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Ady Croasdell

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Everything posted by Ady Croasdell

  1. I've occasionally felt slightly peeved that someone's used the 100 Club name when not resident and occasionally I can't even remember them being guests, but generally I take it as a compliment. Most of the people who have been guests have been damned decent chaps with fine records and if they're saying that that's the style of music they will be playing i think it's fair enough. DJs want to do it so bad there's no harm in glaming up their CV like people do for their day jobs. If it's someone who i use reasonably regularly and is part of the 100 Club furniture like say Tony Smith, then it's even less of a problem. Most knowledgeable people know who's who and I don't think it will upset too many; but good point Mikey.
  2. Not with your reputation for royalty payments
  3. It was 60s newies, if anyone says 6ts again, I'll sue!
  4. Atlantic still has the rights to the Atlantic-era Stax recordings released up to May 1968 most of which have been reissued by co-owned Rhino Records. Fantasy did release a box set titled The Stax Story which includes Atlantic-era material. Kent license from Fantasy.
  5. Sounds dodgy, I don't remember doing any test pressings on that one. Ask him what's written in the run out.
  6. Beautiful Day but Steve guarnori's kindly dug his out for me. She was King Hannibal's missus at this time apparently.
  7. Anyone got one they can loan me for a dub. Several CDs and a nanosecond of fame to the kind person who can oblige. Ta Ady
  8. That's a real shame. Out of all the headcases at the 100 Club in the 80s he was one of the sweetest and funniest. If there is an afterlife and Pete, Tommo and Oz are there, I'm applying for eternal life down here!
  9. Ady Croasdell replied to a post in a topic in All About the SOUL
    Very sad, Roger was playing his 'Duck' at the 100 on Saturday. The next spin will have to be in remembrance.
  10. It was actually first issued erroneously on a Jap CD which was legal but shouldn't have been on it for various legal reasons. All the UK issues were illegal as well so it's an odd case of never having been 100% legally issued yet.
  11. In case you couldn't hear me gargling through the champagne. Well guessed everybody, it's Keith Money who will be joining the team in 2006 and doing alternate nighters. He's got the right mix of rare, popular and his own sounds he pushes, can stick in a few modern if necessary and always makes sure the dancefloor is busy and happy. As well as great taste, being a thoroughly good geezer and is barmy enough to want to make the 5,000 mile trip from the Aberdeen oil rigs to our seedy basement dive. We'll still have room for plenty of interesting and varied guest DJs, so keep those boxes well stocked and at the ready. Thanks for a wonderful night I thought it was one of the best and we've now set our retirement date as the 50th anniversary.
  12. I'm all for this, bring a bit of sex to the 100
  13. We have a new addition to the regulars' DJ line up tba on Sat.
  14. Ady Croasdell replied to a post in a topic in Look At Your Box
    You're all mad it's £5 on UK Kent from all reputable dealers. And one or two who aren't!
  15. Ernie "Sweetwater" Johnson, who with Eddie Campbell performed as the 60s soul act Eddie and Ernie, died on Saturday 20th August in a hit and run incident at 16th Street and Broadway Road in his home town of Phoenix, Arizona. Teaming up with fellow Phoenix resident Edgar Campbell they became Eddie & Ernie in the early 60s and first cut 'It's A Weak Man That Cries' in 1963 for the Nightingale label, which was then picked up by Checker records. They then had a run of seminal singles on the Eastern label a subsidiary of Juggy Murray's Sue records. 'Time Waits For No One' was their only R&B hit but gave the duo the chance to play the Apollo Theatre where they knocked the audience cold. This fruitful period also produced 'I'm A Young Man', 'I'm Goin' For Myself', 'Outcast' (covered by the Animals), 'I'm Gonna Always Love You' and the Northern Soul classic 'I Can't Do It (I Just Can't Leave You)'. They then had the great double sider 'I Believe She Will' / 'We Try Harder' released on Shazam and picked up nationally by Chess. A one off recording session with Columbia included the ballad 'Falling Tears (Indian Drums)' which came out on a single, and a terrific uptempo mover 'The Groove She Put Me In' that was unreleased until Kent licensed it for the duo's only solo CD; CDKEND 214 "Lost Friends". At this point the two singers cut solo singles for Phoenix's Artco label. Ernie's 'I Can't Stand The Pain' is now valued at ¡ò1500 and Eddie's 'Contagious Love' isn't far short of that. Back as a duo and with Hadley Murrell, their original producer, who could almost have been described as their guardian, they released two singles on LA's Revue label, including the great 'Thanks For Yesterday'. Their final single, still with Hadley, showed they could still produce wonderful performances. 'Hiding In Shadows' on the Buddah label was good enough to be featured on "Dave Godin's Deep Soul Treasures" series of CDs for Kent. In fact they were the only act to feature on each of the prestigous four volumes. Dave's championing of the group over the years meant he had access to some excellent material they had recorded as The Phoenix Express in 1971 and six tracks, back as the duo, cut in 1972. Most of these were featured on the 'Lost Friends' CD including the excellent ballads 'A Man To Love A Woman' and 'You Make My Life A Sunny Day'. The duo wrote most of their own material and also provided songs for acts such as Jackie Wilson, Jean Stanback, Dee Clark, Jacqueline Jones and James Carr. By the time the idea of the CD came into being, Eddie was dead (we have subsequently found out that he died in 1994 not in the 70s as stated in the sleeve notes) and Ernie was living rough in Phoenix. "Discovered" by local DJ and musicologist John Dixon, he was made aware of the appreciation of his work, in the UK in particular, and was so happy to read Dave Godin's "Treasures" sleevenotes. The subsequent financial dealings from the CD eased his plight to an extent, but he remained troubled. Always dreaming of finding another Eddie and getting his inspired act together again, his hopes were ended on a dark Phoenix street. Ady Croasdell Ace Records August 2005 An article (2004) on Ernie "Sweetwater" Johnson was on AZ Buzz but seems no longer there “I’ll need to get a ride with you,” said Ernie out of the middle of nowhere. We were waiting for his turn to sing Karaoke at the AmVet Post #15 at 7th St. and Broadway in South Phoenix Wednesday night. “I live at 13th and Pima on the west side,” he followed. “I wish I would have known you were going to need a ride, Ernie,” I said. “I have to leave early, before you sing the last time, sorry.” Transcripts of recent interviews with Ernie "Sweetwater" Johnson can be found in the soul people section via the link below
  16. Sad news: Ernie Johnson RIP An obituary View full article
  17. I just received this news from John Dixon who was Ernie's friend and business advisor. "Sad to tell you that Ernie Johnson was killed in Phoenix on Saturday night. He was hit by a car and died instantly." Ernie recorded the very rare solo single 'I Can't Stand The Pain' on Artco and was half of the magnificent male duo Eddie & Ernie who recorded deep soul classics on Eastern, Checker, Buddah and Revue among others. More details to follow soon.
  18. Ady Croasdell replied to a post in a topic in Look At Your Box
    What You gave Up is brilliant and got played in the very early days when weirder dance beats were more acceptable (and we were young, daft and the pills were made of nuclear waste)
  19. Brenda Holloway and Sherlie Matthews; pay attention at the back.
  20. Well that's answered that then, any chance of a scan and a tape? Mail me off forum. Cheers Ady
  21. No it would have been the local label before Kent bought it
  22. Thanks Tim, I Just need a Kimberly copy now.
  23. 'Wanting You' Anyone loan me this one for a dub?
  24. I did Craig's show, he was manic and it was a Friday evening so he had to keep powdering his nose.

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