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Bought a few soul packs from Oldies Unlimited, one I remember was a "Revilot" pack nothing much of note J.J. Barnes "Now She's Gone" and a copy of "Don't Be Sore At Me" we're in one. Was always buying
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I bought Gerri Hall "Who Can I Run To" on Hotline for £3 in the Wigan Casino record bar. I didn't know it, but really liked Donna King, so I took a chance. The guy selling said it was good👍. No one I
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The main source of me buying blind was definitely Soul Bowl in the 70s. Falling for the highlighted front page pushed 45s that were within my budget. Generally this worked out really well with things
Another topic I thought would have been fully explored on here but I can't see a similar thread (might be overlooking one though).
LOTS OF DIFFERENT WAYS TO BUY BLIND OF COURSE; seeing something that 'looked right' on an auction listing back in the day. Being out 'junking' / create digging & seeing a 45 / LP that looked promising, hitting a US shop basement where lots of likely stuff lurks amongst the dross. FOR ME, I'd always take a risk if the price was right -- buying 3 x 45 'cheapies' you had no idea about was worth it if just one of them turned out to be a decent soul single.
In the early days of collecting soul (mid to late 60's for me), we had little knowledge & no real way to find more info to check out 'unknowns'. Back then UK released stuff made up 95% of what was available to us. So we'd start by picking stuff on likely labels (Chess, Stateside, Pye International, Vocalion, etc.). I'd also look for other stuff by artists I already knew. I loved the Sapphires "Got To Have Your Love" and so would bid low on any import 45's I found on lists by them. Won a copy of a UK 45 by them and got it thru the post. Shoved it on the turntable & listened ... it was a dancer (though I was hoping for a deep soul cut or big city ballad really) but it had stupid dance lyrics. As I had won other unknowns in the same auction, I threw it aside & listened to the other stuff. A mate @ college in Sheffield had started up a mobile disco & wanted soul dance stuff, so I sold him a few items I had 2 of or tracks that hadn't hit me hard. Thus a copy of "Slow Fizz" left me & joined his plays on nights he got bookings. HEYHO, you can't get it right all the time.
A BETTER EXPERIENCE FOR ME WAS ... got a similar auction listing in the late 60's & it had a more than a few 'unknowns' on it. One stood out -- It was a 45 on Mala by a guy called Gino Washington. The label was right & the guys name seemed promising, so I bid around 2/11d. Luckily I won the single & it duly arrived in the post. It was "I'll Be Around" by Gino Washington with the Altrasonics & the Versatones. It turned out to be a great buy as the other side was good too. I just loved the artist names on the label. but it set me off on a quest to find out who the ULTRASONICS & VERSATONES were ? Of course, we didn't have any data bases to check against & buying a US mag such as BILLBOARD was beyond us (we could hardly afford to buy Record Mirror). So knowledge of obscure US soul labels & their product was minimal, so I had to wait many years to find out.
Would others care to recount any of their similar experiences ?
Edited by Roburt