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Tracks ya should hate but don't ever get sick of......

FUTURES - PARTY TIME MAN, I could have this on loop I love it and first heard it hammered to near death many years ago and championed by my mate Eddy, I have

this on at the moment and just adore the ending, the dance floor just oozes happiness when this is on. Middelton is just around the corner and I have itchy feet, mind you I have Athlete's foot from borrowing my friend's sand shoes once, he was a right clatty twatt and me mum warned me about borrowing stuff from him..... you do not want to hear about when I borrowed a pair of his skiddies!

:yes:

so whats your tracks???

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Another Shalamar Modern play was 'Right In The Socket' (Morecambe maybe, possibly Dave @ Leicester).

Recently reactivated, to a new and younger audience, by Dave (Joey Negro) Lee on the current soulful dance/disco/soul scene.

Malc, never say 'you shouldn't but you do' - there is no apologies to be made for understanding quality productions.

For every sniper there are ten people watching your back, maybe saying nowt, but respecting your views.

One of the prime examples - to me , in my opinion - of quality record productions , is the work done by Laurin Rinder & W. Michael Lewis ........

Their productions , especially with El Co Co on " Cocomotion " and " I'm Mad As Hell " are second to none : both records - especially in their full unedited versions - are ranked as firm favourites with me .......

Their album " The Seven Deadly Sins " is another prime / creditable example of quality production .......

Malc Burton

Edited by Malc Burton

i allways come across at a soul club doing backflips too johnny sayle - cant get enought,as you may have seen on friday night at the manifesto i normally cant evern do a back flip, when ever i hear it for the thousands of times i still love to dance too it, my feet just take over :thumbsup:

Gia Mateo - If you cant say anything nice - i know its pop, i know its sugary but i love it and always have :huh:

One of the prime examples - to me , in my opinion - of quality record productions , is the work done by Laurin Rinder & W. Michael Lewis ........

Their productions , especially with El Co Co on " Cocomotion " and " I'm Mad As Hell " are second to none : both records - especially in their full unedited versions - are ranked as firm favourites with me .......

Their album " The Seven Deadly Sins " is another prime / creditable example of quality production .......

Malc Burton

I wouldn't have considered R&L, Malc - but I reckon I'd agree with you on all of those and would add Le Pamplemousse's GET YOUR BOOM BOOM (AROUND THE ROOM) on U.S. Avi as another goodie of theirs.

I bought the "Seven Deadly Sins" L.P. having heard and bought the LUST single in my local shop (God! That's a long time since!)...took several plays for the album to hit home though.

An earlier album - Brazil (1975) - was a little lighter in weight though...cool.gifcool.gif

Frank Wilson - Do I Love You, it's just one of those tracks where you think ok over played and so on but it's soo good and if you not even into Northern soul that's the one you would play to them and tell them about how much it is worth

Also Sam cooke - Sugar dumpling i love that song and never get sick of it. Just hoping i can find the version by the Valentino's sometime

mine is suspicion - the originals. i reckon i could listen to this for hours. Funny thing is as I was thinking of posting this I logged onto the Mary Fox NS program and it was the first track..... I believe I heard another version of this - anyone know who it is by ?

Thanks for the info. cheers

Sorry if I'm stating the obvious, but this is the Originals but when first played they speeded up the track and said it was The Detroit Prophets.....if I remember right they didn't know who it was by at that time (but I could be wrong on that last bit??)

Wierd thing is I was so used to hearing the speeded up version that it took a bit of getting used to when finally hearing played at the correct speed... :huh:

My world is on fire

and Howard Guyton, I watched you slowly slip away

must have heard them a zillion times, and always get up to dance to them, like it was 20 years since I last heard them...

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