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Chalky

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  1. for some reason won't play but it is sure to be an essential purchase, her last Lp was superb.
  2. It'll be better off on mixcloud. Needs converting too mp3 and it should upload 4 hours worth no problem. If you have problems split it. Send it over here if you want it converting and splitting in two and I'll send it back.
  3. I’d say it is the same singer on both discs, discogs has them together but that means little.
  4. If anyone has a copy of this they wish to part with give us a shout. TIA
  5. There’s been a few Tomangoes sold and in decent nick in recent times and some fetching a similar price, as Nick says not sure what the surprise is? Its not as rare as many make out either but its one of the best ever and will always have demand for it.
  6. Not sure if many are aware of this documentary about the legendary Cincinnati record label, King. Might be of interest to some.
  7. Not at all. There are plenty of acts who struggled at Motown purely because Motown focused on The Supremes, Tempts, Tops etc. Stevie Wonder was forever battling the company for creative control as were other acts, Marvin Gaye being another. It has already been said look what we would have missed if he had gone to Motown early in his career. He has a body of work at Brunswick that stands against any solo artist at Motown IMHO and I strongly believe Motown couldn't have bettered it. I'm not sure Motown with their output aimed largely at the white mor/pop market would have marketed Jackie better than where he was? Maybe Jackie's motive for wanting to leave was because Tarnopol was screwing him, i.e. financial and he thought he might get a better deal at Motown who didn't have a great reputation with its payments to artists either? Was Tarnopol ruining him musically? He continued to put some great music out throughout the 60s and into the 70s.
  8. Who cares tbh? Jackie has a great body of work regardless and Motown probably would have ruined him just like they did others they didn’t know what to do with.
  9. Beverley Longmire is/was her married name. I don't recall reading anything much about her. There was an article on here that says she left the business to look after her brothers and sisters after her mother died of cancer?
  10. The story of Jackie being hung out of the window by his ankles until he signed a new contract was in the first press of the biography. It was later taken out.
  11. I can't imagine why anyone would want to play it tbh? Each two their own and all that but it ain't very good and certainly not "Northern"? Bubblegum pop as you say.
  12. Message Paul Conroy who posted this topic, he is part of Shotgun. Fish had some for sale in sales too, first experience records. five second google.... https://www.firstexperiencerecords.com/product/teddy-pendergrass-we-got-love-should-i-go-or-sholud-i-stay-7-vinyl-pre-order-in-stock-25-9-20/
  13. Out on Expansion so I read end of October
  14. Three (at least) I think that is 190203, not 190303
  15. From 45 cat... HXV both 2.44 & 2.46 and the third is the HXL
  16. Not only is the time different but the HX number above the time is different HXV 173323 @ 2:46 HXL 175313 @2:44
  17. The summer of 1996 was a great time for lovers of Northern/Rare Soul for it was the time when Ady Croasdell unleashed the unreleased RCA masters on the basement dancefloor of the famed 100 Club, the home of the countries longest running Northern/Rare Soul all-nighter club, now in its 42nd year. Amongst these tracks was Kenny Carter’s original take of “What’s That On Your Finger”. Already known for the RCA 45 by Willie Kendrick. Kenny’s take a totally different arrangement, smoother more soulful with Kenny pleading for the hand of his ex because he’s been lonely without her only to see another’s ring on her finger. It’s a familiar tale of woe throughout his recordings. The song however set the dancefloor alight along with all the other tracks from the vaults of RCA and the haul has intrigued and delighted lovers of Northern Soul ever since and still has people talking of that night down those illustrious steps. Kenny Carter, born in 1940 in ironically Kent, Ohio, had just two releases that did very little before he was plucked from obscurity to record for RCA in Bell Sound’s Studio A on what was described by Ady as a million-dollar LP. The backing singers were all A list, amongst them Ashford and Simpson and an array of top singers who had backed the very best. The musicians, as good as any you would find in New York, concert violinists, at least 7 or 8 Strads says Garry Sherman who was the arranger for the sessions of Kenny’s. The sessions yielded 6 sides released by RCA, “Don’t Go/How Can You Say Goodbye”, “Showdown/I’ve Got To Get Myself Together” & “Body & Soul/I’ve Got To Find Her”. As well as these 6 at over half a dozen sessions, a further 16 tracks were laid down. Tracks written by New York Soul Music royalty plus some additional jazz and show standard that are not out of place and are delivered with so much soul you wouldn’t realise they were in some cases 30 years old even at the time of Kenny laying down his take on them. Unfortunately for music lovers the LP was never released and consigned to the vaults of the RCA building in New York. If a singer laid down his life in song then Kenny Carter had a pretty miserable time of it, a tale of heartbreak, misery, and downright rotten luck with the ladies. Indeed, as one reporter described him in one review, the Guardian’s Ben Beaumont-Thomas after discovering Kenny on Dave Godin’s Deep Soul Treasures. “Biographical info is scant – he was signed to RCA but walked out on the deal and into obscurity, apparently – but you can reasonably surmise that his love life was, to be frank, an absolute