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So many sides of Northern Soul.

To the connoisseur, Northern Soul has been around since the late sixties, but to the majority of civilians it was one of the things that happened in pop music between the Beatles and punk rock. For either position to deny the other is somewhat disingenuous; certainly there was more to it than mere chart music, not least because it led to bigger and better things for many who stuck around, but it is difficult to deny that something extraordinary happened in its Golden Age.
 
It is easy now to laugh at the fashions, the pop records, dodgyy instrumentals and novelty records and I agree that many of the records haven't aged well. If I were listening to Steve Wright in the afternoon non stop oldies and they were playing records from the last 10 years, I would protest that they are not oldies. In the mid seventies the records played in the name of Northern Soul had been recorded over the previous ten years and many were new releases. Now they are between 35 and 45 years old and, while some have matured magnificently - Mel Britt and Tobi Legend spring to mind, I am certain that if people listened to them beyond pure nostalgia, more would agree that many of them sound at best passe and at worst ridiculous.
 
However, I also think that, with not nearly enough exceptions, the discoveries of the last 35 years represent obscurity for the sake of it and/ or a celebration of the ordinary just to ensure that nobody else knows or cares about them. If I were to line up my favourite Northern Soul records very few were not ' out ' by 78 and I think flipping over Jack Montgomery is the best thing that has happened since.
 
The relationship between Northen and Modern is one which no 2 Soul Fans seem to agree on. Popular myth would have it that everything changed with the Carstairs, but as we know from the Beatles, Wigan and punk rock, myths seldom reconcile with events on the ground. I recall reading an interview with Ian Levine when Russ Winstanley banned Bobby Franklin and Snoopy Dean from the decks at Wigan and he was not saying this was the biggest change since the Carstairs. Indeed, in the excellent book the In Crowd, he claims Crown Heights Affair Dreaming a Dream is the ' definitive late Mecca record. ' Perhaps Ladies Choice and Shake and Bump have fallen through the middle because they are not terribly good records and, in their own ways, the Carstairs and CHA are. And of course you can always rely on Levine, like myself, for a bit of audacity. The conclusion therefore is that the Carstairs did not lead to Modern Soul but to Disco, Funk and Jazz Funk.
 
My own view is that, while there are obvious similarities and parallels, they are essentially separate scenes. The aforementioned Mecca records tended to be let out, mostly by Curtis, as part of his greatest hits set, and there were the 70s records which emerged during the 80s, but the Modern scene probably achieved its apogee at the early weekenders, just before the northern revival took hold, and was dominated by people, often with a background in Northern Soul, who had dug deeper than Marvin, Curtis, Teddy and Womack and discovered Sam Dees, Lamont Dozier, Leroy Hutson, Donny Hathaway and Leon Ware and then dug deeper still. The problem was that, like the northern scene, it quickly developed a same 200 records syndrome, with everybody following Searling and/ or Sam.
 
Natch this is all discursive and dialectical which is what makes it, and us, so rich.
By Stevesilktulip in Articles ·

Blues or Soul?

Thirty years ago I travelled to London to see Buddy Guy and Junior Wells, Albert King and John lee Hooker ( a lineup the like of which will never be seen again ). I recall being struck by the total lack of Soul representation and a complete takeover by Rock Fans going into raptures over Buddy Guys extraordinary licks. For decades the pop/ Rock media have told us we can have gospell but the Blues is theirs .But it isn't, it's ours too.
 
Recently I saw Michael Roach in Durham; a Black American Country Blues artist and there wasn't a familiar face in the building. Normally I run a mile from a singer with just a guitar but this is how this music is supposed to be played and he is also a Blues Historian and the history of Blues is the pre-history of Soul.
About a year ago my son and I saw Larry Garner at the Darlington Arts Centre. LG is a native of Baton Rouge, Louisiana and one of the most important Blues artists to emerge in the last 30 years and there wasn't another Soul fan to be found. My son was carrying a guitar injury so we ended up talking guitars with him and the band and he invited him to join them on stage. Thirteen and with a bandage on his hand, my son can still play a bit and took the roof off.
 
Consequently he became fanatical about Blues which ultimately took us to a Blues Festival in Switzerland to see Howlin Wolf pianist Henry Gray, Soulful Blues singer/ guitarist and another of the modern greats - Joe Louis Walker, top of the bil for my son Larry McCray - another modern great with a Soulful voice and perhaps the finest Blues guitarist since Buddy Guy. Top of the bill for me, Otis Clay, a regular at the festival, because in Switzerland, like most places, Blues and Soul go together.
 
Recently Larry Garner returned to Darlington and, since I'd seen him in Keighley a week earlier ( guess what - no Soul Fans), and knew his set and his jokes, found myself people watching and people clearly couldn't believe they were watching an artist of this calibre making such incredible music in a tiny room in Darlo.
Michael Roach, LG and Henry James are not Soul singers in the way Joe Louis Walker, Larry McCray, Bobby Bland, Little Milton, Buddy Guy, Otis Rush, Albert and Freddie King and Robert Cray are, but all Black American Blues Singers are soulful, I like to make the distinction, with a small s.
 
Recently I was at a Soul Night in Sunderland and people kept saying to me - this is better than Muddy Waters and this is better than John lee Hooker - and I was reminded that Frankie Lucas used to say that some of the stuff I listen to is so Soulful it's almost Blues and I figured this is where it came from. I've been listening to Blues for 30 years, alongside Soul, and Reggae and Jazz and lots of other things.
 
In the mid eighties I saw Bobby Bland, Johnnie Taylor and Denise LaSalle ( and Mosley and Johnson ) on the same bill and Latimore and Little Milton on the same bill. Can anybody say categorically, once and for always, whether Bobby Bland or ZZ Hill are Blues or Soul?
 
 
 
photo
 
JuniorWells1996 by Masahiro Sumori (Own work), from Wikimedia Commons
By Stevesilktulip in Articles ·

Steve Mancha Tribute Grave Marker Dedication

Steve Mancha tribute Grave Marker dedication

Dear Soul Source people, we have received a message from Melvin Davis in Detroit and the Marker for Steve Mancha's grave is being dedicated and laid in place tomorrow.

