Bazm

Dontells 'I Cant Wait' on Ambassador ...........left field and lovely

Jr Walker - 'These Eyes' Lenny Williams - 'Since I Met You' Temptations - 'There's More Where That Came From'...........and there probably is!!

Derek will you be able to get copies over to the Orwell on Friday?

Never released as a single by Sir John Robers but covered by George Coles and was around on a 12" hope that helps Regards Baz M

Hi Roger I thought that after my last glib posting and sebsequently reading some of the excellent posts on this thread I'd drop a few more serious comments which (hopefully) reflect my view on the situation Firstly, taking on board your comment re 'natural order' or 'progression'. After spending more time that i've done for a long time in Northern Rooms recently, i'm begin to wonder whether playing more 'Modern' in Northern rooms IS actually a logical, natural progression, i'm not sure. The Northern Scene has always IMHO been (mainly) about 60's music. It has survived nearly 40 years now on that basis and from what I can see, it can (and should) continue to do so. There is a wealth of great underplayed 60's soul music still out there waiting to have its day, some of the threads on this forum that confirm this and I can personally testify that I am still enjoying listening to and buying wonderful 60's Soul. What's more, judging by the members on this forum and their commitment to 60's (Northern) Soul, i'm not the only one. So, I guess what I am trying to say is that the 'Natural Order', should not be the 'Order' of significantly different music but the order of more of the same, (especially if the idea of a good 'modern' record is the Drifters or DJ Genisis rather than Peabo Bryson or Jamie lewis) Now dont get me wrong, i've been convinced that more Modern should be played in the Northern rooms and i've long held the belief that 'Soulful House' in so many ways is the 'real' natural progession of Northern Soul (and probably will be one day, under a different name and to a different generation) but that should NOT be to the detrement of the Northern Soul scene as we know it. Better the Northern Soul rooms should stay as they are; places where good quality Sixties Soul is played to a crowd who want it, appriciate it and more importantly love it. Change it now and you'll possibly lose it, forever. IMHO Northern Rooms should not become the new Modern Rooms nor become Soulful Garages ;-) or whatever, because they will loose the very people who were in there who keep the fire burning week in week out. The majority of pepole who are still into Soul Music in a big way (buying tracks or attending gigs etc.) have probably decided by now what kind of soul is their 'Soul' and in answer to your second question, have made their minds up where they wanna be. Ask your self the same question, when did you mark your preferences? I call then 'preferences', purposely, it doesn't mean to say your forsaken everything else but you just know where your 'first love' of Soul Music lies. Everyone has done it, they dont stop liking new music completely they just love old soul music more and visa versa. And finally, Does Modern Soul Suck? Does it F%K!! - Real modern soul (new releases) and retro 'modern' soul for me is what it's all about everything from Gary Wallace to Gino Washington but it shouldn't be forced on those that dont particularily want to hear it, let alone REALLY listen to it.

Rod! Very articulate, now I can see the result of all those hours, sat doing the Times crossword on the stall

Lowton Civic Hall every other month...........Next night Friday June 9th Room three Uptempo Soul with Johnno, Dave Hawkins and guests 9pm -2am Room One - Quality Northern Room Two - 70's and 80's Sorted!

Remember and still got this somewhere. Used to be featured on Andy Peebles Soul Train many moons ago, like you say a great Mecca 70's dancer. Thought it was 'Creech' rather than 'Crouch' might be wrong it been a long time since I dug it out. Do remember one of my favourite dancers from the same era being Houston Person 'Disco Sax' on Westbound - Great Stuff

Both 'featured' spins at the Orwell these two goodies...........to add to the thread through I'va always rated Les Watson 'Soul Man Blues' on Pompei. It got quite a few looks on the deck last Sunday and still sounds rather good........Ready to go? I think so!

Hi Paul...Know what you mean..........some times it can be very frustrating when great records like this just do not get real recognition in good time, amongst all the thousand quidders of this world. The good thing is though, is that it IS now getting some recognition, so better late than never methinks...........................pity some of those singing the praises of 'Tribute To Betty' by DJ Genisis would sooner die than acknowledge the existence of the likes of Jamie Lewis 'It's Over' or Jesse Outlaw 'Love You So' and a couple of hundred other great (fast becoming rare) soul records with a dance beat, I could name

--> QUOTE(mark.b @ Apr 11 2006, 10:24 PM) link has been getting spins at the orwell by flanny i think brill 70's is this the only track any good by them? mark Mark glad you said 'I Think' Flanny wouldn't know a good 70's record if he fell over it. He needs to stick to breaking 60's monsters and leave the seventies to Plummy and me Sunday here we come!!!!!!!!

Hi Adam Paid 40 dabs for this quite a few years ago, spun it recently in an 'Album Only' sesh at t'Orwell great tune............ Baz

Hi Ted Gotta say when I saw this on e-bay that's EXACTLY what I thought. I remember that 'Large Dealer from Lancs' having white copies about the same time as the black bootlegs surfaced Baz M

Brilliant track current Orwell reactivation............................

If memeory serves me right Andy Whitmore had a copy of this in his sales box at Bury last Month

[Great old Chestnut 10 to 15 quid But who knows what will happen if Baz and the Boys are playing it. Should cut the going rate to a fiver

Hi Roger UK Island 7", Current spin at the Orwell if it's for Jane (Tony D and Jane) done her a CDR of it for the next Orwell although shouldn't be too 'ard to pick up on orig vinyl....................................

"First to play it at Wigan was definitely Russ, followed by everyone else." Credit where it's due he made Patrice Holloway 'Stolen Hours' 'BIG at WiGaN' and a few others some obvious some not, some good, Dee Dee Barnes 'Do What You Wanna Do' for instance. some bad, Six By Six Band ................

I first heard this at the Casino, probably was played at the Mecca (last hour) like so many sound that where ignored then became massive This was definitely made big by Russ Winstanley, and of i'm not mistaken went on to be included as the 'fourth' record before eight in the latter days of Wigan Still love it and an issue, purchased for the sum of £12.00 still resides in the ole collection Regards BazM

Hi Chris You got mail Baz

Great thread Russ.............Here's some selections from the Wigan Panel Tony Owens This Heart Cant Take No More Kenny Ballard I'm Losin You Madeline Wilson Dial L for Lonely Willie Hatcher Head Over Heels Rosetta Johnson That Hurts Ted Ford Your Gonna Need Me Johnny Maestro Heartburn Eddie Parker You'll Never Make the Grade C L Blast What Can I Do Billy Keene Wishing and Hopeing Ruby Johnson Weakspot Al Wilson Now I Know What Love Is and my favourite, 'never off the deck, pure soul, what 'Northern' means to me, gonna get the works at Bury in March' tune ..............Little Charles ............Talkin About You, Babe Keep em comin' THE ORWELL - FRIDAY 24th FEBRUARY Wigan Pier, Wigan Soul Sam, Flanny, Steve Connor, Barry Maleady, Steve Plumb With Special Guest DJ GLYN THORNHILL 8.30 pm - 2.30 am (with a 2 am bar!) 70's Modern & Crossover Soul with a smattering of quality Northern

You're not wrong matey...A Saints BIGGIE was this gem from Mayor Butler! Might even give it an outing on Friday now that Eddie Holman's an over played oldie again, Eh Ged? THE ORWELL - FRIDAY 24th FEBRUARY Wigan Pier, Wigan Soul Sam, Flanny, Steve Connor, Barry Maleady, Steve Plumb With Special Guest DJ GLYN THORNHILL 8.30 pm - 2.30 am (with a 2 am bar!) 70's Modern & Crossover Soul with a smattering of quality Northern