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Latest Updates

Northern Soul Calendar 2022

It's that time of year...
and after two previous releases it's looking like that this the 2022 edition may be the third and final Northern Soul Calendar
Following the same format as previous years its now available at £12.99 online.
Blurb and pictures follow below

NORTHERN SOUL CALENDAR 2022  
...make a date with Northern Soul
PERFECT FOR A WALL NEAR YOU!
FEATURING MANY NEW HISTORIC DATES
CURATED BY RICHARD SEARLING
This unique full-size (600mm x 300mm), full-colour, wall calendar is a collectable guide through 2022 featuring month-by-month information with over 2,000 key birthdays of the legends of Northern Soul, Modern Soul and Motown, plus other historic dates from the timeline of this incredible scene!
 
Purchase online via the below link
Tap to buy
 

 

By Mike in Articles - Archives ·

Review of Tendavillage - A Tenda Universe - New Ep

Bit of a delay with this pass on of a review of a current release, Tendavillage EP A Tenda Universe....
 
I had a recent conversation with Kate Melvina, lead singer/writer/producer of Calgary's Tendavillage about her new EP to be released on Nov 26, A Tenda Universe.
Below is the EP review resulting from our conversation.
- - - - - - - - - - - -
Review of Tenda Village EP A Tenda Universe
Mike Lauchlan
 
Kate Melvina curls up in the corner of a thick couch, a Griffin tattoo curling up one arm and her cuddly orange and white cat Willis claiming the space on the other. It’s a sunny but cool late fall afternoon in the foothills west of Calgary and we’re talking neo-soul music.
“There are some playful moments, but I wrote many of these songs during a dark period, you could say.”
Yes, Covid-19. 
“The pandemic didn’t bring much light to the world, but it did provide plenty of time for songwriting!”
A Tenda Universe, veteran Calgary musician Kate Melvina’s sophomore Tendavillage EP, takes us on a stunningly relatable emotional tasting tour across our inner spaces. Circumnavigation of this project leaves the listener sparkling, with every nerve touched, every memory activated.
We spin through the tracks as we chat.
Right off the top we find ourselves engulfed in the pure sensorial pleasure of Waiting for your Love. The experience offers a beautifully balanced 60s Motown groove, exotic highlights in drifting synthesizer runs, a driving beat, and Kate’s honey-smooth lead gliding over a supporting cast of wawa guitar, bass, strings and complex backing vocals.
“The saying timing is everything is really true. To be honest, I’ve been thinking that this song should come with a disclaimer to not do this (a long story). But this is still one of my favorite songs on the EP.”
Mad finds us hurtling through rumination space, still stinging from a recent explosion. The feel is Louisiana bounce, imparting notes of DiAngelo, Beyonce, and Dr. John. There’s a clear edge here in Kate’s composition and production, featuring enhanced rhythmic components of a skilled ensemble. Try sleeping on this one.
I comment that the sound feels bigger than the first EP.
“I see this second EP as an improvement over the first. I put a lot more effort into production elements, adding many more layers to the sound this time. It feels more fully fleshed-out.”
Frequent Tendavillage listeners will recognize the next two tracks. Released as singles in the spring of 2021, Escargot & Risotto and Sprung observe love’s light and dark sides, acceptance and despair, movement and paralysis. The former is funk-driven, crisp and clean with a Stevie Wonder feel and elevated rhythms, delivering notable depth. The latter is dark in aspect, well-structured with a distinct Solange feel, and classic neo-soul character framed within a tenacious, but relaxed beat.
“The common thread in my music is R&B and soul,” Kate offers. “Many have an element of funk and jazz as well. I’m inspired by many genres really.”
Tide provides us with the thousand light-year view on our own personal journey. Introspective and disarmingly melodic, it leaves the listener both uplifted and on the verge of tears. Tide possesses elegant, Jamie Lindell-like character with Moonchild influences and hints Mac Ayres, all in balance, ultimately drifting to infinity at its close.
At the EP’s end we embark on a frantic spin around Mac’s Galaxy. The bonds of close siblings are unbreakable through time or space, or crazy rhythmic changes, or soaring synth solos. Mac’s Galaxy, dedicated to Kate’s big brother, is an explosion of joy and fun. It is expansive and complex with spicy jazz ingredients, sparkles, pops, fizz and flavors enhanced by a next wave, new world style and character.
Where Tendavillage’s self-titled premier EP celebrated life through fun and frivolity, A Tenda Universe serves as Kate’s rite of passage into a thematically broader, richer place, experienced through skillful and challenging composition, arrangement, and production.
“This is why I idolize Stevie Wonder so much. He just had so many different influences and so many flavors running through his music. I honestly think that’s the way to do it.”
“I just write from the heart. I guess we’ll see if it’s commercial.”
I say that the universe is her oyster. 
Mike Lauchlan
https://www.instagram.com/tendavillage/
https://www.facebook.com/tendavillage
https://bfan.link/a-tenda-universe
 
 
 
By Mike in Articles - Archives ·

Taxie Eps008: Rock Don't Stop: I Think I'm Falling In Love 45 Alternative mixes Epsilon Records Co

TAXIE EPS008: ROCK DON'T STOP/ I THINK I'M FALLING IN LOVE Epsilon Records Co
T.A.X.I.E In 1978 ,three friends.
Woody Whittaker, Ronnie Arch, and Wayne Chatman
Came together with their musical ideas and talents to form the music production company, “Cabfare Productions”. Under that parent company, the performing group
T.A.X.I.E.
Talented Artist Xclusively In Entertainment
Archwoods Productions and Archwoods Publishing was born. Eventually adding musicians/song writers, Charles (Ice Cream) Williams, Oneida James, and the amazing vocalist, Carlita Durhan, the original guitarist for the R&B group Taste Of Honey.
T.A.X.I.E. performed many engagements through out the Los Angels Hollywood circuits. Opening and appearing with renowned artist such as Stevie Wonder, Dennis Edwards, and the Mary Jane Girls. The members of T.A.X.I.E. are not only great musicians and performers, but also are very talented and awesome song writers. Some of their compositions have been performed and recorded by, Grammy winner Diane Reeves, Tahj Mowry, AlfredaJames, Greg Rose, and musical groups such as Infinite. Archwoods Productions also produced, published and promoted music and live concerts throughout the United States and Europe. Over the years, this partnership has developed a music catalog of over 100 songs, compositions, and videos. In the future, they will continue to write and produce excellent music, promoting new and established artist.
Buy it now:
https://www.epsilonrecord.com
Contact: epsilonrecord45@gmail.com
Limited Edition 7" :
Alternatives Mix Re-Mastered by Steve Fuji
 
By Yann V in Articles - Archives ·

Our Soul Music Journeys : A Collection of Personal Soul Stories

This is John Warren an (Australian soul music lover) 2nd book titled '' Our Soul Music Journeys '' which will be released in December 2021.
Being dyslexic made it very difficult writing a book so Soul music lovers I have met on my music journey have contributed with their own personal stories .
The main object of our Soul music books is to gain awareness that a lot of soul music artists, especially in the USA find it difficult to survive.
Hopefully all music lovers will understand this sad fact and as the project evolves so we can publish more Soul music journey books to help them.
Music has been my passion for 46 years from being a DJ (Johnny ''Redpants" Warren) to a collector of vinyl soul music. I am currently living in Scarborough village Queensland Australia. I have been blessed having 3 daughter's & 1 son.
https://www.amazon.co.uk/dp/0646850369
By Rushden8 in Articles - Archives ·

