Mickyfinn

Last night’s two room event was nothing short of superb. A masterclass in curating timeless grooves for true connoisseurs. Each room offering a complementary yet distinctive vibe. The night unfolded like a beacon for soul music in all its rich diversity. BazM took the first set in the main room with the classy sound of Tommy Turner’s ‘Lazy’. The flip to September Jone’s anthem ‘No More Love’, then the girlie sound with the heavy dance beat: The Mar-Js ‘Got to Find a Way’. Dance floor favourites: The Spiedels and Silky Hargreaves. Including The Webs ‘Don’t Ever Hurt Me’, always like the stylized New York emphasis on the word ‘Hurt’. Completing a super set with the Ethereal sound of the Dream Merchants. Bob Taylor Kicked off with the classic sound of the Silhouettes, then the harmonious sound of Betty Lloyd, Lonnie Lester and the dance-floor magnet that is September Jone’s haunting number ‘I’m Coming Home’. Soul Sam was spinning to a full dance floor in the modern room. A cover of ‘Man Up in The Sky’, not Barret Strong nor Johnny Bristol. Then the Countertenor tones of Fluorescent Smog ‘All of My Life’. Followed by Chicago funk: Paradise ‘Nombiss’ very reminiscent of Earth Wind and Fire. Sam’s selection also included the sublime rarity, Tab Walton ‘I Love You’. Mick Howard in the main room was playing the brilliant The Soul Blenders ‘Love is Built on a Strong Foundation’. And included the classic sounds of George kirby and Terry Callier. The exhilarating tempo of The Accents ‘Who You Gonna Love’ and the evergreen Delegates of Soul. Master of modern room Steve Plumb was playing some Philly magic, The Ojays ‘Start Stoppin’. The soulful ‘Try Me’ by Wee. Uplifting dancers: Keni Burke ‘Let Somebody Love you’ and the rhythmic high-octane sound of Billy Bryd ‘Lost In a Crowd’. In the main room Mick H started his set with some classic oldies, Dean Courteny, The admirations and Kenny Gamble. The late lamented Pat Lewis ‘No one to love’ followed by crossover A listers Bob& Fred and the Imperial C’s. Not forgetting the nostalgic and breathtaking sound of The De-Lites. Concluding a terrific, varied set with the sorrowful cadence of Guitar Ray. Soul Sam took the last spot in the main room. Some sublime rare grooves: Will Dale and Patrinell Staten. A series of classic oldies, including Yvonne Vernee, John Bowie and Herb Ward before slowing things down with Jimmy Bo Horne. Finally bringing the night to a close with the familiar sound of John & The Wierdest. For Soul fans and aficionados, a fabulous night from start to finish. The kind of night that reminds you why you fell love with this music in the first place.

