Everything posted by Chalky
- News: No Tulips from Amsterdam, but a whole lot of soul - Lookback Nov 2011
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Bradford Queens Hall Basement Photo's And Lost Video Footage 1990
can we knock the insults on there head, not needed. If any problems between one or two take it to PM's.
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Bin The Talc For Once And For All
I've a pair of leather soled brogues, pair of Dr martins and now and again adidas trainers, no problem in any of them and my knees are f*cked from football and jumping off trailers
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Most Soulful Record
That is one truly soulful record Lorraine, top drawer it is. Have been listening to the Fame Studios Story all morning, some great soul amongst that lot
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Bin The Talc For Once And For All
enough "talc it over" type jokes, stick to the topic please and remember no abuse or insults.
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'don't Say You Love Me' - Smokey Robinson...was It Lp Only?
Don't Forget The Motor City...great site and resource..... Don't Say You Love Me (Richard Morris) publ. Jobete The Miracles; recorded L.A. / Hitsville-GW, completed 26-Mar-69 ; produced by Smokey Robinson, Wade Marcus 03-Nov-69; LP (S): Tamla S297 Four In Blue 07-May-01; CD (S): Motown 013 186 2 Time Out / Four In Blue [uK]
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Bin The Talc For Once And For All
I'm not judging anyone, just pointing out some things I've seen and experienced and I agree they are a minority but as in most cases it is usually a minority that spoil it for the majority.
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Bin The Talc For Once And For All
talc is a slip risk regardless how much you might need it. I've seen someone break their arm on it and other injuries as well. If I remember rightly some member of a council's staff got injured on it and claimed, thats why it is banned in many council establishments. Before you say owt I do like a bit of talc when I do venture onto the floor. I don't however put it on the carpet under my chair and rub my feet in it when I need it and therefore grind it into the carpet. Neither do I wipe my feet on the chairs at the end of the night or the curtains to clean my shoes...and this does and has happened. Makes you wonder how some live at home. And you wonder why more and more venues are banning the use of talc.
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Soul Source - The 4Th Emergency Service
Word of mouth has always been the best recommendation but as someone who promotes a venue I have to say Soul Source and the internet play a bigger part in getting your event out there than any flyer does now. I rarely pick up a flyer these days, they are forced upon me only for me to put on the table, I simply don't need a flyer now. Soul Source is an important voice when promoting your event and it is totally out of the question to try and restrict someone from advertising. We at lifeline only have 5 events every year purely for the reason it is an over crowded market as it is. Maybe it is time promoters looked at themselves, ran their event bi-monthly for instance and if they are a wanna be DJ who can't get a booking so set up his own venue that gets just a handful through the door, maybe they should take a look at themselves for the sake of the bigger picture.
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On Top Of The World - The Stafford All-Nighters Podcasts
send me a list Dave and will do another just as soon as i get the chance
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Podomatic Embed
is this just for podomatic podcasts Mike or will it work with any podcast entry on other sites?
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News: Barbara Mason, Natural Four & Emotions In Concert Rescheduled 17th dec
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Barbara Mason, Natural Four & Emotions In Concert Rescheduled 17th dec
This might interest some on here if you can get, was told about it last night and think was told it was this coming weekend but looks like it has been rescheduled. Giants of Rare Groove 4 featuring The Emotions, Natural Four and Barbara Mason....December 17th.
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Bin The Talc For Once And For All
If someone hurts themselves on talc you will get a claim as a promoter/venue owner, disclaimer or no disclaimer and if you do have a disclaimer it is like I said not worth the paper it is written on. The act of negligence is where the promoter or venue owner has done nothing to stop the use of talc. If a promoter/venue owner encourages the use of talc then more fool them really as they wouldn't have a leg to stand on (no pun intended) in a court of law if a claim was made. I agree with you regarding drinks, it is stupid and if anyone is seen at Lifeline dancing with drinks on the floor then a word is had in their ear.
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Northern
I presume there was a black music scene in almost every town/city in the States. But I guess kids then were just trying to be the next big thing just as it is today many more fail than succeed. Everyone wanted to be a popstar/recording artist.
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Most Soulful Record
I agree with you Nev and that is plainly obvious with some of the choices already made. Been listening to Betty Harris all week, could pick several from her that are oh so soulful, the same for Tommy Tate who has had some hammer this week. Betty Harris - What A Sad feeling and I'm Evil Tonight
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Tempos On Riley's
The Tempos on that one are actually the Steptones. Sounds like Diamond Jim simply used what was available and hot at the time.
