Jump to content

Latest Updates

Soul Up North #114 Winter Issue 2022/3 Out Now

Winter Edition is out now, info follows below
Soul Up North #114
Issue Details

SOUL UP NORTH - issue 114

OPENING PAGE CONTENTS – EDITORIAL & INFO
GOOD TUNES & GREAT GROOVES
Dave Halsall
ISSUE CD TRACK LISTING – IT’S NEVER DULL IN ‘ULL
Martyn Bird
FUNK IN YO’ FACE – “BRING ME SUNSHINE”
Howard Priestly
EVERYONE'S FAVOURITE.......A BIT OF LATIN
Martyn Bird
ALEXANDER PATTON
John Smith
SOULFUL SEVENTIES SPINS aka ‘COSBY’S CHESTNUTS’
Bob Cosby
SOUL IN PRINT – MAGAZINES & FANZINES (Part 17)
Iain McCartney
LITTLE SILVER DISCS
HFE
THE RARE SOUL SEARCHER
Mark ‘Hitman’ Hanson
THE LADIES CHOICE – INTRODUCING THE GIRDWOOD’S
Julie Molloy
FEET TO THE BEAT
Geoff Green /Mark Hanson
COLLECTING BRITISH
Lord Snooty
SOUL SPOTLIGHT - A PERSONAL TOMMY TATE TOP TWENTY
Steve Guarnori
SOUL IN A DIGITAL AGE
John Farrar
HOT OFF THE VINYL PRESS
Howard E
PICTURE ME GONE (BUT NOT FORGOTTEN) PT.2
Martin Scragg
THE VINYL PRESS EXTRA + CD EXTRA
Ady Croasdell
COLLECTING BRITISH LABELS – ‘SUPPLY SERIES’
Dennis Haw

DEEP SOUL CORNER
Mike Finbow
Photo Tommy Tate
 
Availability
Available now from all the usual stockists including our very own Source Store
 

By Mike in News Archives ·

New Decisions 45 Release from Soul Direction

The Decisions - That Girl - Soul Direction
B/W - Come Round Here (and Let Me Love You)
Format: 7" Vinyl.
Following on from the enormous success of the first release by The Decisions on Soul Direction of two the two tracks “We’re In Love” and “I Love You” comes a second and equally sublime duo of tracks from the same studio session. Both tracks are from an almost lost master tape that was sent to a LA music executive in 1968 by the group but was sadly never returned.  The tracks recorded in 1968 and would have been a possible release for the bands own label “York Records” 
Licensed courtesy and in conjunction with Fred White and The Decisions.
Available for purchase from     Order Here
 
 

 
By Manfromsoul45s in News Archives ·

Sandra-Mae Lux Vinyl 45

Canadian born Sandra-Mae Lux now resides in London. When she first released 'I'm Still Here' it received much critical acclaim gaining lots airplay with Soul Connoisseurs. Although a new release very much has an early 80s modern soul feel warm lush real instrumentation. Due to demand released on a Vinyl 45 for the first time with a bonus previously unreleased vinyl ony track 'The Last Time' in a similar vien. 
Sandra-Mae Lux
Born in the sleepy fishing village of Steveston (British Columbia, Canada), award-winning Sandra-Mae Lux was singing almost before she was walking and showed a natural ability with musical instruments even in grade school, playing piano, saxophone and guitar.
Sandra-Mae achieved a Bachelor of Music in Jazz Studies on Saxophone from Capilano University and has received multiple awards such as Outstanding Achievement in Music five years in a row and the Phil Nimmons Scholarship for Outstanding Achievement in Jazz.
She has twice appeared at the Ottawa Jazz Festival where she met and performed with many recognized artists such as Robert Glasper, Herbie Hancock and opened for Dave Brubeck.
After moving to London in 2017, Lux began working on her debut album "Happily Ever Now" released in 2020. The album made it to Number 11 on the Global Soul Chart and she was nominated for Best UK Artist in 2020's Bright Star Awards.
Sandra-Mae was also nominated as Jazz Artist of the Year in the 2019 Boisdales Music Awards presented by Jools Holland.
In 2021 Sandra-Mae Lux became a Recording Academy / GRAMMYs ® voting member.
Sandra-Mae lives in South London with lots of plants, a disco ball, and many feathered masks.
 
I'm Still Here by Sandra-Mae Lux
 
By Jmsoul in News Archives ·

'It Hurts So Good' New Lp From Soul4Real

'It Hurts So Good' Soul4Real Album
After 31 singles released it´s so exciting to announce the first ever album on Soul4Real, a compilation including 𝘀𝗶𝘅 𝗼𝗿𝗶𝗴𝗶𝗻𝗮𝗹𝗹𝘆 𝘂𝗻𝗶𝘀𝘀𝘂𝗲𝗱 𝘁𝗿𝗮𝗰𝗸𝘀 by James and Bobby Purify, Esther Phillips, Walter Jackson, Dionne Warwick, Gladys Knight & The Pips and Marvin Gaye.
 
 
 
 
 
 
 
 
 
 
 
 
It doesn’t always hurt to hurt…
Soul 4 Real’s first venture into the albums market is as compellingly essential as the label’s impressive singles catalogue. Its 11 tracks explore every lonely street and losers avenue that soul music has walked down since the early 60s, tempering essays of heartbreak and love lost with the occasional glimpse of positivity and happiness. “It Hurts So Good” is very much in the tradition of those great 60s soul compilations where diverse strands of black American music sat side by side with each other, and still formed a satisfying listening experience despite their apparent disparity because, in the final analysis, the music mattered most.
Just as it does here, in fact.
This album showcases just under a dozen goodies by some very big names in soul. It may well be that one or two of the tracks might be less than familiar to you, but you will know the artists – and you will know, too, that they will never let you down. Originally unissued tracks by James & Bobby Purify and Walter Jackson blend seamlessly with early essentials from Aretha Franklin, Willie Hutch and the Main Ingredient (as the Insiders). Soul 4 Real has delved into the deeper parts of discographies of legendary artists like Marvin Gaye, Dionne Warwick, Gladys Knight & The Pips and Esther Phillips to bring you songs and performances that are every bit as unforgettable as those that forged their reputations. And if you remain unmoved after experiencing the stellar offerings from the Soul Children and Lou Courtney, it may well be that you didn’t have a soul to begin with.
In the song that gives this collection its title, the great Prince Phillip Mitchell wrote “it ain’t no good unless it hurts a little bit”. It’s true, and the ‘Hurt’ here really IS ‘So Good’…and then some…  
…Soul 4 Real – for real.
 