Review: The 100 Club Nighter – 31st May From the moment you enter 100 Oxford St and descend the stairs you’re engulfed by the venue’s unmistakable aura: red spotlights cutting through the darkness, while glowing red exit signs cast a moody, cinematic glow. Framed photos of pioneering artists who have graced this venue adorn the walls, peering down favourably on a vibrant dancefloor, with a younger crowd breathing new energy into an exceptional mix of rare soul grooves. First up was Butch, one great sounding tune after another and I confess all new to me. And if Shazam could show tumbleweed blowing across the screen it would. I can recall a different version of Bill Brandons, ‘Whatever I Am’ and a thumping cover version of lee Roye’s ‘Tears’. A great opening set. Tomas Mcgrath put us back on familiar territory, kicking off with the hypnotic tones of Sam Fletcher, Otis Brown ‘Southside Chicago’ and guaranteed to bring any dance floor to life: Jesse Davis ‘Hang on in There Girl’. Then mixing things up nicely with the funky sound of Sir Henry Ivy ‘He Left You Standing There.’ First guest DJ Nathan Pickard picked up where Tomas left off with some 70’s magic, Mike Jemison ‘I Want Satisfaction’, the vibrant sound of Bobby Foster ‘If You really Need a Friend,’ and from the same stable the timeless Ann Sexton ‘You’ve Been Gone Too Long’. Not forgetting the captivating sound of Terry Winter ‘Shadow Dark and Blue. Next Guest, Portugal’s finest Joao Tenreiro with tracks to light up any dancefloor, Judy Freeman, Delegates of Soul, The Pages and a song I last heard a lifetime ago ‘You’ve Got Me Hung Up’ by King Tutt. The main man, Ady Croasdell gave us Kent release’s Melvin Hicks ‘The Intruder,’ The Soul Interiors ‘The Inside Guys’ and Carlolyn Crawford ‘Get up and Move’, how good are these? Completing his first set with a dance floor favourite from The Paramount four. 2:15am, only halfway, a packed dancefloor and the ‘Nighter’ vibe is palpable. Butch kicked off his second set with the classic Epitome of Sound. The superb sound system delivering each string and every snare with clarity and punch. The smooth and upbeat ‘I Feel a Song’ by The Brothers Gilmore. A cover of The Supremes ‘Back in My Arms Again’ which was quite frankly epic. Butch’s The Mighty Lovers turned the dancefloor into standing room only. And the melodic sound of Curtis Wiggins ‘Kiss Me Goodbye’. Tomas started with the Notations then the majestic T.S.U Toronados ‘A Thousand Wonders’. The Jazzy Ray Williams & The Majortones ‘Girl (You’re so Sweet)’, concluding with the sweet harmonies of The Reality Band and Show ‘Gangsterboy’. Nathan’s final set gave us the fast funky vibes of Mystic Pleasure ‘Back Door’ and included the Four Tracks ‘Charade’, blue eyed soul at it is best in Bobby Samson ‘Don’t leave’ and the expressive vocals of Andy Aaron ‘You’re the Only One’. Joao started with soulful crossover Ronnie West ‘Lil’ Woman’ before giving us some upbeat Jazz Funk, Halo ‘Let Me Do it,’ New World ‘We’re Gonna Make it’ and the feel-good Jackson Sisters ‘I Believe in Miracles.’ It was left to our host Ady for the finale. First up the Constellations then Little Ann, The San Franciscan TKOs, and Chuck Jackson. Before he brought a fabulous night to a close at 6:00am with his signature tracks. Carla Thomas and The Four Tops ‘Baby I Need Your Loving’

Another gathering of the faithful at the altar of fine Soul music. Ashton Ukrainian club as a unique atmosphere, that needs be savoured. Fabulous music played to an appreciative and knowledgeable crowd with a very receptive and lively dance floor. Mick Howard had the warmup set. He was playing Jimmy Norman’s ‘Family Tree’. as we arrived. Closely followed by The Phonetics with Willie Hutch on lead vocals ‘Pretty Girl’. Steve Skopek was up next with a varied set: Barbara Jean’s masterful ‘Why Weren’t You There’. Several R&B tracks including Dolly Lyon ‘Palm of Your Hand’. Not forgetting The Topics’ harmonious gem ‘Hey Girl (Where are you going)’. John Hilell gave us some classic oldies in Arin Demain and Tamla Lewis, a few popular dance nuggets The Hyperion’s and Silky Hargreaves. Then spiced things up with Brand New Faces and Barbara Lynn’s uplifting ‘Moving on A Grove’. Simon Ingham provided a smorgasbord of quality, starting with Johnny Gilliams masterpiece ‘Room Full of Tears’. A series of box office tunes including Mac Staten, Hopkins Brothers and The Honey Bees. And new to me, Major Lance ‘Wait Til I Get You in My Arms’, which is the flip to ‘You Don’t Want Me No More’. Chick Mullineux kicked off with a dance favourite from a lifetime ago that still sounds fantastic, The De-Lites ‘Lover’. His set also contained The Admirations, The Cairos and Shirley Turner ‘I Wish You the World of Happiness’. An unfamiliar but excellent track, Two Plus Two ‘Look Around’. And a tune with soulful girlie harmonies that is rarely heard out, The Softiques ‘Two Kinds of Boy’. Chris Churn took his usual place with the closing set. Starting with a real dance classic in Emanuel Eskey. Then keeping the dance floor bouncing until the end with quality tracks that included The Brooks Bros and Jackie Beavers ‘A Love That Never Grows Old’. Chris brought another fabulous night to a close with the Soulfully powerful ballad Ray Pollard ‘The Drifter’.

