Many on here won't recall the UK music scene from 1964 to 1967, so to them the pirates will just mean kids atop city tower blocks playing soul stuff in the 70's & 80's (and not too much of that being NS) ... in that era those pirates did a whole lot to spread the word with regard to good new black music.
But back in the mid 60's (apart from Luxembourg & AFN), we had to rely on those DJ's out at sea to hear good soul music. In fact, stations like Radio London, Radio Caroline, Radio City & Radio 270 played some damn fine sounds. To illustrate my point, I'm posting up a couple of chart sheets from Radio London in 1967 ....
I had a copy of King George's UK RCA 45 from 67 till that soul hoover called Tall Pimple pried it out of my collection. He hadn't even been aware that it had escaped on 45 here in the UK until he saw my copy BUT the single did quite well here as a new release and gained much airplay on the pirate stns (even getting into the Top 20 of Radio London's Pop 45 chart) ... one strange thing though, the popular side of the 45 is / was the US plug side, whereas here in the UK it was "Drive On James" that formed the A side of the single (though R London played both sides at first) ....
Many on here won't recall the UK music scene from 1964 to 1967, so to them the pirates will just mean kids atop city tower blocks playing soul stuff in the 70's & 80's (and not too much of that being NS) ... in that era those pirates did a whole lot to spread the word with regard to good new black music.
But back in the mid 60's (apart from Luxembourg & AFN), we had to rely on those DJ's out at sea to hear good soul music. In fact, stations like Radio London, Radio Caroline, Radio City & Radio 270 played some damn fine sounds. To illustrate my point, I'm posting up a couple of chart sheets from Radio London in 1967 ....
I had a copy of King George's UK RCA 45 from 67 till that soul hoover called Tall Pimple pried it out of my collection. He hadn't even been aware that it had escaped on 45 here in the UK until he saw my copy BUT the single did quite well here as a new release and gained much airplay on the pirate stns (even getting into the Top 20 of Radio London's Pop 45 chart) ... one strange thing though, the popular side of the 45 is / was the US plug side, whereas here in the UK it was "Drive On James" that formed the A side of the single (though R London played both sides at first) ....
Edited by Roburt