDULED. TO RESERVE COPIES EMAIL bicknellmark@aol.com OR bigmanrecords1@gmail.com 
MANY THANKS TO EVERYONE WHO HAS SUPPORTED BIG MAN RECORDS THROUGHOUT 2023, WE WOULD LIKE TO TAKE THIS OPPURTUNITY TO WISH EVERYONE A HAPPY CHRISTMAS AND SOUL FILLED NEW YEAR.


 


 





Embers First time Promo.mp4



 
By Mark Bicknell in News Archives ·

Out Now - New 45 - The Embers - Just Crazy 'bout You Baby b/w Aware Of Love - Big Man Recs BMR 1017

Big Man Records latest 45 release is now available
The Embers - Just crazy 'bout you baby b/w Aware of love - BMR 1017
 
Label release notes
We are thrilled to announce our next release BMR 1017 - The Embers - 'Just crazy 'bout you baby' b/w 'Aware of love', under licence from Embers Entertainment Enterprises/Khp productions to Big Man Records.
The Embers need no introduction to the rare soul scene, formed in 1958 by co founders Bobby Tomlinson (drummer) and Jackie Gore (lead singer) the group have recorded a host of albums and 45's over the years
The northern scene has enjoyed such records as 'Watch out girl' (MGM) 'First time' (JCP) 'Where did I go wrong' (Atlantic) and this sublime double header 'Just crazy 'bout you baby' was issued twice on the groups own EEE records (Embers Entertainment Enterprises) label the rarer issue being with the sublime Jerry Butler/Curtis Mayfield song 'aware of love' on the flip also recorded by Jerry Butler and the Impressions, The Embers smash it out of the ball park with a dream of a version which has been championed for many years by the likes of Guy Hennigan at the rare soul venues and rightly so.
The tracks have been remastered and sound fabulous.  'Crazy 'bout you baby' is simply dance floor dynamite which gained favour at the allnighters back in the early 80's but needs it's day in the sun again.
The release will come in a custom card picture sleeve with sleeve notes, a6 collectors card, facsimile signed group promo picture card insert in a poly sleeve
  
Video Trailer
 
 
Availability
Available now via Big Man Records ( pm @Mark Bicknell or via email bicknellmark@aol.com or bigmanrecords1@gmail.com ) 
 
 

 


 
By Mike in News Archives ·

Book: Ain't No Sunshine: The Smooth Soul and Rough Edges of Bill Withers 

Ain't No Sunshine: The Smooth Soul and Rough Edges of Bill Withers by Mark Ribowsky 
Details on a recent release from Permuted Press 
Four versions available, focusing on the Kindle version here (preview below)
Release notes
The first biography of Bill Withers, the most accidental music supernova, who walked away from fame and never looked back.
Bill Withers entered the music fray as hardly an afterthought, rewrote the rules for a decade, earned a fortune, then, unable to square himself with the requisites of the music business, took his leave. When he died in 2019 at eighty-one, he was every bit the mystery he was when he started.

Born and raised in Slab Fork, West Virginia—his father a coal miner, his childhood spent in a pit of racism, and a shy kid who was asthmatic and stuttered—Withers had every reason to say, “People ask what are the blues. Hell, I was the blues!” His adulthood was spent running away from Slab Fork as a navy enlistee who worked military-related jobs, including making toilets for 747s. Music was a fantasy, ruled by unscrupulous brokers whom he thought he would never be able to live easily with. When he sang of calling on a “lonely brother” in “Lean on Me,” his biggest hit and an astounding feast for the ears, few knew that he was singing about himself. He was the lonely brother, and the business whose audio rules he refashioned only made him lonelier. His songs were not riling, but easing and caressing the deepest of emotional clefts that bore the weight of the world and the reassurance of a better day on his shoulders—“Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Just the Two of Us”—as well as album cuts that leaped off the vinyl and helped form a coterie of evergreens among his fans. Yet he ruled in his precious fold of time—eight years in the sun—without as much as an agent, manager, lawyer, accountant, valet, or flunky. He was on his own in every way.
 
 
By Mike in News Archives ·

Geoff Waddington Feat Tameka Jackson - Don't Walk On By Me - New Single Release

News of a new track release from Geoff Waddington
Geoff Waddington Feat Tameka Jackson - Don't Walk On By Me
'Don't Walk On By Me' featuring Tameka Jackson was recorded at the Blandy Studios,
Released today {Monday 11 December 2023) and now available at online stores.
This is a remake of a track that I released a few years ago titled 'Only You'.
Listen below...
 