You could tell it was going to busy night, most of the seating was taken shortly after opening. We entered the main room, a haven for rare and under played cuts. Phil Threlfall playing the Embers ‘First Time’. Followed by another gem from the superb Hesitations Soul Superman LP, ‘Soul Kind of Love’. Pete Radcliffe was warming up the 2nd room, dedicated to crossover and modern soul. A new Kent release, Jon Lucien’s ‘We’ve Got Love’. Followed by the mellow harmonies of James Holvay ‘Don’t Take your Love’. In the main room Jumpin Joan was injecting some real energy into the dancefloor with Jimmy Burns’ and Edwin Starr ‘My Kind of Woman. George Sharp took to the decks and kept momentum high with dance classics, Gene Woodbury and Stanley Mitchell. Then included my favourite side of The Crystals twofer ‘Are You Trying to Get Rid of Me Baby’. Not forgetting Maxine Brown’s masterpiece ‘Let Me Give You My Lovin’. Back in the Modern room Steve Plumb offered some of his soulful peaches, Lynn White’s emotive ‘I Don’t know Why’, B.J.B ‘I Gotta Make You Believe in Me’. Then raising the dance tempo with Patti Labelle’s ‘It’s Alright with Me’. Charlie Smith next, starting with a jolt to the dance floor with The Constellations, then some stunning crossover tracks including Hamilton Movement, Celiste Hardy, Rhonda Davis and the incredible vocals of Carl Hall ‘What About You’. Carl Fortnum was packing the floor in the main room playing Danny Woods, Rudy Love and for me, a track that stands at the summit of Northern dance anthems, Eddie Parker ‘I’m Gone’. Phil Threlfall offered us Marvin Gaye’s version of ‘Lonely Lover’. A track I believe HD&H originally wrote for him, but it ended up on the West Coast to be sung by blue eyed Jimmy McFarland, making it his own. His exceptional set included Joe Matthews’ relentless dancer ‘Ain’t Nothing You Can Do’. Nick McKinnon was keeping the modern room lively with some 70’s magic, Collins and Collins and Innersection; before introducing the legendary Soul Sam. Sam ensured no let up on the dance floor, spinning amongst others, The O’Jays ‘Backstabbers’, Soulutions, Charles Johnson, Phyllis Hyman and Garfield Flemming. A track I never tire of hearing, Bill Harris ‘Am I Cold, Am I Hot’. And the peerless David Ruffin ‘Walk Away from Love’. In the main room we managed to catch Carl playing William Powell ‘Heartache Souvenirs’, before our carriage arrived and we had to say our goodbyes. A standout night for soul lovers, a fabulous atmosphere in both rooms and something for everyone.

I’ve been meaning to get to this venue for some time. A great sounding name that lived up to it. Friendly atmosphere, a top dance floor with great tunes. Just what you need on a Friday night. It was quiet early doors; Alan Massey had the warmup set. The lesser played side of the Commands twofer ‘No Time for You’. Next a backing singers delight with Bobby Patterson’s ‘What a wonderful Life. His selection included lesser played and some tunes unknown to me. Jackie Ross ‘Dynamite Lovin’ I thought it was one of the Holloway sisters at first, excellent. The venue was filling nicely as Tony P introduced a real eclectic mix: The Ballads, A Brothers Guiding Light and Irene & The Scotts. Including The Sheppard’s version of ‘Stubborn Heart’. And the soulful harmonies ‘I Need, I Need Your Love’ by the Philharmonics. Bob Spendlove mixed things up with the Phonetics, Larry Huston and the incredible Maxine Brown ‘Just Give Me One Good Reason’. Bob also gave us some classic oldies, Garnet Mimms, Sam Willams and the dictionary definition of Northern Soul, The Professionals. A few technical issues with the sound system, didn’t detract from Jumpin Joan’s brilliant offering: Bobby Guitar Wood, the magical Dynells and the melody roller coaster that is The Accents ‘Who You Gonna Love’. The smooth sound of the Vee Gees ‘Talkin’, the wistful notes of The Four Voices and finally the bluesy horns of Monique ‘If You Love Me’ Alan’s second offering started with the most familiar of The Falcons tracks, yet rarely played nowadays ‘I’m a Fool I Must love You’. Followed by the classic John Bowie. Then the staccato vocals riding a percussive xylophone wave, the unmistakable The Invitations ‘Watch Out Little Girl’. Concluding with the silky sound of Almeta Lattimore. Tony P took last set with the stellar voices of Ann Peebles and Bobby Womack. And bringing things to a close with some up-beat Philly magic; Harold Melvin and the Blue Note’s gospel and disco classic ‘Prayin’. Thanks to all at 45 revolutions for your hospitality and a great night.