TONY ROUNCE
 
 
Compiled by Andy "Tats" Taylor and Alex Subinas. Liner notes by Tony Rounce. Label design by Jordi Duró. Remastering by Jorge Muñoz Cobo (Circo Perrotti).
𝗣𝗥𝗘-𝗢𝗥𝗗𝗘𝗥 𝗡𝗢𝗪 𝗙𝗢𝗥 9𝘁𝗵 𝗗𝗘𝗖𝗘𝗠𝗕𝗘𝗥
24 euros + postage as it follows:
6,90 euros UK & Europe
2,70 euros Spain
10,55 euros USA & rest of the world
(please contact for multiple copies)
𝗣𝗮𝘆𝗺𝗲𝗻𝘁 𝗯𝘆 𝗣𝗔𝗬𝗣𝗔𝗟 𝗮𝘀 𝗳𝗿𝗶𝗲𝗻𝗱𝘀 & 𝗳𝗮𝗺𝗶𝗹𝘆:
soul4realrecordlabel@gmail.com
Check previous releases: www.soul4real.es




 
 
By Alexsubinas in News Archives ·

Gillespie & Co Feat: Coko What You Gonna Do 7"

Proud to announce my sixth 45 as Gillespie & Co for Funk Night Records outa Detroit IL and this time round featuring the singing sensation  Coko  Buttafli  AKA Tonya Metcalf  who hails from Pontiac Il and now residing in Detroit. Limited 300 pressed at the legendary Archer pressing plant in Detroit  


 
Videos updated by site
 
 
 
link 
https://funknight.bigcartel.com/
 
 
By Soulfly in News Archives ·

Who Saved 'Do I Love You? - Bruce Springsteen Feature

The Guardian website is running a feature titled...
Bruce Springsteen cover reignites row over lost northern soul classic
Who saved Frank Wilson’s Do I Love You (Indeed I Do) from Motown oblivion?
When Bruce Springsteen performed his new single on The Tonight Show Starring Jimmy Fallon on 14 November, it was to rapturous applause and the ecstatic US talkshow host leaping from his seat to declare that the Boss had “crushed it!”
But 3,300 miles away, Springsteen’s performance of the lost Motown classic Do I Love You (Indeed I Do), from his new album of soul covers, Only The Strong Survive, was reigniting a debate that has raged for almost half a century.
https://www.theguardian.com/music/2022/nov/19/bruce-springsteen-cover-reignites-row-over-lost-northern-soul-classic
 
The feature concerns itself with a 'row' between Richard Searling and Russ Winstanleys and airs both of their versions of events...
Of course there is this one as well...
https://www.soul-source.co.uk/articles/soul-articles/frank-wilson-the-story-of-do-i-love-you-indeed-i-do-r2565/
 
The end line of the Guardian article says
The row over who discovered Do I Love You notwithstanding, northern soul fans are at least united in applause for Springsteen. Searling says: “Whatever purists might think of his cover of Do I Love You, he has brought the song to a new audience at last.”
a recent topic on here gives a slightly different view...
https://www.soul-source.co.uk/forums/topic/433243-bruce-springsteen-does-frank-wilson-give-me-strength
united in applause?
ho hum 
 
 
By Mike in News Archives ·

Chuck Cockerham - A Brief Interview

Chuck Cockerham Interview (albeit A Very Brief One).
After following up on a few leads I finally got to speak with the man behind the voice of one of the most iconic crossover records of all time, “Have I Got A Right” released on the Bell records subsidiary label Mala, the one and only Mr Chuck Cockerham. A very nice guy who agreed to briefly answer one or two of the questions that I wished to put to him. He is reputedly working with another party regarding the compiling of memoirs for a future publication and therefore only agreed to offer up limited information to some of my questions the results of which are as follows:
Charles Harold Cockerham pronounced as ‘Cockeram’ with a silent ‘H’ was born in Durham, North Carolina during 1945 and being later raised in the city of Greensboro, NC. He initially began singing in his School choir which was instrumental in him forming his own Doowop group by the name of the Objectives during the early 1960’s. From 1963 to 1965 they worked regularly, culminating in the release of their solitary 45 single on Stan Lewis’s Jewel label, “Oh My Love (Come Back To Me)/Love Went Away” (Jewel 751). The Objectives later broke up following the death of Chuck’s best friend and the group’s first tenor, at this point Chuck temporarily retired from performing but later made a brief return when starting a rock group, a scenario which Chuck chose not to divulge any further information upon. 

In 1969 Chuck was invited to join the vocal group Bill Pinkney And The Original Drifters, the group he was to perform and record with for the rest of his performing career.
 

Also in 1969 and just prior to joining the Original Drifters Chuck was to record his now legendary solitary solo, Mala 45. Through a chance meeting with Fred Tanner and his fellow producer Johnny Coffman, Chuck recorded the now high desirable and respected Fred Tanner penned “Have I Got A Right” backed with Hey There”. Chuck remembers that the song did receive some airplay throughout the Carolina’s upon it’s release, albeit somewhat limited. “Have I Got A Right/Hey There” was recorded at one off studio session with Chuck never ever performing the songs again.

Now enjoying life as a retired performing artist, Chuck is fully aware of the huge popularity and price tag Interviewof his Mala 45 throughout the UK and indeed the rest of the world’s rare soul collector’s scene. With regards to the later, group version by The Nomads, Chuck is also aware of that but was not involved with it in any shape or form as has sometimes been reputedly mentioned. So there you have it, the sum total of what Mr Chuck Cockerham was prepare to divulge to me during our brief conversation.
Words By David Welding
With Acknowledgements to: Charles Cockerham.
 

By Chalky in Articles ·

New Book - Soul Stories a novel by Stephen Riley.

