Nsg

Love to see a scan of the demo if you dont mind ?? Know any further info, such as is there a tie up between Bullet and YEW or why it was released on sep' labels ?

But how kosher is the info on the Original been on Bullet first as dont you think its odd they share the same #cat no ??

I'm not too sure, as I've been looking into this; You seem to have RED Yew, Blue Yew, but when you start looking at Bullet Records, the info doesn't seem to align up with current info, unless that is its a different bullet records ofcouse - Nashville ?? https://www.blueslandproductions.com/50s60s_catalog.html#bullet https://www.globaldogproductions.info/b/bullet.html Anybody got any further info on this ??

Perhaps some think its not real or there could be more unlike the Frank Wilson copies ??

LOL, I agree Its where the OVO lovers fall over fella, as they couldn't be seen with any other media.... LOL

Pete I assume you know Richard is playing this now famous set on RADIO soon ?? SUNDAY AFTERNOON 14.12 : 16:00 - 17:00 on SOLAR RADIO SKY CHANNEL 0129, www.solarradio.com, or via the Solar Radio free app. In this "Cellar Full of Soul " special I'll be reliving track by track a set that I played at Wigan Casino on Saturday 29th September 1979.

What about the Trade Martin acetate that was - "You know what I like" or Jimmy Delphs - Dancing a hole in the world ?

HI Pete - I dont often hear it get played though...... must be going the wrong venues, LOL

Can't believe no-one has mentioned yet a massive spin for Richardo; The Professionals - That's why I love you ( Groove City ) ??

Well the supposingly Holy Grail record isnt the original vinyl now is - that title belongs to the first and original release on REVILOT ?? Just checkout the time differential too !!!!

Arrrr, naughty, LOL However it maybe the original issue but its not the actual Original Vinyl, subtle difference ........................

Please educate me ...............

Now Chalky, i'm surprised at you here .... So you would play for example - Frank Wilson on TMG would you at an OVO event ??? Please explain why you would allow Darrell Banks to be played on a London issue when that isn't the original vinyl, I cant wait for the reply...............

I'm only replying to your previous requests - just what a good DJ does...... lol

Another title I know he definitely has, but maybe NOT totally exclusive to just him but there aint many copies AFAIK Sidney Barnes - Safety Zone

LOL, no at somepoint these records are going to wear out just like any content on a CD will be lost in time, thats its nature, However we are in the 21 century with new technology which I think we should head towards Just think, all those records never backed up, copied, played to death or destroyed and then that sound is lost forever ................ At somepoint is the NS still exists in decades to come, it will have to move forward

Not really but thanks for the offer ........ What I was trying to achieve is debate several points or angles at once, sorry In essence what i'm saying is that if the venue is OVO, thats fair enough and acetates should NOT be played nor re-issues if ORIGINALS are in existence else whats the point of saying "lets have an OVO event", so therefore IMO Darrell Banks could only be played on Revilot not London ( stock or demo ) nor Stateside :-). However, my main point is that the majority of soulies aren't bothered nowadays what medium its played from, as long as they play the "kind of stuff" they what to hear which is where KR is having to balance and I think this is the direction vaious venues are taking, some down one path , others another ..........

I've already explained what label its on, plus this situation as explained previously by another member is very rare nowadays ............... and Yes every time i've heard him play it its always got excellent attention on the dancefloor !

OK one example and please correct me if I'm wrong ............... He has the only Jobette copy of Joe Stubbs - Hit & Run, i've never heard anyone else play it

Touche, but these few records which only one or two have got, doesn't make a vast difference tbf. The days of "years gone by" are gone and there are loads of DJs with loads of originals now, but what my previous point was it that the majority of ppl attending non OVO events aren't really bothered by the media its played from.....

At Stoke & Keele his floor is rammed, honest, LOL !

Well I can add to that list - there's a few tracks that I like that only Chris King appears to have

Fair point should said venues be able to get said DJs etc, but as stated already if original vinyl is constantly played, its gonna wear out at somepoint ........................

Ooops, thanks Chalky - got my Andys mixed up, LOL

Kev, with the greatest respect you are completely missing the point ! Yes in the early days if we havent of had ppl like Searling & Levine to name just two, going to the states searcing for vinyl, we wouldnt of had the tunes we have now, they would of probably been destroyed ! But the actual point here is that vinyl is "old hat" and in the good old days you didn't attend The Torch. The Mecca or Wigan cos you wanted to travelled in such cases hundreds of miles to get to that venue, you went there because vinyl was our only music media then and only certain DJs had the sounds you wanted to hear and they were employed by certain venues Thats gone, new techo is avail, so the scene needs to change to survive, hence why and I understand why KR says some of the things he says for example. Maybe we'll spilt into OVO only for the minority and other venues for the masses who want a good night and listen to quality sets and not bothered what its played from /?? Just saying...............