Our first time at Wolfie’s Soul Club; friendly, intimate and tailor made for this type of event. Complete with a polished wooden dance floor, a good sound system and can even boast of a raised seating area. Our host Natalie Nicholls kicked things off with a Stafford classic, Chris Morgan ‘Who Am I’. Followed by some dance floor favourites: Sam Dees, Garnett Mimms and the Ivories. The seductive and lyrical sound of Ruby Sherry ‘Feminine Ingenuity’. And the euphonious vocals and snare back beat that is Sugar and The Spice ‘Have faith in Me’. There was a one-minute silence for the legendary DJ of our scene and recently departed Ted Massey. RIP. Natalie also dedicated to his memory, the beautiful and melancholic sound of the Seashells ‘Quiet Home’. John Pugh played a terrific and varied set, opening with the sweet vocals of the Ellusions. Followed by the stark and sombre horns of Monique ‘If You Love Me’. Then some 70’s magic with The Vanguards, Innersection and Papa Bear & His Cubs. Mick Howard may be playing away, but was on top form. His first track set the tone, the dance classic by Little Johnny Hamilton, wild horses wouldn’t keep me from the dance floor! Followed by Buddy Connor: where soulful vocals meet jazz chords. A personal favourite: Patti Drew ‘Stop Look and Listen’, complete with a virtuoso Alto Sax break mid song. And not forgetting Barbara Mason’s powerful evocation of a wronged woman, ‘You Better Stop’. Last up was Jason Arnold, If I remember correctly, he started proceedings with a gospel track, The Holy Disciples ‘What’s the Matter with You’. Followed by the pulsating on the fours beat of the Cashmere’s ‘Showstoppers’. Then the track that shares the same label, production and backing with the Magnetics ‘Count My Days’, it’s The Soulful Twins’ Can’t Let You Go’. Jason's set also included the sombre and intricate sound of Glen Miller ‘Where is Love’ and the powerful beat ballad, Freddie Scott ‘Mr Heartache’. Also a few excellent tracks that were quite new to me. Thanks Natalie, the DJ's and all at Wolfie’s for a great night.

It always amazes me how a mix of new faces, die hard regulars and frequent visitors invariably hits the sweet spot for numbers, guaranteeing a great atmosphere. Ashton is like a warm soulful blanket that envelops you for the whole magical evening. I think Phil Dunn was playing The Cavaliers when we arrived. His quality set concluding with Carolyn Crawfords masterpiece ‘ My Smile Is Just a Frown’. Stu Cheetham entertained us with a real mix, that included the funky horns of Dolly Gilmore. The magical feel good sound of Bobby Taylor’s ‘I’ve Been Blessed’. And the banging beat and sweet harmonies that is Al Gardner’s ‘Sweet Baby’. Tony Mac created a dilemma for me, I wanted to dance to every tune, but a man must know his limitations. His set featured a plethora of top tracks, including The Soul Communicators, Troy Dodds and the incredible The Bitter & The Sweet ‘I Won’t Have Any Babies For You’. Ashtons very own Mick Howard gave us the tune that has everything: quality production, horns, strings and flawless harmonies, the deceptively inexpensive track by The Dramatics ‘ Your Love Is Strange’. Top tunes all the way, Rudy Love, Celeste Hardy, Will Collins and Willpower. And a favourite blue eyed track: Bobby Sampson ‘Don’t Leave me’, deservedly getting more plays. BazM gave us a typical stellar set; a real blast from the past with the Determinations ‘ Bing Bong Goes My Heart’, The Masqueraders, T.S.U Toranadoes ‘ A Thousand Wonders’ and the superb Dynells. ‘Call On Me’. Chris took his usual closing slot, his choices included The Natural Four, The Ascots and concluding with some Detroit magic, the peerless Volumes ‘ Ain’t Gonna Give You Up. Thanks to Chris et al for another great and Souful evening.