Melvin sends his thanks to all who contributed to the Steve Mancha memorial fund in the appeal in 2011 on Soul Source. As Melvin says "If it was left to Detroit to do this then we would still be waiting and Steve's grave would have been left un-marked"

A small gathering of Steve's friends will attend the dedication, along with a film crew and press and local TV. Melvin is saying prayers and will publicly thank soul fans from around the globe who contributed to the fund.

Both myself and Ady wish to thank everyone who helped us to achieve this, surplus funds after all costs were given to Steve's mother, who is in a nursing home herself. There is now a permanent memorial to one of the finest voices ever to grace 45 rpm records. RIP Detroit legend Steve Mancha

Rob Wigley

The photo of the marker at the memorial merchants, the stone is made from Rose marble.


By Rob Wigley in News Archives ·

Herb Reed Of The Platters RIP

Herb Reed last surviving original member of the Platters passed away
 
http://www.nydailyne...ticle-1.1090683
 
added by site
 
 
Herb Reed (c. 1929 - June 4, 2012) was an American musician, vocalist and founding member of The Platters, who were known for their hits during the 1950s and 1960s. Reed is credited with creating The Platters name and was the last surviving original member of the group, which he co-founded with four other musicians in 1953.
 
Reed thought of the group's name after noticing that DJs in the 1950s called their records, "platters."
 
Reed was raised in poverty in Kansas City, Missouri, and moved to Los Angeles when he was fifteen years old.He moved to the Boston area during the 1970s, after the success of The Platters.
 
Reed is the only member of The Platters who sang on all of the approximately 400 songs recorded by the group.His vocals can be heard on The Platters' biggest hits, including Smoke Gets in Your Eyes, The Great Pretender, Twilight Time and My Prayer
 
As the last surviving original member of The Platters, Reed waged a long, but successful, federal court battle over the rights to the name, The Platters. The courts ruled that Reed was the only heir to the group's name. In 2012, Reed said in an interview, "It's not right to have someone steal your name. It's just not right. We were cheated back then, but that's how things were done...It's theft, and I have to fight it so that no other artist faces this."
 
Reed toured throughout his career. He performed as many as 200 concerts per year until 2012, when he stopped due to declining health.
 
Reed died of complications from several ailments, including heart disease, at a hospice in Boston on June 4, 2012, at the age of 83. He had most recently resided in Arlington, Massachusetts.
 
via wikipedia
By Steve Myers in News Archives ·

Cleethorpes Saturday Night Tickets

Just a reminder for those who are as well organised as I am...

Some Saturday Night passes have been made available for this years weekender
Can grab full details via the link below...


click this
By Mike in News Archives ·

Tony Jebb Benefit at Blackpool Tower Weekender

I am very happy to report that thanks to Kev Roberts and Richard Searling a benefit for Tony Jebb will take place during the Blackpool Tower Weekender in November this year. Full details below:
Tony Jebb Benefit at Blackpool Tower Weekender
Date: Nov 9-11, 2012
Special TJ Favourites Hour dedication on Saturday 10th November
Tony is eager to attend the event to meet friends old & new. It promises to be an emotional re-union.
________________________________________________________________________
Many on this forum will remember Tony Jebb, the legendary DJ from Blackpool, who, along with Ian Levine, Colin Curtis and Les Cockell (RIP) played a major part in establishing The Highland Room as the UK's best northern soul venue during the early 70's.
The mid-sized room was on the top floor of Blackpools' Mecca establishment and people in the know would travel from far and wide to be there every Saturday night to hear the best there was in up-tempo soul rarities of the day.
For me, Tony was always Number 1. TJ stood out from the crowd with his long hair, tank tops and flares and yet this northern geezer looking like he was on his way to a Slade concert played soul music to die for - loud. Tony's talents on the mike were also unbeatable as he charmingly kept the dancers in excited anticipation for the next "sound" with his eccentric loud 1000 mph announcements like "... that was the brilliant Vibrations for you ...... MEANTIME we've got the sounds of Wendy Rene and Bar-B-Q." The record would start on the button and dancers didn't even realize there was a break in the music.
Tony knew how to keep the floor full and then some. He also knew his stuff and would never compromise by playing a record he personally didn't like. Unlike many a DJ, he essentially played for himself and his own taste but also knew what would please the floor. No messing about with Tony at the decks. Never a dull moment and job well done.
Us London guys loved TJ to bits. We were Mods at the time of course and there was this "hippy" playing the best soul music we had ever heard. One after the other, storming monsters. As we say in the capital ... Jebby was a Top Bloke ïÅ 
That was quite a long time ago now but the memories haven't faded a bit (for most of us). That is why we hope as many people as possible will attend the benefit for Tony who has suffered greatly over the last decade or so from Multiple Sclerosis. He has had 2 hip replacements and years of physio but sadly is now virtually bedridden, although he does occasionally venture out. Tony lives in his own 1-bedroom unit in a care neighborhood but his life is very hard these days.
I have to thank Sheila Hart (now living in San Diego but a Lancashire lass through and through) for putting the idea for the benefit forward. Bless your heart Sheila xxx.
Richard Searling and Kev Roberts, promoters of the Blackpool Tower Weekender are devoting one hour during the weekend to TJ. Some of his friends and colleagues will be spinning and saying a few words, such as his Blackpool Mecca colleague Rod Allsworth (aka Billy the Kid)
By attending the benefit in Blackpool in November you will be able to contribute to a fund for Tony's future care by purchasing raffle tickets. Raffle prizes promise to be well worth owning (no hints just yet) and GoldSoul will also be contributing more than £250 worth of gifts.
A superb tribute to a Northern Soul pioneer - Tony Jebb at the famous Blackpool Tower, Nov 9-11, 2012
www.goldsoul.co.uk
Dave Burton
Hong Kong
site note
the original thread behind this (and one that will be best used for further discussion) can be read here

click for full view
By Guest in Event News ·

A Little Togetherness

A brief recollection of teenage northern soul combined with the middle-aged murder of a timeless classic.
 
A clip from the article
 
 
Round about 1970 was when I joined the in-crowd. I cut off my hair, learnt how to get my kicks out on the floor, and swore I'd just keep on keepin' on. Northern Soul was a unique phenomenon, youngsters from Lancaster down to Stoke seeking out the best American dance music the rest of the world seemed to ignore.
 
