Kenb
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Everything posted by Kenb
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i fear i'm 1 of 1 here 🤨... Carstairs -
custom recording co inc was also Schafer's ( prexy). I think Chester & Charles defence against piracy was some 'loop hole' about state law versus fed law jurisdictions on recordings made after Feb 1972. Custom recording co inc, manfuctured 8 track tapes principally.
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cheers everyone who joined in. Sherlock advises me that a wild ass guess based on 56 replies with a few multiples & a couple of dupes, so say 80 in total.
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Never noticed that before
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now you've got it! why not post up the part of you avitar soul source name, that has an animal...and you can claim it as yours personally
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where are the animal pictures?
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maybe one of Carty's menagerie ate it
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where is the picture of the hamster?
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realized i have a least 6 x 45's depicting different animals on each of the labels. How many are there? 1. Pelican 2. go on...it's nearly xams.😉
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I bet any Gen X or Millennials reading this topic would laugh. Pills to keep you awake and “up” to carry on dancing until 8. Hardly gonna worry Columbia drug lords, even though the 60’s/70’s UK DS would have had “the public” believe so.
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I don't know anything about the records obscurity, but there's quite bit known about Black Jack.
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Northern Soul Connections #35 - Latest Issue from Kenb View full article
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Now at #35 in the long running informative 'Northern Connections' series by @Kenb. Northern Connections # 35 - Child Of Friendship, Train Robbers The eagle-eyed amongst you will have spotted two different addresses on the 2 versions of Natural Records 1516. 1516 25th Ave versus 1510 16th St. The latter being a small room and the location for Black Unity, Inc-at least from 1971 to 1974. Black Unity, Inc was incorporated in 1967 and was essentially founded to raise the political consciousness of black people through education. Whether this 'room' at 1510 16th St was vacated before the (apparent) release date and therefore has nothing to do with Black Unity, Inc. - OR - whether the release date is inaccurate (perhaps earlier than 1976) and it does have a Black Unity, Inc connection? I don't know. You can check out all Kens other quality 34 Northern Connections and more via his 'activity' profile page, via the link below... https://www.soul-source.co.uk/profile/37754-kenb/content/?type=cms_records5&change_section=1 -
Hi Paul, @Paul-s, the thought of anyone having lessons ( back in the day) would have been laughable. If known, you’d have to hide from your mates 😂 never to be seen again. equally £22 a week for “skilled “ turners, fitters, etc , let alone apprentices ( as I was) would rule it out anyway. finally, teaching-wise, no one would even know what Northern Soul was, let alone Northern Soul dancing.
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I'm interested. And my explanation is, I have no issue with 1977 or the dancing of that tme. But that's not what goes on today ( which will become the norm).
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the thing is though... when we are all dead ( probably me not too far in the distant future) 'their' dancing will be the norm.
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the bad news is...if i can't dance ( because of my knee), i won't come. the good news is...I've recently had injections for my knee, so i'm coming
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It's definately the same Marty Lewis who was involved with Soulin' Record Co at 1812 Constantinople, N.O. But i thought Flame Records ( and Emalf [Flame backwards] Music Pub) was someone else's. Big Deal records, or maybe Marty himself was at one time located in Cheneyville, just South of Alexandria. Not sure which.
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back in 2018 i did a piece on Philharmonics ( New Orleans, Isaac Bolden, etc). i have a few notes from then... Marty was ( i believe ) a construction worker who won a talent comp about 1955/56. Coincidentally, Kenny Guidry and The Clouds of Joy were runners up.I don't know if the 'Joy biit' has anythng to do with Oliver Joy. @Michael Bailey
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@Frost Byte https://garagehangover.com/new-york-public-library-gigs-1966-1970/ this should help, i hope
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I doubt this would get played at a nighter/or real deal venue. Although watzit (Ms Junoff) and many others ‘did get a go’. I quite like it. But I’d leave if I heard it out at a venue.
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What a mammoth task. Congrats Steve
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I think DJ’s get (are getting) a bad rap on these topics of late. No…I’m not a DJ, and don’t want to be a DJ. In the majority of cases, many of the DJ’s play lists (I hear out) seem very mixed with new and old(er). From ‘younger’ DJ’s like Jordan to our ‘ faithful’ DJ’s, it all seems pretty good to me. So where are those ‘lazy’ DJ’s everyone’s banging on about who play ‘same old, same old’- I’ve obviously missed them.
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wasn't it Domain 1st, then Megaphone? Sepe and Brooks Megaphone label only really started late '67 early '68.