Geeselad

you meyther monger you!

10 or 15 years ago I thought sam was awful, I'd seen him clear the floor so many times with things that just didnt work on the dancefloor for me and many others. I've seen him play 3 times this year and jus tthink he's amazing now, a consumate proffesional who always delivers in playing quality biggies whilst evenhandardly deliving a sublime mix of new spins, quality oldies, 60's 70's et all. All heil Sam he da man!

thanks I'll be taking a dekko of this

sounds like it could have been then

its not really encouraging when so many positive threads dont get a sniff and everyone's so ready with the ones they dont like, honestly there's none mentioned so far that I hate as much as hearing anything from the top 100 again.

I'm with you on the bricklayers but Hayes Cotton Come on youth!

Some dancefloor are really hard work and talc just makes things easier on the feet imho.

thnaks thats really interesting, it would seem, to some extent, there's an untold story of the growth of black music on the continent in the 6ts.

was it played at the torch? I know 'wait till...' was and its sounds sooo like a typical torch tune, i cant believe they wouldnt of played it if they'd know about it or had a copy, love it myself.

how come so much black music got released ove there? is there a french eqivillant of David Godin who was instumentla in promoting the music?

yeah, ive had it all over the equipment but I'd never say you cant use it, if a venue kicks up, then they can f.o. its part of the scene and makes dancing so much easier, even if you do have leather soles. Someone said to me he used glycerine powder?as a replacement.

didnt I hear it mentioned that there was a french tangiers EP?

not an ep but I got a panamanian tamla of an eddeie K tune that didnt come out ss.

what amazes me is people are still buying these things and fell ripped off when they dont get a £1000 or more record for a tenner.

I'd I usually take a positive approach and just listen to things that look intersting for one reason or another, I sposse I jusat apply the same mentality when flicking through a box at a nighter or a shop. I love listening to sales CD's a great way to truely hear records for me, you dont usually have the same discrimination with an unknown and as long as you dont know the artist you listen without the predudice. Instead of thinking ' what's the potential rarity', for me not an admirable quality but one we all need to rein in at times.

one only sold 10 years ago on bay, it was £300 but I wouldnt of thought it was hugely indemand from the northern crowd tho.

Just picked up - David Clyton Thomas- say boss man on Decca, unknown to many apparantly, Davis was laterly lead singer with everyopne's pop, rock , jazz fusion act, Blood sweat and tears. Its a twangy R n B growler and I just love it.

here we go again, minefield alert!!!!!! No disrespect, but its one of those q's that we love to debunk any definative answer on.

I strongly suspect mines the mr K edit too, and for me superior to the LP mix, Danny Krivtit is the don, it just doesnt sound like an edit! Thanks guys. I have the Lamont version too which is great, esp that african chanty thing it goes into at the end. I used to be a regular on oldskoolanthemz and was considering contacting them on this, Not on label releases can be tricky to track down on discogs. thanks one and all.

I nick named my lad, who's 5, little bobby Kimble, Little did I know that Bobby Kimble had indeed made several northern cuts, Des P had one in his box recently and I burst out laughing but hesitated and didnt get it, could kick myself now. Apparantly mr kimble whent onto be the lead singer with Toto.

can anybody clear this up for me?

It is mate, however I cant see how the instumental gets played, a marvin gaye record without marvin gaye on it? so too are lonley lover and lucky lucky me which seldom get an airing nowadays

Olides fans never tire of hearing anything unfortunatly.

No I'm not talking bout any house mixes matey, the original boots, now there's a contrtradiction in terms, are very close to this LP version but not the same, I'd say slightly more dancefloor freindly, its hard to put your finger on. But thanks I'd stick with my booty version over this one anyday, can anyone say who did, or where the boot mixes came from they dont sound like re- edits there's slightly different instuments in there? thanks for the help on this so far my freind

I have this on a dodgy bootleg 12 from around 1990, the other tacks, bassheads ect, date it from around this time and it was indeed big at the Hacienda and other proto rave clubs at this time. Ive seen it on a more official and more recent boot too, but what's the ovo of this, I assume its an LP track but Ive been informed the LP cut's not the same as the boot mix can anyone help?