I have no idea how it began, although I seem to remember the Stax label becoming a crucial part of the northern music scene in the late sixties. I grew up in Blackburn and, when I was eleven or twelve, I heard about the Stax club that had opened up there. Suddenly, and almost impossibly, 'Blackburn' sounded exciting, the way 'Nashville' and 'Memphis' did ..
 
The full article can be read here
 
http://content21.wor...e-togetherness/
 
Hear a Northern Soul classic tortured and finally murdered.
 
By Guest in News Archives ·

Jubilee with Soul

Hopefully not repeating other's postings, but thought it worth reminding anyone out there playing this weekend it could be interesting to flip over the Four Tops' Keeper of the Castle on Probe from 1972 to play "Jubilee with Soul". Not too bad.






By Seano in News Archives ·

Fundraiser For Uriel Jones Headstone

Fundraiser for Motown drummer Uriel Jones' headstone:
http://www.detroitne...NT04/205300302/
http://www.indiegogo...ieljones?c=home
added by site
Detroit musician fans of Funk Brother Uriel Jones are raising money for a headstone to mark the Motown drummer's grave at Woodlawn Cemetery in Detroit. Jones, the last survivor of Motown's three main drummers, died in 2009, at 74.
From The Detroit News:
http://www.detroitne...2#ixzz1wYN1w7Rv
From the project website as at 1st June 2012
$817 Raised of $1,000 Goal
By Phil_H in Event News ·

BBC 2 Britain In A Day featuring Blackpool Tower Weekender

An interesting email pass on about a documentary showing on BBC 2 on June 11th. Called "Britain In A Day" the film appears to be a 90 minute snapshot of Britain on the day of Saturday the 12 of November 2011 filmed by Britain itself .

Apparently the Blackpool Tower Weekender features as one of the many clips that will make up this snapshot moment in time view of Britain today

BBC info below

Britain In A Day

Confirmed for Monday 11 June on BBC Two at 9.00- 10.30pm
On Saturday 12 November 2011 an eclectic range of British people turned the camera on themselves, capturing the entertaining and mundane, the exciting and unusual, the poignant and the everyday. The result covers everything from breakfast with the family to an unexpected marriage proposal and life in a detention centre. Britain In A Day tells the fascinating story of the British public in their own words.

Directed by BAFTA-winner Morgan Matthews (The Fallen, Scenes From A Teenage Killing), the 90-minute film offers an extraordinarily candid look at 21st century life across the UK, masterfully crafted from over 750 hours of footage, including 11,526 clips submitted to YouTube.

BBC Website link

http://www.bbc.co.uk...rammes/p00kqz5p
By Mike in News Archives ·

Lifeline June 30th Allnighter Cancelled

I'm sorry to say but this night has been cancelled. There is an abundance of major soul events on during June and in our opinion the scene cannot sustain the amount of events being promoted so Lifeline has decided with missing April we will take an extended break and miss June as well.

We will return in August.

It is absolutely crazy the current situation, how long it can carry on we don't know.

There is Cleethorpes this month which has been going for nearly 20 years (a weekend I wouldn't miss). Manchester decided last year to put on a weekend and are doing the same again. Besides this there is Bridlington.

There is also an extended Bank Holiday with added nighters and dayers, your regular all-nighters and your usual monthly events. It all adds up to much IMO, not enough punters to go round, many who are feeling the pinch with the recession as it is.

I'm not sure how much money promoters think ordinary people have but the situation is getting ridiculous.

As I said rest assured Lifeline will be back in August. One guest is finalised, another to be confirmed. As soon as all is confirmed i will post details.

chalky








image © Pauline Eccles cc-by-sa
By Chalky in Event News ·

Soul Purpose Records 1st Release - Gloria Jones

Soul Purpose Records proudly present our first release, A fantastic Northern Soul double header - the previoulsy unissued Gloria Jones original version of Gone With The Wind Is My Love b/w top Northern Soul rarity The Tiaras - Loves Made A Connection.

Both titles licensed from top LA writer and producer Lou Baretto.

The test pressings have just arrived from the pressing plant and they sound fantastic!

Official release date is Friday June 8th

You can pre-order from http://www.soulpurposerecords.co.uk

You can see the promo video at






By Phild in News Archives ·

Channel 4 Documentary Request - Never Too Old for Drugs

NEVER TOO OLD FOR DRUGS
Are you over 40 and still taking recreational drugs?
Would you be willing to talk to us about your experiences in a candid, open and upbeat way?
Channel 4 is making a documentary exploring positive experiences and opinions of people in their 40s, 50s or 60s who still take recreational drugs and who don't think it's having any impact on their jobs, lives or families.
For more information, please contact jennifer.gilroy@iwcmedia.co.uk or call 0141 353 8417. All calls and contact will be treated in confidence.
Many thanks,
Jennifer Gilroy
By Guest in News Archives ·

Soul Source Does Shop

Just a quick word on the initial door opening of a fresh feature here on soul source .
Now as part of the site setup we have the early start of an online shop that as well as doing shop things also allows us to offer some new features to the site
Features
1. Intergration - as its all part of the site, once you are logged in, the shop can take advantage of all the current features of the site and streamline the whole actual ecommerce process
2. Normal ecommerce features - all the usual run of the mill shop stuff, cart, paypal checkout, images, sounds etc
3. Customer area - does have a fully featured customer area which will make keeping track of orders, support, looking up past purchases a fairly simple task
4. More to follow - as always this is just the first runnings, improvements and new features will follow as time passes,
Aim is to offer to members.
.
1. The best bang for buck - basically a main building block will be to offer the best deals around for the best quality new releases be it vinyl, dvd or cds etc
2. Keen dispatches - a keen 24 hr turnaround for all sales where possible will be another main building block
Running
Will be run as a stand alone independent feature and my better half has been drafted into look after it 24/7 and will be dealing with all orders, postage etc. This should bring a rare (on here) element of organisational skills whilst still in keeping with the soul source thrust
Features for promoters
Can now offer ticket sales for mint members who are involved with events - basically this will form part of the overall event service and will be a service for mint members. This will be opening shortly and info will follow
Banner Features
The telasource banner service has been revamped and shortly direct ordering will be available via the shop
Early Days and Opening Offer
The doors are now open, however the main thrust has been getting this to open fully today
and so the emphasis has been more about the system rather than the actual contents
The current listings are a bit sparse but do involve quality with the latest three Soul Junction 45s
including the just released
Ivy Jo Hunter - See you around 45 SJ516
which was released today and may remember that was featured a couple of weeks ago featured in a pre-release news item - http://www.soul-sour...n-records-r2464
The Soul Junction 45s being the main meat but also there's a clearance offer of some back issues of SUN
Obviously the listings will increase as time moves on
To mark the opening we do have a opening offer of Free UK First Class postage on ALL items (sorry but only can offer this tor Uk based Members only at the moment)
You can find the shop via the link below and the top main menu
Your customer account area can be found via the top right drop down menu
Early days but do feel that this feature over time will become a worthwhile useful addition to the site
Anyway here's the link...
http://www.soul-sour...oulforum/store/
Cheers now
mike
By Mike in News Archives ·

