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No, that's the Arthur Conley Steve. The finishing price for the Girl Groups Discography was indeed £3.00. And, of course, anybody who thinks £3.00 was way too cheap could h
SHRINE TIME!
And a very elusive one too - in fact our first copy EVER to be auctioned on the raresoulman pages.
Again Carl Kidd constructs a fluent vocal-group NS dancer backed with blaring horn arrangement from the furtive mind of Dale Warren. Tight harmonies, brass and simplistic cymbal work all blend seamlessly creating an infectious Impressions style mid-tempo groove.
Flip it over for pleading a Deeper Soul experience, again showcasing flowing harmony vocals woven into a similar, but slower backing track, making this a double sider of huge quality.
I was surprised by it’s rarity data, 15 - 20 years is a long time for us not to have had a record in stock, and this copy is in fine clean condition. As you can see two excellent condition labels with no flaws other than a very light fade to the electric blue. The iconic red flame logo and text are all as it should be. Vinyl has some very small light surface marks but as you can hear plays strong clear clean and true.
A much-rarer than you may have first thought SHRINE!
Sorry, this item has already been won!
The winning bid was £ 1,750.00
Prepare yourself for SWEET SOUL excellence - just too much soul for one man to take!
Crafted by a master of the harmony ballad. With Robbie Lawson’s - I have Searched, The Superlatives - We’re So Lonely - already considered masterclasses in 60s harmony soul, Paul L. Kyser moves into the next decade pulling experience from such recordings, to mold another astonishing ballad.
Slow instrumental intro utilizing muted horns, strings & flute before a tortured vocal opens with the line “I Used To Feel So Proud..” from then on it’s anguished regret to the end, as the lead vocal’s sorrow heightens on a raft of slick background harmony and the exquisitely arranged flute, brass & strings purrs away in the background!
Do Sweet Soul get any better than this… how could it?
Flip is a worthy Norman Whitfield inspired Temptations style FUNK dancer
Sorry, this item has already been won!
The winning bid was £ 186.00
This 45 was the very first record I paid £10 for - remembering my weekly wage in 1972 was only £8.00 it was a breathtaking investment for an apprentice gas-fitter, but it may get me on the bottom ladder for some youth club DJ sets, i wished.
But it was only the pride of my collection for less than a week, as my friend played the guitar!
Let me explain, flatmate Paul Arnott fancied himself as a “Nick Drake” type, constantly strumming some incomprehensible tune on his crappy out-of-tune guitar, he had no soul! Which he proved a few days later; I came home from work and as always went straight to my record box - to get a vinyl fix.
HORROR! my beloved Rufus Lumley stared back at me with it’s middle removed… like a teddy bear with no arms - I’m destroyed! A bemused Mr. Arnott said not to worry he had the middle right there in his hand - now reshaped into a plectrum to pluck his freaking guitar with…
Even with this near perfect copy in my hands today - it still hurts to think I allowed a long-hair cretin to deflower my prized possession. Well that’s how much Rufus Lumley meant to me back then - I hope the new owner of this British trophy has smarter friends than I had… as the condition is gleaming!
PS. Paul Arnott you are the major reason I’ve not attempted to join “Friends Reunited”
Sorry, this item has already been won!
The winning bid was £ 221.00
An immaculate 1965 British Tamla Motown TMG506 DEMO! How beautiful is that!
The theme tune created by Henry Cosby, Joe Hunter and William Mickey Stevenson, that Earl Van Dyke & the “Funk Brothers” adopted for the Motown Revue featuring in their legendary 1965 UK tour, and the opening theme tune for Dusty Springfield’s presented Ready Steady Go Motown Special in April 1965.
Other than avid Tamla Motown Appreciation Society fans this 45 sold virtually nothing on release, as The Supremes debuting “Stop In the Name Of Love” and the girls flat-hand “Stop” sign dance routine stole the show, rocketing the song into the UK Top Ten leaving the like of the lesser known artist’s flat.
This pristine 1965 UK DEMO is the ultimate way to own this recording - as the Soul 35009 USA release never got to the pressing stage, or should I say I know nobody who has seen a USA 45 one.
Motown collecting at its most challenging…
Sorry, this item has already been won!
The winning bid was £ 361.00