SOUL STORIES: a novel by Stephen Riley.
Soul Stories is the follow-up to The Truth About Northern Soul, but unlike its predecessor, it is fiction – well, kinda, sorta… The author explains:
“When The Truth About Northern Soul was published, it attracted a huge amount of feedback – most of it positive, I am pleased to say. One comment in particular, from a friend who knows me from way back, caught my eye. She asked why I hadn’t included certain other stories. There are two answers: firstly, The Truth About Northern Soul only needed a limited number of examples to make its case – any more would have just belaboured points and added little to the discourse. Secondly, many such stories could be embarrassing or hurtful to individuals or their families. But, from that question the idea of producing a work of fiction emerged. I didn’t, however, want just to create a piece of reportage with the names changed, and I have therefore taken the freedom afforded by fiction to get closer to the human experience of events and write creatively – to tell a story. In short, if I have been building something, The Truth About Northern Soul is the bricks and Soul Stories is the mortar that fills the gaps and holds it all together.”
Synopsis:
A bundle of diaries is delivered anonymously to an historian. As he reads through them, he pieces together the tale of a group of young friends irresistibly drawn to the burgeoning soul music scene in the North of England at the beginning of the 1970s. Enchanted by the passionate music and the ecstatic all-night dance clubs, the friends follow a path from innocence to experience, from youth clubs and street-corner flirtations to somewhere none of them could have imagined. 
After the narrator sets the scene, the book takes the form of a series of short stories, which seem at first only to be connected by the characters and the passage of time, but gradually an overall narrative emerges.
While the northern soul scene is a key reference point, Soul Stories goes far beyond that. It explores the characters’ lives both in those dark, exhilarating clubs and in a much broader hinterland. Riley creates in authentic detail the highs and lows of youthful experience in the 1970s: friendships, family, work, football, love and night-time misdemeanours, all set to a backcloth of Cortinas, frenetic all-nighters and smoky pubs. As the title suggests, Soul Stories is a series of tales ‘from the soul’ and about the souls who populate the book. 
Liberated by fiction, Soul Stories expands on themes introduced in The Truth About Northern Soul (2019). A handful of tales from that earlier book are reimagined, set to the music of fiction and supplemented with hundreds more new stories to create a compelling overall narrative thread, which grows in intensity as the book develops. 
Whereas Soul Stories is the follow-up to The Truth About Northern Soul, it is by no means only about the northern soul scene. The Truth About Northern Soul was aimed at audiences who wanted to read about the subject because they were part of the scene back in the day, or because they weren’t but would like to have been, or because they had an academic or a casual interest of some sort in the northern soul scene. While Soul Stories should appeal to those same audiences, it will also have meaning for a broader audience with little or no attachment to the northern soul scene, just as it is possible to enjoy Nick Hornby’s Fever Pitch without being an Arsenal fan, or Irvine Welsh’s Trainspotting without being a junkie.
Ultimately, Soul Stories is a universal tale of coming of age.
Comments:
F J Paton:“I wondered where it was going at first – the stories all seemed so innocent. But it gradually became darker and more compelling. To that extent, it reminded me of ‘Paddy Clarke Ha Ha Ha’. The closer it got to the end, the more I couldn’t bear to put it down. And when I finished it, I went straight back to the beginning and started again!”
Tim Bates: “the visceral joy of the music,” “punctuated by some very funny moments,” “a deft touch with physical injuries and automotive mishaps,” “proper showing not telling.”
Lesley Britton: “I really enjoyed it. It was evocative of the time and really brought those places to life. It made me laugh and cry.”
It's here!!!
Link: https://www.amazon.co.uk/dp/B0BJH1PPR9/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1666079788&sr=1-2
Available as ebook and paperback from Amazon. Link above.

By Steveart in Soul News ·

'Tony's Empress Ballroom is star of new film documentary' - Local feature

'Tony's Empress Ballroom is star of new film documentary'
Details of an upcoming showing of a specially-commissioned documentary which is part of a campaign to 'bring a unique part of Blackburn’s heritage back to life' make up a current article on the Lancashire TelegraphWebsite
'On Saturday there will be two invitation-only screenings of a specially-commissioned documentary in which former regulars at Tony’s Empress Ballroom share their memories of the dancehall which for 80 years was at the heart of Blackburn’s nightlife.
Then the public will be able to see the film when it becomes ‘an exhibit’ at Blackburn Museum with regular screenings over a two week period.'
Full article can be read via....
https://www.lancashiretelegraph.co.uk/news/23108934.tonys-empress-ballroom-star-new-film-documentary/
By Mike in News Archives ·

Northern Soul Connections #30 - The Seventh Sense

Northern Soul Connections #30 - The Seventh Sense - The latest in this now very long running (30!) series of soul connected connections from Ken B aka @Kenb
The manager of The Seventh Sense was James Shaw, Shaw Records SH-1. He was mostly a realtor at Lindsay & Shaw Real Estate, 13 Middle Turnpike, East Manchester, Connecticut- the same address as on the SH-1 Shaw Records label. James was an Irishman and brought big bands like Woody Herman to the Hartford area, at places like Pagani's Crystal Lake Ballroom in...
Northern Soul Connections #30 - The Seventh Sense

 
I'd like to dedicate this article to Red Kelly, The Soul Detective R.I.P July this year.
Ken B 
Nov 2022
 
Site info
You can check out Kens other quality 29 Northern Connections all available via his 'activity' profile page, the link follows below...
https://www.soul-source.co.uk/profile/37754-kenb/content/?type=cms_records5&change_section=1
 
Added by site
 
By Kenb in Articles ·

BMR 1011 Sharon McMahan Repress Update

WE ARE THRILLED TO ANNOUNCE THAT THE MISSPRESS LABEL'S REVERSED ERROR HAS NOW BEEN RECTIFIED, THE NEW PRODUCTION RUN IS DUE TO BR SHIPPED TO US ON DECEMBER 13TH WITH AN ETA OF DECEMBER 20TH, SOON AS THE RECORDS ARRIVE ALL PRE ORDERS AND WHOLESALE WILL BE PROCESSED AND SHIPPED.
THIS HAS BEEN A VERY WORRYING TIME BUT NOW RESOLVED, JUST LIKE TO THANK EVERYONE FOR THEIR UNDERSTANDING AND PATIENCE REGARDING THIS UNFORTUNATE SITUATION.








