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Kris Holmes

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Everything posted by Kris Holmes

  1. I definitely believe that it depends a lot on who is playing the records, i've seen people clear floors with 4 figure 45s & others keep the floor moving with a set of 2 figure 45s. It's about reading things from night to night. The records don't necessarily make the DJ, one has to know how to use them.
  2. I have to say I was a bit disappointed with the live show too. Not terrible, but definitely a bit too "show-bizzy" if that makes any sense.
  3. From completed auctions in the last couple of years - Median prices of copies that have actually sold. 1/ JAMO THOMAS - I SPY - THOMAS WDJ (x on Label) $28.50 2/ MEL WILLIAMS - THAT DON'T GET ME MAD - SOUL TIME $25 3/ JIMMY BO HORNE - IF YOU WANT MY LOVE - ALSTON WDJ under $25 (records below $25 aren't tracked) 4/ LINDA CUMBO - YESTERDAY , TODAY & TOMORROW - SELECT WDJ $25 if you don't know the site, you can go to Collector's Frenzy & check for yourself
  4. Hadn't heard of this before but you're right, a rockabilly/r&b slanted 45. Sometimes listed as Johnny Duke & The Volcanos. Are all the copies red vinyl? Looks like the only reference is to it being comped back a few years ago & a couple of blog/popsike posts. Seems to sell in the low 3 figures. Nice find I'd say
  5. Kris Holmes replied to a post in a topic in Look At Your Box
    I want to know the story alluded to above about how this 45 came to surface.......... spill the beans.
  6. Kris Holmes replied to a post in a topic in Look At Your Box
    The repros look & feel like new records, but of course that's a bit tough to tell online. If they seem too good to be true, they probably are. The run out grooves will either have the song title etched or the label name followed by catalog number then A or B. So for the example above "Shaw 45-101 A" etc. The Jazzman associated ones usually have United Pressing numbers in the grooves for example U-54632 & a U in a circle.
  7. I've had a bit of experience with acetates. If you want to clean them just do it with luke warm water, dishwash liquid & a soft toothbrush, rinse & then dry. Unfortunately if the lacquer has deteriorated no cleaning will help the acetate play better. In theory, many of the common types of acetates you come across would have played perfectly for years if people had used sensible cartridge weights/turntable setup. The reason they would wear out fast is because of the brutal nature of many playback systems back in the day. If you had a brand new acetate & played it only on a well setup modern turntable it will last for hundreds of plays at least.
  8. this week's installment Sunday Shuffle July 3rd
  9. That John Smith from down the road had a original Frank Wilson back in the day, might still have it, but doesn't really make the scene anymore so I guess we'll never know for sure. Also the US press of that Bob & Earl 45 on UK Warner Bros.
  10. Great 45, "Baby, Baby Love" by them is also top notch. "I'm A Teardrop" also has a WLP I'm pretty sure. Unfortunately seems to be a bit out of favor with collectors, I had a pressing plant box of the stock copies (colored label) about 5 years back, couldn't move them for anything, ended up giving some away (practically forcing them on people) & just threw the other 30 or so that were left in the trash. Not rare
  11. Outstanding compilation, everyone should own this!
  12. i think i listened once when i got the 45, nice ballad with harmonies..... but i don't revisit ballads all that often......
  13. i'm the opposite, it's the only side I play. they both sound the same on youtube so i guess i'm thinking of something else, maybe the organ intro is dropped off one of them or something like that.
  14. The Key-Loc version of "If I Could See You Know" is different from the RSR release right?
  15. Would have to be in the area of $250US, doesn't turn up all that often. Cool record.
  16. wow, did not know the Richard & the Young Lions got a UK press, great 45.
  17. If anyone can supply a scan of the label/credits for this record I'd really appreciate it.
  18. Sad news, "Fortune Teller", what a legacy to leave. Rest In Peace. [r]18048[/r] Benny Spellman, the vocalist whose double-sided recording of "Fortune Teller" and "Lipstick Traces (On a Cigarette)" is an enduring classic of New Orleans rhythm & blues, died Friday in Florida after a long illness. He was 79. Mr. Spellman was born in Pensacola, Fla. He attended Southern University in Baton Rouge on a football scholarship; at Southern, he also began singing. Back in Pensacola in 1959, Mr. Spellman encountered New Orleans R&B band Huey Smith & the Clowns. The band's vehicle had broken down; Mr. Spellman offered to drive them back to New Orleans. He elected to remain there after falling in with the burgeoning rhythm & blues community centered around the Dew Drop Inn. He became one of the many artists to give voice to producer/songwriter Allen Toussaint's voluminous 1960s output. In 1962, Minit Records released a 45 rpm single with Mr. Spellman singing "Lipstick Traces" on the A-side and "Fortune Teller" on the B-side. Both songs were written by Toussaint under the pseudonym "Naomi Neville." "Lipstick Traces," with Irma Thomas on backing vocals, proved to be Mr. Spellman's most significant national hit, reaching No. 28 on Billboard's R&B chart. He also contributed backing vocals to Ernie K-Doe's smash recording of another Toussaint song, "Mother-in-Law." Given his limited national exposure, Mr. Spellman worked the Gulf Coast and local circuit, performing at parties, dances and whatever gigs came up. "I wasn't making that big money like K-Doe," Mr. Spellman once said. "I'd play three gigs (in one night) to make more money." Indicative of the enduring nature of his recordings, many artists would later cover songs originally recorded by Mr. Spellman. The O'Jays, Ringo Starr and Alex Chilton all later did "Lipstick Traces." The Rolling Stones and The Who each did versions of "Fortune Teller." "Raising Sand," the Grammy-winning, million-selling 2007 collaboration between Robert Plant and Alison Krauss, contained a spooky version of "Fortune Teller." After the market for New Orleans rhythm & blues dried up in the late 1960s, Mr. Spellman largely retired from the music business. He worked for many years at a beer distributorship. He suffered a stroke some years ago and was unable to attend an August 2009 ceremony at Ernie K-Doe's Mother-in-Law Lounge inducting him into the Louisiana Music Hall of Fame. At the time, he resided in an assisted living facility in Pensacola. Instead, "Deacon" John Moore and Hall of Fame president Mike Shepherd traveled to Pensacola and personally presented Mr. Spellman with the plaque noting his induction. "Thank you Lord. After all these years, I finally made it," Mr. Spellman says in a video of the presentation. "I waited a long time for ya'll to elect me to the Hall of Fame. I'm still living; all them other cats are gone. I don't want to be honored when I'm dead. I want to be honored when I can still move." Survivors include a daughter, Judy Spellman. A funeral is scheduled for June 10 at the St. Joseph Catholic Church, 140 West Government Street in Pensacola, Fla. Louisiana Music Hall Of Fame Induction video
  19. Benny Spellman Rip View full article
  20. There is a a New Zealand pressof "Double Shot" on Philips which is kinda tough to turn up too. I can throw a pic of that up if people want to see it when I get back to the city.
  21. who has some trouble grading 45s in my experience
  22. exactly, those places get covered for records pretty well. Put a day aside for the 45s at Shangri-La (I've done really well there). Check out the Stax Museum, Memphis Rock & Soul Museum, Sun Studios, take a Memphis Rock Tour & also the Civil Rights Museum. Lots of awesome stuff to do in Memphis, just make sure not to go walking anywhere sketchy after dark As far as Nashville goes, I'd almost say you'd get better R&B 45s out of the back of Hound Dog's in Melbourne than any place in Nashville But hey, you never know, enjoy the trip!
  23. Gil Scott-Heron RIP View full article

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