Stafford: Top of the World. A truly iconic venue. This latter day All Nighter was a celebration in the best music the scene as to offer. The smaller than expected crowd didn’t dampen the mood. Everyone who was there appeared to enjoy the vibe, dancing, smiling, and soaking in the sounds. It was great to see lots of familiar and friendly faces. We arrived to catch the last half of Charles Simpson’s set, that included The Embers ‘ First Time’ and the Superb falsetto vocals of the Epsilons. Gamekeeper Jones followed with a super selection, featuring dance floor favourites, The Invitations ‘Watch Out Little Girl’ and the Blue Jays. The currently underplayed gem Dorothy Berry ‘You Better Watch Out’. And not forgetting the magical Jewel Akens. Sean Hayden gave us the irrepressible Volumes ‘Ain’t Gonna Give You Up’ and the man for all seasons: Darrow Fletcher, with his Northern banger ‘What Good Am I Without You’. The classic sound of Cecil Washington, followed by The Skull Snaps’ 70’s dancer ‘ My Hang Up is You’. Sean had a another spot in the second room, a few new to me from the funkier side of things; Darker Shades Ltd, ‘Tracking Down Jody’, complete with Jazzy horns and a rock guitar. And a track from the James Brown school, Gameth ‘Darkness’. I was on more familiar ground with his closing track the outstanding Willie Dale and ‘Let Your Light Shine’ Back in the Main room. Alan Jenkins treated us to a few Holy Grail 45’s, Don Gardner ‘Cheating Kind’ and The Antellects ‘ Love Slave’. A Stafford dance floor favourite Jesse Johnson. Not forgetting the classic sound of The Del Larks. I’d forgotten how good that was to dance to. Tony Smith continued the theme of box office tunes. Including my all time favourite dancer the inimitable Eddie Parker, ‘I’m Gone’. Martha Star’s truly brilliant ‘Love Is The Only Solution’. Then mixing things up nicely with crossover magic The Four Tracks and the Sharpees ‘Go On And Laugh’. Dave Rimmer treated us to some Stafford classics Troy Dodds and Tommy Navarro. A track I never tire of dancing to, The Magnetics ‘ I Have a Girl’. And slowing things down wonderfully with ‘Bob and. Fred’s masterpiece ‘I’ll Be On My Way’. Which for us was a very apt, since we reluctantly had to depart for home shortly afterwards. Thanks to Pep and all the DJs for this musical nirvana.

The Shirt Club, is a tasty little gem, offering a sanctuary on Friday night for lovers of fine Soul music. The music policy appears to be a deep dive into rare, classic and obscure tracks, whilst keeping things refreshingly unexpected. The kind of place you can close your eyes and feel you have been let in on a secret. Our co-host Bob Spendlove was on the decks as we entered. The pitch perfect Jackie Wilson ‘My Heart is Calling’ followed by a couple of nice midtempo tracks that won’t break the bank; The Holidays (Edwin Starr) ‘I’ll Love You Forever’ and The Spellbinders ‘We’re Acting Like Lovers’. And the Mighty Dells ‘make Sure (You Have Somebody)’. Our second co-host Dave Cartlidge provided an eclectic mix including a few classic dancers: The Idle Few and the Adorables. Paul Fradley provided a melody of lesser played gems, including Steve Mancha ‘Friday Night’. Pic and Bill. And Bill Brandon ‘Let Me Be Your Part Time lover’. Whilst keeping the dance floor engaged with classic sounds including Art Freeman. Time Ashinbende was next, an incredible set that included album tracks, obscure rarities, different versions and unknown flips. I loved them all. The Four Perfections and the under the radar Garage dancer by The Jerms ‘I’m a Teardrop’, the SSS issue of which alludes me. A nostalgia track, Benny Sigler ‘Who You Going to Turn To’. Album track, The Exciters ‘Turn Me On’. The fabulous dancer by Ike and Tina Turner ‘Such a Fool for You’. Usually R&B, but this one is definitely Northern. Ollie Jackson ‘Gotta Wipe Away the Teardrops. And the incredible The Sweets ‘Something About My Baby’. Dave second helping at the decks included Anita Humes and a couple of personal favourites The Crystals ‘Are You Trying To Get Rid of Me Baby’ and Mark Loyd ‘When I’m Gonna Find Her’. Bob's finale included big Northern Classics: The Tomangoes and The Professionals. Then slowing it down with crossover gold: Robert Tanner and Chuck Cockerham. Bob closed an excellent evening to the relatively unknown but superb ballad by Marcellino and Larson ‘Bittersweet’.