By Mark Bicknell in News Archives ·

Carmy Love - Rebel / Thinkin’ About You 7” Repress

Carmy Love caused quite a stir with the release of her debut single, “Thinkin’ About You” and follow up single “Rebel” in 2021. Therefore due to popular demand, we are delighted to say we have repressed this much loved 7” single on beautiful white vinyl!
This double-sided 45 is limited to 500 copies only and will be available at The Big AC Records Live Revue Show featuring Carmy Love, Abi Farrell, Nick Corbin and Emma Noble at London’s 100 Club on Thursday 24 November. There are also limited copies available on our website in the lead up to the show. 
Follow the link below to order your copy of this 7" single now!
https://www.bigacrecords.com/product/carmy-love-rebel-thinkin-about-you-7-single-repress
 
added by site
 
By Big Ac Records in News Archives ·

Heads Up - Upcoming/New Releases - late 2022

A quick shoot and forget topic for heads up news (or catch ups!) on upcoming/new soul releases 
Feel free all to add a quick shout up of any current/releases (best if keep it short and sharp as we do have the news feature for full info posts)
 
Soul Direction have a new 45 coming up
release date?
By Mike in News Archives ·

How To Sing Your Way Out Of Jail: The Charles L. Blakely Story.

In 1969, a 20 year old Charles Lorenzo Blakely along with fellow members of the street gang he hung out with became involved in a shoot out with another rival Milwaukee street gang which resulted in the death of one of their rivals members. Following the arrival of the Police, the shoot out developed into a high speed car chase with Charles being the driver of one of one of the evading vehicles. Charles’s vehicle was eventually brought to a halt when the Cops shot out all four tyres which caused the car to crash at 90mph into a department store called Schuster’s Warehouse. The other occupants of the vehicle managed to get away with the exception of Charles (who himself was packing a gun) having being shot twice by the Cops in the back and shoulder as well as sporting a broken arm received in the crash was the sole arrest at the scene of the crash. Following his arrest and conviction he was sentenced to 30 years for ‘Attempted 1st Degree Murder’ (due to the shots being exchanged with the Police) and a consecutive 10 year sentence for ‘Eluding’ (evading) arrest in a high speed car chase. After a subsequent retrial Charles as the car driver was found not to have been directly involved in actually shooting at the Police, so the initial 30 year sentence was quashed leaving Charles to continue the subsequent 10 year sentence at the high security Green Bay Reformatory in Allouez, Wisconsin.
At the time a common practice within the US Prison System was to encourage inmates who had shown some musical ability to channel their energy into performing as groups for their own and their inmate’s entertainment. Thus in 1970 Charles Blakely formed his first ensemble under the name of the Mansion, a name he chose after reading a book on English Stately Homes!

The Mansion’s line up included at different times Michael Locke, Stanley Newburn, Carl Anderson, John Crawford, Michael Smith, Larry Moses, Ronald Hardin, Jerome Wagner, Lewis Lister, Maurice Payne and Charles himself. One day while rehearsing in the prison chapel, The Mansion attracted the attention of the warden’s wife who happened to be showing some local dignitaries around. Impressed by what she heard the warden’s wife was instrumental in The Mansion being invited to perform for the city’s television station WBAY, where they recording two holiday programs. The warden later gave them permission to perform outside the prison which brought them to the attention of a Milwaukee neighbourhood program adviser by the name of Al Dunlap of the Commando Project One.  It was through Dunlap that The Mansion recorded their solitary 45 release in 1974 “The Girl Next Door /Stop! Let Your Heart Be Your Guide” for the local Milwaukee label Gibbs (406). The label’s owner Bill Gibbs held the release back until some of the members of The Mansion were granted their release papers, as prisoners were unable to sign any contract agreements while still incarcerated at that time. Although Charles Blakely remained incarcerated, he was later moved to a medium security prison in Fox Lake County, Wisconsin. While there he formed a further group, a gospel ensemble called the ‘Bell Tones’ who’s line up included Charles, Mayweather Lee, Joe Hayes, and Levell Rudd. The formation of this group was seen as major factor in Charles’s rehabilitation which led to his eventual parole in late 1976, thus serving 7 years of his initial 10 year sentence.

 Once on the outside Charles with former ‘Bell Tone” member Mayweather Lee were joined by Charles (Sonny) Bryant and Jimmy Taylor to form a new ensemble by the name of The “Final Chapter”.  As the final Chapter in 1980 they recorded a solitary release for Milwaukee main man Marvel Love’s New World Label “Now I Know/Get Down For Your Action” (NW800), a brief association that for several reasons was to eventually break down. Although Jimmy Taylor left to pursue a career as a blues musician the remaining three members of the ‘Final Chapter’ continued to perform until they finally disbanded in 1987. Although recorded, further Final Chapter songs post to their new World release remained unissued, a situation soon to be rectified with their inclusion as part of a future Soul Junction project.

Charles himself is still active in the music business and is currently working on a gospel project. Following his parole in 1976 Charles has left his notorious past behind him and has stayed on the right side of the law with not even as much as a speeding ticket to his name to this day.
Words By: David Welding
Acknowledgements to: Charles L. Blakely for the colourful interview and photographs.
Label scans courtesy of Mark (Butch) Dobson.
The above article is a the fully extended version of the sleeve notes of the Soul Junction CD album “We Got A Sweet Thing Going On ” Volume 1 (SJCD 5009) released in 2014 Which will feature both sides of ‘The Mansion’ 45. The Final Chapters issued and unissued songs were also released on a further  Soul Junction compilation “We Got A Sweet Thing Going On” Volume II (SJCD 2011) in 2016.

