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Garethx

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Everything posted by Garethx

  1. A great record. Kiddie soul at its best. Definitely worth four figures as it rarely turns up for sale in comparison with other records with similar pricetags.
  2. I'm really shocked by the price of the Betty Wright Italian 45. I gave away a copy of this once and would have said that anyone would struggle to get over £25.00 for it. A great version of the song it may be, but when you consider that's it's freely available on both US and European versions of the (fantastic) album for peanuts this seems like stark, staring madness: I mean over 300 quid for the convenience of playing the track on a seven inch format! Come on!
  3. Garethx replied to a post in a topic in Look At Your Box
    It's an answer record to the one under discussion: I'm Not Alive c/w I Can't Actually Sing Very Well. It's on the Paxo label.
  4. Garethx replied to a post in a topic in Look At Your Box
    His 45 with the group Onion Stuffing is much better.
  5. The other side of this 45, Thunder In My Heart, is one of the greatest of all deep soul rarities.
  6. Well said Tony. Deejays owe it to the paying customer to play records in the best condition possible. Super-rare one-offs, acetates etc. I can understand being in sometimes ropey condition, but playing bog-standard oldies in knackered condition is an insult to the audiences intelligence.
  7. Interesting to hear that the Bobby Sheen record actually got plays as a new release on US radio: I'm guessing the other side. The fact that it's not a rare record in any sense of the word led to its ubiquity on Northern Soul playlists after its initial exposure. Everyone who went to the states in the mid-late 80s seemed to come back with lots of copies of this 45, leading to it getting overplayed pretty quickly. But before it trickled down to that level it had real personality and magic and for that reason will always be a classic in my book.
  8. Mustn't forget Pete Wid's involvement in the legend as I understand it was he who passed the record on to DT with the promise that it would one day be a monster; I believe he was referring to the other side and was somewhat nonplussed to hear Something New To Do blasting forth from the Top of The World speakers.
  9. A brilliant record and we must give credit to soul-sourcer Dave Thorley for having the guts to spin it at Stafford, as in terms of feel and sensibility it was somewhat removed from the norm at the time and was all the more welcome for that. For a period in the late 80s this was virtually the Northern Soul National Anthem. I still love it and play it at home occasionally but am glad that it doesn't get hammered up and down the country any more. As a piece of nostalgia it transports me back to heady days of youth and happy times. Bobby Sheen was a great soul stylist with a god-given voice and the delicacy and craft in his approach is wonderfully portrayed in this tremendous 45. The Phillip Mitchell song manages to be both clever and moving, which is a tricky thing to pull off. Regarding it sounding like a television theme, note that the strings were arranged by George Tipton, who composed the theme tunes to, among other things, Benson, The Golden Girls and Soap. Aside from stuff like that he was also responsible for scoring the strings on one of the most transcendent of all theme tunes, that of Midnight Cowboy in 1969.
  10. Al DeLory "The Moon Racers" on A&M. I think anyone reactivating that one would be looking nervously towards the exits for people carrying tar and feathers.
  11. Link to Nate Adams in refosoul: https://www.soul-source.co.uk/rare-northern...ough-my-fingers
  12. Also worth bearing in mind that the version spun by Richard Searling at the Casino in the late 70s was an Atlantic studio disc featuring Nate Adams covered-up as Hermon Hitson (Hitson's actual version remained unheard until the CD release in about 2005-6). To my ears Adams' version is (narrowly) the best: slightly looser than Sam Williams and more gutsy than The Ohio Players. There are a few threads on here about the various versions: the most intriguing one being where Andy Rix recounts meeting the song's writers, Lewis, Farmer & Lewis. They can clearly recall every version of LSTMF with the exception of Sam Williams, who they claim never to have heard of. Interestingly the vocalist on Sam Williams' other Capitol subsidiary recordings sounds, to my ears, nothing like the singer on the Tower 45.
  13. Never seen an MGM issue of this. The Mutt & Jeff is the nicest looking in my opinion. The Move On Love side is a beautifully orchestrated west coast ballad. John Ridley claims on his sirshambling.com website that the Mutt & Jeff release of this side is considerably shorter than the Magnum and MGM versions. Can anyone confirm this?
  14. Bessie Banks Try To Leave Me If You Can.
  15. As an addendum to the above I wonder if he's aware that the harmony ballad side of their M-Pac 45 is considered to be something of a classic on the LA Low Rider scene. It's been compiled on at least a couple of CDs aimed at that particular market.
  16. Hi Bob It's great news that Mr Lane remembered these tracks, less good to hear that he's not well at the moment. Let's hope he makes a full recovery. I hope he got to hear how highly the groups output is regarded throughout the world. yours in soul, gareth
  17. I tend not to use the mike in my few stints behind the turntables. I guested for Heikki in Finland once and he insisted that deejays had to use the microphone. I approached it with trepidation at first, but after some refreshment warmed to the task: after a while I'm told it was impossible to shut me up. The language barrier helped of course, but after a gallon of Finnish ale I think I actually introduced one tune with (adopts husky tones of Tony Green) "Mike: you require one-hundred-and-twenty-one..."
  18. Boss double sider.
  19. My copy is mint with unblemished labels. The first big hit of these was a fifty count box with mint copies at the front, degenerating in terms of water damage towards the back. The mint copies sound a bit better than the water damaged ones (if you play them side to side the difference is quite marked) so I think there should be quite a price premium for the pristine copies.
  20. Lynn Vernado is the aunt of Snoop Dogg.
  21. I'm afraid it's long gone Russ: sold it for an unbelievable (at the time) £80.
  22. I was trying to get the price down for you Russ. Probably not very successfully.
  23. Funny old record. Sounds great out, but sadly underperforms at home: maybe the double-tracking of the vocal in some places. Collectable though, and is only going to rise in value.
  24. All things considered this is a bargain.
  25. Hi am currently looking for a copy of Joey Irving Can You Handle Me Baby c/w What Happened To The Love We Knew on Vincent in at least VG+ condition. TIA for any leads gareth

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