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Bought a few soul packs from Oldies Unlimited, one I remember was a "Revilot" pack nothing much of note J.J. Barnes "Now She's Gone" and a copy of "Don't Be Sore At Me" we're in one. Was always buying
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I bought Gerri Hall "Who Can I Run To" on Hotline for £3 in the Wigan Casino record bar. I didn't know it, but really liked Donna King, so I took a chance. The guy selling said it was good👍. No one I
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Very really bought blind without reading a review of some sort first. Though must admit in some cases I wish I hadn't! One I did was Rena Scott - I Finally Found A Love, which I still love and alway
Another topic I thought would have been fully explored on here but I can't see a similar thread (might be overlooking one though).
LOTS OF DIFFERENT WAYS TO BUY BLIND OF COURSE; seeing something that 'looked right' on an auction listing back in the day. Being out 'junking' / create digging & seeing a 45 / LP that looked promising, hitting a US shop basement where lots of likely stuff lurks amongst the dross. FOR ME, I'd always take a risk if the price was right -- buying 3 x 45 'cheapies' you had no idea about was worth it if just one of them turned out to be a decent soul single.
In the early days of collecting soul (mid to late 60's for me), we had little knowledge & no real way to find more info to check out 'unknowns'. Back then UK released stuff made up 95% of what was available to us. So we'd start by picking stuff on likely labels (Chess, Stateside, Pye International, Vocalion, etc.). I'd also look for other stuff by artists I already knew. I loved the Sapphires "Got To Have Your Love" and so would bid low on any import 45's I found on lists by them. Won a copy of a UK 45 by them and got it thru the post. Shoved it on the turntable & listened ... it was a dancer (though I was hoping for a deep soul cut or big city ballad really) but it had stupid dance lyrics. As I had won other unknowns in the same auction, I threw it aside & listened to the other stuff. A mate @ college in Sheffield had started up a mobile disco & wanted soul dance stuff, so I sold him a few items I had 2 of or tracks that hadn't hit me hard. Thus a copy of "Slow Fizz" left me & joined his plays on nights he got bookings. HEYHO, you can't get it right all the time.
A BETTER EXPERIENCE FOR ME WAS ... got a similar auction listing in the late 60's & it had a more than a few 'unknowns' on it. One stood out -- It was a 45 on Mala by a guy called Gino Washington. The label was right & the guys name seemed promising, so I bid around 2/11d. Luckily I won the single & it duly arrived in the post. It was "I'll Be Around" by Gino Washington with the Altrasonics & the Versatones. It turned out to be a great buy as the other side was good too. I just loved the artist names on the label. but it set me off on a quest to find out who the ULTRASONICS & VERSATONES were ? Of course, we didn't have any data bases to check against & buying a US mag such as BILLBOARD was beyond us (we could hardly afford to buy Record Mirror). So knowledge of obscure US soul labels & their product was minimal, so I had to wait many years to find out.
Would others care to recount any of their similar experiences ?
Edited by Roburt