Kimberlite New Release - The Estimations - Heart of Stone b/w Don't Go Kissin' My Baby

IT'S BEEN A LONG TIME COMING, but... THE ESTIMATIONS ARE BACK WITH A SECOND RECORD!
The A side, Heart Of Stone brings fuzz guitar, 4/4 drums, and a Levi Stubbs lead with haunting backing vocals to set a Norman-Whitfield-psychedelia-inspired soundscape for repressed lovers.  If you’ve spent your life getting hurt, it’s near impossible to trust and give yourself to someone completely.  This song is a hymn for the inhibited, rejected and pained out there who aren’t ready to get back in “the ring”. 
Turn over the disc and Don’t Go Kissin’ My Baby maintains the Motown theme with a bouncy bubblegum-soul arrangement, this time more typical of mid-60s Frank Wilson or Smokey Robinson productions.  Not only are we still in Mr. Gordy’s sphere of influence, but we’re also keeping the continuity here with the subject of trouble in relationships.
Between being withholding and being jealous, this release shows that Jory and Co. might not be scoring high on the next Facebook relationship quiz, but musicians aren’t supposed to be good role models anyway, so who’s really surprised?
So where’s Kimberlite been for the last two years?  Let’s please just accept that it’s been a hard time for everyone, and understand that real life has gotten in the way of a lot of passion projects.  We’ve got a lot in the works and are trying to get ourselves back together.
Hand printed sleeve designed by the inestimable graphic artist Elaine Banks.
You can pre-order now at
WWW.RARETOONES.COM
Release Date - 10th Dec 2021
 
 
 
By Rare Toones in Articles - Archives ·

New Kent Cd - This Is Lowrider Soul Vol 2 - VA - Kent Records CD

This Is Lowrider Soul Vol 2 - VA - Kent Records CD
A brief clip from the release notes by Ady Coasdell tells the story.
It’s been almost three years since Sean Hampsey and the Southern (California) Soul Spinners created “This Is Lowrider Soul” for Kent Records, and the ensuing acclaim and enjoyment have made this second volume essential.
The full release notes can be read via the Ace website - tap here
 
Booklet Preview
 A glossy 24-page booklet featuring images and informative notes written by Sean Hampsey

 

 
Tracks
Side 1
01  So Much In Love - The Exceptions
02  Please Say It Isn't So - Lee Williams & The Cymbals
03  Somebody Please - The Vanguards
04  Yes I'm Ready - The Hesitations
05  You Never Loved Me (At All) - Barbara Mason
06  Sad, Sad Story - The Ethics
07  Try Love (One More Time) - The Sparkels
08  Follow Your Heart - The Manhattans
09  Someone - The Lovers
10  Little Girl - Darrow Fletcher
11  I Want You - Dee Torres
12  It Hurts So Much - The Superbs
13  I Want You (Back) - The Larks
14  Trust In Me - The Magicians
15  Believe In Me - The Hyperions
16  Here It Comes - The Persians
17  Can't Nobody - Brothers Of Soul
18  That's The Way Our Love Is - The Radiations
19  My Sweet Baby - The Mark-Keys
20  Don't Take Your Love From Me - The Perfections
21  (I'm Not Ready To) Settle Down - Little Ben & The Cheers
22  You Can't Blame Me - Johnson, Hawkins, Tatum & Durr
23  What Am I Going To Do - Houston Outlaws
24  A Man That Is Not Free - Soul Sensations
 
CD Availability 
Available now at all your usual soul stockist including your own Source Store here...
 
 
By Mike in Articles - Archives ·

Judy Freeman & Blackrock - Lp - Digital release - Hold On Original 4 min Mix

Long time readers of Soul Source may sit up to this heading. Back in the 1990s here on Soul Source, one member aka @Benji told us how he had got hold of the original test pressing copy of this never released lp. Sourced from the producer/engineer (memory) and of course the lp contained the 'original never released mix' of 'Hold On' a powerful 4+ minutes long version, which went onto be a classic play at the Capitol Soul Club Dome events in London for Irish Greg at the turn of the century.
Well, 20 odd years since then and 50 plus years since the lp was recorded the lp has finally had a (digital) release and is now available via the likes of Spotify and so on
Judy Freeman & Blackrock - Lp - Digital release -1971
 
By Mike in Articles - Archives ·

New Book - 1975 - A Year In The Life Of Northern Soul

1975... the year that broke the mould! 12 months that saw the musical direction of the scene broker two different styles, acceptable to many, hard to swallow for some.
208 pages determining exactly where allegiances would lie...fully documented, many photographic items never in print before, along with media coverage of those heady times and the advertising to go with it.. the banality, the fun and the vociferous voices..
a year in the life of the devotee to the ever changing, constantly strange world of Northern Soul...and its Modern bedfellow!
Tim Brown, puts it all into sharp focus and perspective. The real world through the eyes of one of the scene's foremost experts on not just the vinyl but the history as a whole.
This will make a fascinating read for any collector and a momentous year end addition to your personal library!
Official Description:
The first ever detailed look at a specific year in the life of Northern Soul focuses on its most important year. It was the year when seventies soul was embraced to sit alongside traditional sixties stompers in all dancehalls and venues such as Cleethorpes Pier and The Ritz, Manchester as all-dayers took a hold on the scene. Wigan Casino and the Blackpool Mecca remained as twin towers of the nightlife however. Television, radio and newspapers were fascinated by the ultimate underground music scene and this book analyses their interest. Tim Brown, author of "The Wigan Casino Years" details all the events and records that make 1975 Northern Soul`s most important year, many of which are recounted for the first time. A definitive account of a year in the life of Northern Soul, richly illustrated in full colour.
Check out the Anglo American website (link below) for full details of how to purchase
https://www.raresoulvinyl.co.uk/
or email : raresoulvinyl@btconnect.com
Or call: 01706 818604

By Agentsmith in Articles - Archives ·

Soul Up North #110 Autumn Issue 2021 Out Now

Autumn arrives and so does... 
The Soul Up North #110 Autumn 2021 issue is now out and about, as always brimming with soul related words and info
Contents of this issue follow
Soul Up North #110 Autumn 2021
Issue Details
OPENING PAGE : CONTENTS – EDITORIAL & INFO
GOOD TOONS & GREAT GROOVES
Dave Halsall
TRACK LISTING FOR COLLECTORS CD – ‘ACROSS THE BOARD & BACK’ (PART 2)
Steve ‘Waggy’ Wagstaff
FUNK IN YO’ FACE – “NOT SUCH A NASTY GAL – AN APPRECIATION OF BETTY DAVIS”
Howard Priestly
SOUL SPOTLIGHT – B.R.C RECORDS (PART 1)
Steve Guarnori
HOT OFF THE VINYL PRESS
Howard E
FIVE TIMELESS GEMS REVISITED – THE SEVENTIES
Martin Scragg
HOT OFF THE VINYL PRESS -- EXTRA
Howard E
SOUL IN A DIGITAL AGE
John Farrar
THE LADIES CHOICE – COLLECTING RARE SOUL
Julie Molloy
THOSE LITTLE SILVER DISCS
Howard E
SOULFUL SEVENTIES SPINS aka ‘PLUMB’S PEACHES’
Steve Plumb
SOUL IN PRINT – MAGAZINES & FANZINES (Part 13)
Iain McCartney
1964 – THE YEAR BILLBOARD ABANDONED R&B
John Smith
MD RECORDS CONTINUED - 2021
Mark Anderson
COLLECTING BRITISH
Lord Snooty
HEAVEN IN THE AFTERNOON – HIBS SOUL CLUB
George Reed
FLASHBACK FEATURES – BILLY YOUNG
Terry Hennessey
VIEW FROM THE APE HOUSE
Tim Brown
And finally…DEEP SOUL CORNER
Mike Finbow
Cover Photo – Betty Davis
 