Holy Spirit - Spiritual Soul and Gospel Funk From Shreveport's Jewel Label

Continuing Harmless's policy of exploring all areas of Black Music we now turn our attention to the much under-explored area of U.S. independent Funky Soul and Gospel music which is currently one of most exciting areas of record collecting.

One of the greatest labels for funky Gospel releases was undoubtedly Jewel Records from Shreveport, Louisiana founded by Stan The Record Man Lewis in 1963 from his original tiny record store, Stan s Record Shop. From such humble beginnings sprang a recording empire which also included the Paula, Ronn and Soul Power labels.

Jump forward some 50 years to 2012 and suddenly the Jewel Gospel catalogue is being fiercely mined by collectors across the planet due to the sheer amount of quality funky Gospel records which are still being found. We invited serious DJ s, Record Collectors and all round funky Gospel addicts, the UK based David Hill and US based Greg Belson, to compile 2 CDs of some the best funky Gospel and Spiritual Soul from the Jewel archives. Added to this combination we also have collector and historian Chris Menist on sleeve notes duty for the 16 page booklet which also includes a variety of label and album scans.

Also, as a timely inclusion, we re also delighted to include one of the rare records which made it into John Peel s legendary 7" record box the sensational "No More Ghettos In America" by Stanley Winston proof positive that Jewel's funky Gospel sound found supporters right across the spectrum!


Holy Spirit - Spiritual Soul and Gospel Funk HURTXCD119





CD1

1. The Meditation Singers Trouble's Brewin'
2. BPS Revolution Brotherly Love
3. Soul Stirrers I'm Trying To Be Your Friend
4. Ernest Franklin Trying Times
5. The Hopson Family Prayer Will Take You There
6. Chimes Woke Up This Morning
7. Albertina Walker Mama Said, Thank You
8. The Brooklyn All Stars If Loving God Is Wrong (I Don't Want To Be Right)
9. Keith Barrow Everything's Gonna Be Alright
10. Dorothy Norwood He's A Friend
11. The Brooklyn All Stars I'm So Glad You're Mine
12. Leomia Boyd and the Gospel Music Makers 'Need More
13. The Southerners Jesus Is Real To Me
14. The Traveling Echoes The Golden Gate
15. The Violinaires The Upper Way
16. Roscoe Robinson Do It Right Now
17. Clarence Fountain This Little Light of
18. Soul Stirrers Crying On The Mountain
19. Armstrong Brothers Far Away From God
20. The Meditation Singers A Change Is Gonna Come

CD 2

1. Armstrong Brothers Can You Treat Him Like A Brother
2. Bill Moss & the Celestials You've Got To Serve Somebody
3. The Southerners I'll Wait For the Lord
4. The Meditation Singers Good Old Gospel Music
5. Roscoe Robinson There's a Creator
6. Mighty Sons of Glory Don't Forget the Bridge (That Brought You Over)
7. Dorothy Norwood There's Got to Be Rain In Your Life
8. Soul Stirrers Lord, Oh Lord, I Believe
9. The Meditation Singers I Love My Jesus
10. The Silver Gate Quartet of North Carolina Watch That Rogue
11. The Fantastic Violinaires I'm Not Worried
12. The Hopson Family Hello Sunshine
13. Dorothy Norwood Come and Go With Me
14. The Traveling Echoes I'd Like To Know
15. The Spiritual Interns He Walks With Me
16. The Brooklyn All Stars In The Ghetto
17. The Violinaires Message To My Friends
18. Dorothy Norwood Winding Up
19. Rev. Oris Mays Nobody Can Turn Me Around
20. The Travelling Echoes God Don't Change
21. Stanley Winston No More Ghettos in America

Amazon Link:

http://www.amazon.co.uk/Holy-Spirit-Spiritual-Soul-Gospel/dp/B007O3VO2Y/ref=sr_1_11?s=music&ie=UTF8&qid=1337623606&sr=1-11

Ian D
By Ian Dewhirst in News Archives ·

Best Soul Nights in the North East Ever

1. DUNELM HOUSE, DURHAM.
 
My first all-dayer was in 75 and I tend to think of them amongst the best days of my life. Most of the records I hear as I go round Northern Soul Nights still, I heard for the first time that first day. People came from all over the country and all the top jocks played. Searling did an afternoon set due to commitments elsewhere on the evening; with Levine and Curtis moving increasingly into disco, Funk and Jazz Funk, he was head and shoulders above the rest playing traditional northern, though some prefferred Soul Sam. Some things never change.
 
Alex did an all-nighter in 77 but staying up all night wasn't my thing and I hated it. Probably the most important dj set of his life though as he played Hi Tension to a mostly northern crowd and got away with it.
 
The following year he put Chris Hill on armed with fireworks, a portable mick and just about the last great set of Funk and Jazz Funk newies and wearing red trousers. Somewhat ill advisedly, Alex copied and wore his for years.
 
2. THREE TUNS, DURHAM.
 
Its legendary bouncy dancefloor wouldn't get past health and safety now, the Bottle generally got things started and Jimmy Radcliffe normally brought proceedings to a close. Whatever Alex became, we benefitted from the last relevant years of Wigan, the peak of Cleethorpes and the last great flowering of the Mecca before Saturday Night Fever and Georgio Moroder made disco naff. Levine and Curtis both guested.
 
3. BERWICK WEEKENDER.
 
Technically on the Scottish side. Not as life changing as what happened next, but it certainly had its moments and hinted at what was to follow. A time when the djs were discovering they were playing the same records as each other before they started deliberately playing the same records as each other. Funk and disco maestro Paul Cooke asked me to produce his radio Soul show and became an unlikely hero among certain serious Soul folk and some of the records he played became staples on the Modern Scene.
 