 
By Mike in News Archives ·

New Lp - Skyway Soul : Gary Indiana - Numero Group

News on a new Lp release from Numero Group
SKYWAY SOUL: GARY, INDIANA  - Various Artists
A sonic snapshot of America’s steel capital, developed in the prosperous cavern between the departure of the Jackson 5 to Motown and the collapse of U.S. Steel, Skyway Soul is a love letter to Gary, Indiana.
Featuring The New Day, El Anthony, Nate Evans, Sky’s The Limit, Wilton Crump, Lost Weekend, General Lee, Krash Band, Billy Foster & Audio, I.N.D., and Junei, this double album collects 21 lost songs from the southern-most tip of Lake Michigan.
Housed in a deluxe tip-on gatefold jacket, with a 16-page booklet crammed with photos, ephemera, and an in-depth essay from Jake Austen, Skyway Soul connects the dots between The Spaniels, Michael Jackson, and Freddie Gibbs.
Don’t forget to pay the toll.
Track List
The Newday Wait A Minute Girl
El Anthony I Want To Be Together With You
Nate Evans Main Squeeze
El Anthony Sweet Jo-Ann
Sky's The Limit Don't Be Afraid
Nate Evans & Mean Green The Look On Your Face
Wilton Crump Give Your Love To Me
Lost Weekend The Bridge of Love
Wilton Crump Think It Through
The Krash Band So I Can Make This Change
El Anthony We've Been In Love Too Long
General Lee & Lost Weekend Trouble
General Lee Pleasure
Billy Foster I Need Your Love
Into New Dimensions Stay Sweet
General Lee Magic
Junei' Let's Ride
Into New Dimensions You Just Be You
Billy Foster Night Music
Into New Dimensions Everybody Likes To Do It
General Lee & The Space Army Band We Did It Baby (Part 1)
----------------------------------------------------
 
LP stock arriving December 8th
Orders will not be shipped until Monday, December 11
https://numerogroup.com/products/skyway-soul-gary-indiana
 
By Mike in News Archives ·

The Tibbs - Keep It To Yourself - New Album & Single

Dutch vintage soul outfit The Tibbs announce their new album Keep It To Yourself, to be released on January 26th and available for pre-order starting from today on recordkicks.com and Bandcamp (tap).
 Listen to the first single “Ain’t It Funny”, out today on all digital platforms.
 
Dutch vintage soul combo The Tibbs present their highly anticipated new album Keep It to Yourself, to be released on LP, CD and digital format next January 26th on Milan-based label Record Kicks and now available for pre-order on the label’s website recordkicks.com and on Bandcamp.
The first single taken from the new album is “Ain’t It Funny”, a soul stomper available from today, November 29th, on all digital platforms. According to the band, “Ain’t It Funny” is “about a feeling of powerlessness. Some of the world’s problems seem too big to be tackled by yourself, and that can make you feel small. Do the things we do in our daily life really have an impact on the bigger picture?”
 
Produced by Paul Willemsen (Michelle David & The True-Tones) and mastered in Nashville by soul veteran Bob Olhsson, who used to cut vinyl for Motown back in the day, the new album Keep It to Yourself is the band’s third Long Play. It contains 12 fresh ‘n vibrant tracks that once again will take you back to the golden days of soul music. Prepare to be swept away on a groovy, soulful odyssey with one the most sensational and enchanting soul bands from the Netherlands!
 
Based around Amsterdam, The Tibbs is a group of seasoned musicians who draw inspiration from the timeless music of the 1960s, channeling the emotional depth and raw authenticity of that era's classics. Led by their charismatic female vocalist Roxanne Hartog and backed by a powerhouse lineup of drums, guitar, bass, organ and a three-piece horn section, they have been wowing audiences with their live performances. They took off in 2012 working right from the start with producer Paul Willemsen (Michelle David & The True-Tones). In 2016, their first LP Takin' Over marked their debut with Milan-based imprint Record Kicks, while their sophomore album Another Shot Fired was released in November 2020. Now, with their third album Keep It to Yourself, a testament to their dedication to keeping the soulful spirit alive, The Tibbs are once more ready for lift off.
Streams
https://found.ee/AintItFunny
By Mike in News Archives ·

Soul Junction LP Album SJLP 5015 - Impulse - 'Impulse!'