 
Available now via all your usual outlets and of course your very own Soul Source store (link below)
https://www.soul-source.co.uk/store/product/454-soul-up-north-110-autumn-2021/
 
By Mike in Articles - Archives ·

Soul 4 Real New Release - Patti LaBelle & The Bluebelles (S4R17)

𝗡𝗘𝗪 𝗥𝗘𝗟𝗘𝗔𝗦𝗘 𝗙𝗥𝗢𝗠 𝗦𝗢𝗨𝗟4𝗥𝗘𝗔𝗟 𝗥𝗘𝗖𝗢𝗥𝗗𝗦!
𝗣𝗔𝗧𝗧𝗜 𝗟𝗮𝗕𝗘𝗟𝗟𝗘 & 𝗧𝗛𝗘 𝗕𝗟𝗨𝗘𝗕𝗘𝗟𝗟𝗘𝗦
How Can You Throw My Love Away / When Joe Touches Me (S4R17)
Listen here:
 
 
The Patti LaBelle and The Bluebelles period in Atlantic wasn't a success story. According to Jerry Wexler, neither the material nor the promotion was right for Patti, Nona and Sarah, pigeon-holed into some sort of Supremes role which did them no good, especially after Cindy Birdsong, the fourth Bluebelle, left the group to replace Florence Ballard.
However, their later recordings for Atlantic didn't lack quality. Some fine examples are the unreleased tracks featured on this record, two fabulous slabs of crossover soul produced by Don Davis and (presumably) Curtis Mayfield.
"How Can You Throw My Love Away" was also recorded by Carla Thomas on her "Memphis Queen" LP, although this unissued take has Detroit stamped all over it, a perfect example of 1968 Motorcity sound. The bizarrely named flip, though, has all the warmth and sophistication of a Chicago production. Recorded in 1969 at the same session as their Curtis Mayfield-produced 45 "Trustin´ In You / Suffer", it's pretty safe to think that he was also involved, as it was even produced at Chi-Sound Inc.
𝗘𝗗𝗨𝗔𝗥𝗗𝗢 𝗗𝗢𝗠𝗜𝗡𝗚𝗢
--------------------------------------------------------------------------
Presented in a beautiful picture cover laminated 7" designed by Jordi Duró. Liner notes by Eduardo Domingo.
𝗣𝗥𝗘 𝗢𝗥𝗗𝗘𝗥 𝗡𝗢𝗪 for 25th November 2021
14 𝗲𝘂𝗿𝗼𝘀 + postage as it follows:
1 to 5 copies: 6,80 euros UK & Europe
1 to 5 copies: 2,50 euros Spain
1 to 5 copies: 10,45 euros USA & rest of the world
𝗣𝗮𝘆𝗺𝗲𝗻𝘁 𝗯𝘆 𝗣𝗔𝗬𝗣𝗔𝗟 𝗮𝘀 𝗳𝗿𝗶𝗲𝗻𝗱𝘀 & 𝗳𝗮𝗺𝗶𝗹𝘆:
soul4realrecordlabel@gmail.com
Check previous releases: www.soul4real.es




By Alexsubinas in Articles - Archives ·

Lorraine Silver A Catch Up and New 45 News

A letter from Lorraine Silver was featured in an early days article on here via Pete Smith (link at bottom), fast forward 24 years and here's what shes up to today in 2021
Had the below press release sent in to us...
Lorraine Silver  - Fever Raging Out Of Control - The Brand New Single  Impacting 3rd December 2021 
Northern Soul legend Lorraine Silver recorded Lost Summer Love when she was just 13 years old in August 1965. Whilst not a chart hit on its release, the track did become a massive anthem at the iconic Wigan Casino and was reissued on the Casino Classics label in the late 70s selling in excess of 30,000 copies. However, Lorraine knew nothing of her heroic Northern Soul status until the late 80s.
23 years after the original recording, Lorraine’s husband, agent Barry Collings, was reading Blues & Soul magazine which featured a top ten selection of favourite Northern Soul tracks that included Lost Summer Love. Lorraine called the editor and was flabbergasted to discover it really was her song. Following this, her story was told in a whole selection of Northern Soul publications. She contacted the original record company PYE and was told that the track had sold some 34,000 copies worldwide and she could claim her royalties!
At around the same time Barry was involved in promoting Northern Soul weekends across the country and Lorraine was able to meet all the DJs who had been playing her record for years. She was persuaded to get up and do a couple of PA’s of Lost Summer Love much to the delight of the audience who were queueing for autographs.
Since then, Lorraine’s resurrected career has gone from strength to strength, with airplay on BBC Radio 2, performances at Northern Soul events, and an appearance at the Edwin Starr Memorial Concert alongside the likes of Clem Curtis, Geno Washington, and Jaki Graham. In 2011 she was asked to join the line-up of a new touring show ‘The Mod All Star Band’ with artists she herself had idolised in the 60s including Steve Ellis and Chris Farlowe.
Now, at the age of 70, Lorraine continues to perform, record, and release new material in a career that now spans an incredible 57 years. Her brand-new single Fever Raging Out Of Control was produced by legendary Northern Soul DJ Ian Levine who has also produced pop hits for Take That including ‘A Million Love Songs’ and ‘Could It Be Magic’. The final mix of the track was done by Nigel Lowis who has also worked with Burt Bacharach, Andrew Lloyd Webber, Stevie Wonder, Luther Vandross, Mariah Carey and Celine Dion to name just a few.
And…that original recording of Lost Summer Love, has now become quite the collector’s item, with a recent copy selling on eBay for some £700.00! 
Video Lorraine Silver  - Fever Raging Out Of Control
 
UK TOUR DATES
 
2022
MINEHEAD, BUTLINS, MADNESS HOUSE OF FUN WEEKENDER
Saturday 5 Feb
TAMWORTH, ASSEMBLY HALL
Saturday 12 Feb
BASINGSTOKE, HAYMARKET THEATRE
Saturday 5 Mar
DEAL, ASTOR THEATRE
Saturday 12 Mar
FELIXSTOWE SPA PAVILION
Friday 29 APR
PRESTON, RIVA
Friday 6 May 
RHYL, PAVILION
Friday 20 May
BASILDON, TOWNGATE THEATRE 
Saturday 28 May
ISLE OF WIGHT, SHANKLIN THEATRE
Saturday 9 July
MILTON KEYNES, STABLES THEATRE
Friday 22 July
STOCKPORT, RUGBY CLUB, NORTHERN SOUL ON THE PITCH
Friday 29 July
EASTLEIGH, CONCORDE CLUB
Saturday 17 Sep
SCUNTHORPE, BATHS HALL
Friday 30 Sep
CHRISTCHURCH, REGENT CENTRE
www.lorrainesilver.com
FOR FURTHER INFORMATION & INTERVIEW OPPORTUNITIES: 
Please contact Barry Collings 07717848115
By Mike in Articles - Archives ·