4. MANOR HOUSE, WEST AUCKLAND.
 
Solely in terms of music, in a league of its own, though too ahead of its time for anyone who just wants to dip their toe(nail) or those who want to play politics. Similar manifesto to Rhetford but much of the music there is as naff as the term Just Soul with its connotation of unimportance. Been tying to remember if I gave Paul: Curtis - No thing on me, George Jackson - Aretha and the Tops - Still Water to play at Berwick.
 
5. AYCLIFFE. Legendary Northern Soul town, the home of many a day/ night in the mid seventies including the first all-nighter I ever went to which was the first time I heard the Flasher and the Ojays I Love Music. John Howard persuaded us to go and I never told him how much I hated it.
I particularly remember a great night in nearby Spennymoor around the time of Cathedrals when my big sister, obviously keen to lose her kid brother, told me another child had started coming. For decades I thought it was local legend Paul Shoulder until he recently confessed to being 3 years older than me.
In the 80s Gaz Simons and Baz Atkinson arrived on the scene to offer spirited resistance to the demise of Northern Soul in just about every venue in Aycliffe and the surrounding area, initially playing mostly well chosen oldies, before gravitating to sixties newies with mixed success and then more Modern and Just Soul. When the crowds returned they sought out obscurity, cynics might say, for the sake of it.
 
6. COACH AND EIGHT, DURHAM.
 
The second venue Alex ever played after Nevilles X Youth Club; in fact he would feed his several dozen records to the resident dj. At 12/13 I was too young to get in but I was talking to North East Northern Soul stalwart Pete Donnelly just last night and was reminded that I used to go down to the bus station to see people coming out. On one occasion he was armed with a selection of Dells albums, announcing, in his inimitable way, they were his favourite group. Who ever guessed he would prove ahead of his time?
Alex retrned in 77/8 playing 50/50 Funk and northern though it only really took off when he jettisoned the northerm catching the last classic era of Funk and Jazz Funk. Wild and crazy.
 
7. NEVILLES X CLUB.
 
His last full on northen night, if you include Lamont - Back to my roots, JB - Body Heat, Kool and the Gang - Open Sesame, 3 tracks off the Tramps album Disco Inferno and Carwash by Rose Royce. Both Bill Swift and Paul Mooney guested so not quite sure who to thank or blame. Now 15 I was developing a critical ear saving my trips to the loo for You're ready now and Jnr. Walker - I aint goin nowhere, part of his ill concieved Motown half hour. Also divs ( remember them? ) on the horizon.
 
8. RUMORS, SUNDERLAND.
 
Not really sure why I remember this monday night in 1980 so fondly. Perhaps it was the last gasps of the Jazz Funk scene before it became too night clubby and Funk and Jazz Funk descended into club classics and smooth Jazz. The music wasn't bad though: JBs Doing it to death, Cameos last great album as a full on Funk Band, Gene Chandler - Does she have a friend? and Really, Really love you by Cecil somebody or other.
 
9. TOGOS, CHESTER LE STREET.
 
Formerly Sombreros and latterly Crocadillos, Alex and Bill Swift did a mid week night around the time of Mr. Nice Guy and Troublemaker. The Leeds Central Djs ( whose names have temporarily escaped me ) did an all-dayer as part of their Bott1e$ over Britain/ Ar$e$ over England tour and there was an all-nighter which I hated.
 
10. HOOCHIE COOCHIE, NEWCASTLE.
 
Easter Bank Holiday all-dayer was the best Northern Soul event I've been to in 35 years. Everything was all wrong but with Soul Musics enduring resilliance it turned out right. No dance floor to speak of, no imported big name djs, a stupidly priced bar, no food and a que to get back in didn't deter people - this was what it was like to go to a Northern Soul Night in its Golden Age. And herein lies the perennial problem, that Northern Soul will forever be judged on how well it can approximate the early/ mid seventies. The trick seems to be in ommiting the ones which haven't aged very well ( for me, the majority ) rather than relentlessly playing Casino Karaoke or I'll name that tune in 1974. I've been trying to think what was played in the 4 hours I was there which I didn't have by the time I was fifteen: two big ballads which were terrible, 2 ska records which briefly reduced it to farce, the Spinners I'll be around and Lou Rawls are a bit bogstandard and probably owe more to the Jazz Funk scene. I always listen to Modern Soul with trepidation and this was no exception: Sam Dees Fragile handle with care and Lew Kirton Heaven in the afternoon are great, if tired, classics and presumably the latter is an inevitable part of every all dayer. Anybody who thinks I've got the need is Modern Soul is using a simplified formula which misses the point and JJ Barnes version of How Long, enjoying its second outing I've heard in recent times, should have been left in the seventies.
Likely to be another one in August and some of the problems should have been sorted, but demand and expectations will be high and it could turn out to be one of those one - off events that nobody can quite explain.
Respect also for putting on: Candi Statton, Azymuth, Rose Royce and Alexander Oneil.
 
Not forgetting:
 
WALKERS: Chilites, Womack and Womack, Tashan.
NEWCASTLE MAYFAIR: Brass Construction, Gil Scott Heron.
SUNDERLAND MAYFAIR: Crown Heights Affair.
NEWCASTLE CITY HALL: George McCrae ( in 74 ), Commodores, Four Tops, Crusaders, BB King, Buddy Guy and Junior Wells, Bill Withers, Average White Band, Benson, Cameo, Mary Wilson, Chilites.
SAGE, GATESHEAD: James Brown, George Clinton, Irma Thomas, Mavis Staples, Ornette Coleman, Swing Out Sister.
GALA, DURHAM: Maceo Parker, Terry Callier, Femi Kuti.
SUNDERLAND EMPIRE: Temptations, Smokey Robinson, David Ruffin, Eddie Kendricks and Dennis Edwards.
METRO RADIO ARENA: Four Tops, Temptations and Tavares.
 
Obviously I was 13/14 during the glory years of Northern Soul so my choices emanate from Durham and are somewhat Alexentric. Do you have fond memories of a Soul Night in Newcastle or Sunderland? Was the Garden Farm your thing? Or the Red Lion? Or do you prefer the nightclubs: Julies, Gretna, Buddys, Walkers, Macmillans or As you like it?
 
