Mickyfinn

Culcheth Soul Nights, once again proves why it’s one of the North West’s must-visit events for true soul lovers. The two-room setup delivered its usual magic; the main room spinning the finest in rare and underplayed soul, while the second room served up a delicious blend of modern grooves for those with eclectic and more contemporary tastes. Culcheth always has a stellar line-up of regular and guest DJs. This week was no exception; featuring Grumpy Soul stalwarts Phil Threlfall and Jumpin’ Joan Livesy, both of whom brought their trademark energy and impeccable taste to the decks. Whilst the modern room welcomed back the legendary Soul Sam. The main room was dark, moody, and perfectly tuned for the rich, emotive sounds that define the night. A packed dance floor reflected the calibre of the selections. Baz Maleedy was warming up the main room as we arrived, a varied selection that included the wonderfully sounding, Webs “Don’t Ever Hurt Me” with the New York emphasis on the word Hurt, in a chorus, punctuated with riotous horns. Ian Wills set lit up the dancefloor; including Emanuel Laskey and the timeless Judy Freeman. Then mixing things up nicely with Sam Fletcher’s and Al McCarther’s epic beat ballads. The Grumpy duo kicked off with Phil Threlfall, a selection that included the dancefloor magnet, Jo Mathews “Ain’t Nothing You Can Do” and the wonderful The Four Dynamics. Jumpin’ Joan gave us Archie Bell and The Drells version of a "Thousand Wonders", the uplifting sound of Eula Cooper and The Delegates of Soul. For me Sandra Richardson’s superb sounding powerhouse “Stay Here with Me”, stole the show. Simon Ingham took the final spot. A listers that included The Hopkins Bros, Mac Staten, The Honeybees and The Four Tracks. And to prove great Soul music needn’t cost the earth, his wondrous set also included J.J Barnes “Baby Please Come Back Home” and Edwin Starr’s “I Just Wanted to Cry”. Bringing a great night to a close in the main room with the Poignant refrain of Ralph Graham and “She Just Sits There” Over in the Modern Room, the vibe was equally electric: intimate, buoyant and showcasing the very best in cross over and modern Soul. Pete Ratcliffe, master of the new releases played the new 100-Club anniversary track by Kim Weston “I’m Moving On” and another Kent Release, the incredible sounding The Shirilles “Nobody’s Gonna Love You”. Steve Plumb gave us the contemporary and wonderfully smooth album track by Durand Jones “Really Wanna Be with You”. The symphonic, The Moments “Sleep Won’t Come”. And the 70s classic by Marvin Holmes and Justice. Nick Mckinnon played the funky sound of Khemistry “Can You Feel My Love”, Dance floor favourites The Trammps, Harold Melvin & Bluenotes “Bad Luck” and the sophisticated tones of Luther “Follow My Love”. I caught Soul Sam mid set; it was standing room only on the dancefloor. Playing the irrepressible Phyliss Hyman “You Know How to Love Me”. Turning things up a notch with True Image then King Tutt. The 70’s classic by Will Collins and Willpower. And arguably the song that launched the Sound of Philadelphia “Back Stabbers”. Charlie Smith took the final hour. Kicking off with the Constellations and including Barbara Lynn’s funky gem “Moving on a Groove”. Thanks to Baz and the team for another superb night of quality Soul.

