A HOUSE ON FIRE: The Rise and Fall of Philadelphia Soul. By John A. Jackson. (Oxford University, $35.) Jackson's book tells the story of Kenny Gamble and Leon Huff's Philadelphia International Records, the last of the great soul empires. In the late 1960's and early 70's Gamble and Huff, along with the producer/arranger Thom Bell, racked up a series of hits that elevated them to the ranks of the better-documented Motown and Stax labels. With the O'Jays (''Back Stabbers''), Harold Melvin and the Blue Notes (''If You Don't Know Me by Now''), Billy Paul (''Me and Mrs. Jones'') and others, the three created a sophisticated, dramatic new interpretation of rhythm and blues, heavy on luxurious strings and propulsive beats, that dominated the charts only to help set in motion the disco movement that ultimately sank them. Jackson, the author of fine histories of Alan Freed and ''American Bandstand,'' isn't the most elegant writer; phrases, even entire anecdotes are repeated, and his attempts to merge the story of Philadelphia soul with that of the era's social and political changes, though entirely valid, are sometimes awkward. The reclusive Gamble and Huff both refused to participate in the book, which makes it even more difficult for Jackson to decipher Gamble, who was driven at times by a volatile mixture of capitalism and black pride. But ''A House on Fire'' is a meticulously researched and engaging story, and there are lessons to be learned from the often forgotten Philadelphia International; before the triumph of the more mechanized sounds of disco and then hip-hop, it was a place where the human dynamics of musicians, songwriters and producers, all collaborating under one roof, were essential to success.
spotted this on travels, anyone read, views etc
take its a recent release ?
mike
A HOUSE ON FIRE: The Rise and Fall of Philadelphia Soul. By John A. Jackson. (Oxford University, $35.) Jackson's book tells the story of Kenny Gamble and Leon Huff's Philadelphia International Records, the last of the great soul empires. In the late 1960's and early 70's Gamble and Huff, along with the producer/arranger Thom Bell, racked up a series of hits that elevated them to the ranks of the better-documented Motown and Stax labels. With the O'Jays (''Back Stabbers''), Harold Melvin and the Blue Notes (''If You Don't Know Me by Now''), Billy Paul (''Me and Mrs. Jones'') and others, the three created a sophisticated, dramatic new interpretation of rhythm and blues, heavy on luxurious strings and propulsive beats, that dominated the charts only to help set in motion the disco movement that ultimately sank them. Jackson, the author of fine histories of Alan Freed and ''American Bandstand,'' isn't the most elegant writer; phrases, even entire anecdotes are repeated, and his attempts to merge the story of Philadelphia soul with that of the era's social and political changes, though entirely valid, are sometimes awkward. The reclusive Gamble and Huff both refused to participate in the book, which makes it even more difficult for Jackson to decipher Gamble, who was driven at times by a volatile mixture of capitalism and black pride. But ''A House on Fire'' is a meticulously researched and engaging story, and there are lessons to be learned from the often forgotten Philadelphia International; before the triumph of the more mechanized sounds of disco and then hip-hop, it was a place where the human dynamics of musicians, songwriters and producers, all collaborating under one roof, were essential to success.
A.L.
https://www.nytimes.com/2005/07/03/books/re...agewanted=print