Culcheth at its best, where the energy of the crowd merges with incredible music to produce a magical night over two rooms. The night started in the main room with the Host Baz M giving us the magical Dream Merchants, Clarence Hill and The Four Voices. Also including Eddie Holeman ‘Your Beautiful’, the dominant Cabasa (rattle snake) sound that is not for everyone. Mick Howard played the enigmatic Paramount Four ‘You Don’t Know’, Celiste Hardy and the incredible Cookie Scott ‘Mislead’ (current favourite). Robbo double decked with Bob Hinsley, with the classic sounds of Jock Mitchell and Herb Ward. A Stafford anthem Righteous Brothers ‘It’s Up to You’. And the heartfelt Jewel Atkins ‘My First Lonely Night’ Simon Ingham opened his box of magic, his offering included Ernestine Eady, Tommy Ridgely, Gene Toones and the poignant sound of Johhny Gilliam ‘Room Full of Tears’. Kev Murphy took the last spot, a set that kept the dancefloor busy right to the end. Tunes included the timeless Mighty Lover Band and the sophisticated sound of the Caressors. The Modern room was equally brilliant. Bob Wildman played the peerless Bobby Womack ‘Give it Up’. GQ’s classic ‘Make my Dreams a Reality’. And the big production sound with fabulous strings, Al Hudson ‘Spread Love’. The man himself Soul Sam followed, playing some classic tracks that had the room buzzing and the dancefloor bouncing. Kicking off with Charles Johnson, followed by a Sam classic, Mark IV ‘If You Can Tell Me Something’, True Image and Innersection. Baz M took the last hour, this time with his Modern hat on. Those Cinderellas who left early missed a brilliant set. The recently departed Gwen McRae ‘Keep the Fire Burning’, Kenni Burke, The Jackson Sisters and the funky sound of Lamont Dozier ‘Breaking Out All Over’. A great evening of incredible music. The night ended in the main room to the epic dance track: Lenny Curtis ‘Nothing Can Help You Now’.

This was my first visit to Grimsargh, and what an enjoyable evening it was. My time was spent almost entirely in the smaller 2nd room (Dolly). Here we were celebrating the birthdays of several friends and the crowd and atmosphere reflected that. Arriving nice and early to catch Dolly warming up the room, the exquisite 70’s track of Tony Lampkin. Garland Green’s ‘Love Now Pay Later’. The Dynells and the sublime vocals of David Ruffin ‘Rode By your Place’. Birthday boy Neil (Gamekeeper Jones) next, playing Tiny Tim Harris, The invitations ‘Watch Out little Girl’, that banging bassline and mesmerizing xylophone accompaniment, never fails to activate the dancefloor. I was asked and was happy to play a few tunes, a first for me. Remarkably only a couple of minor hiccups. My contribution included Otis Brown 'Southside Chicago', Cleveland Robinson, The San Franciscan TKOs and Beloyd. Next Luci Jones, a typically great sounding set, kicking off with Brothers of Soul (Creations) ‘Dream’, the superb Richard Marks ‘Love is Gone’. Johnny Sayles ‘My Love’s a Monster’, I’d forgotten what a great dance track that is. And the Detroit’s finest the Falcons, ‘Has it Happened to You Yet’. I did take a quick look in the main room, I must confess it did look good, and just as lively as the 2nd room and matched with great music. I sneaked a quick test of the inviting dance floor; Gamekeeper Jones playing Carl Spencer. Back in the 2nd room. Billy Mailey gave us the dictionary definition of Rare and Underplayed Soul. His offering included Lee Garret, Curly Moore, The El Corals Band ‘Chick Chick’ and Dee Edwards ‘Why Can’t There Be Love’. And new to me Beverly Wheeler and Cameros ‘Don’t Shake My Tree’ Dolly, so good they named a room after her; took us to the finishing line. Some great tracks that included an appreciation of recently lost Soul legends: Tommy Hunt and Jerry Butler, a recurring theme throughout the evening. A big finish that included The Epitome of Sound ‘Where Were You’, Virgil Henry and Charles Johnson. This great birthday bash closed to the legendary sound of Johnny Mae Mathews.