The Culcheth anniversary event was a true celebration of Soul music and nothing short of spectacular. Stellar DJs of our scene ensured there was something for everyone. The main room, expansive and atmospheric, playing rare and underplayed 60’s and 70’s Soul. The modern room, intimate and engaging; spinning crossover, modern and contemporary gems. The event was packed, the atmosphere joyous and the dancefloor vibrant throughout the evening. Main Room: We arrived just after 5pm, Rob Haigh greeted us with The Brothers of Soul “I’d Be Grateful”. Followed by the raw and strident sound of Betty Harris “I Don’t Wanna Hear it”. And included the timeless, Carol & Gerri “How Can I find a Way”. Simon Ingham followed, always quality, the rich tones of Cleveland Robinson “Boy”. Ray Charles “Tired of My Tears”, sounding great. The magical harmonies of the Groovettes “Think it Over Baby”. And a track that is certainly going through a bit of a renaissance, Rhonda Davis “Can You Remember”. BazM next. The OJays “No Time for You”, Not sure if this, or the Commands version came first. The enigmatic Speidels “Dream Girl” and a soulful sounding track I don’t know much about, Johnny Sayles “Tell Me Where I Stand”. Jimmy Knowles ensured the dancefloor remained lively, The Peoples Choice “Saving All My Lovin for You”. A dancer from Garnett Mimms later work, “Somebody Someplace”, then staying with the 70’s, the throbbing sound of O.V Wright “Into Something (I Can’t Shake Loose)”. Robbo’s set included Jimmy Seals “Yesterday of Our Love”. The relentless and unforgettable dancer, Jo Matthews “Ain’t Nothing You Can Do”. And Yvonne Bakers refined version of “I Can’t Change”. Julian Bentley certainly gave us some superlative tracks. The raw and thrilling sound of Margaret Little “Love Finds a Way”. The illusive Patrinell Staten “A Little Love Affair”. Top shelf gems William Powell and Bobby Kline and the unique sound of Jimmy Bo Horne. Steve Thomas played us the incomparable Lenny Curtis, Northern anthems Jay Traynor and Carol Anderson “Taking My Mind off love”. And slowing things down masterfully with C. M Lords masterpiece “Oh Mama”. Paul Shirly took the final hour. Magnetics (Detroit) “Lady in Green”. The soaring sound of Pat Lewis “No One to Love”. Crossover gold: Robert Tanner, The Imperial C’s and Chuck Cockerham. Northern anthems The Del Larks and the irrepressible Eddie Parker. A wonderful evening closed with a dedication to the late kev Murphy (RIP), with the Serviceman “I’ll Stop Loving You” Modern Room: Pete Ratcliffe Got things underway in the Modern room. The first hour dedicated to new and future releases. His second hour included, the west coast funky sound of Patches “I’m Gonna Make This World a Better Place”, a smooth Willie Hutch ballad “When a Boy Falls in Love” and Space Lady “Bill”, complete with funky bassline and sophisticated backing arrangement. Bill Wildman continued with some quality. The textured smooth arrangement of Mandrill “Getting in The Mood”. A super track from per-eminent writing team Ashford and Simpson “It Seems to Hang On”. Some disco magic with GQ “Make My Dream a Reality”. Howard Whiteside provided us with some upbeat dance heaven with Trammps “Love Epidemic”. Phily gold with Teddy Pendegrass “Where Are All My Friends Gone” and finishing with the enduring sounds of the Spinners “I’ll Be Around”. Tony Dawber played the newish release from Canadian songstress Clare Davis “Intuition” on vibrant green vinyl. The jazztastic Brenda Brooklyn “Love Is in Town”. And what must now be a modern anthem, the sublime and flawless and uplifting Jack Radics “No Matter”. Charlie Smith was spinning Barbara Lynn's increasingly popular “Movin on a Grove”. Crossover ambrosia Celiste Hardy “Your Gone”. And the groovy harmonies of Unique blend “Yes I’m in Love”. Modern Maestro, Steve Plumb gave us recent album track Crossroads, the jazzy “Tripping Out”. Another album track and one Steve has been championing, complete with a calypso and latin dance vibe “Ronnie Butler and Ramblers “Piece Without Love”. His set also included 70’s gems, James Walsh Gypsy Band, Bobby Thurston and Four Below Zero. Baz M, put his modern hat on for the final hour, I manged to catch the tail end of his set. The strident and accomplished George Soule “Can’t Believe” or was it the cover by Jack Tennis “From the Heart”? Last tune of the evening in the modern room was Thelma Huston’s appropriately named “Saturday Night Sunday morning”. Thanks to Baz Maleedy and the team for a fabulous event.

Situated within the modest surrounds of the Archibald Worthington club. This intimate low ceiling venue with a raised DJ platform and polished wooden dancefloor; manages to keep the sound tight and the energy high. We arrived as Pete Best was setting the tone: The Lovelites “Oh What a Day”, the smooth flip to “Get it Off My Conscience “. Followed by the modulated tones of Wendell Watts, “You Girl”. The standout of his excellent set, for me, The Voltaires “My My My Baby” acoustically simple, yet brilliant. Next up was Chic, who opened with the entreating tones of the Nu’rons, “All My Life”. Stellar crossover tracks, The Imperial C’s, Charlene & The Soul Serenaders and the wonderfully familiar track that never fails to fill the dance floor: Jokers, “Soul Sound”. The lights were dimmed, and the atmosphere lifted a notch. The dancefloor remaining lively all evening. Mick Howard was up next, Emanuel Laskey’s “I’m A Peace Loving Man”. A varied set that included the timeless Andrea Henry and the ever-popular San Franciscan TKO’s. Proof that great tunes needn’t require a second mortgage with the masterful David Ruffin, “I Can’t Stop the Rain” and dance heaven with The Dramatics “Your Love is Strange”. Mick included the delightful new release by the Womack Sisters “If You Want Me”. Another Ashton Ukrainian Cub stalwart was next, Simon Ingham with his Pandora's box of Soul magic and a typically masterful set. The intoxicating beat that is Jackie Beavers flip “Love That Never Grows Old “. Another superb flip from the top shelf, The Honeybees, “Never in a Million Years”. The sublime Tommy Ridgely, followed by the orchestral and poetic sound of Ralph Graham “She Just Sits There”. Keith Williams took the final hour. There was no let-up in the quality of the music played. Opening with The Soulful Twins’ “Can’t Let You Go”, which shares its production DNA with its pricier Magnetics stablemate. An impressive and enjoyable selection, highlights that included The Oxford Nights and Rudy Love. Joe Batman’s take on “Under the Street Lamp”, and the beautifully crafted sounds of Ree Flores “Look into My Heart”. Departing to echoes of blue-eyed soul, Mark Loyd’s “When I’m Gonna Find Her”, a refined and fitting end to a night of exceptional music.

The Original Doncaster Sunday Chillout bowed out in style for its 17th anniversary, delivering a send-off that was equal parts celebration and what felt like a heartfelt goodbye. The Doncaster Catholic club was packed with devoted artisans and loyal regulars. The depth of soul music knowledge in the chillout area was almost overwhelming, most sharing a palpable sense of shared history. Conversations, Soul scene related anecdotes and musical passion flowing freely with the music. Like a mesmerised outsider, I found myself soaking it all in. That is until the dance floor became irresistible. Musically, it was nothing short of spectacular. The DJs delivered a masterclass—mixing unfamiliar yet fabulous tracks alongside rare and underplayed gems. Joe Lakin was on the decks when we arrived, the memorable standout for me was the powerfully emotive C.M Lord “Oh Mama”. I think it was Keith Whitson that followed, spinning the magical Almeda Lattimore “ These Memories “. John Benson and John Buckley maintained the incredible quality, the unmistakable vocals of Bobby Bland “I’m So Tired” and the polished sound of Johnnie Taylor “You’re The Best In The World “. Cliffe Steele gave us a masterclass in crossover Soul, the captivating vocals of Annette Pointdexter “Wayword Dream” and the smooth Cynthia Sheeler “I’ll Cry Over You”, plus quite a few fabulous tunes all new to me. The dance floor was filling as Dave and Brian Pinches took the stage. Some real gems, Charlene and the Soul Serenaders, Cleveland Robinson “Love Is A trap” and Otis Browne “Southside Chicago”. For the remainder of the day, the superb music continued to assault the senses, Richard Caiton, Robert Tanner, Flowers and the sublime Seville “Show Me The Way”. The Doncaster Sunday Chillout ended on a high, with the music soaring, the floor full, and the memories rich enough to last well beyond the final note.