 
Press Release:   The Mansion   The Girl Next Door/Stop, Let Your Heart Be Your Guide   SJ548
Release Date: Monday 7th November 2022
To buy got to https://www.souljunctionrecords.co.uk/SJ548.html or send @Louise a message
The Mansion were initially a prison group formed by Charles Lorenzo Blakely in 1970 while serving time in the Green Bay Reformatory at Allouez, Wisconsin.  The Mansion’s line up included at different times Michael Locke, Stanley Newburn, Carl Anderson, John Crawford, Michael Smith, Larry Moses, Ronald Hardin, Jerome Wagner, Larry Lister, Maurice Payne and Charles himself. One day while rehearsing in the prison chapel, the Mansion attracted the attention of the warden’s wife who happened to be showing some local dignitaries around. Impressed by what she heard the warden’s wife was instrumental in the Mansion being invited to perform for the city’s television station WBAY, where they recording two holiday programs. The warden later gave them permission to perform outside the prison which brought them to the attention of a Milwaukee neighbourhood program adviser by the name of Al Dunlap of the Commando Project One.  It was through Dunlap that the Mansion recorded their solitary 45 release in 1974 “The Girl Next Door /Stop! Let Your Heart Be Your Guide” for a local Milwaukee label Gibbs (406). The label’s owner Bill Gibbs held the release back until some of the members of the Mansion were granted their release papers as at that time prisoners were unable to sign any contract agreements while still incarcerated. Although Charles Blakely remained incarcerated, he was later moved to a medium security prison in Fox Lake County, Wisconsin. While there he formed a gospel group, called the ‘Bell Tones’ who’s line up included Charles, Mayweather Lee, Joe Hayes, and Levell Rudd. The formation of this group was seen as major factor in Charles’s rehabilitation which led to his eventual parole in 1976. Once on the outside Charles with former ‘Bell Tone” member Mayweather Lee were joined by Charles (Sonny) Bryant and Jimmy Taylor to form a new ensemble by the name of The “Final Chapter”.  As the final Chapter they recorded a solitary release for Marvel Love’s New World Label “Now I Know/Get Down For Your Action” (NW800) during 1980, a brief association that for several reasons was to eventually brake down. Although Jimmy Taylor left to pursue a career as a blues musician the remaining three members of the ‘Final Chapter’ continued to perform until they finally disbanded in 1987. Three previously unissued Final Chapter songs can be found on Soul Junction Various Artists CD compilation “We Got A Sweet Thing going On” Volume II. The Mansion’s Gibbs 45 is now is a highly prized and sort after item amongst Sweet and Group Soul collectors.
 
For further information please contact Soul Junction at:
Tel:   +44 (0) 121 602 8115 or E-mail:   sales@souljunctionrecords.co.uk
 
SJ548 The Mansion - Promo.mp3 SJ548 The Mansion - Promo.mp3
By Chalky in Articles ·

Big Man Records - New Release 2023 - Jimmy Radcliffe & Barbara Jean English

WE ARE THRILLED TO ANNOUNCE ANOTHER NEW RELEASE FROM BIG MAN RECORDS BMR 1013 DUE FOR RELEASE EARLY 2023, ONE SONG TWO SUBLIME VERSIONS 'TASTE SOUR DON'T IT' FROM JIMMY RADCLIFFE AND BARBARA JEAN ENGLISH, UNDER LICENCE FROM BLACK PATCH PRODUCTIONS TO BIG MAN RECORDS WITH THE BLESSING AND KIND PERMISSION FROM CHRISTOPHER RADCLIFFE.
THE SONG WAS RECORDED AND RELEASED BACK IN 1966 AN OBSCURE 'B' SIDE BY BILLIE (DAVIS) AND KEITH (POWELL) ON UK PICADILLY RECORDS, THE RADCLIFFE/ENGLISH VERSIONS ARE IN ANOTHER LEAGUE COMPARED TO THE UK POP DUOS RENDITION.
WRITTEN BY JIMMY RADCLIFFE AND BUDDY SCOTT AROUND 1965  IN NEW YORK THE SONG IS INFECTIOUS WITH AN IDEAL DANCE FLOOR GROOVE BOTH JIMMY AND BARBARA MATCH EACH OTHER BOTH SMASHING THIS DELIGHTFUL TRACK OUT OF THE BALL PARK, THEY BOTH SANG BACKING VOCALS ON EACH OTHERS VERSIONS WHICH MAKES THIS EVEN MORE SPECIAL. IMPOSSIBLE TO CHOOSE WHO DELIVERS THIS SONG THE BEST BOTH ARE EQUAL BIG CITY SOUL PRODUCTIONS.
THE RELEASE WILL COME IIN A CUSTOM CARD PICTURE SLEEVE, A6 COLLECTORS CARD, 148 MM x 148MM CARD INSERT LYRIC SHEET IN A POLY OUTER SLEEVE, SLEEVE LINER NOTES BY CHRIS RADCLIFFE JIMMY'S SON, WE ARE SO EXCITED ABOUT THIS RELEASE WITHOUT QUESTION TWO FOR THE PRICE OF ONE.
TO RESERVE COPIES PM HERE @Mark Bicknell EMAIL bicknellmark@aol.com OR bigmanrecords1@gmail.com 
JIMMY RADCLIFFE/BARBARA JEAN ENGLISH - TASTE SOUR DON'T IT - BMR 1013 TWO PREVIOUSLY UNISSUED RECORDINGS.











 
PROMO VIDEO - 'TASTE SOUR DON'T IT' - JIMMY RADCLIFFE
QUIK_20221101_192603.mp4
 
PROMO VIDEO - 'TASTE SOUR DON'T IT' - BARBARA JEAN ENGLISH
big-man-records-promo-video.mp4  
 
By Mark Bicknell in News Archives ·

The Sound Burger makes a return...

Audio-Technia releases a limited-edition version of the Sound Burger, with the inclusion of modern day tech such as bluetooth, usb charging etc, guess such sort of makes sense, anyone's interests stirred...?
 