Laura Rain and The Caesars - 'Rise Again' - Full length LP on LRK Records up for PRE- ORDER

LRK Records have their first-ever full length LP (LRKLP-01) by Laura Rain and The Caesars up for pre-order.
8th April 2022 release date.
All Formats available (LP/CD/DIGITAL) and a 45 of the hit and the first mix of "I Am" and a brand new mix of "In My Life"
Pre-order here: https://lrkrecords.bandcamp.com/album/rise-again
Laura Rain and The Caesars have returned with their fifth full album:
Rain is able to convey an inspiring vocal as the song evolves, with her soprano lifting through the melody, encouraging the listener that "it's gonna be okay.....we will rise again." - SoulTracks
Thet title track Rise Again is an organ-led, old school Detroit flavoured. Busy and bustling, it’s bound to add momentum to Laura’s upward career trajectory and once again it underlines Ms. Rain’s soul credibility as it builds to a powerful climax.  We look forward to the album which, we’re told, is named for this single! - SoulFunkandJazz
The haunting piano refrain meets the gospel tinged voices and Hammond organ effortlessly, giving Rain the space to deliver her inspirational message of hope, equality, healing and triumph. I think this could be the best single to date! - Soulstrutter
 
CHANNELING VINTAGE SOUL AND R&B:  DETROIT'S LAURA RAIN UNLEASHES FIFTH ALBUM "RISE AGAIN"
The last year and a half was quite a flurry of activity for husband and wife songwriting team George Friend and singer Laura Rain. Their smashing Motor City soul band Laura Rain and the Caesars released a non-stop carousel of new singles, signed a UK record deal, collaborated on a successful sample collection, took home three Detroit Music Awards, and recorded their fifth full length album "Rise Again" to be released sometime in 2022.
The pair navigated the pandemic working from home non-stop; writing, recording, and collaborating with other artists. Landing a vinyl deal in the UK, and a placement with producer Jermaine Dupri's artist LaTheGoat on "You Wouldn't Believe Me", proved the songwriters they were getting somewhere.
"The pandemic has been tough on everyone" says Rain. "We used our time wisely to connect with others, and keep our music flowing. We write and record a lot of music at home, but reaching out and collaborating really helped keep us focused. Without being able to perform live, it felt good to be creating with others while stuck at home".
Following up a series of singles released in 2020, "Rise Again" is the culmination of the songwriters' recent inspiration. Channeling the spirit of vintage soul, Laura Rain delivers her music with a fearless sense of emotion and range, offering up a signature blend of contemporary soul and vintage R&B. From the Detroit flavored northern soul opener "I Am" to the synth driven retro dance music of "I'm Yours," Rain uses the power of her own voice to deliver the group's unique vision.
Producer and songwriter George Friend says "Since our very first album, we have always tried to stay true to ourselves and remain authentic. We mix a lot of music in interesting ways. We write and perform blues, dance music, soul...there's a lot of variation in styles, but we tend not to worry too much about the categories imposed on the music". Laura adds "We don't imitate, we originate. When performing, we really want to keep the audience engaged and excited. It's tougher to do that in the studio, but we've written our music with the live show in mind".
Vocalist Rain is known for her melismatic, and gut-wrenching delivery live. From the heartfelt, romantic grooves of "Take My Hand" and "Bring it on Back", to the hard-driving rock/soul strut of "Diamond in the Rough", Rain sings with authentic passion, and uses her voice to effortlessly guide the melodies and dynamics. Both "I Can Fly" and "Runnin' in Circles" demonstrate her acrobatic vocal finesse, while gliding over a funky backbeat from the Caesars. The music is diverse, and the group demonstrates a versatility few can ignore.
The title track "Rise Again" is a focal point for the production, resulting from a collaboration with Seattle based beatmaker/producer UNKWN. "We were fortunate to meet, and write a bunch of material together" says Friend of their album "Garnet", a sample collection which was released early 2021. The song was composed around a sample from the release, and arranged with the addition of the full band in the recording. Rain sings a personal message of triumph and hope, climaxing with an inspirational note of unity and equality. "The world is clearly out of sorts with itself" says Rain, "the song embodies an idea of what I wish us to feel as humans, and to know we're not alone...
We're all here together to comfort and take care of each other, and to lift each other up".
Scheduled for 8th April 2022 release date
 
PRE-ORDER HERE: https://lrkrecords.bandcamp.com/album/rise-again
Rise Again by Laura Rain and The Caesars
 
 

By LRK in Articles - Archives ·

Soul Direction - 2 x New 45s On New Imprint Label - Origins

Been dropped news about Soul Directions new label imprint 'Origins'
Soul Direction Label 'Origins'
'This label will focus on rare and obscure soul releases and bringing them to a wider audience in the soul community. All releases are licensed through the proper channels and are hopefully giving back to the writers and artists that deserve it.'
Audio and scans of the first 45s lined up for a mid November release follow below
The Combinations - Too Long (I've Been Waiting/ Please Don't Leave Me - Soul Direction Origins SDO-1001
SDO-1001- Combinations-Too Long Ive been waiting.mp3

 

 
 
 
 
Sir Joe - Nobody Beats My Love/ If You Give Up Your Love - Soul Direction Origins SDO-1002
SDO_1002A_SIR_JOE_Nobody_Beats_My_Love_M_2496_29-06-2021.mp3


https://soul-direction.co.uk/
 

 
 
Video Promos
 
 
 
 
 
By Mike in Articles - Archives ·

R.I.P. Dr Edward J Wolfrum

This evening brings the sad news of the passing of Dr Edward J Wolfrum. Ed was the man behind the screen, the engineer for Motown, Golden World, and United Sound Systems studio, and from the very late 60s running his business from home under the name of Audio Graphics until recently. It's a sad day for music, in the UK we know and take for granted songs such as The Tomangoe's. I Really Love You. Washpan.  Norma Jenkins. The Airplane Song. Maltese.  The Utopias. Girls Are Against Me. La Salle. Marva Whitney. Savin' My Love For You Baby. Federal.  Edwin Starr. Stop Her On Sight/Headline News. Ric Tic. Larry Wright. Sweet, Sweet Kisses. Ago go. Brothers of Soul, Candice Love.. and hundreds more.
The passing of Ed has a personal connection with myself, I, Chris King, and Guy Hennigan visited his house in 1985. And later trips I made with Andy 'tats' Taylor, Rob Wigley we found the un-released version of My Dear Heart. Barbara Mercer, and Gwen Owens. You Better Wake Up (before we break up) Candy. Ben Knight. Popcorn Wyley's Sweet Understanding. Got 3 Golden World acetates. Gwen Owens. Hit and Run, Heart Trouble, and Daddy-O.
Visited Ed +Sue Wolfrum with John Kingan in 94 Each time went out for dinner, alongside Artie Fields (Top Dog) and heard some wonderful stories, and not all musical.
 
Rest on Ed, you did your bit, and more
 
                            Gonna miss you
                                    Gilly 

By Gilly in Articles - Archives ·

Ella Woods & Miss Lady by Kenb

Ella Woods & Miss Lady by Kenb
Ella Woods was born in Lexington, Mississippi and moved with her family to L.A when she was 5 years old. She studied opera/classical at U.S.C and majored in English Literature at Redlands. In 1970 she spent 18 months with The (Buck Ram} Platters.
It's said she completed a love song for "Slaughter", a 1972 blaxploitation low-budget film starring Jim Brown. However no soundtrack LP was ever issued. (The theme song for Slaughter was written and performed by Billy Preston which went on to feature in Quentin Tarantino's
lnglourious Basterds 2009 film}.