Review: Rare Soul Sessions – A Continental Vibe with Soulful Depth in the Heart of Stockport. Rare Soul Sessions delivered a fresh and relaxing experience. A deceivingly expansive venue, with a compact dancefloor and different seating areas. Including Parisian style outdoor seating that overlooked Stockport’s Market Square; giving it a distinctly continental feel. A top tier sound system and enthusiastic crowd helped to create an immersive and vibrant atmosphere. Our DJs: Howard Whiteside, Dave Hulston, Darren Sykes, Lisa Hurley, Dave Harrison, Nick McKinnon and Dave Ripolles did a sterling job, entertaining us with an eclectic mix of quality Soul. From the funky sounds of James Walsh Gypsy band to sophisticated modern gems: Odyssey ‘Our Lives are shaped By What we Love’ and the quality vocals of Carolyn Crawford’s ‘I’ll Be Here for You’. Dancers were more than catered for: crossover tracks El Anthony ‘We’ve Been Gone Too Long’ and James Phelps masterful version of ‘That Look on Your Face’. To stellar 70’s: including the uplifting Flame N King ‘Oh Happy Day’ and the glorious We the People ‘Making My Daydream Real’. A fun and sociable event, that was also well-crafted day of soulful expression. I for one, certainly hope it’s not the last.

A previous open commitment this Saturday meant I hadn’t planned to attend a Soul event, but I got away early enough and was able to get to Dodgers local bi-monthly Soul fest, I’m glad I did. This was a special edition, which included top DJs of our scene with a touch of Northern Soul royalty. A gathering of the great and the good of Stockport’s Soul community made a full house. Friendly faces, a joyous atmosphere and superb music. Gavin Bates got things moving nicely with the big voice of Tony Middleton ‘To the Ends of The Earth’. The classic blue eyed Northern dancer, Micky Moonshine. The ever popular, The Jelly beans. And the seductive tones of Frankie and the Classicals. Guest DJ Simon Ingham, brought his box of magic along, kicking off with Cleveland Robinson ‘Love is a Trap’, the swinging ‘Ive Given All My Love’ by Patti Austin. An artist that doesn’t do bad tunes, Cody Black and the ebullient ‘I’m Slowly Molding’. Not forgetting Kenny Gamble’s stellar classic, ‘The Jokes on You’. The next guest DJ was Billy Mailey, with a top selection that included the harmonious girly sound of The Sparkles ‘Try Love’. The banging dancer, Rudy Love. Mill Evans version of Nolan Chance’s classic. And the timeless masterpiece that is Judy Freeman. Robbo was up next, accompanied by the inimitable Bob Hinsley making a surprise appearance. A complete set that ensured there was no let up on the dance floor. Opening with Tony Clarke’s moody and reflective ‘The Wrong Man’. The refined sound of the Tangiers, classic 70’s, Bit’s and Pieces and Alfie Davison. The powerful and sad refrain of Jewel Akens ‘My First Lonely Night’. The song accredited to Sukiyaki on the 45, which is the original Japanese version of the song. Our host Dodger did the final lap. The catchy sound of James Barnett ‘Keep on Talking’. Classic Island oldie Jackie Edwards ‘Feel So Bad’. A real blast from the past in Sister Sledge ‘Love Don’t go Through no Changes’. I had forgotten how good that sounds when played out. Dodger closed his set, and the night came to a premature end to the sound of ‘The Voice’ aka Chuck Jackson an unmistakeable Levine production ‘All over the World’. A great night was had by all.