This was the 8th Anniversary of this stellar event. Where has all that time gone? The Ashton faithful were in attendance, plus many return visitors and new faces. The event was packed very early with the devotees and the connoisseurs of our scene. We arrived as Phil Dunn was playing Kelly Garett ‘Love is the Answer’, things started to warm up nicely with the classic sound of Frankie Karl and The Chevrons. Simon Ingham gave us 30 mins to light up the dance floor, kicking off with Donna Coleman, including The Masqueraders and thumping beat of Lenny Curtis. Next up was Chris Churm, battling through an issue with one of the decks and ably assisted by Billy Mailey, while Simon went to fetch another deck. A minor hiccup, which did not lesson the quality or the impact of the music. The 70’s classic The Montclairs, still fills the dance floor. The polished sounds of Shirley Lawson, and the sublime Soul Communicators to name a few. Guest: Pete Hollander gave us the alternate take to Sam Dees ‘Lonely for You Baby’, complete with count in and backing singers. The Mighty Popes version of Jesse James’ ‘If You Want a Love Affair.’ Followed by the ever popular Harvey Averne and the brilliant dancer by the Dramatics ‘Your Love is Strange’ Robbo rolled back the clock with some real crowd pleasers that had dance floor almost in party mood: The Jelly Beans, Bill Bush, The Incredibles and the Stafford anthem by the Righteous Brothers, ‘It’s up to You’ Next guest was the renowned Mick H. He didn’t disappoint, an awesome set, kicking off with El Anthony, The Honeybees, cross over excellence by the Imperial C’s. The standout for me being Detroit magic with Sharon McMann ‘Got to Find Another Guy’, an incredible track. Simon Ingham on the decks for the final hour with an exceptional selection. Starting with the pleading vocals of Johnny Gilliam ‘Room Full of Tears’, Troy Dodds, Moses Smith ‘Let Me Love You’. The thumping R&B sound of Leo Price. And finally concluding a brilliant night with Simons’ cover up: The Exits ‘Girl if You Come Back to Me’. Thanks to Chris and the team for pulling it altogether and making yet another memorable evening.

For those of you who are uninitiated, the Spitfire Soul Club’s Sunday gathering is a cut above your usual Sunday Soul session; this bijou club can be a bit special. This was a packed event, great atmosphere with outstanding Soul music. We arrived just after 3pm and it looked like standing room only. Vance Butterworth was on the decks welcoming us with the Marvellos ‘Something’s Burning’. Jimmy Knowles took over, his set included Jimmy Seals, a real nostalgia overload in The Friendly People ‘I ain’t Got Nothin’ But The Blues’ and included the evergreen Silky Hargreaves. Steve Thomas kept the mood going, The Trends, The Four Perfections and included Bobby Valentin’s Latin banger. Fred Benson set was a bit special from a personal point of view, playing three particular favourites: The Dynamic Three, Charlene & the Soul Serenders and the Voltair’s. His box of high end tunes also included the Magnetics ‘Lady In Green' and the ultimate ballad in Al McCarther. Pete Eccles took the last hour feeding a very busy dancefloor, Gene Woodbury and The Peoples Choice. A great modern track by Soulutions, ‘Listen’, (Drizabone Incarnate). A great day was rounded off to the heart broken overtures of Timi Yuro.