 
 
 
 
 
By Kenb in Artists ·

New 45 - Last Bastion - Lou Pride - Unreleased Version of I'm Com'un Home In The Morning

Over last year or so you long time member @Andybellwood has been working on a new label, looking like it's all coming together as we have just had details of the first release for 2022!
A limited release of a previous unreleased version of 'I’m Com’un Home In The Morn’un' recorded all the way back in 2004
Here's the blurb, flyer and can check out the video below...
Sleeve Notes Clip
How this release came about, was that musically, on fire and inspired by words and advice from his friend Curtis Mayfield, veteran Chicago soul/blues vocalist Lou and a backing band, visited David Earl's Severn Record studios, Maryland USA In 2004. There he recorded a treasure trove of soul for the 'Keep on Believing' (Severn Records) cd release, plus remarkably a complete remake of his 1972 Northern Soul classic 45 "I'm com'un home in the morn'un" which was originally released on El Paso (Texas) label, Suemi and now commands in excess of £7k.
In addition to the full length 2004 recording which forms the flip side, the A side (also produced by David Earl) is a new Dj /radio station edit destined to be a dance floor and Northern Soul favourite.
Detour Records in conjunction with Last Bastion Records brings you this Monster Northern Soul release....
Pre-Orders being accepted now for this MUST HAVE 45. 
RELEASE DATE IS: FRIDAY 25th FEBRUARY 2022
LOU PRIDE - I'm Com'un Home In The Morn'un 7"
PRESENTING.....
Last Bastion Records ‘Making Music Matter’.
A new indie label committed to making recordings available for the first time, on limited edition 45s.
First up on our label is Lou Pride’s sensational 2004 unreleased recording of ‘I’m Com’un Home In The Morn’un” This is not a reissue of the 1970’s Suemi 45.
“It's been my pleasure and privilege to have had the opportunity to release this limited edition 45 and in doing so, launch Last Bastion Records. Hopefully it's also a fitting tribute to George Louis Pride” Andy Bellwood (Last Bastion Records)
Neither track has previously been committed to vinyl, with the A side previously unreleased in any format. Only 300 Copies being pressed and once they are gone they are gone!
FEATURES
I'm com'un home in the morn'un (Radio edit Version)
I'm com'un home in the morn'un (Full Length 2004 Version)
 
£12.00 Plus delivery via http://shop.detourrecords.co.uk/epages/es785745.sf/?ObjectPath=/Shops/es785745/Products/LOUIMC-45
 

 

By Mike in Articles - Archives ·

New Kent Cd - People Get Ready: The Curtis Mayfield Songbook - VA (Songwriter Series)

People Get Ready: The Curtis Mayfield Songbook - VA (Songwriter Series) is Kent Records latest addition to its long running 'Songwriter Series'.
Billed as 'An extensive overview of the words and music of Chicago’s Gentle Genius Of Soul', this cd focuses on Curtis Mayfield. Offering a select selection from his vast catalogue of songs.
A brief clip from the release notes by Tony Rounce says it all.
The “Gentle Genius” from Chicago’s Cabrini-Green projects wrote for the romantic, and also for the revolutionary. His songs spoke to his people, and for his people. Many of his biggest successes as writer carry important social messages, others simply say “you are beautiful and I love you”. All of them are finely crafted masterpieces that confirm Curtis’ standing as one of the great creators of 20th century popular song.
The full release notes can be read via the Ace website - tap to visit
 
 People Get Ready: The Curtis Mayfield Songbook - VA (Songwriter Series)  CDTOP 506
Booklet Preview
A glossy 20-page booklet featuring images and detailed notes written by Tony Rounce.

 

 
Tracks
01  Gypsy Woman - The Impressions
02  The Monkey Time - The Miracles
03  Behind The Curtains - Jan Bradley
04  Rainbow (Alt) - Gene Chandler
05  Mama Didn't Lie - The Orlons
06  Um, Um, Um, Um, Um, Um - Major Lance
07  I've Been Trying - Jerry Butler
08  Queen Majesty - The Techniques
09  It's All Over - Walter Jackson
10  He Will Break Your Heart - Freddie Scott
11  People Get Ready - Dionne Warwick
12  That's What Love Will Do - The Gaylads
13  Man's Temptation - The Jackson 5
14  Give Me Your Love - Barbara Mason
15  Need To Belong To Someone - Isaac Hayes
16  I'm So Proud - The Main Ingredient
17  Make Me Believe In You - Patti Jo
18  Keep On Keeping On (UK single edit) - Curtis Mayfield
19  The Makings Of You - Gladys Knight & The Pips
20  Let's Do It Again (Single edit) - The Staple Singers
21  Look Into Your Heart (Single edit) - Aretha Franklin
22  Never Stop Loving Me - Keni Burke
23  Giving Him Something He Can Feel - En Vogue
24  Hard Times - John Legend & The Roots featuring Black Thought
 
Availability 
Available now at all your usual soul stockist including your own Source Store here...
https://www.soul-source.co.uk/store/product/447-people-get-ready-the-curtis-mayfield-songbook-va-song-writer-series-kent-records-cd/
 
By Mike in Articles - Archives ·

George and Faye Treadwell and The Drifters Story

The Drifters Girl  throws a spotlight on the murky world of a  music industry often marked by accusations of betrayal, exploitation and plagiarism through a complex web of accusation and counter accusation. Soul music history is of course rife with such tales, but few matched The Drifters in its scale and length.If you probe a bit further you find  a litany of broken promises and contracts , poached talent and double crossing that many football fans might recognise.The Drifters Girl musical  presents Faye as a feisty heroine  fighting for the groups name , but the Treadwell family made some shrewd and sometimes ruthless decisions to assert control over what in effect was less of a creative collective and more of a lucrative ‘Brand “ or Franchise.  The show includes Faye declaring
“The Drifters are like the New York Yankees , you can change the team but you can’t replace the Yankees.” .
The Treadwell’s are  just three members of a complex web of characters who , over 60 years , fought  for rewards that came with such a popular brand name.
 
“There Goes My First Love “
 
In 1953 Atlantic Records co founder Ahmet Ertegun  seized an opportunity to coax Clyde Mc Phatter ,  lead tenor with Billy Ward and the Dominoes -  away with the promise of his own backing group, The Drifters.Ertegun initially recruited, but soon ditched  five members of the gospel Mount Lebanon Singers , in favour of another line up which achieved early success for Atlantic .Mc Phatter  later used his army draft as  the opportunity to pursue a solo career leaving the Drifters. In doing so he sold his share of the groups name to George Treadwell. In doing so Clyde  later admitted that he denied the existing and subsequent members little or no control over the group or their income.
Treadwell was a Jazz  Trumpeter and husband of Sarah Vaughn , Under Treadwells control the group achieved success but was soon marred by financial disputes and departures  including lead tenor  Bill Pinkey , who was later to form his own group     “ Bill Pinkney's Original Drifters” , further disputes also saw former members start ‘The Original Drifters ‘, Within  five years of the groups birth  there had been, at least 5 lines ups involving three  groups and three  managers in dispute over control of the brand. During a performance of at the Harlem Apollo feuds escalated to fights, and in  a ruthless move Treadwell sacked all the group and persuaded  the manager  of The Five Crowns (Lover Patterson) to rebrand them as The Drifters, bringing B E King as lead. Musically this is the equivalent  of Wimbledon FC being relocated to Milton Keynes as a new entity , which rightly earned the wrath of most football fans . Treadwell’s decision also didn’t initially go down well with the Drifters fans who were loyal to Mc Phatter .  This reportedly  saw some frosty audiences before  most succumbed to Ben E  King and chart success . Treadwell’s loyalty to his wife was equally flimsy . During a stay in LA he wooed a member of the Board of Education and daughter of Arkansas Baptist Minister Fayrene Johnson, who turned a blind eye to his  marital status , until they were free to wed.  The musical suggests Faye impressed George with some shrewd and adept suggestions and that he eventually took  her on board to help manage the group.