The George Coaching Inn: NYSD Piercebridge weekender. What a weekend! Bathed in glorious sunshine, the riverside terrace set the perfect scene: soulful grooves, modern rarities and 70s gems spun by quality DJs. All overlooking the majestic Stone Bridge on the Tees. As we arrived Ian Craig was playing Ron Ayres funky version ‘For Real’. Julie Ann Niccoll played the magical love song that is: Honey Cone ‘If I Can’t fly’. And Jed Hunt gave us the superb Clausel ‘Let me Love You’. The venue offered a Chill out room, with a full program of DJs providing a more laid back and intimate vibe, this catered for connoisseurs and conversationalists alike. As the sun dipped, the energy moved indoors, where the main room boasted a flawless sound system and an immaculate wooden dancefloor. The DJs delivered a stunning mix of modern soul, 70s crossover and just the right amount of 60s gold. Gary Prescots set included a couple of low rider oldies, the mystical, The Autographs ‘Love’s Gonna Do You In’ and the lesser played of Charlene and Soul Serenader’s, ‘Love Changes’. It was great to see Tats Taylor back on the decks, doing what he does best. Kicking off with Moses Smith’s rhythmic ‘Keep on Strivin’. Included was the fabulous Eddie Billips ‘Ask My Heart and Sam Dees’ expressive groove ‘What’s it Gonna Be’. And a relatively newer release Lady Wray ‘Do it Again’ has a definite Betty Swann type quality to her vocals. Ashtons finest was up next: Simon Ingham, starting with the pleading refrain of Johnny Gilliam ‘Room Full of Tears’. His quality set included crossover gems Fortson and Scott and Tommy Ridgely. And the box office dancer that is True Image ‘keep me Dancing’. Jumpin’ Joan offered a typical energetic set, only matched by her inimitable enthusiasm. The evergreen ‘Brothers’ Guiding Light’. Followed by Walter Jackson’s harmonious modern dancer ‘Touching in the Dark’. And James Bell & Highlighters ‘The Love of My Girl’, complete with funky horns towards the end. Mr Culcheth, Baz Maleedy took the penultimate set. Starting with the floor fillers Innersection and Barbara Lynns ‘Moving on a Groove’. A nostalgic shout out for the Detroit Executives ‘Cool Off’, it sounded superb. Baz also played the classic Oldie Willie Tee ‘Walkin Up a One Way Street’. As a fitting tribute to the legendary DJ and late lamented Brian Rae. Finally, Chalky, some superb choices. With a production that sounds like a full orchestra, the fabulous Jonnie Taylor ‘What About My Love’. A personal favourite, the staccato vocals and heavy beat of General Johnson’s ‘Don’t Walk Away’. A great first night ended with the superb album track Corey Glover ‘Little Girl’. Saturday was equally memorable. Afternoon on the terrace, with tunes to completely relax to, Lou Courtney ‘What Do You Want Me to Do’, Lonnie Hill ‘Galveston Bay’ and the ethereal sounds of Terry Winter ‘Shadow Dark and Blue. Evening in the main room commenced with Daz Carr spinning a few classic gems: The Dynells ‘Call on Me’ and the heartbroken refrain of Rhonda Davis ‘Can You Remember’. Including the soulful tones of T.S.U Toronados ‘Please Heart Don’t Break’. Joan started her set with Archie Bell’s version of a ‘Thousand Wonders’. Modern classics’, Vee Gees ‘Talkin’ and Beloyd. Northern dancers: Yvonne Vernee and Stanley Mitchell. And Phyliss Hyman’s tour de force ‘You Know How to Love Me’ Tats second set gave us the wonderful Ty Karim ‘Lightin up’, the distinctive vocals of Bobby Womack ‘Something for My Head’. And Marvin Gaye’s incredible album track ‘You’. Simon kicked off his second set with the HoneyBees flip and my favourite side ‘Never in a Million Years’. Gladys Knight ‘No one Could Love You More’, literally standing room only the dance floor. Another Motown classic: The Supremes and the Tops alchemy that created a ‘A Taste of Honey’. Concluding with the majestic ‘She Just Sits There’ – Ralph Graham. Baz produced an incredible modern set: Michael Wycoff ‘Looking Up to You’, followed by Kenni burke, GQ, Daybreak. The unmistakeable Wee ‘Try Me’ and not forgetting the Mighty Dells ‘Make Sure (You Have somebody to Love you’). Gary Prescot took us to the finish: The timeless Bottom and Company, followed by Corey Blake, Luther and Randy Brown’s modern anthem ‘I’m Always in The Mood’. A superb weekend of sweet soul music concluded with dancers holding hands and held high, singing aloud to L. J. Reynolds ‘Key to The World’.

My second visit to Grimsargh Village Hall, and it didn’t disappoint. An excellent night with a two- room setup catering for Northern Soul fans and seasoned crate diggers alike. The main room provides a spacious, moody setting with a superb dancefloor and just the right amount of atmosphere. The elevated DJ setup gives it a proper club feel. I didn’t spend as much time as I would have liked in this room, but I did get chance to test the great surface and savour the atmosphere. The DJ’s kept the patrons happy: Gamekeeper Jones playing the incredible Al Macarther, Tony Mundey spinning the dance favourite, the Constellations “I Didn’t know How to”, and George Falzon treating us to some Motown, including the gem that is Francis Nero. I was in the 2nd room for all of Derek Robertsons main offering, and I certainly missed out, his playlist was an impressive selection of sought after tracks: That included the dictionary definition of Northern Soul: The Professionals. The Antellects, The Admirations and the superb crossover track, Eddie Billips ‘Ask My Heart’. The dancefloor remained busy late into the evening. Stephen Condron playing September Jones’ haunting anthem ‘I’m coming home’, the Marvellows ‘Your Little Sister’ and the uptempo Jimmy Seals. The final spot in the main room was taken by Mick Smith, who signed off we a few real nighter tunes: Jaywalkers ‘Can’t Live with You’ and Paul Sindab’s palpitating ‘Do What You Wanna do’. The second room, aka The Dolly room has a different vibe altogether – smaller, more intimate. Here, DJs had the freedom to dig deep into their collections to include some obscure gems and forgotten treasures. Dolly’s first set gave us the rarely heard and serene Party Favours ‘Changed Disposition. Wonderful harmonies with the Vows ‘Tell Me’ and Sunday ‘Ain’t Got No Problems’. New to me, the bluesy Tyrone Wonder Boy ‘If You Don’t Need Me’. Concluding with a rhythmic tonic: Talmadge Armstrong ‘Give it Up’. Gamekeeper followed with the Hypnotic Dream Merchants, Mighty Joe Young and another track new to these ears: Tony Owens ‘I’ll be There’, a soulful forte with mournful horns. Derek Robertson gave us an excellent set, certainly from personal perspective, laced with 70’s gems: Bobby Thurston, Garfield Flemming and j. B Bingham ‘All Alone by the Telephone’. The magical dancer Flame N King ‘Ho Happy Day’ and Carol Andersons crossover diamond, ‘Sad Girl’. Karl Bodi offered up a great mix: a standout was the quality vocal and rhythmic bass of Barbara Lynn ‘I Don’t Want a Playboy’. The deceptively inexpensive Emotions ‘Stealin Love’, the entreating refrain from T.S.U Tornandos ‘Please Heart Don’t Break and The Stafford anthem: The Righteous Brothers ‘It’s Up to You’. Karl concluded with a track I’d not heard before, a blue eyed and a Marleena Dietrich esq ballad Cheryle Thompson ‘Don’t Walk Away’. Tony Mundey’s short set gave us Little Johnny Taylor ‘Zig Zag Lightning’ and another R&B offering this time with a funky groove, Cecil Garett and Fascinations ‘Bearcat’. Gamekeeper and Dolly took us on the home straight. Including some popcorn tracks, the pick of the bunch Clydie King ‘Only the Guilty Cry’. The big production, Jewel Akens ‘my First Lonely Night’. Dance magic with The Invitations ‘Watch out Little Girl’. Followed by the regretful tones of Paul Sindab ‘I’m a Fool’ and Bobby Blue Blands finest ‘I Ain’t Myself Anymore’. A superb night of Soul music dancing and friendship came to an end far too soon, to the sound of Johnnie Mae Matthews ‘I Have No Choice’.

