Everything posted by Chalky
-
The Trey J's Story
I Found It All In You - The Trey J's Story The Trey J’s were a vocal duo which featured James Binford and Joseph Smith. James Binford originally from Indianapolis, Indiana began singing in various local Doo-Wop and church ensembles from the age of 9. Something he continued to do after enlisting in the Marine Corps as a 17 year old, often performing in Officers clubs where he was stationed. He also ventured out of camp to perform in local clubs, building a solid reputation as a performer. While stationed in Albany, Georgia James was introduced by his then wife to one of her relatives Mr Eddie Harris, the band leader of one of Atlanta’s most popular acts, the Eddie Harris Review. Following his release from the Marine Corps James took a job with International Harvester in his native Indianapolis before being transferred to the MacDonald Douglas Aeronautical Engineering Company in Atlanta. Here he once again hooked up with Eddie Harris working as a backing singer as part of his Review. James later had aspirations of forming his own ensemble so under the guidance of his manager Johnny Glover, James, began to form his own review. In 1968 James and Johnny held an audition for a baritone vocalist through a local radio station. From a 150 hopeful applicant’s a 28year old Detroiter by the name of Joseph Smith was chosen. Joseph who had previously moved to Atlanta some 10 years earlier where he had married his first wife Jacklyn and raised a family of 3 children. Joseph Smith and James Binford Thus with the addition of Joseph the Trey J’s were born, their name being taken from the Americanisation “Trey” a derivative of the French word for the number three “Tres” and the first initial of James and Joseph and their late manager Johnny Glover’s christian names, hence Three J’s equals the “Trey J’s”. By the early 1970’s The Trey J’s had become regular performers at Atlanta’s most infamous Black night club ‘The Pink Pussy Cat’. It was while performing at the Pink Pussy Cat that the Trey J’s came into contact with a local record producer by the name of Thomas Fletcher Davis more commonly known as Tee Fletcher. Tee a successful recording artist in his own right with a string of recording for several labels such as Josie, Shurfine, and Tragar had begun his own production company Tee Gem Records. The Trey Js - We Got A thing (Going On) - Tee Gem James Binford had previously written the basic lyrics for a songs entitled “We Got A Thing Going On” and one day while at the Pink Pussy Cat with Tee Fletcher accompanying him at the piano he began to recite the lyric’s. Together they composed this and a further song entitled “I Found It All In You” which Tee eventually released on his Tee Gem label (PS-4044). Although the Trey J’s only ever had the one 45 release, they continued to performed live shows on both the college and Chitlin circuit as the Trey J’s Review. The Trey J’s Review also featured Ray Ransom and Reggie Hargis who later became members of another Atlanta ensemble, known as Brick who enjoyed a successful recording career of their own from the mid 70’s through to the mid 80’s, scoring a number 1 R&B/pop hit in 1976 with the song “Dazz”. The Trey J’s also once featured as part of a tour that included Chicago recording artists, The Chi-lites and Ruby Andrews. (Due to Ruby being a friend of Johnny Glover’s wife). In 1972 Joseph who by now was married to his second wife Barbara a former pastry chef who he had met while working as a waiter at the Morrison Cafeteria returned home to Detroit. Although he initially tried to find work as a singer he eventually embarked upon a career as a social worker, gaining a masters degree in social studies, his full time occupation until his retirement. Sadly Joseph passed away in 2010 from lung cancer. In 1974 James Binford entered into the Islamic faith, taking up the name of James Hassen Ameen. He later returned to Indianapolis where he became a promotional booking agent his occupation until his later imprisonment during 1992 although he is reputedly due for parole sometime during late2014. The Trey J’s “I Found It All In You” is currently enjoying a current reactivation due to it’s dramatic funky edge guitar and horn rifts fitting perfectly into the current funky soul genre. While it’s haunting deep soul ballad flip “We Got A Thing (Going On)” is a must for any real soul collector. https://soundcloud.com/chalkster/i-found-it-all-in-you-we-got Words by: David Welding. Acknowledgements to: James Binford, Carolyn Binford, Barbara Smith and Thomas (Tee) Fletcher. The above article is an extract from the sleeve notes of the forthcoming Soul Junction CD album “We Got A Sweet Thing Going On” Catalogue number SJCD 5009. This compilation will feature both of the Trey J’s tracks, “I Found It All In You” and We Got A Thing Going On”.
- News: The Trey J's Story
-
Dr Goldfoot And His Bikini Machine
Yes but not them all and not this one, the vocals very weak and the lyrics are terrible. It takes more than a decent back beat to get me into a record.
-
Dr Goldfoot And His Bikini Machine
I have to agree with Win, it is terrible and can't for the life of me think why anyone would want to play it?
-
60S Newies; Do People Want Them?
Yes it is, I'd been up a long time.....
-
Never Had It So Good
Still a list but that wasn't my point. My point was not to compare one against one from our youth or any other time for that matter but to take a record and judge it on its individual merits, whatever its era.
-
60S Newies; Do People Want Them?
Whereas exclusivity used to be the driving force behind records years ago when we were younger and people travelled it is a factor that possibly holds a record back today. As said it takes years for one DJ to break a record. With the scen becoming more and more regionalised it might be a case of getting the disc to DJ's at popular venues and to maybe step up the publicity machine.
-
Never Had It So Good
I didn't take it as personal Phil, sorry if it appeared that way, I was merely saying that no one complained about the lack of mic use and therefore it doesn't really bother the majority of people who are at a venue, we had at least two hours with no mic as well. I also stated it was possibly a generation thing, and yes there probably is a swing to mic less DJing with the younger generation, maybe it is a confidence thing?