The Lowton Anniversary celebration certainly lived up to its billing. A marathon All Dayer, with exceptional soul music by some of the scenes finest DJ’s, played across three rooms. My head is spinning, and my legs are killing, testament to a fabulous day. I apologise in advance if I have failed to mention any DJs or attributed a particular song to the wrong DJ. I made a conscious effort and made copious voice notes, but it seems, as the evening wore on my voice notes became less coherent and more erratic. The main room was billed as the Northern Soul room. But that really does under sell it. We heard some of the finest Northern soul records to have ever been played, mixed with underplayed rarities and real soul gems. We arrived around 2pm and setup base camp in the main room. Though the number of attendees was still low at this point, I knew it was going to be a good day. Dave Rimmer was on the decks playing some exceptional tunes: rare crossover tracks ‘Bob and Fred’ and the Caressors. Then picking up the pace with Cody Black ‘Slowly Moulding’ and Jess Johnson. Kev McCue took over, playing Maxine Browne ‘Let me Give You My lovin’, Robert Parker and the Puzzles. And a track that takes me back to time and a place, Lindia Elliot ‘Fell in Love with You Baby’. Calvin Hughes started his varied and enjoyable set with The Exits and included the ever popular Jesse Fisher and The Moments. The venue filled nicely towards the end of afternoon, with a busy dancefloor, a vibrant atmosphere and Incredible music, whether it was Paul Shirley playing the Del Larks or Eddie Parker. Ian Wills spinning John Bowie or Cecil Washington. Or Les Harrison playing the Spiedells and Crown Four ‘Birth of a Playboy’. Ian and Paul double decked later in the evening, with dancefloor favourites Silky Hargreaves and Little Johnny Hamilton. And a track that would be equally at home in any of the three rooms Collins and Will Power ‘Anything I Can Do’. Alan Jenkins opened his box of rare magic that included the Salvadors and another Holy Grail: Lester Tipton (on La Beat). Natalle Nicholls graced us with a brace of tunes from Bobby Blue Bland. Her newly acquired Ivory’s got an airing. And the Pied Piper of dance floors, Jimmy Robins ‘ I Can’t Please You’. I spent quite a bit of time in the Connoisseurs room, an intimate space that allowed the DJs to express themselves and play some lesser-known tracks. I caught much of Charlie Smith’s spot, quite a few that were new to my ears, but all of them excellent. And as expected as rare as hens’ teeth. tracks included Freedom: ‘High on You’, Smoke inc ‘Waitin’ For Love’ and The Notations ‘Now I know How it Feels’. His later spot in the evening included Papa Bear and His Cubs and Corey Blake. Soul Sams set was outstanding, and a shame the venue had yet to fill, so it was missed by many. Monster rarities; Joseph Webster, Willie Dale and Patrinell Staten. Beverly Young ‘Strung Out Over You’ (new to me). And for all those that have loved and lost, Garry Garnett ‘Have You Heard the News’. BazM played the incredible Impressions ‘Sometimes I wonder’, TSU Toronados and a different version to Candi Staton ‘Now You’ve Got the Upper Hand’, I believe it was Bo fowler, the person who penned the song. Mick Howard played an exceptional set: September Jones, Andrea Henry and standout tune, the flip to Cookie Scott ‘Mislead’, simply stunning. Simon Ingham took the last hour of the evening with a typically well thought out and enjoyable selection. Ron Kenoly, Johnny Rogers and a final tune that would also grace any modern room, the versatile Darrow fletcher ‘I think I’m Gonna Write a Song’. The modern room was busy for the whole period, and had a different vibe to it, most of the modern soul fans setup permanent residence. I ventured into the modern room to catch Steve Plumb, always educational and enjoyable. His set included Luther, Randy Brown, the superb Carl Hall ‘What About You’. And the dance floor filler Eunice Collins. I caught the last 20 minutes of Soul Sams set, it was a party atmosphere, Sams shoulders bopping up and down with a packed dance floor: Gloria Scott, Jack Radics ‘No Matter. And the Phily All Stars version of ‘Bad Luck’. Dave Lucas took over from Sam, paying homage to events gone by, kicking off with the silky Phil Perry ‘Heart of Heart’ and Patrick Green ‘ I need Your Love’. I later caught Nick McKinnon keeping the party going with Thelma Huston ‘Saturday night Sunday Morning’, The Innersection and Beloyd. An incredible event for Soul fans, we left the main room with smiling faces, just after 1am to Kev Murphy playing The Serviceman ‘I’ll Stop Loving You.

Early doors suggested this may be quieter evening than normal, but suddenly normal service was resumed. A busy venue and an atmosphere that reminds you that you are somewhere very special. Phil Dunn got proceedings under way with Roosevelt Grier and Terry Callier, then lighting up the dancefloor with Jimmy frazier. Bob Hitchcock made a notable debut on the decks. Several tunes that were new to me, we also had the inimitable Silky Hargreaves I’ll Keep on Trying’. And the alternate take to the 4 Dynamics: Cynthia and the Imaginations and ‘Hey Boy’. Ashtons own Mick Howard was up next, a nice mix designed for the dance floor, Ivy Joe Hunter, Delegates of Soul and the incredible Soul Stirrers. Not forgetting 70’s magic, The Innersection ‘I’m in Debt to You’. Chalky kicked his set off with a few Motown tracks, that included Marvin Gaye ‘A Bitter Pill to Swallow’. The brilliant Garnet Mimms ‘As Long as I have You’, sadly it seems is now too fast for me 🙄. Chalky always mixes things up and this was no exception, playing a favourite modern track: Wilson Williams ‘its Gonna Work Out Fine’. And completing his set with the impeccable Charlie Rich. Stockholm’s finest Carl Hedberg was next up. The great sounds of Robert Tanner, Eddie Billups, The Nurons, The Trips ‘Love Can’t be Modernised’ and standout for me, the fabulous Carl Hall ‘Is Your Love Going or Growing’. Chris Churm bookmarked a great evening, with a usual selection of top tunes, the timeless Judy Freeman, the Jackie Beavers flip, ‘A Love That Never Grows Old’ and the ideals ‘Mighty Lover to a receptive and appreciative dance floor. We said our goodbyes far too soon, to the sounds of Troy Keynes ‘Let’s Take a Chance’