To celebrate the 60th Anniversary of Audio-Technica, the fan-favorite Sound Burger, makes a welcome return after 40 years! The limited-edition AT-SB2022 portable turntable is the return of the Sound Burger, with modern updates including Bluetooth® connectivity and a USB-C charging cable. This turntable features a lightweight design making it perfect for parties, picnics, or compact living spaces. 
The AT-SB2022 Sound Burger offers high-quality sound reproduction with a belt-drive system that plays 33-⅓ and 45 RPM records. Updated with Bluetooth capabilities, this turntable can play your favorite vinyl records wirelessly for up to 12 hours. Enjoy a nostalgic, wired listening experience with the included audio cable.
Full details via
https://www.audio-technica.com/en-us/at-sb2022
 
 

 
By Mike in Soul News ·

Miss Motown - Raynoma Gordy & Jack Gibson

“Miss Motown” Raynoma Gordy & Jack Gibson By Graham Jarvis
 

 
"Miss Motown"
The "Miss Motown" record (is one of two 45's) that completely surprised, excited and confused any and all "Motown" collectors or "Motown" interest, when one of the two 45's suddenly appeared on "Ebay" in 2015. The 45 record on a Motown Label was a gift to an unknown "Miss Motown" in 1964. This summary is how we finally resolved the "Miss Motown" mystery, following numerous searches, records, listings, archives, Motown DFTMC, and record master's listings etc. During the 1960's it was not unique for any of the key Motown staff to arrange pressing 45's on Motown labels as a one off, or any special events, albeit rare, difficult to find and usually small numbers.
Ray & Berry
Raynoma (Ray) Liles Gordy - following her marriage breakup in 1963 and the final divorce agreement instigated by Berry Gordy, Ray was then to leave Motown and Detroit. Despite their divorce, they both would still continue to work together, albeit limited with Ray being sent to New York by Berry with a new role for her to set up the "NYC Motown Office" completely away from Detroit in 1963.
Bringing things back to the 21st century there was a real challenge concerning the "Miss Motown 45" that just turned up in 2015. It was a complete mystery as to what the record was about and whom it was for? After much searching, amazingly we simply discovered that the "Raynoma (Ray) Liles Gordy Singleton" biography, which was issued in 1990, titled "Berry Me & Motown" provided us with the answer. It was from her own biography that we finally identified and confirmed who the record belonged to and who it was intended for. 
When it was time for Miss Ray to leave "Detroit" and in the process of moving to NYC in 1963, she then also mentioned that she would now become "Miss Motown". It is then noted from her book that she detailed her new "business name" clearly detailed on: "Page 139 - Chapter 9 - New York -1963 (extract below) namely: "a quick­ change operation in the sky and came out as "Miss Motown".
It is worth noting that despite this new name many Motown artists and staff still continued to use her original name as "Miss Ray".
 
 
The above record links Jack Gibson (Jack the Rapper) to the “Miss Motown 45” which was a personal gift in 1964. This is clearly detailed on the Motown 45 record. We can now also define “Miss Motown” as being Raynoma Gordy (as was): from her book being “Chapter 9. New York” (exert detailed above).
Jack Gibson “Jack The Rapper”
Originally and not knowing much about Jack Gibson especially his role with Motown, was quite a surprise concerning his critical involvement with the company having worked for Berry Gordy for five years 1961-1966. Details as to the Jack Gibson’s biography “Mellow Yellow” is relevant and also clearly references his role for the period in working for Berry Gordy & Motown from 1961 through to 1966 (Berry Gordy fired Jack Gibson in 1966, allegedly being involved with Motown album bootlegs).
Prior to Jack Gibson “Jack the Rapper” moving to Detroit in 1961 he was one of the top DJ’s in the U.S. throughout the late 1950’s and the early 1960’s before he went to work for Berry Gordy and Motown. Jack was originally based on WCIN Radio out of Cincinnati in Ohio. Berry took the  opportunity in 1961 for Jack to come to work for Motown. This is detailed in Jack’s biography (namely: Chapter 12 Page 111). He openly agreed to work for Berry from 1961, he continued to commute from his home in Cleveland Ohio due to his family and children as the distance was not too far. The journey being 168 miles from Cleveland to Detroit taking 2hrs 45 mins by car, however he regularly flew to Detroit rather than drive instead. Jack also mentions (Page 122) his birthday being the same date as Stevie Wonder & Mary Wells. He also mentions that all three of them have the same birthday being the 13th of May. Thereafter and for each year it was a huge Motown birthday party for everyone to celebrate!
Not only was Jack a good friend of Ray, but also Martha Reeves & The Vandellas, Mary Wells, Smokey Robinson, Stevie Wonder and others. He regularly went to New York & other cities to visit all of the record & radio stations including the local disc jockeys in promoting records and artists and taking with him some of the current Motown artists. He also had a close relationship with Ray as she was not only a Motown senior partner (originally) but on her leaving Detroit he also supported her in her 1964 move to New York.
  
“MISS MOTOWN” Record
The good thing about the Miss Motown 45 in that there is no real purpose anyone would or could press this record other than in 1964, as it being likely that it is Raynoma's voice that had been used for “Jingles” on Jack Gibsons radio shows which was then also used for this specific “Miss Motown” record. Only Jack Gibson would have the recordings that he then used on this 45 or on his regular radio show. Jack had access to a number of pressing plants that he would use, he then utilised his recordings of the voice on tape(s) or acetate as per the record gift as detailed on the 45.
None of any recordings of either Jack Gibson or Raynoma Gordy from 1963/64 exist, this included anything for those with access to any relevant data concerning Jack Gibson and any Jingles. Any potential existing or unissued sound files that were also from the early sixties and / or any voice recordings, again were not available either. 
As regards the Miss Motown 45 from 1964 up to the year 2015 no one knew anything about "Miss Motown" or the Motown 45 record (complete with the 6t’s “Delta Release Number” in the runout groove). When the first copy turned up in 2015 most Motown “junkies” or collectors were surprised, excited, curious or dismissive, and/or an attempt in bidding on this record listed on Ebay. Quite a number watched the bidding and many also actually decided to bid on this rarity, however many missed the copy as it sold for over $300. The follow up discussions on the back of this specific 45. appearing in 2015 was just guess work, many also trashed the record as nobody had any ideas concerning “Miss Motown” or “Jack Gibson” with it being a complete mystery.
It is supposed that Berry Gordy secured the Ebay Miss Motown 45 in 2015. Only two copies exist, the second copy turned up at the same time and was sold to a UK dealer. On finally establishing who Jack Gibson & Miss Motown were, we then looked to establish the sound files and the
voice on the record. We already had Raynoma’s voice, as “Little Iva” (Pseudonym) and also with the two girl groups she sang with, around 1959, (Cute-Teens on Aladdin being one). More importantly in more recent years we have
open access to two “Youtube Motown Shows” being: 
"Joan Collins & Geraldo”

“The Joan Rivers Show”

Both having “Raynoma Liles Gordy Singleton” as a guest, giving us for the first time the chance to hear her voice in full conversation(s).