This review is a little bit different, in that It’s an attempt to capture the essence of the 3-day Soul festival. I do confess It’s my favourite weekend of the year. To me, those who criticise it, either have never been or have given up on life. Tucked away in the Winter Gardens is the Old Vic, probably my go to place. A smaller and more intimate venue than the norm, it has the look of a traditional English pub, with a bar running the full length of the dancefloor, where the ambience and lighting is just about perfect. Open for the whole event, it has also become the de facto meeting point. Entering The Old Vic late Friday afternoon to DJ Jem Booth playing the seductive tones of Cheryl Berdell ‘Giving it All to You’. The DJs then gave us a masterclass spinning a brilliant mix of crossover soul, 70’s classics and modern floor fillers. Glyn Thornhill spinning Jalen Ngonda ‘Come Round and Love me’, George Benson’s masterpiece ‘My Woman’s Good to Me’. And crossover gem by the Paramount Four ‘Sorry Ain't the Word’. Roman gave us the sublime, The Bitter and The Sweet ‘I won’t Have any Babies for You’. And Bill Harris’ 70’s classic ‘Am I Cold am I Hot’. It's only 9pm, the Old Vic is packed, the dancefloor is bouncing, with smiling and glistening faces. Keith Money played the stylish Papa Bear and His Cubs, then crossover perfection with Robert Tanner ‘Sweet Memories’. Eddie Piller played Terry Callier’s up-tempo modern gem, ‘I Don’t Want to See Myself’. The raw emotional vocals of Belita Woods’ ‘My Magic Corner’. And the heartfelt duet of George and McCrae ‘Winners or Losers Together’. Steve Plumb’s excellent set included the upbeat album track with the Latin and calypso vibe, Ronnie Butler & the Ramblers ‘Peace without love’. Then local boy M.T. Jones’ I’d be Lying’. Flanny ensured there was no let up on the dance floor, the majestic Dells ‘Your Song’ and the modern anthem, Maze, ‘Joy and Pain’. The Old Vic continued to give us brilliant music all weekend, culminating on Sunday with a party atmosphere playing mainly modern soul classics. The Spanish Hall with its vaulted ceiling, Spanish vistas adorning the walls and a large, polished dance floor is an ideal backdrop for the late night Northern and rare soul sessions. The venue was full on Friday and Saturday evenings, giving off a real high energy Nighter atmosphere. Here we got to hear the peerless Butch playing the stunning ‘Old Time Lover’. And 100 Club magic, Curtis Wiggins ‘Kiss me Goodbye’. Mick Taylor spinning some rare classics, including Eddie Parker’s Magnus Opus ‘I’m Gone’ And Don Gardner’s illusive ‘Cheatin Kind’. Not forgetting the mid tempo track that seamlessly combines an understated 'on the fours' beat with harmonious vocals, Johnny Rogers ‘Make a Change’. The Olympia, normally an exhibition hall. On Saturday, this large bright open space made way for Blackpool Mecca reunion session. Mine hosts Colin Curtis and Pete Haigh. The sound system was nothing short of incredible, every crystal-clear pulse and beat magnified, seemingly turning every track into a dancefloor essential. Including dancing to Tavares, fortunately the missus wasn’t there to witness it. More of a revival than a reunion, show casing irresistible rhythms and unmistakable soul magic. Street People ‘Never Get Enough of Your Love’, Marvin Holmes ‘You Better Keep Her’. The sound of Philadelphia, Teddy Pendergrass ‘You Can’t Hide from Yourself’. MFSB ‘let’s clean up the Guetto’, The Ojays ‘I Love Music’ And the dance anthem that is Harold Melvin & The Blue Notes ‘The Love I Lost . Patti Austin was the main live act this year, supported by Snake Davies and The Suspicions. Her vocal range and quality were incredible, as were the musicians and backing singers. She sang most of the tunes she’s known for, and the tracks I personally treasure. The nostalgic ‘Take Away the Pain Stain’ and He’s Good Enough for Me’. Concluding a memorable performance with her masterful version of ‘You Didn’t Say a Word’. Sunday gave us the Manchester Ritz reunion, a Jazz funk and disco celebration. Held in the Pavilion, a marquee styled venue, with a mid to large size dancefloor. DJs, Neil Rushton, Mark Grice and Chris Box. Lovers of this style of music attended in numbers and were ready to party. A real favourite, George Benson ‘On Broadway’ heard for the first time in decades at the Ritz reunion at the New Century Hall, a few months back. Joe Chapel’s Latin groove, ‘Never Gonna Let You Go’. The dancefloor magnet that is Jackson Sisters ‘I Believe in Miracles’. Jean Carn’s disco classic ‘Was That All It Was’. The inimitable David Ruffin ‘Walk Away from Love’. And the delightful tones of Phyliss Hyman ‘You Know How to love Me’. The session signed off with Eddie Holman’s exhilarating ‘This will Be a Night to Remember’. As has become tradition for us, spending the last two hours of the final night in the enormous and Impressive Empress ballroom. Here Kev Roberts and Richard Searling can be found delving into their crates of Northern Soul classics playing to a packed dancefloor. Eddie Foster, Dana Valery, Moses Smith, Roy Hamilton. Popular crossover tracks including Clarence Carter, The Voices of East Harlem and Phyliss Hyman. A great night and fabulous weekend ended to The Queen of Soul’s ‘Say a Little Prayer’. I’m all souled out, if I hear another four beats to the bar, jazzy chord or dance another step I will need to go into deep sleep. Here’s until next time.

