Everything posted by Chalky
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Johnnie on the spot, Dennis Edwards.
Definately not the early 80s Andy. Sam if I remember rightly credited this as being one of the records that got him back on ghe Northern merry go round after his years with the Modern stuff etc.
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Flyers Wanted
Seen them Kev. I'm after hard copies preferably. Scans ok as long as they are min 300dpi which most of those aren't.
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Some Sunday Morning Sales
Gradings: The records are often better than described, any questions just ask. I can supply better quality scans and sound files. Please note I do work away during the week so cannot post until the weekends. Money back guarantee upon return of the record! Huriah Boynton - You Went Back On What You Said - Lanor Ex £75 Needs reviving Bobby Patterson - Right On Jody - Paula Vg+ £20 Fabulous dancer The Sounds Four - Keep On Loving’/A Memory Best Forgotten - Saintmo Ex - £20 Two good sides La-Jay Alexander - Say So - Black Gold VG+ £50 Nearer excellent. Bit of ring wear on flip side label, nothing serious. Great record from ’73. Lew Kirton - Come On With It - Marlin VG+ £10 Sublime 70s ballad, doesn’t get much better. Tiny Watkins - Run, Run, Run - Goodie Train - Ex £100 Great slice of crossover soul. Looks near mint, slight storage warp DNAP. Bobbie Jean Bland - I’m Satisfied Just Loving You - Sack - Vg+ £40 Stafford dancer. “Do It” side has the number 19 in felt wol. Prince Harold - Ain’t It Amazing - Spring VG+ £15 Stamp on label Vernon Harrell - your Love - Score Ex £10 Jimmy Norman - This I Beg Of You - Samar Vg++ £10 Stafford classic, fabulous beat ballad. Kip Anderson - That’s All i Can Do - Excello Vg+ £10 Two good sides. Ruby Winters - In The Middle Of A Heartache - Diamond Demo £30. SOLD Brilliant. The C.O.D.’s - Michael - Kellmac Vg+ £5 Payment Paypal (gift preferred to avoid fees) to chalky@karlwhite.me.uk. Postage & Packing Over £15 it is sent Recorded. Over £40 it is sent Special Delivery. Not insured otherwise. Europe & Rest of the World postage is tracked and signed only. UK Recorded = £2.50 Special delivery = £7.50 Europe Internationally Tracked & Signed For = £9.00 up to £50 Internationally Tracked & Signed For = £12 up to £250 Rest of World Internationally Tracked & Signed For = £10.00 up to £50 Internationally Tracked & Signed For = £12.50 up to £250
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Flyers Wanted
All-nighter flyers wanted from the 80s & 90s primarily but right through to today. Planning an archive of flyers, both digital and the paper format. Will gladly pay if you want money
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Lamont Dozier UK Tour 2018
Well I'm going regardless
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Johnnie on the spot, Dennis Edwards.
Steve Smith has said on Facebook it was well after Stafford, late 80s early 90s. I spoke to Andy Dyson, he reckons it was 90/91 when Tim Brown got his copy. Andy began working for Tim in Jan 81 and it wasn't there then. Koppell's came after that once he knew what it was. Sam bought Tim's copy eventually and others such as Steve got it cut from a tape off kopek which must have been after Tim's turned up via Moerer if Andy's timeline is right. Easy to get dates wrong by a year or two either side.
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London soul nights in the 80s
cheers mate, appreciated
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Ice - Reality Backatcha Re-issue
Managed to get a couple of spares of the Backatcha release of Ice - Reality. £25 plus £2.50 postage (UK that is). PM to secure. Once they are gone I doubt you will get one at this price again.
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Dean Anderson's Sound of Soul, Thursday 8pm.
Excellent show last night with Dave Thorley joining Dean and co in the studio. Some great music across the genres and some great stories in between the music.
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Johnnie on the spot, Dennis Edwards.
Now you mention it Craig is the story I was told by Andy.
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London soul nights in the 80s
If anyone has any 80s flyers they don’t want I will gladly take them.
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Johnnie on the spot, Dennis Edwards.
First I heard of it being a Stafford play. I don’t recall hearing it in the 80s.
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Johnnie on the spot, Dennis Edwards.
Think it was 90 or 91 when it arrived on these shores. I’ll ask Andy Dyson as he was there at the time if memory serves. Unless of course he sees this topic befoore I get to ask.
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Betty Boo-Spellbound
You can go right back to the 60s though with the original releases with this argument, which is ok the lp or the 45, the local kr the national release, all of course. But some are making these rules up to justify or give themselves some kudos for the huge amounts they spend on 45s. I mean when they spend 100s on a 45 or 45s they don’t want someone spoiling their moment with a £20 Lp.
