Geeselad

grt tune but the copy I had was terribly pressed, is that the same with all of them?

I heard it said a few times in the 8ts, before you could sniff out the bullshit with the aid of the net. Mind you I span I few good ones myself.

think I would of sooner been at the gallery, warehouse or reade street personally.

Maybe its a bit like the rumour that travolta was seen at the casino, practising and learning moves.

sorry it seems really bogus to me, and I dont believe it.

cant believe there so little info on this around.

old style stylus's are a killer and with cause needle hiss off one back cue.

good topic but havent a clue, I've always wondered how long vinyl/ styrene would take to deteriate without playing too.

i agree mate, I'd throw latin and ethnic rock in there too.

a friend said he's been scammed in a similar way with antique ceramics.

nearly worn my copy out, the chapters on the warehouse , the paradise garage and sanctuary are pretty much definative, but you may want to skip the jimmy saville bit.

just re reading peter shaprio's 'turn the beat around' the best book on the subject imho, really a great read, specifically the chapter about philly where he describes how salsoul nicked the best musicains from philly and toughned up the sound to take the rhythm sections to another level.

https://youtu.be/U95wtChb9wM dont split hairs and say this isnt please, just quality tunage whatever you call it

love it love it, I have more salsoul and philly than any other sub genre. like virtually everything posted, trouble is an awful lot of NS fans ain't music fans, just collectors that like specific records, and as such will hate everything that varries from there rigid scope of dancefloor fodder.

in the top 3 books ever! like with the bible and war and peace, or maybe shakespear's collected works and Dicken's Great expectations maybe. I hear it maybe on the gcse english cannon soon.

I'm sure they are, I have some great audio file jazz albums but they have to be absolutly mint to to get the best, Vinyl is debatably less durable that other formats.

do you think its a matter of horses for courses? The few folky bits I have, fleet foxes ect, and Jazz for example might fair a little better all in all from digi because of the issues you can with quiet passages, where as music of a dynamic nature, black music for example may bennifit from analogue?

few more to add from the first set, Lee Rodgers- Love and war Harvey Averne- never learned to dance Bongo joe- Pepsi tony Midleton- Spanish Maiden Le Grande Melon- Baby please dont go Bobby Fisher and the bishops- Now your gonna cry Franks Butler- The love I need Limitations- I'm lonley I'm troubled Billy Ray Burnette- Casting my spell on you Troggs- TNT Stone fox Band- down in a hole Furys's - What is soul?

the first official appearance of the tony hestor (spaceland), was on the grapvine lp, i think but ~I was told it isnt him, and was dubbed on by anderson and co- conspirers in the mid 7ts. not certain myself.

that a brilliant but bizarre metaphor .

Had a few dancers and listeners asking after certain tunes so I thought it worthy of including some of my plays. Geese freestyle room 11-12 Jesse Anderson- True love express Lee Sain- Them hotpants Calvin Arnold- I need a rest Elli the phropet- Take a little give a lot Gene Chandler- in my body's house Reflections- Gott get my mind together Timmy Thomas- Stop bothering me Mark iv unlimited- gone Joe Simon- The girls alright with me Magnificent men - I got news Mickey and the Soul generation- Hey brother (demo vers) James Walker and the soul marchers- Walk on More to follow.............

sorry only I've heard quite a few 50 something go on about how they looked down on the ted revivalists from the 7ts, as backward looking and deeply uncool, for gods sake ted was a term of derision in the 9ts for my generation.

there certainly not on or into any kind of scene, just attending themed revival nights run for commercial profit, like er the teds, that your generation tended to look at in disgust. sad really, old men cynically exploiting something that some still take seriously.