 
Following Mc Phatters’s departure the Drifters were plagued by further complex changes in their line up.Ben E  King’s period is often cited at their ‘Golden Years ‘ but in truth Johnny Moore was the groups main stay during their most successful period in the late fifties and early sixties . During this time group members were in effect salaried employees of the Treadwells ‘Drifters Inc’ , Members of a group often referred to as ‘The Treadwell Drifters.’  Group members were denied a share of royalties or record shares and any right to use of the groups name. This was a period of relentless touring schedules , which continued into the seventies and eighties . At one point , Moore, the groups mainstay quit due to exhaustion but later returned only to die of pneumonia aged just 64. He was cremated in Croydon in 1998.George Treadwell met an early death in 1967 aged just 47 , and Faye was left with control of the group.
Litigation and a move to the UK
In 1969 magazine editor Larry Marshak planned a series of retro Rock and Roll tribute shows and recruited some former members to perform. (Finding an ex and often emitted  Drifter never proved too difficult , there have been at least sixty in circulation . ) He subsequently began to promote them as The Drifters , which triggered a twenty year litigation battle with Faye Treadwell over rights over the name.Faced with declining sales and chart success in a new age of music  in 1972  Faye moved The Drifters to England  where they secured both extensive live tours and chart success with an extension of their brand of popular RnB/Soul. The UK offered Faye and the ever changing Drifters a wealth of cabaret  and working mens clubs and provincial theatres as well as a number of US Air Force bases, not to mention markets in mainland Europe. In the stage show there is evidence that the move also allowed Faye to delay costly US litigation proceedings, which led to an accusation of ‘abandonment’ of the brand name in the USA . Whilst UK success later  helped fund Faye’s litigation , it brought with it further splits and legal wrangles. So in the same year that The Drifters were inducted into the  US Rock and Roll Hall of Fame , a legal battle was being played out in the UK by rivals operating out of Woking and Cleveleys. You could imagine “There Goes My First Love” playing over this sad event.
Two former members of The Drifters Inc , Tour Manager Mark Lundquist and Agent Phil Lunderman  set up The Drifters UK.It was eventually  resolved in Faye’s favour. (Public records reveal that Lundquist was  allegedly  fighting for performance revenues that averaged £218,000 a year, hardly lavish !)By  2001 Faye   returned to the USA allegedly bankrupt. Control was handed over to her daughter Tina  (who is featured in the Drifters Girl show as a child)  it was to be another seven years before  the litigation with Larry Marshak was resolved in Faye’s favour of the Treadwells.
By which time the number of variations of The Drifters had exceeded to absurd levels . These would include The American Drifters, Don Thomas and the Drifters, The Dock Green Drifters , The UK Drifters , The Drifters Legends, Clyde Mc Phatters Drifters , Bill Pinkeys Original Drifters , The New Drifters. At least a third of these were in the UK . There was a version of The Drifters to suit every purse, cause and venue. They were booked by Princess Anne ,  Tony Blair and Bill Clinton, .They offered  stage appearances for Primary school children, swooped in to  a Birmingham ASDA for Children in Need , or you could win a chance to record your favourite  Drifters song with them via The Daily Express . These were not mere ‘Tribute Acts’ , each  of them might lay claim to a lineage that spread back to Ahmet Ertegun and Clyde Mc Phatter.
Faye Treadwell died of breast cancer  aged of 84 in    2011.
 

Beverley Knight and Tina Treadwell 
Today Tina Treadwell is president of the Treadwell Entertainment Group  based in Los Angeles, a long way from the world of her parents.  She was a graduate of Princeton University , and went on to a successful career as a Casting Manager for Disney Films .She written a number of   award winning  stage productions , served as a US Foreign Emissary in SE Asia and is planning a film about her parents. The West End Musical staring Beverley Knight was supposedly based on a book by Tina  , but  I have yet to find details of it .The Drifters were certainly not the only group to fracture into multiple line ups, Soul music is littered with similar stories. The Platters , The Temptations. Like the Drifters they hide stories of feuds , alleged betrayal, and often greed. Truth be told many of the audiences probably didn’t even care of the legacy of the group they were seeking. Yet you could argue that Brand over Band serves  in some way to cheapen the music in some way.
Cool Notes
The Drifters Girl opens at the Garrick Theatre London next week.
 

By Coolnotes in Artists ·

New 45 - This Kind Of Love by Special Delivery (Long Version) - Shotgun Records

Special Delivery - This Kind Of Love (Long Version) - SHOT 114
Details of Shotgun Records latest 45 release, available now.
SPECIAL DELIVERY:  THIS KIND OF LOVE (Long Version)/ l'VE GOT TO BE FREE THE LONG VERSION of club soul favourite 'This Kind Of Love' by Special Delivery is scheduled for release on Shotgun Records. The 7" single will be available from 29 October. 
The group evolved from Act 1 who recorded for Spring Records from 1973 under the direction of group leader Raeford Gerald, a prolific writer and producer. Terry Huff became lead singer in 1975 and they joined Mainstream Records where their records were credited to variations of 'Terry Huff & Special Delivery'. 
When Huff left, the remaining four members - Chester Fortune, George Parker, Veronica Martin and Reginald Ross - recorded in Washington, D.C. and released three singles and a self-titled LP on Shield Records with national distribution via TK Productions. 
Their third Shield single, issued in 1978, was a radio edit of 'This Kind Of Love' which, sadly, cut out the album version's spoken section by Chester and Veronica. It wasn't released in the UK where the song became a minor 1985 pop hit for Phil Fearon & Galaxy. 
Shotgun Records and sister label One World Records are distributed by Selrec International. Further information is available from Paul Mooney and Paul Conroy. Radio plugging is handled by Steve Ripley. 
Flyer

Video
 
Availability
 
Available now from all the usual online stockists including our/your very own Source Store
Tap below to visit
 
 
By Mike in Articles - Archives ·

The Counts 'What's It All About b/w Watch The Clock' New Soul Junction Release

What’s It All About: The Counts
Press Release:   The Counts “What’s It All About/Watch The Clock” SJ1017
Release Date:   Monday 15th November 2021