I am currently writing a book about my life in music so if you have any info, memories or anecdotes you'd like to share and you see me flying at a Soul Night near you, come and have a chat. If you respond here there's a fair chance I won't read it since I'm seriously computer illiterate and can never find these things once I've started them.
 
 
top photo: http://www.flickr.com/people/12653005@N05
By Stevesilktulip in Articles ·

Letters for Tony Jebb and IPod Campaign

Tony was the best dj at the Highland Room in Blackpool during it's heyday of the early 70's. I became friends with him in 71 when us London lads would make the long journey up on a Saturday morning. We all fell in love with Judith but Jebby was one of the highlights of a Saturday night. Such a personality at the decks and on the mike.


MS is a terrible disease and I will say a prayer for him. So many great memories especially him playing Wendy Rene and his catchphrase "meantime!"

Update on Tony Jebb - I spoke to Tony's daughter, Natalie, today and would like to provide an update for friends on his current health condition. Tony is living in his own place which is a 1 bedroom unit in a community care neighbourhood in Blackpool where he is visited by care workers regularly. Natalie lives very close by and also sees him regularly.

Unfortunately, Tony is now bedridden due to his poor physical condition even though he underwent two hip replacements and many years of physiotherapy. He has lost the use of his right hand which was his writing hand. The good news is that Tony has not lost his spirit and sense of humour and reads with the aid of glasses. Natalie said that he would love an iPod with northern soul classics so, job done. As soon as I can load one up with tunes it will be on its way to Blackpool!

He gave a lot of pleasure to many of us in the 70's at the Highland Room so it's the least we can do.

I will also write a letter to Tony so if anyone else would like to send him a letter Inbox me and I will ask for permission to give out his address.

God bless him xxx


Dave Burton
Hong Kong





In conjunction with sending the iPod to Tony I have just launched a campaign to persuade Apple to start redistributing used iPod Shuffles to the elderly & infirm around the world. At the moment they only have a recycling thing and they re-sell them to the "electronics industry". It's about time they did some CSR and gave back to the community. Please take a look at my campaign page at:

http://www.facebook....liveinsideipods


The news article was posted after a thread was started by Kev Roberts regarding Tony in the forums and can be read via the link below


By Guest in News Archives ·

New Issue 75 - Soul Up North Fanzine - Out Now

Issue 75 of the peoples Fanzine....
Soul Up North...
Out now..
£3 plus £1.50 postage... 5 euros to Europe..
Back issues of No74 available...
drop us a message if you need a copy.... paypal stevecato64@yahoo.co.uk
Some of the content in this 50 page fanzine...
1) A PALE GREEN COVER WITH A PICTURE OF A YOUNG 'WILLIE WEST' AND SOME LABEL SCANS
2) PART ONE OF WILLIE WEST STORY (DAN PHILLIPS)
3) MATT LUCAS (via COLIN WOOD)
4) CONFESSIONS OF A VINYL JUNKIE pt3 (SOULMANJAN)
5) BLOOD, SWEAT & STAPLES pt2 - NITE LIFE (MARTIN SCRAGG)
6) TRIBUTES TO ETTA JAMES (RANDY LEWIS) & GRAHAM SLATER (MARTIN CHIPPENDALE)
7) VENUE REPORTS including THAILAND
😎 FUNK IN YO' FACE civil rights, black power &the sound of funk (HOWARD PRIESTLEY)
9) LOADS OF VINYL REVIEWS AS ALWAYS (DAVE HALSALL, WAYNE HUDSON, CHRIS 'BEARSOUL'MORGAN, CRAIG BUTLER, STEVE PLUMB, LORD SNOOTY,MARTYN BIRD, DARYL SCOTT,STEVE COPEMAN, MARK RANDALL & MIKE FINBOW) COVERING ALL TEMPO'S AND SHADES OF SOUL
9) LITTLE SILVER DISCS & HOT OF THE VINYL PRESS - NEW CD AND VINYL RELEASES REVIEWED (HFE)
10) HAPPY 75 BIRTHDAY SUN (SHIRLEY WOOD)
... AND A FEW OTHER LITTLE THINGS TO FILL UP UP THIS 50 PAGE EXTRAVIGANZA!!!!
By Little-stevie in News Archives ·

Chuck Brown Rip

Leader of the Soul Searchers back in the early 70's and DC Go Go star Chuck Brown has passed away.
 
http://www.washingto...6zUU_story.html
 
http://www.washingto...GGxT_story.html
 
 
 
 
 
added by site
 
Affectionately known as the Godfather of Go Go, Chuck Brown created the Go Go sound. He combined Latin beats, African call and response chants and American Jazz, throwing in a touch of soul with a continuous drumbeat. This nonstop dance music is and has been a trademark of original creative music from the nations capital, Washington, D.C., and has gained Chuck Brown worldwide fans.
 
Chuck Brown began his musical career in the early 60s. His first stage experience was with Jerry Butler and the Earls of Rhythm. Then in 1965, he joined Los Latinos, whose syncopated backbeat enthralled him. This experience gave Chuck the confidence to get out on his own, incorporating all these styles into his band and introducing a sound unlike anything available at that time. I got sick and tired of watching people sitting around, Chuck says Disco was too fast-people didnt want to get all sweaty, and they just sat down. So we cut the beat in half.
 
Chuck called this new sound Go Go, because it never stops. Chuck Brown exploded onto the scene in 1971 with his first hit We The People. In 1972 he scored again, with the hit Blow Your Whistle. This was followed by the gold album Bustin Loose and the ..1 hit single of the same name on MCA/Source Records.
 
full bio can be read via
 
http://www.myspace.com/chuckbrowndc
By Roburt in News Archives ·

Jimmy Ricks

Jimmy Ricks was born in Adrian, Georgia before his family relocated to Florida. During World War 2, he moved to New York where he worked as a waiter at the 400 Tavern in Harlem (148th Street & St. Nicholas Ave).
 
