HI ALL

While you wait for the next PRICE GUIDE, & as always there will be an explanation from the author, about cost condition & current market? all this is aimed at those people who are anal retentive, unlike myself who is oral, if you are a lover of music and collect vinyl, any condition will do for me,

as I have my own price guide from years of collecting. a record mat be classed as rare by myself, but worthless by others

In 1967 the MARINE OFFENCES ACT, made it a crime to broadcast radio signals to Great Britain from 3 miles offshore to what ever they made it 200 miles I think. I was 15 and love the Pirate stations, RADIO CAROLINE WAS THE 1st and the last of the Pirates, anyway sometimes the provenance of collectibles makes them even special to own,

I was lucky to get a few records from RADIO CAROLINE and they on there own way like hens teeth. at 20p each what would you value them at, I have classed them as DEMOS as there was none for these 2 labels at that time,

so are these just damaged cheapo record? or the CROWN JEWLS, AND HAVE YOU GOT THE RARE RECORDS THAT CANT BE PRICED?

DAVE SSSSHH FROM THE BEEB?

HI ALL

While you wait for the next PRICE GUIDE, & as always there will be an explanation from the author, about cost condition & current market? all this is aimed at those people who are anal retentive, unlike myself who is oral, if you are a lover of music and collect vinyl, any condition will do for me,

as I have my own price guide from years of collecting. a record mat be classed as rare by myself, but worthless by others

In 1967 the MARINE OFFENCES ACT, made it a crime to broadcast radio signals to Great Britain from 3 miles offshore to what ever they made it 200 miles I think. I was 15 and love the Pirate stations, RADIO CAROLINE WAS THE 1st and the last of the Pirates, anyway sometimes the provenance of collectibles makes them even special to own,

I was lucky to get a few records from RADIO CAROLINE and they on there own way like hens teeth. at 20p each what would you value them at, I have classed them as DEMOS as there was none for these 2 labels at that time,

so are these just damaged cheapo record? or the CROWN JEWLS, AND HAVE YOU GOT THE RARE RECORDS THAT CANT BE PRICED?

DAVE SSSSHH FROM THE BEEB?

We are the same age, and I was just getting into Soul at this time. Essential listening was at 10pm on Johnnie Walkers show, when he played all Soul records, and which were at the time unknown to me. He heralded this spot with 'Everythings gonna be allright by Willie Mitchell. I remember that was where I first heard 'Tell her' by Dean Parrish, also a lot of Stax, Atlantic and Motown. The tracks he played were the big talking point at school the next morning. The seeds of a lifelong obsession were thus planted.

depends how you look at it......i got larry wright on a go-go signed by popcorn wylie and joseph moore on mar v lus signed by joe moore.....to some priceless.. to others just writing on label

My opinion, and for me only, things like this date stamps, radio station stamps only add to the authenticity and don't mind seeing that at all.

Names etc written on the labels do bug me a bit, but so long as it's playable, not that much.

I reckon it depends on why you buy 'em- I buy to play 'em, not to look at.

ATB

Tony

depends how you look at it......i got larry wright on a go-go signed by popcorn wylie and joseph moore on mar v lus signed by joe moore.....to some priceless.. to others just writing on label

Was that the copy Rob & I got off Joe after we'd taken him out for dinner ? He cut it at the RCA studio in New York then Gloria Toote leased it to the Leaner brothers.

We also got 'I Ain't' on Tru-Glo-Town, which was issued on Verve .. never seen another one

That's Joe in the middle with white hair and glasses

Andy

HI ALL Personally if you have a rare record and get someone to write on it is sinful, however a personal message and signed on the sleeve, mind you a producer name on a 45, like the Larry Wright. PEP (I think)? had a LONDON DEMO - DOBIE GREY - "THE IN-CROWD". STAMPED RSG, Rediffusion London, produced READY STEADY GO. WERE WELL KNOWN FOR THEIR RECORD LIBARY? I think PEPS record above most others with RSG on the label, must be the most desirable copy of that classic,??

Was that the copy Rob & I got off Joe after we'd taken him out for dinner ? He cut it at the RCA studio in New York then Gloria Toote leased it to the Leaner brothers.

We also got 'I Ain't' on Tru-Glo-Town, which was issued on Verve .. never seen another one

That's Joe in the middle with white hair and glasses

Andy

yes thats the one andy