Ady Croasdell

And Rob Holmes sent me a clip of a porn video where they use the instrumental bit as a backing track, I'm hoping the royalties will arrive in kind.

Has anyone ever seen a release by her on GWP, she had 2 tracks on their LPs but I ain't seen a single listed.

Oh dear and you were doing SO well. I loved Quadrophenia but to compare any film with Sting kicking someone softly on the floor to that masterpiece with the best ever screen violence by the lake side is not on sir! I'm glad I never got to see Absolute Beginners now, I loved the book. Colin McInnes used to live near my old flat in Langham St, by the by.

I think in the grand scheme of things this is spot on. The only potentially bad thing is if this muddies the waters for any further productions by not doing a competent job or by misrepresenting any parts of the scene in a negative way. Having said that it's a film produced for entertainment, with a very short shelf life, that will increase awareness momentarily. It may convet or it may embarrass, we'll soon see.

I can't remember the name of it but at the time it was the worst thing I'd ever seen on Northern and nothing's ever come near it in terms of awfullness. It was mainly about a bloke half-raping a girl.

What's the Function one called and is there a film of Once Upon A Time In Wigan as well. I want to play Anna Ford.

It does seem that only record companies and master owners who care go after smaller scale bootleggers. Ace certainly go for them, some of the majors don't always chase them up though.

Never mind the wisecracks get looking through those old 80s LPs of yours!

Was Love's Calling originally by Zingara? Is it the same song? Did Mary Wells do These Arms first? Did anyone else do any of these, before or after? Ta in advance

Thanks John, Ady

PM me if you can help, usual rates of play!

Ace has done virtually all the tape research, that's where Otis' Loving By The Pound, Carla Thomas' I'll Never Stop Loving You and Johnnie Taylor's Please Let Me In etc came from. Some are on Kent and others on Stax. We don't have the exclusive European licensing deal directly any more and some are now deleted but have kept several alive by re-licensing.

Dave, Goldie would have been Goldie of & The Gingerbreads fame. Brian reckoned Tony Washington's UK Sue released 'Show Me How To Milk A Cow' was one of the biggest records there; complete with very obvious dance actions. I spoke to a 66 mod yesterday who said he was so in awe of the Scene and it's seniority in the Mod world that he wouldn't have dreamed of going down there, he stuck to Tiles and other places.

Yeah, that Time Is Tight bit was incredible, I've never seen so much emotion put into an instrumental. The live concert from Norway later wasn't so hot, too many "got to, got tos" the best live bit on film has to be Otis at Monterey of all places.

Thanks but need a M/M- copy, there's was VG+. Yes Sebastian I think the Robert Riley connection puts paid to the Billy Lee Riley theory. Robert Riley did productions for Ted Jarrett's Nashville labels.

Any label please.

Thanks Simon, Mothercare here we come.

Can the baby have a cot yet?

Thanks Jon pm me your address and which CD you'd like. Ady Post closed SSers have delivered again

And one for you too Steve, thanks send me your address, is NSCR Vol 3 OK for you?

Thanks squire, pm me your address for a CD. Ady PS Anyone got Maxine's Epic LP to hand for the Don't Leave Me Baby?

I Got My Eyes On You Don't Leave Me Baby Gone Gone Respectively please. A nice shiny Kent CD goes to the first person to post the correct info. Cheers Ady

The first release was on the Kent CD Shrine, The Rarest Soul Label Vol 2. CDKEND 190.

I think that may have been the publishing which you have to renew every so often, if you could do it with the recordings a lot of big pre 50 years ones would have been done by now and they ain't.

TV ads need label owner permission and publishing clearances, the blanket agreement that was mentioned is to do with using music on TV progs in the backgound