Chalky

Too Late For You And Me (Ivy Jo Hunter-Curtis Colbert) publ. Jobete Gladys Knight & The Pips; recorded Hitsville, completed 07-May-66 ; produced by Ivy Jo Hunter 11-May-66 [acetate]; 45 (M): CCMN 0845-NHDD 18-Aug-97; CD (M): Debutante 530 818 2 This Is Northern Soul! [uK] 02-May-05; CD (M): Motown 067 024 2 This Is Northern Soul! The Motown Sound Volume 1 [uK] 06-Nov-06; CD: Reader's Digest RDCD 5411-3 The Ultimate Motown Collection - Dance Party Spellbound (William Robinson) publ. Jobete The Vandellas; recorded Hitsville, completed 25-Oct-65 ; produced by Smokey Robinson [rel date unknown] [acetate]; 45 (M): Jobete 11-Mar-05; CD (S): Hip-O Select B0003616-02 Spellbound: Motown Lost & Found

Any Girl In Love (Knows What I'm Going Through) and Absent Minded Lover on the Anthology CD of Kim's. Boy From Crosstown definately had an official release, not sure if same mix though...Itwas the Marvelettes version at Stafford as well. The Boy From Crosstown (Edward Holland Jr-Norman Whitfield) publ. Jobete Gladys Knight & The Pips; recorded Hitsville-GW, completed 20/09/1967 ; produced by Norman Whitfield ; arranged by Gil Askey May-68; LP (S): Soul SS707 Feelin' Bluesy May-68; LP (M): Soul S707 Feelin' Bluesy [DJ copies only] 06-Nov-06; CD (S): Motown 984 1943 Everybody Needs Love / Feelin' Bluesy [uK] The Marvelettes; recorded Hitsville, completed 02/03/1965 ; produced by Norman Whitfield ; [version 1] [rel date unknown] [acetate]; 45 (M): [no catalogue number] 15-Oct-07; CD (S): Motown 530 3228 2 A Cellarful Of Motown Volume 3 [uK] The Marvelettes; recorded Hitsville, completed 27/06/1966 ; produced by Norman Whitfield ; [version 2] 27/07/1966 [acetate]; 45 (M): CCMN 1580-NHDD 22-Aug-95; CD (M): Motown 530 522 2 Motown Year By Year / The Sound Of Young America 1966 28-Feb-00; CD (M): Spectrum 554 859 2 The Essential Collection [uK] 04-Jul-05; CD (M): Motown 982 9297 2 A Cellarful Of Motown Volume 2 [alternate vocal] [uK] The Velvelettes; recorded Hitsville, completed 18-Aug-65 ; produced by Norman Whitfield 19-Mar-01; CD (M): Spectrum 544 467 2 The Best Of the Velvelettes [uK] 31-Oct-04; CD (S): Motown 980 9372 The Motown Anthology [uK]

From the superb "Don't Forget The Motor City" The Stranger (Ivy Jo Hunter) publ. Jobete Gladys Knight & The Pips; recorded Hitsville, completed 07-May-66 ; produced by Ivy Jo Hunter Sep-69; LP (S): Soul SS713 Nitty Gritty 05-Jan-04; CD (S): Motown 066 637 2 Soul Satisfaction 04 - Mouth Watering Motown And B-Side Beauties [uK] 06-Nov-06; CD (S): Motown 984 1939 Silk 'N' Soul / The Nitty Gritty [uK] The Marvelettes; recorded Hitsville-GW, completed 10-Aug-67 ; produced by Ivy Jo Hunter ; [lead - Wanda Rogers] 26-Aug-68; LP (S): Tamla S286 Sophisticated Soul 26-Aug-68; LP (M): Tamla T286 Sophisticated Soul [DJ copies only] 09-Mar-92; CD: Motown MOTD 5430 Sophisticated Soul

I think all had an official release Trev. I can double check later as got I most for the Stafford Story podcasts. I'll have to listen and check up on The Stranger though. All the Marvelettes should be on the two Anthology album releases.

no what is long over due is a price drop on those that have had silly price rises.

It's a soul night......

too many listening I think, server can't cope

it's dropped off a couple of times, not for long though.

The golden rule though is if you know nothing about a particular disc, get as many opinions as possible, don't stick to one guide. There is hell of a lot goes on at nighters and soul nights and this has an effect on prices, demand etc. Plus new boots appear on a weekly basis and it is damn hard to keep track of some of them.

You said everyone jumped on the bandwagon when it isn't true, it was already well known and an expensive record years ago, Manship has it at £450 in his third guide, 2007, whether guide price right or not is debatable but the price didn't go up with a few spins from Karl.

Deano live on air right now..... https://www.tulip-radio.org/

Not so much as evidence of involvement from Soussan although there's a strong case, just that I wouldn't have thought this would have got near Hollywood atb the time.

I've sent Loraine the link so hopefully she will say something soon. The address on the acetate tells you something wrong to me.

Sorry if already answered but Butch covered it up as the Volcanoes.

I agree with you Bob. I buy any guide or book published and agree Manship's latest guide is invaluable for boots. I'd like to see an up to date stand alone boot guide though.

and from the opposite corner.....

Hers's the google maps screen shot....looks a bit rough in that neighborhood.....

He had two Rama sleeves, one for £106.10 & one for £81.98.

Those I have had contact with do enjoy the recognition and you are right it is great if they get a few quid. Some are also aware of their material used without permission as well, that is why I was interested in the mechanics and how it worked out and who got what. Some of these re-issue labels apparently use loop holes in other countries to avoid some payments and there are plenty of rumours around about dodgy practices by some. I doubt one of the singers involved get a penny if they have no writing or production credits etc? This site has had such discussions lately and this topic seemed a good way to see how it worked with Harthon being a well known name and those involved still about. I also said that I'd heard one party had bought the masters and wondered who would then get the money or if any money would have to be paid if you owned the masters?

Just spotted this Chambers Brothers on Ebay from China........

I've heard some myself think they will get rich when at the end of the day it will in reality amount to a few quid.

But many of those involved at Harton are by and large contactable, Holman, James etc. As Paul said Eddie Holman has writing credits on 11 of the tracks involved. I can imagine other labels being far more difficult to ensure those involved get their royalties.

How much does a license for one of these 45's cost and for a 28 track cd? Hope you don;t mind me asking, just curious as are many others. There are a lot of rumours around about some UK re-issue labels and most not good if you know what I mean.

What I said probably doesn't comer across right, what I meant was DJ's that Dj with records that they otherwise wouldn't collect and are not to their taste. But like you say probably not surprising, I buy only something that is for me and my collection, if I can DJ with it then it is a bonus.