shitshow. There is no kind of breakup that Carter seemingly hasn’t gone ­­through or weathered with anything but extremely poor judgment”. For most of the tracks he is the one who is dumped. For many he cannot accept this, the immortal “Don’t Go” the first release from the sessions he pleads with her to stay and that he has to try to convince her to stay, the other guy just wants to use her. “Every Time We Say Goodbye” he is hurting and dies a little inside every time they say goodbye. “I’ve Got To Find Her” again he has to let her know how much he needs her and how much it hurts that someone else is holding her. “What’s That On Your Finger” sees Kenny holding out hope for his ex until he see another man’s ring on her finger, a wedding ring! “I’m Not The One” he actually does the leaving for once when he realises she loves another more than him and he has lets her go. “Showdown” a tale of Kenny and his best friend who both love the same girl, one of them is going to get hurt. It gets to the point where on “I’ve Got To get Myself Together” the girls backing him call him silly boy and tell him to get himself together, life must go on, he himself knows this but he cannot accept this. “I Can’t Stop Laughing” we hear Kenny say if he does he will simply break down crying. Audio Preview It is a familiar tale throughout the 22 tracks with Kenny’s superb voice delivering each with such soul and as such you could actually believe it had all happened to him. So much soul, heartbreak, heartfelt pleading for lost love. The lush arrangements of Garry Sharman just carry you along and leave you emotionally drained at the end, but it is so good you have to play them all again. The 22 tracks are what soul music is all about, it tears your heart apart and leaves you an emotional wreck. You live the music as though it was your own life and for many of us, we can relate to some of the goings on in the songs. How these could be left to dwell in the vaults for so long is a mystery. Kenny himself walked away from the contract not too long after laying the tracks down, he recorded just a couple more 45s before leaving the music business altogether in the early 70s. He died in November 1990 without seeing the pleasure his recordings would ultimately bring to lovers of soul music some 30 years after recording them thanks to the intrepid Ady Croasdell at Kent records who gained access to the vaults of RCA in 1994. Of the 22 tracks 6 saw a release, 6 would get an airing at the 100 Club once Ady had access to the vaults in the summer of 1996. This release sees a further dozen getting a release for the very first time. It has been a 20-year journey for Ady to get this CD released and I’m sure many of you will agree it was worth the wait and for me it is the release of the year. That isn’t easy to say given the quality of some of the release that have come from Ace/Kent alone. It is a must buy and it would be nice if we could see a double album release of this on vinyl as it was meant to be. As usual you get a superb booklet written by Ady Croasdell telling the whole tale of the sessions, the musicians and recording team and what little is known of Kenny. Sit down with a glass of your favourite, read whilst you listen to such a fantastic body of soul music. 01 Every Time We Say Goodbye 02 You’d Better Get Hip Girl 03 I’ve Gotta Find Her 04 I Still Love Her 05 I Believe In You 06 Time After Time 07 Don’t Go 08 Showdown 09 My Love 10 Living In The Land Of Heartache 11 Like A Big Bad Rain 12 What’s That On Your Finger 13 Round In Circles 14 I’ve Gotta Get Myself Together 15 Body And Soul 16 How Can You Say Goodbye 17 Lights Out 18 I’ll Know 19 I’m Not The One 20 I’ll Get By (As Long As I Have You) 21 I Can’t Stop Laughing 22 Smile You can read the review by the Guardians Ben Beaumont-Thomas "HERE" You can buy the CD and it is a must buy direct from Ace records at https://acerecords.co.uk/showdown-the-complete-1966-rca-recordings?update
  18. Kenny Carter - Showdown - The Complete 1966 RCA recordings Review View full article
  19. This weeks Sound Of Soul ™ with Dean Anderson and a tribute to Wigan Casino on what would have been its 47th Anniversary (plus one day) and a whole lot more besides.
  20. I've just had a play on the decks and put together a mix of recent releases from Kent, Cordial, Cannonball, Shotgun, Hit & Run, Soul Junction, Soul 4 Real and more. Darrell Banks - It’s Not Fair To Me - Cannonball Roland Johnson - Can’t Get Enough - MD The Soul Sensations - Baby I Love You PT 1 Hodges, James, Smith & Crawford - What Made You Think - Kent Select Bobby Burn - I’m A Dreamer - Diggin’ Deep Jerry Williams - Oh Lord What Are You Doing To Me - Soul 4 Real Rikki Aaron - Say What’s On Your Mind (Ourra Mix) - Cordial Impulse - I Really Love You - Kandi Elbowed Out - All Men Don’t Love The Same - Soul Junction Jo Jo Benson - Your Losing Me - Hit & Run Syl Johnson - Try My Love Again - Hit & Run Johnny Baker - It’s Your Night - Expansion Bill Brown & The Soul Injection - Dreamworld Fantasies - Brownstown (Super Disco Edits) Bernard Drake - The Natural Thing - Hit & Run Teddy Pendergrass - We Got Love - Shotgun The Hyperions - Why You Wanna Treat Me The Way You Do - Ace/Kent Carolyn Crawford - Ready Or Not Here I Come - Kent Select Bill Brown & The Soul Injection - Stay Off The Moon - Brownstown (Super Disco Edits) John Edwards - Tin Man - Kent Select Bobby Burn - I’m A Lonely Man - Diggin’ Deep Teddy Pendergrass - Should I Go Or Should I Stay - Shotgun Bill Brandon - All You Need Is Here - Hit & Run Woodward Avenue Players - Fire Him Hire Me - Cannonball Detroit Denise & Abe - Ain’t That Lovin’ - Westbound (Ace) Jo Jo Benson & Co - (If You Need Someone) I’ll be The One - Hit & Run Arthur Alexander - You Better Listen To Me - Chant (Ace) Servicemen - Connie - Ace/Kent

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