Last night’s two room event was nothing short of superb. A masterclass in curating timeless grooves for true connoisseurs. Each room offering a complementary yet distinctive vibe. The night unfolded like a beacon for soul music in all its rich diversity. BazM took the first set in the main room with the classy sound of Tommy Turner’s ‘Lazy’. The flip to September Jone’s anthem ‘No More Love’, then the girlie sound with the heavy dance beat: The Mar-Js ‘Got to Find a Way’. Dance floor favourites: The Spiedels and Silky Hargreaves. Including The Webs ‘Don’t Ever Hurt Me’, always like the stylized New York emphasis on the word ‘Hurt’. Completing a super set with the Ethereal sound of the Dream Merchants. Bob Taylor Kicked off with the classic sound of the Silhouettes, then the harmonious sound of Betty Lloyd, Lonnie Lester and the dance-floor magnet that is September Jone’s haunting number ‘I’m Coming Home’. Soul Sam was spinning to a full dance floor in the modern room. A cover of ‘Man Up in The Sky’, not Barret Strong nor Johnny Bristol. Then the Countertenor tones of Fluorescent Smog ‘All of My Life’. Followed by Chicago funk: Paradise ‘Nombiss’ very reminiscent of Earth Wind and Fire. Sam’s selection also included the sublime rarity, Tab Walton ‘I Love You’. Mick Howard in the main room was playing the brilliant The Soul Blenders ‘Love is Built on a Strong Foundation’. And included the classic sounds of George kirby and Terry Callier. The exhilarating tempo of The Accents ‘Who You Gonna Love’ and the evergreen Delegates of Soul. Master of modern room Steve Plumb was playing some Philly magic, The Ojays ‘Start Stoppin’. The soulful ‘Try Me’ by Wee. Uplifting dancers: Keni Burke ‘Let Somebody Love you’ and the rhythmic high-octane sound of Billy Bryd ‘Lost In a Crowd’. In the main room Mick H started his set with some classic oldies, Dean Courteny, The admirations and Kenny Gamble. The late lamented Pat Lewis ‘No one to love’ followed by crossover A listers Bob& Fred and the Imperial C’s. Not forgetting the nostalgic and breathtaking sound of The De-Lites. Concluding a terrific, varied set with the sorrowful cadence of Guitar Ray. Soul Sam took the last spot in the main room. Some sublime rare grooves: Will Dale and Patrinell Staten. A series of classic oldies, including Yvonne Vernee, John Bowie and Herb Ward before slowing things down with Jimmy Bo Horne. Finally bringing the night to a close with the familiar sound of John & The Wierdest. For Soul fans and aficionados, a fabulous night from start to finish. The kind of night that reminds you why you fell love with this music in the first place.