Whilst there, he met Warren 'Birdland' Suttles who originally hailed from Alabama. In early 1946, they decided to form a vocal group and recruited Leonard "Zeke" Puzey (who had just won a talent contest at the Apollo Theater) and 'Ollie' Jones. They found a manager, Ben Bart, and an accompanist, Howard Biggs, and made their first recordings for Bart's small Hub record label. They called themselves the Ravens and so initiated the trend for vocal groups to name themselves after birds. Although the group were strongly influenced by the Ink Spots & the Mills Bros, they used Ricks' bass voice rather than a more conventional tenor as the lead on their recordings and this became their trademark style. The Ravens primarily existed to showcase Ricks voice; he made Isaac Hayes sound like Betty Boop. Ricks' voice became the standard against which every rhythm and blues bass was measured for the next decade.
 
The group had quite a few big chart hits, making it onto the national R&B chart 11 times over a 4 year period (1948 to 1952). This success made them a popular live act and they could command a fee of $2,000 dollars a night. However, Ricks quickly developed an attitude problem and his ego resulted in Howard Biggs quitting. After their initial single, "Honey", Jones had left the group and was replaced by Maithe Marshall. The contrast between Ricks' bass voice and Marshall's tenor soon became an important part of the group's success. They left the Hub label in 1947 to join National Records for whom they had immediate hits (the 1st one making the national chart early in January 1948). Their success with National prompted King to license some of their old Hub tracks for release and one of these even made the US Top 10 in summer 1948. Also that year they were landing gigs at prestigious venues such as the Adams Theater in Newark, NJ, Chicago's Regal Theater, the Million Dollar Theater in LA and a two week long stint at the Club Bali in Washington, DC.
 
1949 saw them play the Apollo a number of times plus the Paradise Theater in Detroit, the Royal Roost in NY (47th & Broadway), L.A.'s Club Oasis, the Earle Theater in Philly and Broadway's Bop City (Manhattan). Their run of R&B successes continued through to early 1950, with the basic line-up of Ricks, Suttles, Puzey, and Marshall essentially remaining together for several years. The group signed with Columbia & Okeh Records in 1950, before moving to Mercury the following year. In 1951 Marshall and Puzey both left, being replaced by Joe Van Loan and various other shorter-term group members. The group had its final hit on the R&B chart in October / November 1952, when "Rock Me All Night Long" rose to No. 4 (the highest position one of the group's 45's had ever reached). Unfortunately it was to be their last chart entry and in 1953 some of the recordings released as by the group were actually solo efforts by Jimmy. But with the rise of R&R, their style had became increasingly unfashionable. After several break ups within the group, Jimmy's version of the Ravens signed with Jubilee in 1955. But he soon quit the group to try for a solo career (1956).
 
Jimmy must still have been something of a 'handful' to deal with and this showed as he was signed to 6 different labels before the end of the decade (Josie, Baton in 1957, Decca & Felsted being some of these). He was without a record deal in 1958 but was signed up by Felsted Records in 1959. Felsted Records was part of the Decca family and operated out of the New York office of London Records. They were very prolific with their releases in 1959, putting out 96 singles and about 3 LP's (one of these by the Jimmy Wisner Trio). Jimmy's first release for the label was "Secret Love" and this escaped early that summer. His new record label must have put some promotional effort behind this 45 as it seemed to do quite well (radio play wise) in the 'breakout' market of Baltimore. Here it seems to have been a popular track on radio stations WSID and WITH and this helped Jimmy secure two bookings at the top 'chitlin circuit' venue of Carr's Beach (near Annapolis) in September that year. He appeared on a bill with Hank Ballard & the Midnighters plus Faye Adams on Sunday 6th September and returned alongside the Bill Doggett Trio the following day.
 
Jimmy continued to record as a solo singer without too much commercial success throughout the 1960's. He had records out on Atlantic, Atco ("Daddy Rolling Stone" with the Raves), Fury, Felsted Records (an earlier recording ?), Mainstream, Sure Shot, Festival ("Oh, What A Feeling") & Jubilee. Having lost his solo recording contract by 1970, he and Suttles got back together and temporarily revived the Ravens (adding additional members Gregory Carroll & Jimmy Breedlove) in 1971. At the time of his death, at the age of 49 in 1974, he was the vocalist for the Count Basie Orchestra.
 

By Roburt in Articles ·

Belita Woods Dies Aged 63

Just seen that former Parliament & Brainstorm singer Belita Woods had died of heart failure.
Very sad news. 
 
added by site
as the msm info below shows someone who's work touched many lives in many ways
 
Belita Woods is a former lead singer of late 70's R&B group, Brainstorm.Brainstorm had a disco hit in 1977 called "Lovin' Is Really My Game". Their follow-up album, 1978's Journey To The Light featured a more soul-funk sound, anchored by the album tracks "We're On Our Way Home" and "If You Ever Need To Cry".
Prior to joining Brainstorm, Woods had an early 70s Epic demo playing on Detroit urban radio called "I Just Love You" (considered a rare item for those who collect soul music), a soulful Denise LaSalle-ish groove. Also released the amazing, classic single "Magic Corner/ Grounded" on Detroit label Moira in 1967.
Started touring and recording with P-Funk All-Stars in 1992 which led to many....
Belita Karen Woods - October 23 1948 - May 14 2012
Youtube video clip below from 2004
 
top photo from flikr
credit
 

Belita Woods by Shannon J. Effinger, on Flickr
By Tsu Tomatoes in News Archives ·

Jim & Trisha's Wedding and the Inuagural Allnighter

I was delighted to receive an invitation to the wedding of Jim McCracken and Trisha Brown, and to be asked to DJ as well. So, on the Thursday evening I met up with Sian and Dean from Rugby to catch a flight to Belfast City airport.

The weather was horrendous, strong winds, lashing rain, and to Dean's horror, a small propeller driven plane. His reaction when he saw the pilot was even funnier though "That's all we need, a woman driver !"

She did a great job though, taxied out to the runway, a little pause so that she could touch up her makeup and then it was high heel to the metal and off we took.

Forty five minutes later we landed in Belfast and were collected by Phil Shields. I have to at this point say a big thank you to Phil. Not only did he open his home to us for the weekend, but actually gave up his own bed so that the visitors could have the beds and he slept on the settee for the weekend.

Sian was continuing her bizarre medical experiments on Dean by trying to burn his eardrums out with some drops that were supposed to be washed out of the ear after a minute, but she'd forgotten to tell Dean that bit and told him to stop whinging when his ears started stinging. As Phil had to be up for work at 6.30am on the Friday morning and we were in effect sitting in what was his bedroom for the weekend, drinking beer, we decided to have an early night. Only for everyone to be woken by my mobile ringing and vibrating on a wooden floor 45 minutes later by Keith Money saying they had also arrived safely.