Summary
There is then a story as to the purpose of the rare Miss Motown record as a special gift as clearly detailed on the Motown 45: “Very Personal and Very Special Thanks”
Without “Raynoma (Ray) Liles Gordy Singleton” there would have been no Motown. She was key to everything that happened with both Berry & Motown in its infant years. Jack Gibson was also with Motown in the early years and worked in Detroit from 1961 to 1966, both Jack & Raynoma were also very good friends.
The “45 Record” says it all, but it is your own view of the “Special Record” and the main purpose of the record when given to Raynoma by Jack Gibson. This is a key part of Motown’s history as “Miss Motown” was a joint owner of Motown along with Berry Gordy until their divorce. When Ray moved to New York the output from the N.Y. Motown office was some of the greatest none Motown Label Soul 45’s providing some of the most sort after “Northern Soul” records out of the N.Y. office and later from L.A.
This Miss Motown 45 is a key part of the Motown history that Raynoma had kept to herself for all those years until she passed away. It was only then that the two known copies surfaced, it took several years of searching before being able to establish this rare and specific “Motown Special” that left behind a very personal gift between two of the senior staff, (Berry aside) that were both involved in helping build Motown.
Record Title
“JUST FOR YOU” & A Very Special Thanks
The Record Tracks
1) About the Weather
What time is it? What’s the weather going to be like today? Well, what’s the temperature right now? What’s the high for today? What’s the low? Be sure to bundle up because it’s cold outside? Carry your umbrellas cause it's raining? It's such a dreary day? So hot today? It’s so cold today? It’s so sunny & warm outside? Drive carefully? Cause the roads are bad? Be Extra careful going home? Traffics awful heavy? Have you got any new records? Play one just for Me?
2) About The Records & The DJ
Play Me Something groovy? Play me something mellow? Oh that sure sounds good? Can I hear a little more for that one? Gee but you play some swinging records? Who’s on next? How’s my favourite guy today? You are looking very good? So Sharp? What you Say? Will I see you tomorrow? Please come back & see Me? Same time same place?
3) Greetings & nonsense
Bye now? Hi sugar, sugar? Bye, bye, sugar, sugar?

Final Summary
Raynoma Mayberry Liles Gordy Singleton sadly passed away 11 November 2016.
We can only presume that Raynoma had disposed of the records just before she passed away in 2016. It is then likely that any records and other things would have been disposed of or given away. It was in 2015 that the two records were then sold, the records might have had no interest or value to anyone else at that time.
Jack Gibson passed away 30 January 2000.
Nothing from Jack Gibson following his death was anything to do with Motown concerning any effects or documents that are known.
There is also an irony to both of their biographies in that neither mentioned each other. However, Jack passed away in the year 2000. He never got to see his biography as it was not until 2015 that Walker Smith published Jack’s book “Mellow Yellow”. He knew Jack Gibson well and from 1997 through to Jacks death in 2000, Jack wrote his own story via Walker Smith before he died. 
Concerning the two biographies and any references including the copyright is the ownership of the two individuals concerned and / or their families. This also includes any and all photographs being the courtesy of the rightful owners.
Graham Jarvis.
Oct 2022.
By Graham Jarvis in Articles ·

Site News - James Rice Mod of Markt/Sales - Moving On

A quick site news style post just to inform all that the long-standing Markt/Sales moderator James Rice aka @James Rice is stepping down from his role tomorrow. 
James has chosen to step down as he wants to focus more on his new job which he will be starting soon.
Regular users and readers of our Soul Markt section will be well aware of the top job that he has done over the last four years (since March 2018).  Always acting in a most measured calm manner which given some of the heated disputes that occur is a lot harder than it sounds.
Thanks to James I 'd say the Soul Markt has grown and developed into a very much more busy, useful and worthwhile section of the site over his time. 
So on behalf of the Source time, just like to wish James all the best for his new job, and say thanks for all the time and effort along with a personal 'good luck' with the new job
All the best James
mike
 
 
By Mike in Soul News ·

7 New 45s From Kent Records - October 2022

The end of the month brings a large handful of new release 45s from Kent Records, all in all a total of 7 brand new 45. three select 45s , three Repro 45s and one BGP 45, details follow below.
 
Eddie Hill / Detroit Emeralds - I Am So Thankful / Long Live The King - Kent Select 075
CITY_075-1-1.mp3
CITY_075-2-1.mp3
 
Loleatta Holloway - I Can't Help Myself / Mr So & So's Daughter - Kent Select 076
CITY_076-1-1.mp3
CITY_076-2-1.mp3
 
Joe Buckner / Hal Frazier - I Wish I Knew / I Stand Blue - Kent Select 077
CITY_077-1-1.mp3
CITY_077-2-1.mp3
 
 
 
 
Gil Scott-Heron - Pieces Of A Man / I Think I'll Call It Morning - BGP
BGPS_068-1-1.mp3
BGPS_068-2-1.mp3
 
Darrow Fletcher - Infatuation / What Have I Got Now - Kent REPRO 06
REPRO_06-1-1.mp3
REPRO_06-2-1.mp3
 
Hollis Dixon & The Keynotes - Go Away With Me / Time Will Tell - Kent REPRO 09
REPRO_09-1-1.mp3
REPRO_09-2-1.mp3
 
The Corvairs - I'll Never Do It Again / A Feeling Deep Inside - Kent REPRO 05
REPRO_05-1-1.mp3
REPRO_05-2-1.mp3
  
 
Ace Record website has the full score on all the seven releases, including release notes etc
https://acerecords.co.uk/

Also available via the many fine online stockists including our very own in house Source Store (Tap to visit)
 
 
By Mike in News Archives ·

Detroit soul man J.J. Barnes looks back on his career...

The Detroit Metro Times website is currently running an excellent feature on JJ Barnes, details below, full and do mean full of interesting info, well worth the trip over...
 
