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Roburt 7 posts
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Steve G 5 posts
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Windlesoul 4 posts
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I kind of agree with Steve, her autobiography is good enough general reference stuff but given the very interesting events of her life a good ghost writer could've made the best job of it. Buy my book
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To be honest there's not too much in it of interest.....It's quite interesting without being a rivetting read. Still love the name "Chatty Hattiethough
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on a visit about 15 years ago,i was privileged to meet chattie at her studio in charlotte,we had a great conversation and remember her says one of her pals was coming over,yeah none other than johnny
'Chatty Hattie' of WGIV Radio (Charlotte) was one of the few black women to find a spot in broadcasting in the 1950s. She broke through local convention in North Carolina to be a trendsetter both as a woman and as an African American.
'Chatty Hattie' Leeper’s interest in radio began at an early age. By the time she was fifteen, she was hanging out at radio station WGIV acting as a 'gofor' for the DJ's there. One day, one of the DJ's showed up drunk, crashing his car as he arrived at the station's studio. She had to stand in for him and so began her career playing records on the air. Initially she was too scared to speak much between the records but she soon got over that and became known as 'Chatty Hattie'. After she finished High School she was officially appointed to a DJ's post at the station, making her the first black female DJ at WGIV. She quickly established herself and became a favorite with listeners to her midday slot show.
Working at WGIV led to numerous interesting incidents. She got to go out to Otis Redding’s house and spend time with him there. She championed various artists, helping to build up their careers by spinning their records on the air and assisting them on local live shows. Many times when they were booked to play in the Charlotte area, acts would call her to let her know the details. When they arrived locally, she would go to pick them up and take them back to her mother's house (where she was still living). Her mother would cook for them and many were even invited to stay at the house till the show was over and they moved on to their next gig.
'Chatty Hattie' and her fellow DJs also got heavily involved with local community affairs. They would organise shows & make 'pledging appeals' on air to raise funds and get donations of clothes, shoes, etc to hand out to needy black kids.
WGIV had been the first local radio station to target black listeners. By the early 60's, lots of white kids in the area were also tuning in to listen to the DJ's there; 'Genial Gene' Potts, 'Joy Boy' Sanders with “Hot Scott” Hubbs (they had the first integrated morning radio show in the South and were the hottest show in town) 'Rockin Ray' Gooding and 'Chatty Hattie' herself. She was the best known and top rated DJ at the station for a period of some years. It was 'Chatty Hattie' that drew up the station's singles chart on many occasions. One such chart she compiled was in August 1964. The Supremes, Jerry Butler, Gene Chandler, Bobby Bland, Solomon Burke, Otis Redding, Garnett Mimms, the Beatles, Marvin Gaye and the Impressions topped it. In addition to their Top 40 chart, the station also selected ten hit picks to play on rotation (calling them their 'Heavy concentration Spins'). In August 1964 one of those singles was Kenny Hamber's “Show Me Your Monkey”. So his track got heavy exposure in North Carolina for a few weeks that summer. WGIV continued to be a cutting edge concern through to 1967. Unfortunately, the owner died that year, the station was sold and the DJ's quit. 'Chatty Hattie' moved on to work at two other local stations but eventually quit the radio business and moved on with her life.
But while she was involved with records and artists, she got around to managing a few local acts, writing songs and even running her own record label. Among the acts she helped career wise were the Tempests (Smash Records), Mike Williams (Atlantic Records -- the Tempests backed him up on a few of his tracks) and the Appreciations.
The Appreciations even had a 45 released in 1966 on her Aware label which was based out of Charlotte. The group went on to have releases on Jubilee and Sport.
The Tempests were a white outfit who featured African American Hazel Martin on lead vocals on many of their tracks.
https://www.youtube.com/watch?v=e_rimuehIPc
https://www.youtube.com/watch?v=f9EM48Cv6nI
https://www.youtube.com/watch?v=QDkLsAGC5Ak
https://www.youtube.com/watch?v=0zGocXJ0qRI
Anyone know which studio she used to cut 'her acts' in ? ...... OR ......... anything more about her recording activities ?
Edited by Roburt