Friday, the big day for Jim and Trisha. We arrived in good time at the City Hall in Belfast for what turned out to be a very quick ceremony, followed by photos in a very impressive setting. Jim scrubs you quite well and Trisha looked radiant. I did wonder why she was carrying a bunch of leeks (And it turns out every fella I spoke to thought it was a bunch of leeks), but was informed in no uncertain terms that they were flowers not leeks !

As we'd stolen Phil's car for the day we weren't on the coach to the reception venue and Sian had programmed the postcode in the Satnav so off we set. Half an hour later we pulled up outside Trisha's house because Sian had put the postcode for the RSVP off the invitation in, not the venue postcode ! I supplied the right postcode, and an hour after leaving the City Hall arrived at the Cottonmount Arms.

Speeches over, some nice food, and the music started at 7pm. Jim had lined up some of the cream of Irish DJs, North and South, Steve Cato, Chris Morgan, Keith Money and me for an allnighter.

Sadly, it didn't happen. Despite the venue being owned by Jim's Uncle, at 12.30 last orders was called, and at 1.30am the music stopped. I understand a similar thing happened when Jim organised an allnighter here previously. All a bit of a blow really, as Keith was down to DJ at 2am and me at 3am, so it was a long way to travel, and somewhat expensive as well, to not get to DJ ! That said we still had a really good night. Keith and Sandra have been friends of mine for nearly twenty years, and although we are often in the same venue, we rarely get the chance to have a good drinking session, we made up for it tonight though, and Dean was struggling to keep up towards the end of the night. Mostly because when we asked if he wanted another drink he couldn't hear us due to Sian's evil experiments, so we got him one anyway !

'Sian's Executive Limo's' used the company Kia to drop Keith and Sandra off at their hotel, and came back for us having passed through a Police roadblock three times on the way. A couple more beers at Phil's and then off to bed.

Saturday morning we had a ride out to see Kev up in Newry. We took the scenic route there (Sian put the postcode in the Satnav again), and the sun was shining brightly. I was introduced to Kev's charming wife Ann, and she took us on a guided tour of the beautiful part of the country she lives in. A few beers in the pub, and then a nice buffet meal provided by Ann, and then we set off back to Belfast. Kev was hoping to come with us, but Sian had persuaded Ann to say she was coming instead, so she got in the car and we drove off leaving a very disconsolate Kev waving goodbye from the door. Ten minutes later we came back, and Ann relented and let Kev come with us instead.

We followed Kev's directions and it was major A roads and Motorway all the way so took twenty minutes less to get back to Carrick Fergus where Phil lives.

We settled down with a few beers, and Sian took the Company Kia out again to collect Keith and Sandra first, then straight back out for Chris and Carlos, and Olof and Jo. She managed to get stopped by the police yet again on the way, and despite ending up in the middle of a marching band at one point, returned safely with her cargo.Phil did the first DJ spot, followed by me, and then Keith Money gave us a wonderful two and a half hours, especially considering he didn't have a record polisher assisting him (Ask Keith when you see him) leaving Chris with the next spot, and then Phil finished the night off for us

The beer was going down well, and because there was one less chair than there were people, we sort of did a disorganised game of musical chairs all night, so you ended up talking to everyone for part of the night. It really was a great night. I know we all talk about having good nights with mates, but this was one of the best I've ever had. The music was superb throughout, there was as much food and beer as you wanted, and the company was great, and at some point in the night we realised that even though there were only eleven of us there, we had Irish, English, Welsh, Scots, Swedish, and Mexican people present. So it really was the inaugural allnighter of the Carrick Fergus International Soul Club ! I was going to post playlists, but it all got rather messy and I haven't a clue what I played anyway, so that's not going to happen I'm afraid.

Sadly, around 6am, Keith and Sandra had to leave. Now on Thursday night when they arrived Keith had managed to leave his glasses behind in the taxi. After much searching, the hotel rang the taxi firm who said yes they had found them, and would deliver them out to Keith at the Cottonmount Arms. After they left Phil's there was a pair of glasses left on the mantelpiece. Nearly everyone there owned a pair of glasses (It must be an age thing !), and everyone said they had theirs, so we naturally assumed that Keith had lost his glasses again.

When Sian returned Chris, Carlos, Jo, and Olof also decided it was time to leave, but not before Chris, Olof and Kev gave us all a rousing, completely out of tune, rendition of 'Hit The Road Jack', allegedly the version that Tony Clarke would have recorded if he had actually ever recorded it. I thought Little Wee Jo was actually going to wee herself she was laughing that much !!!

Sian dropped them off and returned to tell us that the glasses were actually Chris's. He'd checked whether he had his case with him, but not whether he'd put the glasses in the bloody case !

Bed for a couple of hours, only to be woken by Sian conducting more medical experiments, and Dean screaming (That's not true actually, but it sounds good). A leisurely morning spent listening to a few more records, and then an afternoon spent watching the Rugby League whilst finishing off the last of the 24 cans Sian had bought for me (She had, quite cleverly I thought, done an internet shop at Tesco and had the weekend's food and beer delivered to Phil's house in Carrick)

The horrendous weather had returned by Sunday, and when we got the the airport Sian was relieved to find that the plane was a jet and not a propeller driven one. She actually said though "They have probably swapped it because it's so windy"

I asked her "Where do you think they got the jet from then ? The 'Spare Jet For Windy Weather Cupboard' ?" Honestly ! A good flight back got us into Birmingham early, and I was home by midnight.

All told, despite not actually DJing at the wedding, this was one of the best weekends I've had for a long time, and I know everyone else thought so as well. So, to all my friends, I salute you, I feel like death today, but it was worth every minute of it.

Oh, and Sian left a pair of shoes behind.
By Dave Rimmer in Event News ·

New Shotgun 45 Release - Gloria Lynne

NEW RELEASE:

GLORIA LYNNE
I've Just Gotta Tell Somebody / I'm So In Love

Shotgun Records
SHOT 109
Release date: 14 May 2012
Distribution: SELREC

Copies are available direct from SELREC:
£9.99 each with free shipping worldwide.

ALL ENQUIRIES: info@selrec.com



www.selrec.com
By Guest in News Archives ·

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