Detroit soul man J.J. Barnes looks back on his career ahead of what he says could be his final live performance
The ‘Chains of Love’ singer is set to perform at northern soul festival Detroit-A-Go-Go
... mailman who delivered to the Barnes’s home also ran a record label. Mailman Fred Brown had recently initiated his Kable and Mickay’s imprints, and knew a good thing when he heard it. While walking his delivery route, Brown overheard the Barnes family singing and harmonizing together. The mailman promptly signed Barnes, his sister Ortheia, and his stepfather’s group to contracts with his...
https://www.metrotimes.com/music/detroit-soul-man-jj-barnes-looks-back-on-his-career-ahead-of-what-he-says-could-be-his-final-live-performance-31421347
By Mike in News Archives ·

Mica Millar Wins Jazz FM 'Soul Act of The Year' Award alongside Jools Holland and Marcus Millar

The winners of the Jazz FM Awards 2022 were announced at an awards ceremony at Shoreditch Town Hall on Thursday 20 October with rising Soul star Mica Millar taking the prestigious 'Soul Act of The Year' award alongside Jools Holland (renowned blues-boogie woogie pianist and presenter of his long-running BBC show Later...) who won the 'Impact Award', US bassist Marcus Miller known for his tenure as Miles Davis’ producer for the last decade of the iconic trumpeter’s career who took home the 'Gold Award' and internationally acclaimed singer Norma Winstone who was presented with the Lifetime Achievement Award for her immense contribution to jazz for the last six decades.
Mica Millar performed single 'Will I See You Again' to open the ceremony with her award presented by P.P Arnold later in the proceedings. Other performances came from Jools Holland who took to the stage with 'Blues Act of The Year' winner; Christone ‘Kingfish’ Ingram, and jazz pianist Fergus McCreadie who won 'Instrumentalist Of The Year' and was also nominated for this years Mercury Prize.
Further winners included saxophonist Chelsea Carmichael – Breakthrough Act Of The Year; Lady Blackbird – International Jazz Act Of The Year; the Questlove directed music documentary Summer of Soul – The Digital Award; jazz electronica duo Blue Lab Beats –  Innovation Award; and trumpeter/producer Emma-Jean Thackray’s album Yellow was voted Album Of The Year in the second public vote category. Scottish jazz singer Georgia Cécile took home two awards for Vocalist of the Year and UK Jazz Artist of the Year.
Presented by actor Clarke Peters (best known for his roles as Lester Freamon in the television series The Wire and Albert Lambreaux in the television series Treme) the individual awards were presented by Peter Leathem from PPL and Andrea Gray from PRS For Music, Binker Golding, Theo Coker, Mark King, Tom Watson, Judith Owen, Alina Bzhezhinska, Marcus Brigstocke, Guy Barker, Leee John, P.P. Arnold, MF Robots and Hugh Laurie.
 
The full list is as follows:
GOLD AWARD: Marcus Miller
IMPACT AWARD: Jools Holland
LIFETIME ACHIEVEMENT AWARD: Norma Winstone
SOUL ACT OF THE YEAR sponsored by Boisdale: Mica Millar
BREAKTHROUGH ACT OF THE YEAR: Chelsea Carmichael
INTERNATIONAL JAZZ ACT OF THE YEAR: Lady Blackbird
BLUES ACT OF THE YEAR sponsored by Imagine Cruising: Christone ‘Kingfish’ Ingram
VOCALIST OF THE YEAR sponsored by Hampstead Jazz Club and Lateralize Records: Georgia Cécile

INSTRUMENTALIST OF THE YEAR sponsored by Yamaha: Fergus McCreadie

THE DIGITAL AWARD sponsored by Rathbones: Summer of Soul
INNOVATION AWARD sponsored by Mishcon de Reya: Blue Lab Beats

UK JAZZ ACT OF THE YEAR: Georgia Cécile 

ALBUM OF THE YEAR: Emma-Jean Thackray – Yellow



By Goldenhourmusic in News Archives ·

New 45 - The Mansion - Soul Junction Records

Details of the next Soul Junction 45 release are out, available in just under 2 weeks
Release Date:   Monday 7th November 2022
Artist Bio:
The Mansion were initially a prison group formed by Charles Lorenzo Blakely in 1970 while serving time in the Green Bay Reformatory at Allouez, Wisconsin.  The Mansion’s line up included at different times Michael Locke, Stanley Newburn, Carl Anderson, John Crawford, Michael Smith, Larry Moses, Ronald Hardin, Jerome Wagner, Larry Lister, Maurice Payne and Charles himself. One day while rehearsing in the prison chapel, the Mansion attracted the attention of the warden’s wife who happened to be showing some local dignitaries around. Impressed by what she heard the warden’s wife was instrumental in the Mansion being invited to perform for the city’s television station WBAY, where they recording two holiday programs. The warden later gave them permission to perform outside the prison which brought them to the attention of a Milwaukee neighbourhood program adviser by the name of Al Dunlap of the Commando Project One.  It was through Dunlap that the Mansion recorded their solitary 45 release in 1974 “The Girl Next Door /Stop! Let Your Heart Be Your Guide” for a local Milwaukee label Gibbs (406). The label’s owner Bill Gibbs held the release back until some of the members of the Mansion were granted their release papers as at that time prisoners were unable to sign any contract agreements while still incarcerated. Although Charles Blakely remained incarcerated, he was later moved to a medium security prison in Fox Lake County, Wisconsin. While there he formed a gospel group, called the ‘Bell Tones’ who’s line up included Charles, Mayweather Lee, Joe Hayes, and Levell Rudd. The formation of this group was seen as major factor in Charles’s rehabilitation which led to his eventual parole in 1976.
Once on the outside Charles with former ‘Bell Tone” member Mayweather Lee were joined by Charles (Sonny) Bryant and Jimmy Taylor to form a new ensemble by the name of The “Final Chapter”.  As the final Chapter they recorded a solitary release for Marvel Love’s New World Label “Now I Know/Get Down For Your Action” (NW800) during 1980, a brief association that for several reasons was to eventually brake down. Although Jimmy Taylor left to pursue a career as a blues musician the remaining three members of the ‘Final Chapter’ continued to perform until they finally disbanded in 1987.
Three previously unissued Final Chapter songs can be found on Soul Junction Various Artists CD compilation “We Got A Sweet Thing going On” Volume II. The Mansion’s Gibbs 45 is now is a highly prized and sort after item amongst Sweet and Group Soul collectors.

Words By: David Welding
https://www.souljunctionrecords.co.uk/SJ548.html
 
 
 
By Mike in News Archives ·

Advert via Google