I'm asking a question here that can only be answered by the older lot I think - but - are there any nighters that play Northern, be that oldies or newies/modern, in a way that you could see kids wanting to be a part?
We all know quality Soul, yes - but I think what I'm trying to say is that when we were lads and lasses, it was the uptempo, urgent sounds that appealed.
There are obviously ways that a set can encompass certain records and still leave the listener on edge.
We've all been there.
Are there any nighters offering this today?
It has to be exciting to entice youth surely?
Long in the tooth searing soul understanding and a lifetime of pain follows the sweat based dancefloor excertions that youth allows you?
Are the more energy sapping , danceable Modern 70's/80's Northern releases the key to the longevity of the scene?
Please don't go on the age old 60's defensive thing, the Willie Mitchells, Roscoe & Friends and a myriad of others will argue that for you...but are tracks like the aforementioned used correctly anymore?
Northern appear to have at last understood quality, whatever the tempo, does the scene have the bollocks to understand that its music seems to be glazing over in a haze of quality hip-acceptable swayers?
I'm asking a question here that can only be answered by the older lot I think - but - are there any nighters that play Northern, be that oldies or newies/modern, in a way that you could see kids wanting to be a part?
We all know quality Soul, yes - but I think what I'm trying to say is that when we were lads and lasses, it was the uptempo, urgent sounds that appealed.
There are obviously ways that a set can encompass certain records and still leave the listener on edge.
We've all been there.
Are there any nighters offering this today?
It has to be exciting to entice youth surely?
Long in the tooth searing soul understanding and a lifetime of pain follows the sweat based dancefloor excertions that youth allows you?
Are the more energy sapping , danceable Modern 70's/80's Northern releases the key to the longevity of the scene?
Please don't go on the age old 60's defensive thing, the Willie Mitchells, Roscoe & Friends and a myriad of others will argue that for you...but are tracks like the aforementioned used correctly anymore?
Northern appear to have at last understood quality, whatever the tempo, does the scene have the bollocks to understand that its music seems to be glazing over in a haze of quality hip-acceptable swayers?