-
Variations " I Wanna Take You Uptown" Right On
I got a lot more for a copy recently.
-
Lee Fields 2014 Album Emma Jean
I've heard it but yet to buy but it is on the list, fantastic but I didn't expect anything less from the man, up there with the best I've seen live the first time I saw him.
-
Never Had It So Good
I've no wish to compare today's scene with the scene of the 70's or compare Matt's list with your list. Today's scene should be about the best of it all, mixing it up and taking the best of each era rather than going out and hearing the same records week in week out. They say familiarity breeds contempt and it is true of this scene, not just the oldies scene but the so called upfront scene as well. It is all becoming rather boring, it is like listening to the top 40 for 30 odd years in many cases.
-
Never Had It So Good
Back on topic, Kev Roberts mentioned the top 500 being a derogatory term and said that it is more like 200. I personally doubt it is 200 at most regular soul nights, all nighters maybe. Regardless whether 200 or 500 it is a sad reflection of the lack of imagination that prevails this scene right now when you consider the vast amount of record discovered and played in over 40 years. We should be having it better than we ever have but I'm afraid it is far from the case. Dj's all chasing and playing what each other are playing, second rate biggies that only get played because a DJ has paid a fortune for it when if it was a tenner it wouldn't even get a first look never mind a second. What happened to flair, imagination, individuality, not just from the DJ's but the promoters as well.
-
60S Newies; Do People Want Them?
I doubt it is 200 at most regular soul nights Kev. Nighters maybe, but 200 or 500, it is a sad reflection IMO of the lack of imagination on this scene at this time especially with the vast amount of records that have been played on this scene for over 40 plus years.
-
Never Had It So Good
I think the mic usage is a generation thing. The younger set and Europeans are a bit different to us that have been around many years who have grown up with DJ's and the microphone. I think the use of the mic can give the dancers a breather as well.
-
Never Had It So Good
Even when you tell them people still don't hear for the other noise going on around them. People don't always understand accents as well. I bet most DJ's don't even know what they sound like out "there" on the floor?
-
Never Had It So Good
James Pogson, well I hadn't heard him before Saturday night. Fair to say we were still a little unsure how he would fair at an all-nighter as it isn't his usual kinda gig but he was simply brilliant. So what if he didn't use the mic all the time, he used it at the beginning and the end, the records spoke for him, he had the floor full, great set of across the board rare soul music. I didn't hear one complaint from any of 250 plus people who were there that he didn't use the mic between all the records. Some DJ's need to learn to shut up IMO.
-
60S Newies; Do People Want Them?
I played three Kent 45's last night. George Soule - Midnight Affair, Allan Toussant - Laugh Till I Cry (bloody fantastic) and a request for Melba Moore, happy to oblige, tell a lie had a request for Spencer Wiggins Talk It Over which I was happy to play as well, so that was four. Quality "newies" are hard to come by and the scene has to make the most of releases of previously unissued material. I stop at reissues that already have an original issue though. There are some quality releases out there not just from Kent, Numerro with tracks like "That Girl" from The Notations, the recent Valdons release, the Gene Washington and the Ironsiders currently causing a stir, quality cheap dance music fit for any venue. The scene has to embrace them, it is stale enough at times and if it means playing a CD then so be it. It is a dance scene no longer ruled by the music, the music actually comes second to many people out there. I don't for a minute advocate laptops, hard drives but it is about time DJ's with character, individuality and a bit of thought rose to the top rather than the sheep mentality driven scene we currently have. Surely it would be a stronger scene for it? The scene at times needs to take its head from up it arse before it disappears up it totally. Dj's have always, always played cuts of unissued and even ultra rarities that a collector wouldn't part with but was happy to supply a cut, Jackie Day - Naughty Boy for example. I know it isn't everyones way of doing things but it was either that or deprive the scene of some great dance music.
-
60S Newies; Do People Want Them?
There are definitely many rare records if only a tenner would be ignored. There is also a snob factor with common records as well. Probably an ego or dick waving thing at work where every record they play has to be in demand rarities. We was talking about price last night and my mate said he had someone say to him I don't buy unless £100+. There loss as they are missing out on some great records.
-
60S Newies; Do People Want Them?
That Judy Clay needs putting out on Kent Town/Select, fantastic record.
-
60S Newies; Do People Want Them?
I don't know how long Mick Smith had the Eddie Holman but Clarky had it also in the early 80's and was given plenty of airplay.
-
60S Newies; Do People Want Them?
Been hard for years, some records Butch was playing in the 90's took a second or third copy 15 years later to break the record big, Tommy & Derby's, Johnny Praye etc. Goes back to a previous debate on here IMO or for another debate another time.
-
60S Newies; Do People Want Them?
I don't understand the rest of your comment though, wasted on today's nighter scene?. Unissued, good or bad, I love to hear them all. It is the same with issued material, the wheat gets sorted from the chaff and if it is good enough the demand will be there. Regardless I'd like to own them all in some format or other so even if demand doesn't dictate a release I would still like to see them issued via CD, at least you can see the progress or lack of any particular artist made inn their careers.
-
60S Newies; Do People Want Them?
You need to get out more Gareth, it has been massive for Andy Dyson on the all-nighter scene for some years. Rare as hens teeth too.
-
60S Newies; Do People Want Them?
I get just as big a buzz from hearing something I don't know today as I did when a youngster starting out on the scene. The buzz is even bigger if it is good I still like to listen to new stuff even if it isn't to my taste.
-
Can You Help Find Title Butch Playlist 1999
I think Kev is Thanks to Simon, playlist now added.