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Chalky

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Everything posted by Chalky

  1. There was a Dewey Jeffries in 2005 for $870 and one in 2007 for $200. Just 5 in total on Popsike with the average price much more than $100 or so. It's ok quoting prices when there was some out there but history tells us when a source dries up the price goes up, Clara Hardy, Four Tracks etc etc. There was a source as Flanny says that has since dried up, I've also seen them in boxes at nighters and know of them sold for around the 250 mark in recent times. If anything the price I've seen listed simply reflects the supply out there and if any consistency the price will only rise, particularly if it gets more attention from DJs and demand increases. You shouldn't take Popsike as gospel either, there are other market indicators out there other than Popsike.
  2. For the benefit of those who are unclear what I have said is my own personal view and nothing to do with site policy or from a moderators perspective. Whilst I am still involved with the site I am no longer a moderator of the forums as such.
  3. Noting personal at all Steve, I would say the same about anyone doing the same. You just seem to be making a habit of commenting on prices sellers are quoting...and I didn't say every price. Now if you are potentially saving someone 50% then fine but in most cases you simply are not saving anyone anything. What I have said is my own personal opinion btw and nothing to do with site.
  4. Yes they should but he's not putting buyers in the direction of one half the price is he? already been told he is off his rocker regarding one, now if he can give us a link to a Dewey Jeffries for sale right now at half the 250 quid it is advertised at then he won't be totally off his rocker. What would happen if a sale is scupper end by someone spouting off about prices and he's priced wrong? Are they gonna offer compensation to the seller for f*cking up their sale? I somehow doubt it.
  5. To comment on the actual sales topic and then to open a separate topic discussing the price of said record, will do nothing but scupper the potential sale. Why is his price more valid than the actual sellers price? Does he know of every sale, what's happening at soul nights and nighters, who is playing what et?, of course not so he can't take into account demand, what is selling and what isn't. I know full well price is a major part of the scene but Ernie seems to have taken it on his own back to be some sort of price accessor on here commenting all too often about sellers prices. Like I said the market will decide if a record is too expensive, if it is it won't sell.
  6. He commented on the topic, not for the first time either. He makes comments on a regular basis about members sales prices. Maybe he should become the sales Tsar, everyone run their sales prices past him for an ok?
  7. How many times are you gonna potentially ruin someone's sale. Again yesterday or the day before you commented about a price on someone's sales topic. It is in the sales guidelines that you don't comment on someone's topic yet you seem to be exempt from this. If a record is priced too expensive it won't sell, it's as simple as that and the seller will have to readjust his or her price. If someone is happy to pay that price what does it have to do with anyone else? Supply and demand! Just like any other commodity. What do you base your pries on for all these records that are over priced, allegedly? The market will decide if something is overpriced.
  8. spidells was an issue as well.
  9. There is.... https://offliberty.com/
  10. £100 to £150 at a guess although the one you heard me play was an issue and usually see demos when you see it. It Hurts, last one I saw was £125 I think.
  11. What is it? Many of us on a mobile device can't play flash videos so if you put the record details in the post it might help.
  12. Here's mine if anyone interested.... https://www.mixcloud.com/Chalkster/
  13. aye I did mate but have to try and talk proper sometimes.......I've got a Yorkshire translation book for Darrow Fletcher as I was told he wouldn't understand me lol
  14. Chalky posted an article in Articles
    Kent Harris, well known to those who collect Rare Soul records because of his wife Ty Karim and his record label Romark. But there is more to the man than many will probably realise and this CD gives us an insight into just what an influence he was on the Los Angeles R&B music scene. A must have purchase for lovers of R&B. As Boogaloo & His Gallant Crew, Kent Harris cut the original version of Bo Diddley's `Cops and Robbers' and shot to prominence when it was proved that his version of `Shoppin' For Clothes' was the original one, purloined by Leiber and Stoller for the Coasters. He was a major mover in black music in LA, appearing as DJ Stumblin' Blue on XERB, Wolfman Jack's station. He also had a string of record shops called Target Records in southern California. His family included three sisters: Marcene ("Dimples"), Beverly and Betty who performed as the Harris Sisters. Dimples was the most prominent and it was on the flip of two of her 45s for the Trend label in 1954 that Kent first sang as Ducky Drake. Then came the Boogaloo 45s. Dimples continued to record under several different names and is featured on `Love Came Tumbling Down' which she wrote with husband Harold Jackson who is also featured on the stunning `Freedom Riders'; both are very in-demand 45s for the new R&B dance crowd. Kent Harris concentrated on discovering and managing talent and recording them for different labels until he formed Romark in the early 60s. His protégés included Brenda Holloway and the Mighty Hannibal. He worked with LA recording stalwarts Young Jessie, Ray Agee and Jimmie Preacher Ellis as well as having his own acts: the Francettes, the Philips Sisters, the Lon-Genes and his wife Ty Karim. This CD features a great cross-section of those artists and some previously unissued gems from the vaults. The whole family's remarkable story is told in the extensive