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News: The Fame Studios Story
The Fame Studios Story View full article
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Most Soulful Record
I was thinking the same Bob
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Most Soulful Record
If true it does spoil the romance surrounding the song doesn't it
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The Fame Studios Story
Having been away with work I've only managed to look and listen to this fantastic compilation today as I've been away with work and I've got to say what a great package. Superbly packed in a hardback book with the CD's in holders within the book there are some 80 odd pages telling the story of this iconic recording studio and the musicians behind so many great records. There are 75 tracks for your listening pleasure but there could have been many more and it must have taken some hours of thinking and listening to select the chosen tracks. The tracks begin in 1961 and take us up to 1973. Comiled by Tony Rounce, Dean Rudland and Alec Palao. Kent have released some superb compilations this year and this is another essential release that all should have. here's what Alec has to say on the Kent/Ace records site. The acronym is F-A-M-E, but it may as well be S-O-U-L. ¨ ¨ It was a full half-century ago that the recording studio, record label and publishing operation originally known as Florence Alabama Music Enterprises established itself and its trademark sound with the hit recording of 'You Better Move On' by Arthur Alexander. In the fifty years since, FAME Studios and its idiosyncratic founder Rick Hall have been at the forefront of the Muscle Shoals Sound. FAME begat the process whereby a little known Alabama backwater would evolve into the very crucible of southern soul, a holy place to where musicians, singers and fans still make a very specific pilgrimage in the hope of experiencing a little bit of the magic behind so many hit records: 'I'm Your Puppet', 'Land Of 1,000 Dances', 'Tell Mama' and countless others. ¨ ¨ Rick Hall is now a grand old man of the music business, but back in the 60s he was more akin to an enfant terrible, with an unbending will that helped him make it against almost insurmountable odds, matched by an attention to detail that bordered on obsession. There have only ever been a handful of truly self-sufficient producer/engineers in the history of popular music, and Hall is pre-eminent amongst them. Atlantic, Chess and so many other legendary labels flocked to FAME to avail themselves of the sound, the players, the material, and most importantly the vibe that Rick Hall had created. ¨ ¨ The FAME Studios Story 1961-1973 is an exhaustive three CD set derived from two years' worth of excavations by the intrepid Ace team at the hallowed FAME vault. The result is a full programme of FAME-related releases slated for issue on Ace, Kent, and BGP over the next couple of years, but the lynchpin is this definitive anthology that focuses upon the halcyon days of the studio and the label. It's an open-minded, celebratory overview that, across 75 tracks, spotlights both artists and records that are either acknowledged greats, or lesser known - yet no less worthy - entries in the lexicon of soul. ¨ ¨ The line-up is a virtual Who's Who of 60s soul, and includes Otis Redding,Aretha Franklin, Wilson Pickett, Etta James, Arthur Conley, Irma Thomas, Joe Tex, Joe Simon, Lou Rawls, Spencer Wiggins and Otis Clay. Deep soul fans will recognise names such as The Blues Busters, Billy Young, Maurice & Mac, Willie Hightower, Bettye Swann, James Govan and many, many others. Special attention is paid to those acts closely associated with the Fame label - Candi Staton, Jimmy Hughes and Clarence Carter - as well as its inestimable stable of writers, producers and players, including Dan Penn, Spooner Oldham, George Jackson and the Fame Gang. And the programme also includes several of the notable pop hits recorded at the studio by the Osmonds, Tommy Roe and Bobbie Gentry, as well as more obscure recordings by the Del Rays, Mark V and Terry & The Chain Reaction. ¨ ¨ With unprecedented access granted to its tape and photo archive, well over a third of the contents of The FAME Studio Story 1961-1973 are new to CD, and of those, over a dozen tracks are fully unissued - including previously unheard rarities by Otis Redding and Arthur Alexander. The heavily-illustrated package with an 84 page book comes laden with two informative essays and extensive track notes, all of which are based upon fresh interviews with many of the principals involved. ¨ ¨ If you know anything about soul music, you know FAME, which is why The FAME Studio Story 1961-1973 is an essential purchase. ¨ ¨ By Alec Palao ¨ ¨ The FAME STUDIOS STORY was mastered by Nick Robbins at Sound Mastering Ltd
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Most Soulful Record
According to wikipedia (which is often wrong)... Written by Penn, a professional songwriter and producer, and Moman, a session guitarist at Phil Spector's Gold Star Studio, the song is the lament from an adulterer to his illicit lover, told from the adulterer's point of view. They continue their sin, "hiding in shadows where [they] don't belong" because their "love keeps coming on strong." At the climax of the song, the narrator fears "they're gonna find us some day." In the summer of 1966, while a DJ convention was being held in Memphis, the song was written in about thirty minutes. Penn and Moman were cheating while playing cards with Florida DJ Don Schroeder.They wrote the song while on a break. "We were always wanting to come up with the best cheatin' song. Ever," Penn said. The duo went to the hotel room of Quinton Claunch, another Muscle Shoals alumnus, and founder of Hi records, to write. Claunch told them, "boys, you can use my room on one condition, which is that you give me that song for James Carr. They said I had a deal, and they kept their word."
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Most Soulful Record
Good choice. I'll add Sam Cooke - A Change Is Gonna Come to the list and one I've been listening to today, Tommy Tate When A Fool Takes His Turn.
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Big(Ish) Money Records That Clear The Floor For You?
Same here Greg, I bought (I think) Guy's copy whilst still covered or just after uncovered.
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Big(Ish) Money Records That Clear The Floor For You?
I've never seen that record clear the floor, the opposite if anything. One of my all time faces as well