Chalky

yourself and many others does a good job IMO promoting. No one actively IMO dissuades newcomers not to enter a venue. We were all young once upon a time, coming onto an underground scene which can be pretty nerve wracking for some I would imagine so it was and stil is god to see friendly faces, people who welcome you and encourage you to have agood night rather than want to stick a glass in your face :angry: We also had to have a membership!! not just for the odd venue but for every venue practically Didn't drive us away did it or stop others coming onto the scene

take it thats tongue in cheek...not gonn a bite anyway

what I like to hear

hope not. hope there's a good many years left in the scene yet and me

I wish more would play stuff we've forgotten or not heard for years but even when someone does there are fewer people prepared to listen or accept them

f*ck me, god help committee if you were on it if someone wishes to enter then someone should vouch for them? if someone bringing a non member then they should sign them in? if a casual then they should sign in? maybe take out a membership that night? if they like it they will return You ought to open you eyes a bit more if you think there is only the odd piss head causing grief! And as for Steve Cato being the only one actively trying to get new people onto the scene you do talk out of your arse at times. Does everyone else actively try to keep them away?

It won't dilute the passion or interest for me Mark, nothing will.

my point exactly Baz.

I think you should be able to use any membership to a soul club at any soul club, bit like old working mens clubs memberships Whats happened to memberships anyway, can remember at one time particularly the 80's when you couldn't get into most venues without one? I can't remember the last time I used a membership card

gotta agree mate Far to many venues, too little thought (no thought at times) as to the effect that one promotion will have on another. Too many promoters not getting their heads together locally!

1. I have to disagree slightly mate, not enough dj's coming through with "new" records. Who is there to fill the boots of Butch, Andy Dyson etc???? Most of the newer DJ's (whatever their age) have nothng new to offer, record wise, not for many anyway. 2. Why the need for three rooms? You are just splitting your crowd. Fair enough when it's say an R&B or modern, anything else is just diluting your main room. There is only a hardcore of say 300 or 400 that attend nighters on a regular basis and you only have to lok at the average age to realise that the scene is slowly dwindling with no where near enough young uns coming into it to sustain it long term. The young ones that are there, what happens when they say get married, have kids...career gets in the way, will they still be there? 3. as above, not enough young ones to sustain a nighter scene IMHO. Many not getting any younger and it only wants a reasonable quantity to leave at roughly the same time or over a short period of time and the nighter scene will struggle. All IMHO

......

Ben E King

I've Got To Get Myself Together I'm Alive With The Loving Feeling

Tried several times and never got that free download. Anyway it worked this morning and no I don't know who it is

I remember seeing the Ethics cd mid 90's which included Nothings Too Good... was the unissued cuts (Who You Gonna Turn To) on this release or did they not appear till a few years ago?

50 or 60 of the white label test press I believe and couple of 100 on wale

I hope you threw it out of the window Paul

Prophets... Shrine Delphi/Jubilee Smash/Mercury Stephanye Shell ??????

I knew someone asked about the Prophets at Middleton I take it you mean the Shrine group? Raymond Davis, David Budd, Preston Booze, Tommy Brooks, Harry Courtney & George Kirksey. On One Gold Piece David Budd was on lead. More details in the Shrine cds on Kent.

take Sidras Theme and slow it right down Kenny, lots of similarities

Fabulous Kenny Have played this out in days gone by should be good when they come over later this year

You will probably find that most if not all 45's are also covered by such a copyright. Not much evidence on US 45's but I've Drizabone (Real Love) in front of me and on the inner edge of the run out it says...All rights of the producer and of the owner of the recorded work reserved. Unauthorised copying, hiring, renting, public performance and broadcasting of this record prohibited. I would assume therefore the same law applies and the necessary licence required.

Thought the second one sounded familiar. The third one not bad, last one leaves a little to be desired

Pretty sure different groups... The Kittens emerged from Chicago's west side, forming around Farragut High school student 18 years old Bernice Wills and Marshall High students Thelma Mack and her cousin Laurel Ross bopth 19. Arranger/producer Johnny Pate signed the group to ABC-Paramount in 1964, as newly appointed Midwest A&R director for the label, a position created specifically for him. As the arranger for the Impressions, he and the label created a Chicago branch around 14th & Michigan to tap into the vibrant Chicago soul scene of the '60s. Their ABC Paramount singles include "I Got to Know Him" and "Lookie Lookie." Around 1968, they began recording for Chess, with "Aint No More Room," "Hey Operator," and "I've Got to Get Over You." Their other releases were "I Need Your Love Tonight" on the Don-El label and "Foolish Little Girl" on Grant.