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Jesse Davis - Look Here Girl
It was covered up as Jesse Davis if I remember rightly back in the 80s
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News: The Nu-Rons - All My Life and Disco Hustle - Soul Junction 45
The Nu-Rons - All My Life and Disco Hustle - Soul Junction 45 View full article
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The Nu-Rons - All My Life and Disco Hustle - Soul Junction 45
THE NU-RONS ARTICLE: Press Release: The Nu-Rons “All My Life/Disco Hustle” SJ1010 Release Date: Monday 12th February 2018 Your browser does not support the audio element SJ1010-The Nu'Rons-Promo.mp3 During the late 70’s and onwards leading Wigan Casino DJ Richard Searling had begun to move away from the more traditional four beats to the bar sound 60’s and was programming more soulful seventies, new and recent releases into his DJ set’s. One of the many records he championed was the b-side to a very obscure local Philly 45 release by the then unknown all male group, The Nu-Rons. Richard had obtained this elusive 45 from record dealer John Anderson on one of his many buying trips to John’s famous Soul Bowl emporium in Kings Lynn. At the time Richard Searling was not only famous for the constant stream of new 45 discoveries he was continually playing but also for the ingenious cover-up names he bestowed upon them. In this particular case The Nu-Rons began their life within the UK northern soul scene under the cover-up name of ‘Lamar Thomas & The Chains That Bind’ under the title of “All Of My Life (Spent Waiting For You)”. Such was the volume of new finds in that period that even the most popular records were subsequently dropped in favour of the next discovery. Following The Nu-Rons 45’s fall from grace on the wheels of steel, avid soul collectors would continue their search for this elusive 45. That was until following the birth of the genre later described as the ‘Crossover’ sound. The Nu-Rons soulful harmonies fitted the bill perfectly and with more copies now being in the hands of more DJ’s and collectors alike The Nu-Rons “All My Life” would in all probability reach the full height of it’s popularity and demand. The Nu-Rons, were a family group consisting of two sets of brothers and cousins, the four young men in question being brothers Daryl Howard and Raymond Gibson (Daryl’s mother registered him under his father’s surname of Howard and Raymond under her maiden name of Gibson) together with Otho Bateman and Charles Bateman. They were all born and raised in Salem, New Jersey and from the age of ten and eleven began singing with a fifth member and Gibson brother Rudolph as a group called The Gospel 5. They eventually decided to crossover to secular music and as a group known for their energetic dance routines they came up with the new performing name of ‘The Nu-Rons’ (taken from the word ‘Neuron’ which is a cell that transmits nerve impulses). However Rudolph was soon to leave the group due to physical illness. Also Daryl Howard and Charles Bateman had also been part of a working group known as The Devotions prior to becoming The Nu-Ron’s. Following hours of practice The Nu-Rons eventually felt confident enough to put their own shows together and began to perform at local dances and parties around New Jersey and Philadelphia, often being used as a non-paid warm up act for bigger named artists. They moved between several different managers including Jimmy Bishop (Duo Dynamic Productions) until they came under the tutelage of WDAS radio DJ Georgie Woods (his wife Gilda, being the owner of the Philadelphia Gil, Dion and Top & Bottom record Labels). It was Georgie who introduced them to Manny Campbell who in turn invited them to an audition at his and partner Charles Bowen’s Emandolynn studio in Chester P.A. The song The Nu-Rons chose to audition with was the self penned “I’m A Loner”, the audition went well, as during late January/early February of 1970 Manny and Charles took The Nu-Ron’s into the Sigma Sound Studio’s with Tom Bell and the TSOP musicians to record “I’m A Loner” and “All My Life” which was released on the Nu-Ron label (H1060) in April of the same year. During 1975 the Nu-Ron’s entered the Sound Room studio in Upper Darby P. A. to record two more Campbell and Bowen songs, “Disco Hustle” and “Can’t Do Enough Girl”. “Disco Hustle” (Stage-Art 1001) was a new song prevalent to the shift towards the disco boom in Philly. While the b-side “Can’t Do Enough Girl” was a sweet soul ballad previously recorded during a demo session in 1971. The Nu-Ron’s “All My Life” faired reasonably well locally in Philly although it would be through the record later finding its way to England and into the hands of first Northern Soul and later Crossover DJ’s that the 45 would achieve its greatest notoriety. While in recent years with the shift to a more funk orientated sound, their song Disco Hustle recorded under the artist name of ‘The Nu-Rons & Co has too grown in demand. Here before you now is the Nu-Ron’s two most in demand sides back to back for your delectation. The Nu-Ron’s are still working and recording today although as a group of three, with Raymond Gibson having sadly passed away. Ironically during Manny Campbell’s later relocation to Atlanta, GA during the late 70’s he took the decision to take the remaining 2000 unsold back stock copies of “All My Life” in his possession to the dump ! For further information please contact Soul Junction at: Tel: +44 (0) 121 602 8115 or E-mail: sales@souljunctionrecords.co.uk Buy direct from Soul Junction at http://souljunctionrecords.co.uk/SJ1010.html or from the usual stockists.
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Betty Boo-Spellbound
That the RCA acetate Carl?
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Betty Boo-Spellbound
any crap just tell em to f*** off
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Betty Boo-Spellbound
I’m not suggesting you are. But some clearly are. Who makes up these rules and by what authority have they the right to impose them on everyone else? It is about the music but it is becoming increasingly more and more about the person, the Dj, the promoter. Most top Djs have played a cut or something what others would perceive as dodgy, it was the only way to hear the music at one time. I’ve heard some idiots come out with laws regarding no Lps (when most of the time they are the true original), no demos, no acetates etc etc. Most of us know the score and we survived for many decades without the OVO stupidity and we got by without resorting to bootlegs which ultimately is what it should be about, or by playing recent issues of records that had an original release, not depriving dancers of good music just because it doesn’t suit the release criteria of some.
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Dennis Edwards R.I.P.
The death of Dennis Edwards is being reported.... http://chicago.cbslocal.com/2018/02/02/dennis-edwards-temptations-obituary/ R.I.P.
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Betty Boo-Spellbound
Does make me laugh, has anyone told Betty we aren’t allowed to play her record 😂
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News: Dennis Edwards R.I.P.
Dennis Edwards R.I.P. View full article
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Betty Boo-Spellbound
So by the same token you can’t play any release on a 45 released 30/40 years after its original recording date? It is the original release in a 45, all dues paid. Some need to take their heads out of their arses before they disappear up it completely. they make the rules up as they go along half of em, so long as it suits them
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Betty Boo-Spellbound
What’s wrong with the Soul Junction 45? Whoever is giving the feedback is talking bollox IMO. You get th3badded bonus of the instrumental too if thet float yer boat.