The Fabulous Counts were originally a Detroit High School group of five musicians who hung out together performing at local sock hops. Through a later chance meeting in a Wurlitzer Music Store with a slightly older guy, accompanied by his mother buying him a new guitar the group eventually became six. The Fabulous Counts, Mose Davis (Organ and Piano), Demetrius ‘Demo’ Cates with ‘Demo being pronounced as De-Mo (Alto Saxophone and vocals), Jim White (Tenor Sax), Andrew T. Gibson (Drums) and Raoul Keith Mangrum (Percussion and Flute) met Leroy Emmanuel for the first time. Leroy had recently returned from New York’s Apollo Theatre where he had been working as a session musician in a show that showcased Dione Warwick and Timmy Shaw. Leroy by now a seasoned musician had been backing other notable blues, jazz and soul performers of the time, Betty Lavette, John Lee Hooker and Carolyn Franklyn etc. Leroy began hanging out with The Fabulous Counts and following a subsequent meeting between the original five members and their manager Fred McClure, Leroy was invited not only to join the group but due to his greater experience become its leader. Fred McClure also happened to be the manager of another notable Detroit vocal group The Singing Metros, Percy Williams, Robert Lee Suttles, Gordon Dunn, Joe Buckman and Alfred Mitchell whom he managed either side of their RCA tenure. Being the manager of both groups, McClure often used The Fabulous Counts as the backing musicians on many of the Metros live performances as well as their Pied Piper stablemate September Jones. McClure had previously been a lightweight boxing champion of Detroit. A great career was halted when he attained a dislocated shoulder in winning a fight with an opponent named Grier at the Olympia. McClure did try to fight again, but all he did was spoil a record of some fifty undefeated fights, although losing his last fight he was never floored. McClure did eventually quit the music business for a quieter life as an FBI agent! The Fabulous Counts also work frequently with Dwight ‘Spyder’ Turner after he left the vocal group, The Nonchalant’s notably featuring as the backing musicians on his R&B Billboard and Hot 100 chart hit “Stand By Me”. Originally recorded for release under the artists name Of Spyder Turner & The Fabulous Counts, The Fabulous Counts name was dropped due to contractual reasons at the insistence of their manager Fred McClure. The younger Fabulous Counts had originally just been performing cover versions of blues and jazz standards of the day had under Leroy’s leadership began to create a more funk orientated sound of their own. So armed with some of their own original material they began knocking on several local recording studios doors. It was local Detroit Record Entrepreneur Ollie McLaughlin who extended an invitation to step inside his studio to see what they had on offer. In just one take the Fabulous Counts laid down the classic and much covered funk hit “Jan, Jan”. Mclaughlin both impressed and surprised took the song to Atlantic Records suitably impressed they told McLaughlin to release it in Detroit and if the sales were favorable, they would pick it up. 110,000 copies sales later and Atlantic did pick it up placing it on their Cotillion subsidiary label. Under the supervision of producer Richard ‘Popcorn’ Wylie The Fabulous Counts had recorded a total of 3, 45 single releases for Mclaughlin’s Moira Label, Jan, Jan/ The Girl From Kenya (Moira -103), “Scrambled Eggs/Dirty Red” (Moira 105) and “Get Down People/Lunar Funk Moira (108) of which only “Scrambled Egg/Dirty Red” failed to chart. Both A and B-sides of all their 3 Moira releases featured on the 1969 Cotillion album amongst cover versions of popular songs of the day.

The Fabulous Counts left Moira Records during 1970 to join Armen Boladian’s Westbound label where they simply changed their name to The Counts. Charting during 1971 with their “What’s Up Front” album plus the release of a solitary 45 single “Thinking Single/Why Not Start All Over Again (Westbound 191)”. In 1972 while still part of the Westbound set up The Counts recorded two major label 45 singles under the pseudonyms of Bad Smoke Crawl Ya’ll Part 1&2 ((Chess-2124) and as Lunar Funk Mr. Penguin Part 1&2 (Bell 45-172) the latter being their biggest hit.
 
A subsequent move south to Atlanta, Georgia saw the group become a quartet with original members Jim White and Raoul Mangrum choosing to remain in Detroit. Now based in Atlanta they joined Michael Thevis’s Aware Records label. While with Aware they released two successful albums and a handful of 45 releases taken from each. Their first album “Love Sign” released during 1974 reached #45 on the US Black Album Charts and their final Aware album “Funk Pump” during 1975 reached #58 on the black Albums chart. The Lineup of The Counts on the Aware projects was original members Mose Davis, Leroy Emanuel, Demo Cates and Andrew Gibson with session musicians Jimmy “Junebug” Jackson Jr (Drums and vocals) and Jimmy Brown (Saxophone and vocals) being brought in to supplement the band at regular intervals. Although never officially breaking up The Counts members began to go their separate ways to explore different life opportunity’s.

During 1978 and while still in Atlanta Leroy Emanuel borrowed some money from his family and independently recorded several tracks which he hoped to tout around to independent record labels. By now Andrew Gibson had returned to Detroit so the late Jimmy “Junebug” Jackson stepped in as the drum on these sessions alongside Mose, Demo and Leeroy with the addition of local string section. Two of the songs from these sessions “What’s It All About” and “Motorcity” did eventually gain a 45 release when Leroy stuck a deal with Terry Mendelson to release them on his TM label. The Counts had previously known Mendelson through his brother Bernie while previously employed at Westbound. The TM 45 made very little noise through poor promotion and with many of the copies having mispressed labels. Although later reissued and mistakenly credited as being two previously unissued Westbound recordings on several later CD compilations it came to light that quite a few copies of this high quality elusive 45 had found their way into avid European Soul collector’s collections. With this in mind and after several years of cajoling with Leroy Soul Junction hopes to satisfy the demand amongst fans of this desirable record. The A-side “What’s It All About” features its composer Leroy Emanuel on lead vocals with the other Counts joining in on the chorus. The B-side of this 45 release which was taken from the same 1978 Atlanta sessions is the previously unissued Mose Davis penned “Watch The Clock” which is more in keeping with The Counts traditional funk groove and features Mose singing lead vocals, enjoy.
As previously mentioned, the Counts never officially broke up and over the ensuing years have periodically reunited for occasional one-off shows. Mose Davis has remained in Atlanta and can be found playing his keyboard in the city’s airport. Leeroy Emanuel and Demo Cates later relocated to Canada with Leroy forming a new funk band called The LMT Connection which led to him frequently touring Europe pre pandemic. Demo Cates while still working as a musician also branched out into the world of acting securing parts in TV and movies including The Lion King, the musical.
Words By:   David Welding
With acknowledgements to: Leroy Emanuel, Mose Davis, Dwight ‘Spyder’ Turner & Alfred Mitchell of The Metros.
For further information please contact Soul Junction at:
Tel: +44 (0) 121 602 8115 or E-mail: sales@souljunctionrecords.co.uk
To buy visit https://www.souljunctionrecords.co.uk/SJ1017.html or your usual stockists
 
SJ1017 -The Counts Promo.mp3


By Chalky in Articles - Archives ·

Northern Soul Connections #27 - Teens With Talent - Chicago

The latest (#27 no less) in the long running series of 'Northern Soul Connections' from @Kenb
Teens With Talent 

Guests on the late Bob Abrahamian's Sitting In The Park radio shows would occasionally mention Teens With Talent (TWT). 
The show of that name was first presented Sunday 17th Feb 1963 at the Studebaker Theater, in the Fine Art Building, sponsored by Sears Roebuck Y.M.C.A. The main principles behind that first TWT were Al Johnson & Johnny Nixon. Al Johnson was an Illinois Bell Telephone company employee long associated with youth work in Lawndale and other areas of Chicago's West & South sides 
Started in 1965 with $500, Act IV Productions grew out of TWT to be self-supporting/profit making for the 40-60 youngsters making up the TWT 'troupe'. Al Johnson, Ernie Jenkins and James (Jimmy} Hudson (a volunteer worker at the A.B.C. youth center} all took roles. Act IV made records, staged productions, wrote & produced plays and published sheet music. Act IV Productions had offices above ....
Northern Soul Connection #27 ( click twice for best view)