Review: The 100 Club Nighter – 31st May From the moment you enter 100 Oxford St and descend the stairs you’re engulfed by the venue’s unmistakable aura: red spotlights cutting through the darkness, while glowing red exit signs cast a moody, cinematic glow. Framed photos of pioneering artists who have graced this venue adorn the walls, peering down favourably on a vibrant dancefloor, with a younger crowd breathing new energy into an exceptional mix of rare soul grooves. First up was Butch, one great sounding tune after another and I confess all new to me. And if Shazam could show tumbleweed blowing across the screen it would. I can recall a different version of Bill Brandons, ‘Whatever I Am’ and a thumping cover version of lee Roye’s ‘Tears’. A great opening set. Tomas Mcgrath put us back on familiar territory, kicking off with the hypnotic tones of Sam Fletcher, Otis Brown ‘Southside Chicago’ and guaranteed to bring any dance floor to life: Jesse Davis ‘Hang on in There Girl’. Then mixing things up nicely with the funky sound of Sir Henry Ivy ‘He Left You Standing There.’ First guest DJ Nathan Pickard picked up where Tomas left off with some 70’s magic, Mike Jemison ‘I Want Satisfaction’, the vibrant sound of Bobby Foster ‘If You really Need a Friend,’ and from the same stable the timeless Ann Sexton ‘You’ve Been Gone Too Long’. Not forgetting the captivating sound of Terry Winter ‘Shadow Dark and Blue. Next Guest, Portugal’s finest Joao Tenreiro with tracks to light up any dancefloor, Judy Freeman, Delegates of Soul, The Pages and a song I last heard a lifetime ago ‘You’ve Got Me Hung Up’ by King Tutt. The main man, Ady Croasdell gave us Kent release’s Melvin Hicks ‘The Intruder,’ The Soul Interiors ‘The Inside Guys’ and Carlolyn Crawford ‘Get up and Move’, how good are these? Completing his first set with a dance floor favourite from The Paramount four. 2:15am, only halfway, a packed dancefloor and the ‘Nighter’ vibe is palpable. Butch kicked off his second set with the classic Epitome of Sound. The superb sound system delivering each string and every snare with clarity and punch. The smooth and upbeat ‘I Feel a Song’ by The Brothers Gilmore. A cover of The Supremes ‘Back in My Arms Again’ which was quite frankly epic. Butch’s The Mighty Lovers turned the dancefloor into standing room only. And the melodic sound of Curtis Wiggins ‘Kiss Me Goodbye’. Tomas started with the Notations then the majestic T.S.U Toronados ‘A Thousand Wonders’. The Jazzy Ray Williams & The Majortones ‘Girl (You’re so Sweet)’, concluding with the sweet harmonies of The Reality Band and Show ‘Gangsterboy’. Nathan’s final set gave us the fast funky vibes of Mystic Pleasure ‘Back Door’ and included the Four Tracks ‘Charade’, blue eyed soul at it is best in Bobby Samson ‘Don’t leave’ and the expressive vocals of Andy Aaron ‘You’re the Only One’. Joao started with soulful crossover Ronnie West ‘Lil’ Woman’ before giving us some upbeat Jazz Funk, Halo ‘Let Me Do it,’ New World ‘We’re Gonna Make it’ and the feel-good Jackson Sisters ‘I Believe in Miracles.’ It was left to our host Ady for the finale. First up the Constellations then Little Ann, The San Franciscan TKOs, and Chuck Jackson. Before he brought a fabulous night to a close at 6:00am with his signature tracks. Carla Thomas and The Four Tops ‘Baby I Need Your Loving’

Another gathering of the faithful at the altar of fine Soul music. Ashton Ukrainian club as a unique atmosphere, that needs be savoured. Fabulous music played to an appreciative and knowledgeable crowd with a very receptive and lively dance floor. Mick Howard had the warmup set. He was playing Jimmy Norman’s ‘Family Tree’. as we arrived. Closely followed by The Phonetics with Willie Hutch on lead vocals ‘Pretty Girl’. Steve Skopek was up next with a varied set: Barbara Jean’s masterful ‘Why Weren’t You There’. Several R&B tracks including Dolly Lyon ‘Palm of Your Hand’. Not forgetting The Topics’ harmonious gem ‘Hey Girl (Where are you going)’. John Hilell gave us some classic oldies in Arin Demain and Tamla Lewis, a few popular dance nuggets The Hyperion’s and Silky Hargreaves. Then spiced things up with Brand New Faces and Barbara Lynn’s uplifting ‘Moving on A Grove’. Simon Ingham provided a smorgasbord of quality, starting with Johnny Gilliams masterpiece ‘Room Full of Tears’. A series of box office tunes including Mac Staten, Hopkins Brothers and The Honey Bees. And new to me, Major Lance ‘Wait Til I Get You in My Arms’, which is the flip to ‘You Don’t Want Me No More’. Chick Mullineux kicked off with a dance favourite from a lifetime ago that still sounds fantastic, The De-Lites ‘Lover’. His set also contained The Admirations, The Cairos and Shirley Turner ‘I Wish You the World of Happiness’. An unfamiliar but excellent track, Two Plus Two ‘Look Around’. And a tune with soulful girlie harmonies that is rarely heard out, The Softiques ‘Two Kinds of Boy’. Chris Churn took his usual place with the closing set. Starting with a real dance classic in Emanuel Eskey. Then keeping the dance floor bouncing until the end with quality tracks that included The Brooks Bros and Jackie Beavers ‘A Love That Never Grows Old’. Chris brought another fabulous night to a close with the Soulfully powerful ballad Ray Pollard ‘The Drifter’.

