Chalky

The Dore' Story: Postcards From Los Angeles 1958-1964 Ace's September Newsletter just landed in my inbox and this release (available September 6th) charts the rise of the legendary LA Dore' label. This is the first release charting the story of the label and with subsequent releases should give a fascinating and comprehensive guide to the releases on the label. No Black Music (R&B/Soul/Northern etc) to speak of in the first release but I guess they have to start somewhere when telling the story of a record label. As usual the comprehensive liner notes, some 18,000 words, for you to read whilst listening to the CD a couple of times. Ace newsletter notes.... A one-man operation run at street level for more than two decades, Hollywood's Dore label launched the careers of Phil Spector and Jan & Dean in the late 1950s and built upon these early triumphs with an extensive catalogue of pop, rock and soul 45s during the 60s before branching successfully into comedy in the early 1970s. ¨ ¨The story of DorÃÆ’© records is inextricably linked with that of its owner, Lew Bedell, who entered the music business in 1955 having worked as a minor professional entertainer in the preceding years. Pop music was different back then and never more so than in California, where Hollywood's dominance of the entertainment scene meant that Los Angeles was scarcely aware of its music industry until hotshot producers such as Phil Spector, Brian Wilson, Snuff Garrett and Lou Adler finally put the town on the recording map in the mid-1960s. ¨ ¨Individualists such as Bedell were usually referred to as "characters" or as being "larger than life", suggesting they were caricatures of some sort, but Bedell, for all his eccentricities, was somehow too pragmatic a man to fit that description. ¨ ¨DorÃÆ’© began as a subsidiary of Era, a Hollywood label best known for mainstream pop hits such as 'Chanson D'Amour' and 'The Wayward Wind'. Bedell had founded Era with his cousin Herb Newman before breaking away to run DorÃÆ’© alone. In 1958, it got off to a flying start with 'To Know Him Is To Love Him' by the Teddy Bears, a worldwide hit, followed a few months later by Jan & Dean's 'Baby Talk'. By Rob Finnis courtesy Roger Armstrong The major labels had lost touch with the street and it was largely left to LA's scattering of independents to set teenagers' turntables spinning on the West Coast. ¨ ¨It was the age of the walk-in deal on LA's so-called record row, an area of Hollywood populated by small labels wheeling and dealing from storefronts or backrooms. Some went in the blink of an eye but Dore stayed, moving seamlessly from rock and pop into soul music in the mid-60s. In this climate of spontaneous deal-making and low recording costs, Bedell was regularly approached by would-be's and wanna-be's, some of whom may have had something on the ball. Herb Alpert, Shel Talmy and Mike Curb were just a few who brought their first productions to DorÃÆ’© and there are some interesting connections: aside from Spector and Jan & Dean, the Walker Brothers and Vince Taylor all come into the story. ¨ ¨ 25 of the 28 tunes on this first volume of "The Dore Story" appear on legitimate CD for the first time, all taken from the original masters, including previously unissued rockabilly from cult figure Joel Scott Hill, two ultra-rare rock instrumentals by Bobby Fry, the guitarist Vince Taylor brought over with him from America in 1958. There's exquisite doo wop, some featuring that cherished East LA "Barrio" sound, early teen rock from John Maus of the Walker Brothers and a rare instro featuring Scott Walker himself. Dore is becoming a collected label. Many of the original Dore 45s are now beginning to fetch quite big money, helped by the aura of mystique that surrounds the label and its distinctive logo. The generously proportioned, specially designed package includes a 18,000-word newly researched profile of Dore and Lew Bedell, artist biographies and many never-before seen photographs and illustrations. "The Dore Story" is an engaging snapshot of that moment in time before lawyers and accounts took over the music biz and things were simpler and probably more fun. 01 LET'S SPLIT - Bobby Fry 02 MARATHON ROCK - Joel Hill & the Rebels 03 BABY TALK - Jan & Dean 04 LOOK FOR A STAR - Deane Hawley 05 RING-A-DING-DING - The Tides 06 TRUE DEEP LOVE - The Premiers 07 STOMPIN' SH-BOOM - The Dories 08 EVERY ONCE IN A WHILE - The Debonaires 09 X-2 - Bobby Fry 10 DOIN' TIME - Ronnie Cook & the Diamonds 11 SOMEDAY - Cam Morris with Don Coats' Crusaders 12 MY BABY DONE ME WRONG - Kid Guitar Thompson & the Scooters 13 BABY, BABY, ALL THE TIME - The Superbs 14 TOO FAR TO TURN AROUND - The Creators 15 LOVIN' DADDY - Chuck Miles & the Styles 16 SHAKE IT, SHAKE IT - Larry Harmon 17 HEY LADY - The Entertainers IV 18 HIDEOUT - John & Judy 19 RUMBLE AT NEWPORT BEACH - Mike Gordon & the Agates 20 BABY DOLL - Billy Saint 21 PERCOLATOR - Billy Joe & the Checkmates 22 A CASUAL LOOK - Chris Darlin 23 AFTER SCHOOL ROCK - The Baritones 24 LAST YEAR ABOUT THIS TIME - The Symbols 25 TO KNOW HIM IS TO LOVE HIM - The Darlings 26 THERE'S SOMETHING ON YOUR MIND - Little Ray 27 SHOWDOWN - Tony Casanova 28 I LOVE YOU, I DO - Freddie Willis