notes. Further reading from Ady Croasdell… Kent Harris’ strong point was undoubtedly his witty and topical lyrics, allied to having his ear to the ground for the latest trends in black music. His most famous work — ‘Clothes Line’, recorded under his alias Boogaloo & His Gallant Crew — was plundered by Leiber and Stoller for the Coasters’ ‘Shoppin’ For Clothes’ and is already out on an Ace compilation. All four of his Crest sides are humorous, streetwise and down with the groove of the day. ‘Big Fat Lie’ concerns a visit to the pawnbrokers, which a lot of black audiences could relate to in the 50s. Other novelty songs include ‘Big Chief Hug-Um An’ Kiss-Um’ by James Shaw, later to be known more grandly as the Mighty Hannibal, and the newly-discovered Boogaloo recording ‘I’m In The Dog House Again’. He’s so late back his woman won’t let him into the house and he has to kip down with the dog. ‘Double Locks’, which Kent wrote for Johnny Gosey, deals with an angry landlady putting locks on the tenant’s crib until the back rent is paid. Kent’s arrangements were innovative too. On the Francettes’ ‘He’s So Sweet’, he and group manager Frances Gray combined to get the backing girls calling and responding and throwing in their own seemingly ad-libbed comments rather than just filling in the harmony. The CD embraces the whole of the Harris family and the notes describe what an influential Los Angeles clan they were. The much missed sister Dimples is a major contributor, rocking it up with her sisters on ‘Kissin’ Bug’ from 1955 and also recording solo and accompanying her big brother under his pseudonym of Ducky Drake. She cut as a solo under her married name of Dimples Jackson in 1960 and with her new husband Harold, helping him out on his astonishing ‘The Freedom Riders’ 45. New Breed R&B lovers will appreciate Dimples’ ‘Love Came Tumbling Down’, while the new version of Donoman’s ‘I’m The Only One’ by the Phillips Sisters is a big bonus. The whole mysterious Donoman / Cry Baby Curtis story is related in the booklet. His ‘Monday Is Too Late’ has a New Orleans meets ‘Turn On You Lovelight’ vibe that will thrill traditional R&B lovers. Though Kent Harris had many high quality soul productions (they’ll feature on a future Kent CD) he always had a bias towards the blues and you feel that the ‘You Ain’t Right’ wailer from Faye Ross was the side the musicians had their hearts in, rather than the Motown-esque ‘Faith, Hope And Trust’. Kent’s partner, and love of his life, Ty Karim, was primarily a soul singer but when they worked on a blues like ‘Take It Easy Baby’, it was as intense as anything they cut together. "¨"¨Vocal group collectors will be pleased with the new version of ‘Diddy Bop’ that predates the Valaquons’ Rayco release and the splendid Lon-Genes provide an incredibly rare harmony ballad as well as a new twist on an old dance craze. "¨"¨We have chased tapes, 45s and label scans all across the world to get the productions and recording facts of a seriously overlooked R&B producer into an accurate history. Though a large amount of information has been discovered, we are positive there are more obscure 45s out there featuring Kent’s work. If you know of any, please do let us know. Footnote: I’ve been chasing the missing Romark 103 release by the Phillips Sisters ‘After Tonight’ / ‘The Wiggle’ for months but only tracked down a copy after this CD’s deadline had gone. I clicked on the soundfile with great hope of finding a previously unissued R&B gem, but sadly it was a disappointment. The vocals on ‘After Tonight’ leave a lot to be desired on an, at best, average song while the flip is an instrumental; at least it’s not a crucial omission on here. "¨"¨ By Ady Croasdell Buy from Ace Free delivery in the UK Take a listen to a sample of tracks 3, 5 & 12 http://soundcloud.com/chalkster/kent-harris-sample 1. Lover Supreme - Kent Harris 2. I'm In The Dog House Again - Boogaloo And His Gallent Crew 3. Don't Just Stand There - Cry Baby Curtis 4. Long Lean Lanky Jukebox - Dimples Harris & Her Combo 5. Love Came Tumbling Down - Dimples Jackson 6. Monday Is Too Late - Donoman 7. Saint Or Sinner - Ducky Drake With Dimples Harris & Her Combo 8. Pay & Be On My Way - Eddie Bridges 9. You Ain't Right - Faye Ross 10. He's So Sweet - Francettes 11. You Stayed Away Too Long - Francettes 12. Kissin' Bug - Harris Sisters 13. Big Chief Hug 'um And Kiss 'um - Jimmy Shaw 14. Double Locks - Johnny Gosey 15. Show Me How To Shake Like That - Lon-Genes 16. Our Love Is Like The Sea - Lon-Genes 17. I Ain't Talkin' - Pat Hunt 18. I'm The Only One - Phillips Sisters 19. Someday I Won't Be Blue - Phillips Sisters 20. It's A Helluva Thing - Ray Agee 21. Freedom Riders - Harold Jackson & The Jackson Brothers 22. Don't Make Me Do Wrong Or Take It Easy Baby - Ty Karim 23. So Far Away - Hi Tensions Demo Of 45 24. Diddy Bop - Valaquons 25. Getting Down With The Game / Do It - Adolph Jacobs 26. Cops And Robbers - Boogaloo And His Gallent Crew
  15. Kent Harris' R&B Family View full article
  16. I know but I'd actually looked at he topics as they were posted....
  17. Yes all those topics clogging up the sales section......all three of them! dunno how we are expected to find anything else in there?
  18. Shouldn't this be in the lookback topic in events?
  19. Chalky replied to Chalky's topic in All About the SOUL
    I've spoken to Poke so just Rick I need to speak to.
  20. The new (well old) Oliver Cheatham release on Soul Junction is fantastic. Played it last night at Skeggy and had some visitors to the decks to see what it was.
  21. Chalky replied to Chalky's topic in All About the SOUL
    He is Peter but not been on for a while and need to get in touch sooner rather than later.
  22. Chalky replied to Chalky's topic in All About the SOUL
    also some details for Rick Scott. much appreciated.
  23. Chalky posted a topic in All About the SOUL
    Does anyone have any contact details for Poke?
  24. Little furry toy with big eyes, I had to look it up actually there's a few of them on he nighter scene
  25. Mrfish is Steve Clancy.

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