Robbk

It actually CHARTED at #30! But, I'd bet that it got at least a few trial plays on many other Soul stations.

I never heard it on the radio there. But, I thought I remembered seeing a 45 of it. But, if I saw it in a thrift shop, it could have been brought there by someone who moved there from The East Coast. I think it got a few test airplays on KGFJ in L.A. But it certainly didn't get regular rotation play, or chart there. It definitely had a store stocker Monarch press run in L.A.

I bought that one when it was out, and don't remember it being terribly rare. If I remember correctly, we had it in stock at Dolphins of Hollywood, and I think they had it at Sam's, Flash, and Pat's as well. I think I remember seeing it in Chicago, too, at United Distributors. I never thought of it as "rare". I saw it a lot more on store stocker than on white DJ (which, ironically with regard to this thread, I WOULD have considered "rare"). I guess the recent rarity of 45s depends a LOT on how many of the original pressings got destroyed by the early 1970s. I'd be curious to hear from The Yank if he remembers seeing stockers of the Dee Dee Barnes in Chicagoland record shops around the time it was out.

I've seen many, many white DJ's of the Dennis Edwards International Soulsville, but to today, had never seen the original gold store stocker! I've seen hundreds of the Freddie Chavez white DJs, but only a handful of the powder blue store stockers. That's dead rare, too.

I've never seen nor heard that record. The voice sounds vaguely familiar. It has a sound that could be anywhere between 1965 and 1968.

We had one in The Airwave Records office non-Airwave Soul Records Collection. It disappeared along with the Frank Wilson and Andantes. I wonder if Tom sold them to Soussan? I have seen 2 other stock copies, but didn't want to spend collectors' prices for a non-Detroit/non Chicago Soul record.

And now I see that it is off-white, rather than powder blue!!! So it was a white DJ issue. No wonder I never saw a powder blue store stocker! Now I don't have to worry about having Alzheimer's disease. 🙃 But I have to resign myself to the fact that I'm colour-blind! 😢

It must be VERY rare. It's a Chicago mid-'60s record I've never seen on a powder blue store-stocker pressing (only on yellow). I'd like to know if this might have come from it's first, very limited release, and if The Yank saw it back in the day. Interesting that Jump Jackson wrote the song, and, yet, it was published by Ed Wingate's Myto Music, but still released a small, Chicago indie label. Did this come from John Anderson's haul from United Distributors?

Don Davis was producing for his Groove City records then. Maybe there were problems for Patti to get out of her current label contract then, so Davis couldn't release it on Groove City, and/or he couldn't get a label/distribution deal with a major label, to release it? Who was Patti recording with at that time?

I saw a fair amount of The Exits on Kapp on black store stock. We had them at Dolphins of Hollywood. I saw them in other shops as well. It didn't sell much or chart much. But it wasn't all that rare when it was out.

He may have gotten a lot of them from Ron Murphy, who ended up getting the remaining stock of them.

Happy Holidays, everyone!!! 😍

Nice to hear that the Success masters will be included. I hope there are some nice unreleased cuts among them.

I've seen a few store stockers of the Tony Michaels, as well.

I saw a handful of Tamiko Jones' stockers, mostly back in the mid 1960s, and a few later.

Absolutely! Avin, Celtex, Expo, O-Pex, and Webcor ALL were Chicago labels, with Lasley involvement or connection, and all had links to Detroit, as well.

Avin was a Chicago label. Andre Williams was a Chicagoan, whose base was always in Chicago, but he worked more in Detroit for some years, but mainly commuted back and forth between the two cities for many years. He kept a home in Chicago, but stayed with friends and associates, in Detroit when recording there, and had an apartment there for awhile. He rarely had the money to finance his own record companies, so his labels were generally owned by financing partners even if he was the COO, A&R man and main producer.

I've inly ever seen the yellow stocker. Never seen a white DJ of this issue. I've never seen this on Karen, only Moira.

I've seen the green one a few times in L.A. back when it was out. But, I'll admit that the white DJ was a LOT more common, and then, the red stocker. I'm pretty sure we carried it at Dolphins of Hollywood. WoW!!! A Charles Brandy stocker!!! I've NEVER seen one of those!!!

Yes. The Mighty Marvelows was easy to get on WDJ when it was out. But, I've seen very few of The Continental 4 (of course, the fact I was in Chicago, rather than Pittsburgh, might explain those two points.

I hate being old and having most of the last half of my life's memory unretrievable until I see or hear something that triggers it! Of course, I knew that Kim was from Cleveland, and was married to Freddie. And he produced records mainly on The East Coast, but a few in Cleveland, too.

Wow! I've never seen nor heard of either the Kim Tolliver or the Porgy Williams. at least , I knew there must be other Sylves records than the Porgy and The Monarchs. But, I've never seen a Castro record before. Freddie Briggs producing Kim Tolliver. I'd have guessed it was an East Coast (probably New York Metro Area label). But the label design and font look like Midwest. Does anyone here know who owned Castro and where it was located?

1973-5 seems about right. And there were missing numbers in 45 Cat's Curtom discography around then. Maybe The Demolition 45 I remember is one of those missing numbers. For example, 2004 from October, 1974 is missing (only number since 1971 missing. May be THAT was The Demolition issue I saw?

The name "Demolition" rings a bell in my cloudy memory. I'm sure I've seen it before. When I picture in my mind's eye, a Curtom 45 with the group name, "Demolition" on it, it seems to look like something I've seen. I probably saw that 45 and just didn't bother to buy it, because it was a '70s record with a too modern sounding group name to be something I might like, and the songs were probably not written by a writer I liked. In any case, they were a semi-Disco group. So, I wouldn't have liked their material. There is no Curtom record by them on 45 Cat. But I'm pretty sure I saw a 1977 or 1978 45 by them.

My copy, and all the copies, of that record, and all the other Villa Magicians' records I've ever seen were the yellow label versions on the independent Villa, asnd orange labels on The Cameo-Parkway distributed issues.