- Replies 9
- Views 1.9k
- Created
- Last Reply
Most active in this topic
-
Tlscapital 4 posts
-
Still Diggin 2 posts
-
John Benson 1 post
Most Popular Posts
-
I seem to recall Paul Capon bought copies of the Black & Blue 45, including a number of white test pressings from Duke Hall in the 90s. Maybe he can elaborate on this?
-
Ok thanks for that. I'll try to ask Paul if he can recall anything if ever he did ask... Those single sided white label pressings are still floating around BTW. That would be fab to have both Duk
-
Would have thought if Hall and Goldstone were the same person then we would have been treated to a stronger production straight out of the reflection studios when Duke Hall was working with Ron Hender
Always seem logical to me that the Black & Blue was to be first in line as they sing the song as it was their own. They totaly embody it naturally. While the Deceptions version is plainly deceptive. Only hardened collectors without better ear discernement won't hear that. Now the Deceptions group re-birth name Peace, Justice & Equality versions does it modern and better. But my question now surrounds who does the song belongs to ? As no name nor the licence registration in the credit matches. Like there must be a story behind the tune and respective recordings and releases... Supposedly the Game dates from 1971, the Brooks from 1972 and the Stone Gold 1976.