You could tell it was going to busy night, most of the seating was taken shortly after opening. We entered the main room, a haven for rare and under played cuts. Phil Threlfall playing the Embers ‘First Time’. Followed by another gem from the superb Hesitations Soul Superman LP, ‘Soul Kind of Love’. Pete Radcliffe was warming up the 2nd room, dedicated to crossover and modern soul. A new Kent release, Jon Lucien’s ‘We’ve Got Love’. Followed by the mellow harmonies of James Holvay ‘Don’t Take your Love’. In the main room Jumpin Joan was injecting some real energy into the dancefloor with Jimmy Burns’ and Edwin Starr ‘My Kind of Woman. George Sharp took to the decks and kept momentum high with dance classics, Gene Woodbury and Stanley Mitchell. Then included my favourite side of The Crystals twofer ‘Are You Trying to Get Rid of Me Baby’. Not forgetting Maxine Brown’s masterpiece ‘Let Me Give You My Lovin’. Back in the Modern room Steve Plumb offered some of his soulful peaches, Lynn White’s emotive ‘I Don’t know Why’, B.J.B ‘I Gotta Make You Believe in Me’. Then raising the dance tempo with Patti Labelle’s ‘It’s Alright with Me’. Charlie Smith next, starting with a jolt to the dance floor with The Constellations, then some stunning crossover tracks including Hamilton Movement, Celiste Hardy, Rhonda Davis and the incredible vocals of Carl Hall ‘What About You’. Carl Fortnum was packing the floor in the main room playing Danny Woods, Rudy Love and for me, a track that stands at the summit of Northern dance anthems, Eddie Parker ‘I’m Gone’. Phil Threlfall offered us Marvin Gaye’s version of ‘Lonely Lover’. A track I believe HD&H originally wrote for him, but it ended up on the West Coast to be sung by blue eyed Jimmy McFarland, making it his own. His exceptional set included Joe Matthews’ relentless dancer ‘Ain’t Nothing You Can Do’. Nick McKinnon was keeping the modern room lively with some 70’s magic, Collins and Collins and Innersection; before introducing the legendary Soul Sam. Sam ensured no let up on the dance floor, spinning amongst others, The O’Jays ‘Backstabbers’, Soulutions, Charles Johnson, Phyllis Hyman and Garfield Flemming. A track I never tire of hearing, Bill Harris ‘Am I Cold, Am I Hot’. And the peerless David Ruffin ‘Walk Away from Love’. In the main room we managed to catch Carl playing William Powell ‘Heartache Souvenirs’, before our carriage arrived and we had to say our goodbyes. A standout night for soul lovers, a fabulous atmosphere in both rooms and something for everyone.

I’ve been meaning to get to this venue for some time. A great sounding name that lived up to it. Friendly atmosphere, a top dance floor with great tunes. Just what you need on a Friday night. It was quiet early doors; Alan Massey had the warmup set. The lesser played side of the Commands twofer ‘No Time for You’. Next a backing singers delight with Bobby Patterson’s ‘What a wonderful Life. His selection included lesser played and some tunes unknown to me. Jackie Ross ‘Dynamite Lovin’ I thought it was one of the Holloway sisters at first, excellent. The venue was filling nicely as Tony P introduced a real eclectic mix: The Ballads, A Brothers Guiding Light and Irene & The Scotts. Including The Sheppard’s version of ‘Stubborn Heart’. And the soulful harmonies ‘I Need, I Need Your Love’ by the Philharmonics. Bob Spendlove mixed things up with the Phonetics, Larry Huston and the incredible Maxine Brown ‘Just Give Me One Good Reason’. Bob also gave us some classic oldies, Garnet Mimms, Sam Willams and the dictionary definition of Northern Soul, The Professionals. A few technical issues with the sound system, didn’t detract from Jumpin Joan’s brilliant offering: Bobby Guitar Wood, the magical Dynells and the melody roller coaster that is The Accents ‘Who You Gonna Love’. The smooth sound of the Vee Gees ‘Talkin’, the wistful notes of The Four Voices and finally the bluesy horns of Monique ‘If You Love Me’ Alan’s second offering started with the most familiar of The Falcons tracks, yet rarely played nowadays ‘I’m a Fool I Must love You’. Followed by the classic John Bowie. Then the staccato vocals riding a percussive xylophone wave, the unmistakable The Invitations ‘Watch Out Little Girl’. Concluding with the silky sound of Almeta Lattimore. Tony P took last set with the stellar voices of Ann Peebles and Bobby Womack. And bringing things to a close with some up-beat Philly magic; Harold Melvin and the Blue Note’s gospel and disco classic ‘Prayin’. Thanks to all at 45 revolutions for your hospitality and a great night.

Our first time at Wolfie’s Soul Club; friendly, intimate and tailor made for this type of event. Complete with a polished wooden dance floor, a good sound system and can even boast of a raised seating area. Our host Natalie Nicholls kicked things off with a Stafford classic, Chris Morgan ‘Who Am I’. Followed by some dance floor favourites: Sam Dees, Garnett Mimms and the Ivories. The seductive and lyrical sound of Ruby Sherry ‘Feminine Ingenuity’. And the euphonious vocals and snare back beat that is Sugar and The Spice ‘Have faith in Me’. There was a one-minute silence for the legendary DJ of our scene and recently departed Ted Massey. RIP. Natalie also dedicated to his memory, the beautiful and melancholic sound of the Seashells ‘Quiet Home’. John Pugh played a terrific and varied set, opening with the sweet vocals of the Ellusions. Followed by the stark and sombre horns of Monique ‘If You Love Me’. Then some 70’s magic with The Vanguards, Innersection and Papa Bear & His Cubs. Mick Howard may be playing away, but was on top form. His first track set the tone, the dance classic by Little Johnny Hamilton, wild horses wouldn’t keep me from the dance floor! Followed by Buddy Connor: where soulful vocals meet jazz chords. A personal favourite: Patti Drew ‘Stop Look and Listen’, complete with a virtuoso Alto Sax break mid song. And not forgetting Barbara Mason’s powerful evocation of a wronged woman, ‘You Better Stop’. Last up was Jason Arnold, If I remember correctly, he started proceedings with a gospel track, The Holy Disciples ‘What’s the Matter with You’. Followed by the pulsating on the fours beat of the Cashmere’s ‘Showstoppers’. Then the track that shares the same label, production and backing with the Magnetics ‘Count My Days’, it’s The Soulful Twins’ Can’t Let You Go’. Jason's set also included the sombre and intricate sound of Glen Miller ‘Where is Love’ and the powerful beat ballad, Freddie Scott ‘Mr Heartache’. Also a few excellent tracks that were quite new to me. Thanks Natalie, the DJ's and all at Wolfie’s for a great night.