Site info - You can check out Kens other quality 26 Northern Connections all available via his 'activity' profile page, the link follows below...
https://www.soul-source.co.uk/profile/37754-kenb/content/?type=cms_records5&change_section=1

 
By Kenb in Soul Music Features ·

Big Man Records BMR 1007 Release Update - November

WE ARE PLEASED TO ANNOUNCE THAT BMR 1007 FREDDIE HOUSTON B/W THE FIESTAS WILL BE READY AND AVAILABLE AT THE END OF NOVEMBER MUCH QUICKER THAN WE WERE ORIGINALLY TOLD, TO PRE ORDER PM HERE OR EMAIL bicknellmark@aol.com 
BMR 1008 HAS ALSO BEEN ALLOCATED FOR THE END OF JANUARY 2022 AGAIN MUCH QUICKER THAN WE THOUGHT.
UNDER LICENCE FROM THE EMBASSY MUSIC CORPORATION (BMI) TO BIG MAN RECORDS, FROM OLD TOWN MASTERS, BOTH OF THESE RELEASES WILL NOW COME IN A CUSTOM SLEEVE WITH REGULAR COLLECTORS CARD IN A POLY SLEEVE.
FULL DETAILS HERE.
 
FURTHER NEW RELEASES TO FOLLOW IN 2022.








By Mark Bicknell in Articles - Archives ·

Rance Allen Group + Ursula Ricks - New Jai Alai Label (Soul 4 Real Records)

𝗝𝗔𝗜 𝗔𝗟𝗔𝗜, 𝗔 𝗡𝗘𝗪 𝗥𝗘𝗖𝗢𝗥𝗗 𝗟𝗔𝗕𝗘𝗟
PLEASED TO ANNOUNCE THE LAUNCH OF 𝗝𝗔𝗜 𝗔𝗟𝗔𝗜, A NEW LABEL SUBSIDIARY OF SOUL 4 REAL RECORDS AND ITS FIRST TWO REFERENCES BY THE RANCE ALLEN GROUP AND URSULA RICKS
𝗧𝗛𝗘 𝗥𝗔𝗡𝗖𝗘 𝗔𝗟𝗟𝗘𝗡 𝗚𝗥𝗢𝗨𝗣 (𝗝𝗔𝗥01)
𝗦𝘁𝗮𝘆 𝗪𝗶𝘁𝗵 𝗠𝗲 / 𝗟𝗶𝘃𝗶𝗻𝗴 𝗪𝗶𝘁𝗻𝗲𝘀𝘀
LISTEN HERE:
 
After hearing them win a local Detroit gospel talent competition it was no surprise veteran promotions man Dave Clark took brothers Rance, Steve and Tom to Stax Records and they were signed to the subsidiary label Gospel Truth.
The Rance Allen Group were clearly no ordinary talent; "There’s Gonna Be A Showdown", the first track on their first album Truth Is Where Its At (1972), revealed in the opening minute the extraordinary lead vocal gymnastics of Rance, effortlessly swooping from delicate falsetto to gritty bass and back to a powerful falsetto. A new gospel sound was born.
Unfortunately, after four albums Stax folded. They made one album for Capitol (released under two different titles) a couple each for the re-started Stax, Myrrh and Bellmark, but without much commercial success, although their reputation continued to build.
In 2002 they signed with Tyscot Records and released "All The Way", a fabulous (CD only) album from which these two tracks are taken. The sound of contemporary gospel music had changed forever, and their blend of soul and jazz flavoured gospel appealed to traditionalists as well as those in the secular field, and performing at the Apollo Theater plus TV appearances on Arsenio Hall and Bobby Jones Gospel Shows brought this new gospel sound straight to the R&B masses.
"Stay With Me" has remained in high demand on the modern soul scene and is now available on 7” vinyl for the first time and is a fitting first release for Soul4Real’s new subsidiary label Jai Alai (pronounced Hi-Uh-Li) so don’t miss out on owning this limited edition collector’s piece.
𝗦𝘁𝗲𝘃𝗲 𝗛𝗼𝗯𝗯𝘀
(𝗦𝗼𝗹𝗮𝗿 𝗥𝗮𝗱𝗶𝗼, 𝗧𝗼𝘁𝗮𝗹𝗹𝘆 𝗪𝗶𝗿𝗲𝗱 𝗥𝗮𝗱𝗶𝗼)
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𝗨𝗥𝗦𝗨𝗟𝗔 𝗥𝗜𝗖𝗞𝗦 (𝗝𝗔𝗥02)
𝗦𝘄𝗲𝗲𝘁 𝗧𝗲𝗻𝗱𝗲𝗿𝗻𝗲𝘀𝘀 / 𝗠𝗮𝗸𝗲 𝗠𝗲 𝗕𝘂𝗲
LISTEN HERE:
 
Having spent half a lifetime reviewing and playing new soul music I still get excited about the prospect of finding new artists. In this day and age, the internet has replaced the good hard graft of getting out there and doing the digging, but the end result is no less gratifying. Our beloved specialist record shops may have become virtual (or disappeared altogether) but social media has increased one’s exposure to our music.
So, how is it then that a music junkie like me could have completely missed "My Street" (Severn Records), the 2013 CD-only debut release by Baltimore-based soul/blues singer Ursula Ricks? Luckily, the guys at Jai Alai most certainly did not, and their new imprint will concentrate to on releasing 21st century gems like this on to 7” vinyl.
Even if you have the original album, you will still want this wonderful remix of "Sweet Tenderness". Severn’s boss, David Earl, has done an amazing remix that aims directly at the European soul scene’s dance floors. What you get is a string-laden stepper with the most sublime, almost unique, vocals and an instant recommendation from yours truly. On the flip is "Make Me Blue", the other real winner from the album, making this a contender for the classiest 7” release that you will buy this year.
𝗦𝘁𝗲𝘃𝗲 𝗛𝗼𝗯𝗯𝘀
(𝗦𝗼𝗹𝗮𝗿 𝗥𝗮𝗱𝗶𝗼, 𝗧𝗼𝘁𝗮𝗹𝗹𝘆 𝗪𝗶𝗿𝗲𝗱 𝗥𝗮𝗱𝗶𝗼)
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Remastering by Jorge Muñoz-Cobo (Circo Perrotti). Label design by Jordi Duró.
𝗣𝗥𝗘 𝗢𝗥𝗗𝗘𝗥 𝗡𝗢𝗪 for 1st November 2021
13 euros + postage as it follows:
1 to 5 copies: 6,80 euros UK & Europe
1 to 5 copies: 2,50 euros Spain
1 to 5 copies: 10,45 euros USA & rest of the world
𝗣𝗮𝘆𝗺𝗲𝗻𝘁 𝗯𝘆 𝗣𝗔𝗬𝗣𝗔𝗟 𝗮𝘀 𝗳𝗿𝗶𝗲𝗻𝗱𝘀 & 𝗳𝗮𝗺𝗶𝗹𝘆:
soul4realrecordlabel@gmail.com
Check previous releases: www.soul4real.es





By Alexsubinas in Articles - Archives ·

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