Soul Junction return to the long player format with Milwaukee outfit Impulse.  Nothing Impulsive about the release that has been five decades in the making but it has been well worth the wait.
 

Impulse   ‘Impulse!’   SJLP 5015
Release Date:   Monday December 11th 2023
‘Impulse’ was a band of Milwaukee, Wisconsin musicians whose members included Michael Reese (Rhodes Piano and background vocals), Cedrick Rupert (Lead and Rhythm guitar), Jeffrey Williamson (Drums and background vocals) and Robin Gregory (Bass and background vocals). They would become a group in their own right with the eventual addition of another local artist John Gee, who joining them as their lead singer. John had begun performing secular music in the late 60’s with another Milwaukee group, The Chefs, who opened shows in Milwaukee for many distinguished touring acts James Brown, Ike & Tina Turner, Betty Swan and Joe Simon. John also featured as lead singer on The Chef’s 1969 tour to Jamaica performing alongside Bob Marley and Toots & The Maytels. After nearly 4 years John announced his departure from The Chef’s during 1970 his replacement being Michael Moncrete (the group’s lead on their desirable 1973 funk outing “Mr Machine” Pro-Gress Records). A brief flirtation with psychedelia with a band called ‘Rebirth’ and another outfit ‘Stars & Strips’ followed before John finally joined the musicians of ‘Impulse’. The Impulse musicians had been busy working as the backing and touring band for another Milwaukee outfit, the vocal quartet, The ‘Quadraphonics’. The ‘Quadraphonics’ members included Myron Lee, Michael Westley, Kenny Lee and Billy Brooks who recorded the solitary 45 single “Betcha If You Check It Out/Prove My Love To You” for the Carl Davis/E. Rodney Jones owned ‘Innovation II’ Record label during 1974. This release would later be nationally distributed by the major Warner Brothers label. With import copies of “Innovation II” single finding their way into the UK. The record found favour with the soul aficionados within the Highland Room of the renowned Blackpool Mecca and this new found popularity of “Betcha If You Check It Out” led to the 45 gaining a UK release on John Abbey’s Contempo label.

During 1976 the members of Impulse migrated to Oakland California, they had hoped that, The ‘Quadraphonics’ would join them but instead ‘The Quadraphonics’ chose to remain in Milwaukee and eventually broke up. It was fellow Brewtown producer and recording artist Harvey Scales who was responsible for inviting ‘Impulse’ to the west coast. Under the auspice of Scales, Impulse recorded their self-titled debut album project at Wally Heider’s Studio in San Francisco. The album was initially offered to Casablanca Records but no firm interest was to materialise, a subsequent approach to Jerry “The Ice Man” Butlers newly formed Chicago label, Fountain Records again failed to secure a release of the album, sadly leaving the project unreleased in the can.

 In the ensuing years, the former ‘Impulse’ members have continued with their respective careers, John Gee would embark on a solo career, recording the 1980 release “Not Enough Love Makin’/You Are That Man (Why Don’t You Be That Man)” for Leroy Smith’s Oakland C.A, Pashlo label (Although the songs were recorded in Milwaukee), the Pashlo 45 reputedly achieved sales of over 20,000 copies in and around the Bay area. Followed by the 1985 modern soul dance floor favourite “So Good To Me/Just Get On” recorded under the artist name of Jon Pierre Gee on his own newly formed Kandi Inc, Record label, released as a 45/12” single and cd album project. Later projects included the 1995 Jon Pierre Gee & Touch album and the 2005, AhVantSoul cd album project, both project’s featured Jon’s business and real-life partner, Kathryn Hannemann (a.k.a the performing artist Kat Webb).

