its used in a article on a sweet floral albion site
TOY TOWN SOUL:
Those tracks once played at the Wigan Casino in the second-half of the '70s but which fell out of favour with the Northern soul scene's snobbish reaction against white pop-stompers and a return to black-only US soul, often provide the richest vein for this magical sub-genre. The Northern Soul scene was always way ahead of psych collectors in unearthing those golden Brit-pop nuggets. It is also interesting to take note of the sounds on these pre-1967 pop-soul tracks and to recognise the influence of such material on the toy-town pop of 1967 and 1968.
Other good examples of toytown soul/pop are, Sue Lynne - 'Don't Pity Me', Paula Parfitt - 'Love Is Wonderful', Five And A Penny - 'You Don't Know Where Your Interest Lies' and Adrienne Posta's version of 'Something Beautiful'. Adrienne takes a fine mid-tempo US soul original (by Margaret Mandolph) and transforms it into a twee and chirpy Brit-pop dancer. What it loses in genuine, serious soulfulness it more than makes up in happy tweety swinging poppiness. In fact, it is a genre distinction of toytown soul that it lacks overt seriousness, that the soul element be minimised in favour of out-and-out pop.....
full article in which above is clipped can be found at the SWEET FLORAL ALBION SITE
had to smile at the use of this term
its used in a article on a sweet floral albion site
TOY TOWN SOUL:
Those tracks once played at the Wigan Casino in the second-half of the '70s but which fell out of favour with the Northern soul scene's snobbish reaction against white pop-stompers and a return to black-only US soul, often provide the richest vein for this magical sub-genre. The Northern Soul scene was always way ahead of psych collectors in unearthing those golden Brit-pop nuggets. It is also interesting to take note of the sounds on these pre-1967 pop-soul tracks and to recognise the influence of such material on the toy-town pop of 1967 and 1968.
Other good examples of toytown soul/pop are, Sue Lynne - 'Don't Pity Me', Paula Parfitt - 'Love Is Wonderful', Five And A Penny - 'You Don't Know Where Your Interest Lies' and Adrienne Posta's version of 'Something Beautiful'. Adrienne takes a fine mid-tempo US soul original (by Margaret Mandolph) and transforms it into a twee and chirpy Brit-pop dancer. What it loses in genuine, serious soulfulness it more than makes up in happy tweety swinging poppiness. In fact, it is a genre distinction of toytown soul that it lacks overt seriousness, that the soul element be minimised in favour of out-and-out pop.....
full article in which above is clipped can be found at the SWEET FLORAL ALBION SITE
on this page
https://homepage.ntlworld.com/marmaladeskies/sfa36.htm
also pysch northern gets a mention on other page below
*** IT'S ONLY A NORTHERN PSOUL, by Paul Hodges ***
https://homepage.ntlworld.com/marmaladeskies/sfa22.htm