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Chalky

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Everything posted by Chalky

  1. Think it was found originally by Charly not Kent? Could be wrong?
  2. We seem to hang onto the ball far too long wondering what to do with it, we seem to panic? The Spanish offload it immediately rarely hanging onto it, keeping it moving, players always in space.
  3. Southgate has had the kindest draw in at least two off his 4 tournament and we only seem to scrape through and in the process played the worst football of any team. The teams ranked 30 or 40 places below us played far better football. We only won 2 games in 90 minutes, one in extra time and another on penalties. I for one have seen enough of his brand of football and not won anything, I'd sooner see us having a go playing decent football and going out earlier. We need a manager with modern methods who can get the best out of this crop of players because Southgate can't. 8 years is long enough. Most of the players play a high tempo high pressing game for their clubs . Southgate couldn't even get them playing how they play week in week out. He can't even play them in the right position. He takes a player who has not played since February with bother recognised player in that position. He plays Kane when he himself added he wasn't up to it having not been fit prior to the tournament. He cannot adapt during a game except to throw subs on hoping they will change the game, same tactics, same starting line up and then then same subs. Some players must have wondered what they had to do to get some minutes?
  4. The tape is on my mix cloud page
  5. I have the tape, if you'e not sorted by tomorrow I'll dig it out and scan it mate
  6. lost in semis on pens....he won the same as Southgate, bugger all
  7. yes, he won sod all. No fit recognised left back, no plan B except bang a few subs on and hope they change the game. Playing players out of form and others not in their natural position. I enjoyed the teams much more under Venables and Robson. Imagine what Venables would get out of this squad!
  8. the system and tactics were no help to them, right system they would be fine
  9. Someone mentioned this elsewhere, took it with me last weekend but never came out. Might just drop it this week. Bit of Stafford maybe?
  10. Dean Anderson presents The Sound of Soul™ 11th July 2024 **LIVE CHAT EVERY WEEK** 8pm till 10pm On this show take a break from football, cricket and tennis with the best rare soul music on the Sound of Soul Show Join us the usual quality music and live chat here on this stream...
  11. I knew there was an "I" in there
  12. Press Release: Alice Taylor “Sounds Ridiculous b/w (I’m In Love With A) Rock 'n' Roll Singin’ Superstar / (I’m In Love with A) Rock ‘n’ Roll Singin’ Superstar (Previously Unissued Alternative Mix) SJ556 Release Date: Friday July 27th 2024 Alice Taylor was a popular session singer who sang background vocals for several local Philly groups including The Delfonics during the height of the Philly Soul boom of the early to mid 1970’s. In 1974 Alice under the auspice of producer Emanuel ‘Manny’ Campbell Jr and fellow Philadelphian musician/composer Charles R. Bowen entered the famed Sound Room Studios in Upper Dardy PA, to record a session of her own. This session yielded two songs. The more commercial pop soul orientated “(I’m In Love With A) Rock ‘n’ Roll Singin’ Superstar”. A song which took influences from other popular songs of the time that mentioned one’s love for Rock ‘n’ Roll singers and taking road trips to L.A (Los Angeles) in an attempt to cash in. Although the elongated song title may at first be a tad off-putting the recording showcases Alice’s vocal talents to the full and in itself is a very good record. The second song “Sounds Ridiculous” is based around the theme of a girl falling in love with a guy who spends most of his time daydreaming rather than getting a regular 9-5 job. An excellent record that should find favour with 70’s/crossover soul fans alike. Manny Campbell Jr used some of Philadelphia’s finest musicians on Alice’s session, notably session drummer Earl Young, reputedly the first exponent of the hi-hat cymbal a style of drumming used extensively throughout the disco period. Young had honed his skills during the 1960’s with his band The Volcanos, recording sessions for the Arctic and Harthon Record Labels. The Volcanos later became The Moods before morphing into The Trammps who Young recorded on his Golden Fleece Label with the group recording several further disco hits for Buddah Records prior to their worldwide hit “Disco Inferno” for Atlantic Records. Young’s strumming can be found on many other Philadelphia International, Sal Soul and MFSB recordings. The string and horn arrangements on the session were provided by another MFSB (Mother Father Sister Brother) pool of musician’s member, Don Renaldo. “I’m In Love With A) Rock ’n’ Roll Superstar/Sounds Ridiculous” came out in November of 1975 as an initial pressing run of 500 copies for promotional use which sadly were not of the best quality with some background noise being present in the introduction on both sides of the single, a possible detrimental factor in the release gaining any significant airplay. It’s was the second and final release on Emandolynn Music’s short lived, Stage-Art label. The first release being another of Manny Campbell’s acts The Nu-Rons & Co “Disco Hustle/Can’t Do Enough Girl” (Stage-Art 1001). Sadly, Alice Taylor passed away sometime during the 1980’s. Soul Junction through its ongoing relationship with Emandolynn Music have taken the opportunity to license these now very sort after Alice Taylor songs, which have been remastered to remove the aforementioned sound problems present on the original release. Which are now presented to you as a 3 track EP which also includes a previously unissued alternative mix of “(I’m In Love With A) Rock ’n’ Roll Singin’ Superstar, a recent master tape discovery. For further information e-mail: sales@souljunctionrecords.co.uk Visit SOul Junction Records to Pre order/order: https://souljunctionrecords.co.uk/SJ556.html
  13. Soul Junction 45 - Alice Taylor - Sounds Ridiculous b/w I'm In Love With A Rock 'n' Roll... View full article
  14. If we sit back and let them play they will teach us a lesson. If we attack and press hard, get in their faces we will win. They will leave space with their style of play for us to exploit. Southgate's rode his luck a lot just hope it doesn't run out tonight...C'mom England!
  15. Sure Neil said he went to Jack Ashford.
  16. Its the Shirrelles and unreleased
  17. I think out time in influencing the direction of the scene is about done, the new breed and social media will dictate and is dictating the direction. We have had out time really, we never for a minute imagined we still be here decades later still doing this thing. We have certainly had the best of the music and the scene as well. It's just a parody, watered down and commercially driven now. As Steve says let them get on with it, as long as history is not rewritten as it seems to be on a daily basis to suit then all is good.
  18. It is definitely not Lorraine singing, she confirmed that on this site. Soussan was behind it, Neil Ruston asked Jack about it BITD and jack said he was approached by SS and told Neil the singer used, he mentioned her name in Echoes when hie was writing back then. Neil told this story on here in one of the topics.
  19. until

    Make sure it not full length, don't want your heels catching in the hem and going arse over tit 🤣 Seriously though, everything g is set...apart from me and my records 🙄 Passes are available on the door, just £10 for the night time, £15 for the full day or if you wanna do the whole weekend £30. Hotels close by, look up the topic for a couple of links if you are interested. Quality soul music from a quality line up with the added bonus of Carl Hedberg from Sweden on the Saturday night.
  20. Jack doesn't remember nothing, asked him several questions but he cannot help
  21. I have sent then to Jack to see if he recognises the handwriting
  22. It is strange how there are no markings for the mastering company or anything else as Evans was working for some of the biggest at the time.
  23. Nice, that nails the time of release. Be nice to get something concrete regarding how the other presses came about and where they were pressed. If only Jack Ashford had a decent memory.

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