Throughout all the aforementioned projects Jon continued to use and enjoy performing with his former fellow ‘Impulse’ musicians. They were still performing on occasion together as AhVantSoul until the 2020 Covid Pandemic hit, often to be found jamming in a renowned Milwaukee Restaurant/Coffee House by the name of ‘Coffee Makes You Black’ a popular haunt of many local musicians. Only two original members now survive Robin Gregory and Michael Reese both credited as “integral and inspirational” in every project that they and Jon Pierre collaborated on. Sadly, drummer Jeffrey Williamson passed away during 2015 with Coley Jackson coming in to pick up the sticks! Lead and Rhythm guitarist Cedrick Rupert left the group as the 1970’s came to a close to follow his heart and married a girl from Lake Charles, Louisiana, his home with the exception of a brief period of stay in Florida. Sadly, Cedrick passing away in 2020, his position in future projects was filled by Joe Chatman a key member of the ‘AhVantSoul’ project and later Rudy Jacobs the original lead guitarist with Harvey Scales & The 7 Sounds.

The Impulse album project having lain dormant since the 1970’s was resurrected during 2018 when Jon Pierre Gee in conjunction with Stephen Chin of Nice Choice Records (USA) and Soul Junction Records (UK) breathed new life into the project. Beginning with the release of the first of two ‘Impulse’ 45 singles on Jon’s Kandi imprint. Firstly “What’s that Sound/You Changed Me” followed in 2020 by a second 45 “I Really Love You/Get The Funk Off my Back” both to worldwide acclaim. Initial plans for the release of the whole album project had been set in place which where unfortunately brought to an unexpected halt with the passing of Jon Pierre in November 2020.
Jon leaves behind a musical legacy of several highly collectable 45 singles and cd albums. He was known for his raw energy, vocal range and agility, thoughtful lyrics, inspiring many generations of musicians and singers. Jon Pierre Gee will not only be missed as an exceptional artist but also how he touched everyone he worked with or met with his knowledge, kindness, and humanity.
It may have taken nearly five decades to bring this lost amazing soul and funk ‘Impulse’ project to life, but I’m sure once heard in it’s entirety the old adage of “Good Things Come To Those Who Wait” will certainly ring true, enjoy. 
Words By David Welding.
With Acknowledgements to the late Jon Pierre Gee, Robin Gregory, Michael Reese & Kathryn Hannemann.
 
Track Listing:
Side 1: 
1.I Really Love You  4:38 (Full Length Studio Version)
2.Your Love Is Smokin’   4:40 (Previously Unissued
3.What’s That Sound   4:48 (Full Length Studio Version)
4.Free To Be Me   5:28 (Previously Unissued
Side 2:
1.You Changed Me (Part 1 & 2)   7:10 (Full Length Studio Version
2. Nice Beat (Easy To Dance To)   5:28 (Previously Unissued
3.Get The Funk Off My Back   3:20 
4.Get It From The Bottom   4:02 (Previously Unissued
 
More Info / Purchase options
https://souljunctionrecords.co.uk/SJLP5015.html
 
 
By Chalky in News Archives ·

World Of Happiness - New 45 - Remastered And A New version

News all about an interesting release featuring both a  new reworked version and a remastered version from the original acetate, 
 
'Some fifteen years later, and taken directly from Shirley’s personal dubplate, Sonar Kollektiv were finally able to restore and remaster this rare take from that session plus a sophisticated, balladic reworking that respects the original but gives it a very different twist'
Sonar Kollektiv are very proud to present a sweet slice of obscure Philly soul with deep connections to our very own Berlin family. 
Shirley Turner’s 1965 recording of I Wish You A World Of Happiness has long been a crate digger’s delight and now receives a very special reissue, alongside a rather stunning cover version from Hamburg based quartet, The KBCS, featuring the vocal talents of Nora Becker.
Release Date: 24.11.2023
Label Release Notes
Shirley Turner’s 1965 recording of I Wish You A World Of Happiness has long been a crate digger’s delight and now receives a very special reissue, alongside a rather stunning cover version from Hamburg based quartet, The KBCS, featuring the vocal talents of Nora Becker.
Philadelphia in the early 1960s, and Virtue Records (headed up by musician and music producer Frank Virtue) had become prolific in releasing soulful underground hits like The Horse by Cliff Nobles & Co. and Boogaloo Down Broadway by Fantastic Johnny C. as well as producing a number of somewhat less popular, more low-fi soul and garage records that were slept on at the time but have remained highly sought after records to this day.
One of those records was I Wish You A World Of Happiness, which started life as a popular 60s instrumental cut Bird Walkin’ by Emanon’s Orchestra. The song was written by Weldon A. McDougal III and Johnny Stiles, with lyrics by Eddie Holman, of Hey There Lonely Girl fame. Virtue had been looking for someone to record a vocal version of the tune for some time, and having had a rough demo recorded by an uncredited singer, somehow said demo found itself in the hands of seventeen year old gospel vocalist Shirley Turner. The young, aspiring soul singer learned the lyrics from the dubplate by heart, and on the night she turned eighteen, went into Virtue Studios to record her version of the song. Several takes were laid down and three dub plates produced all on the same night, one of which was taken home by the eighteen year old hopeful, where it remained for years to come. 
The recording was largely forgotten about as Shirley grew up and had a family, that is until her son started playing with the dubplate as a child. Shirley's son is Sonar Kollektiv’s very own Hollis P. Monroe - now a producer, composer and DJ as well as being responsible for the late 90s hit, I’m Lonely. Hollis took an interest in the record from an early age with the dubplate being one of the first records he learned to scratch with!
Some years later, and with the help of the internet, Hollis’ continued interest in his mother’s recording led him to a number of specialist soul blogs and in particular to UK based DJ Andy Rix who posted about a dubplate he had found which sounded very familiar! The 45 was widely credited as featuring vocalist Ann Robinson, but Hollis was soon able to set the record straight which enabled him to tell the true story behind this fascinating recording.
Some fifteen years later, and taken directly from Shirley’s personal dubplate, Sonar Kollektiv were finally able to restore and remaster this rare take from that session. Not only that, we commissioned Hamburg four-piece The KBCS to deliver their own interpretation of this timeless piece of music. The result is a sophisticated, balladic reworking that respects the original but gives it a very different twist that should please lovers of modern and two-step soul alike.
A - The KBCS - I Wish You A World Of Happiness
B - Shirley Turner - I Wish You A World Of Happiness
 
Digital Bonus
 
Label: Sonar Kollektiv

CAT-No: SK454

Voice: illicity

Barcode: 821730045471

Formats: 7inch, Digital

Release Date: 24.11.2023
 


By Mike in News Archives ·

Kent Release Day - Three x Soul 45s - 3 x Select 45s 1 x Repro 45

This Friday is a release day for Ace Records - including in the batch of release are 3 soul 45s that just may be of interest, details, label release notes, audio and such all follow below
 
CITY 089 - DEE ERVIN YOU MAKE ME HAPPY / GIVE ME ONE MORE DAY
'Dee Ervin suffered collateral damage from GRC/Aware’s bankruptcy. He only got to release two mediocre sides on Hotlanta but these recordings match anything he created in a successful career throughout the 60s & 70s.'
CITY_089-1-1.mp3
CITY_089-2-1.mp3
 
CITY 090 - THE MAYBERRY MOVEMENT - I CAN SEE HIM LOVING YOU / WHAT DID I DO WRONG?
This pairing was slated to be Event 218 in late 1974, but as no copies have emerged, it can be assumed that the single was pulled. It is hard to know why, but judging by its rarity the Anderson Brothers GSF release of ‘I Can See Him Loving You’ was a commercial failure - perhaps Event didn’t want to suffer a similar fate. This reading of producer Ray Dahrouge’s song is more soulful and vital than the Anderson Brothers which was huge on the Northern Soul scene, but without this take for competition at the time. Maybe the steamy finale to the Mayberry’s version was a bit too much for radio play, but surely the brilliance of the ballad A side would have compensated for that. Their loss; our gain.
  mayberry-movement-side-a.mp3  
CITY_090-2-1.mp3
 
REPRO 12  - TOMMY YOUNGBLOOD / THE OTHER BROTHERS - TOBACCO ROAD NORTH / NOBODY BUT ME
“The Soul Of Tommy Youngblood” 1970 Kent LP had many fine tracks, especially ‘Tobacco Road North’ though it was not attributed to the rightful writer, Jimmy Radcliffe, at the time. The music has been sampled for various hip-hop adaptations, including one by Ghostface Killah of the Wu-Tang Clan, but the original stands on its own and deserves a 7” format. The Other Brothers ‘Nobody But Me’ is another UK Kent exclusive that sold out on its first Kent Select press and is still much sought-after and now expensive.
REPRO_12-2-1.mp3
REPRO_12-1-1.mp3
All now available via Ace Records website (tap), and of course various record stores including our very own Source Store - (tap)
 
 
 
 
By Mike in News Archives ·

Pre-Order: New LP -Soul Prescription" (New Soul4Real Comp) inc 4 Originally Unreleased Tracks

VARIOUS ARTISTS "SOUL PRESCRIPTION" LP (SOUL4REAL)
'Soul Prescription', the 4th album published by Soul4Real. We have included 12 tracks, all great examples of real soul music, a mix of well known classics, overlooked gems, and 4 original unreleased songs than most people have probably missed. A perfect gift for Christmas!
PRE-ORDER NOW FOR 7th DECEMBER
www.soul4real.es
Soul Prescription
JAMES & BOBBY PURIFY – MY ADORABLE ONE
𝗢𝗿𝗶𝗴𝗶𝗻𝗮𝗹 𝘂𝗻𝗶𝘀𝘀𝘂𝗲𝗱 𝗕𝗲𝗹𝗹 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴
https://youtu.be/hYb-N6CN3EY
ARTHUR ALEXANDER – I NEED YOU BABY
https://youtu.be/D1wDrWkshjE
WALTER JACKSON – IT´S HARD TO BELIEVE
𝗢𝗿𝗶𝗴𝗶𝗻𝗮𝗹 𝘂𝗻𝗶𝘀𝘀𝘂𝗲𝗱 𝗢𝗸𝗲𝗵 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴
https://youtu.be/o1V50-_1SkQ
MAXINE BROWN – DON´T LEAVE ME BABY
https://youtu.be/YkPoDOLusec
SHIRLEY BROWN – WHEN YOU REALLY LOVE SOMEBODY
https://youtu.be/JselOKXJnCc
DREAM MACHINE – ALL MY LOVE
https://youtu.be/DGVKuy1u74Y
SOUL CHILDREN – MIDNIGHT SUNSHINE
https://youtu.be/JPmbOb4BUn8
THE ISLEY BROTHERS – HERE WE GO AGAIN
https://youtu.be/ZhrNnzlaGDk
JOHNNIE TAYLOR – YOU´RE THE BEST IN THE WORLD
https://youtu.be/Nh-U9mhlWWg
GIL SCOTT-HERON – YOUR DADDY LOVES YOU (FOR GIA LOUISE)
https://youtu.be/2yJsuvhoOlE
GLADYS KNIGHT & THE PIPS – MORE, MORE, MORE
𝗢𝗿𝗶𝗴𝗶𝗻𝗮𝗹 𝘂𝗻𝗶𝘀𝘀𝘂𝗲𝗱 𝗖𝗼𝗹𝘂𝗺𝗯𝗶𝗮 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴
https://youtu.be/d5JcgiADfMY
ARETHA FRANKLIN – THE WIND
𝗢𝗿𝗶𝗴𝗶𝗻𝗮𝗹 𝘂𝗻𝗶𝘀𝘀𝘂𝗲𝗱 𝗔𝗿𝗶𝘀t𝗮 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴
https://youtu.be/9saNwLCcv2U
 
 
 
 
 
PRE-ORDER NOW FOR 7th DECEMBER
www.soul4real.es




By Alexsubinas in News Archives ·

Pre-Order: New 45 - The Ellis Hall Group - Those Passing Words - Super Disco Edits

The Ellis Hall Group - 'Those Passing Words' -  Super Disco Edits
Upcoming quality soul 45 from Super Disco Edits, the actual release date needs to be confirmed but available now for pre-order, see link below
Label release notes
We are back after a fairly quiet summer.  A case of me playing too much golf and just not being able to find the quality i like when releasing new music. But stop the press, after about 7 years of trying we have finally secured this amazing modern soul winner from 1978 by The Ellis Hall Group.  Hailing out of Boston Massachusetts the group recorded a show reel for tv music show "Nightshift".  This is where we first heard the incredible "Those Passing Words" and straight away knew we had to have the original studio version. Also on the tape was the beautiful "What Will I Do" with Gilles Peterson comparing the vocals to Debra Laws.  Ellis Hall later became the main Keyboard player for The Tower Of Power.
Purchase Options
https://superdiscoedits.bigcartel.com/product/the-ellis-hall-group-those-passing-words-ehr-45rpm-pre-order
Listen
 
 
Images
 


 
By Mike in News Archives ·

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