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John Reed

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  1. The other side's got a great version "Ain't Gonna Share Your Love"
  2. Have you tried them both together? I thinks its a great combination. Anyhow, back onto Linda Jones - PURE CLASS "When The Hurt Comes Back" doesn't seem to get mentioned that much and is a beautiful piece of soul
  3. Steve, I may not have been clear in my last post. The "both were retrospective releases" statement was in relation to the solid centre and dinked versions of WCMIH, and not about For Real.
  4. Isnt "We Can Make I Happen" solid centre vs. dinked all smoke an mirrors anyway, as both were retrospective releases as the solid centre wasnt around at the time of "For Real" was released.
  5. Richard Flowers and The Southern Fatback Co - Do it on Flowing East, agreed not all that good
  6. Steve, I'm not 100% convinced on that theory as the single has a 1976 date and the "Step Into Your Life" LP is 1978. Roy Ayers released 2 Polydor LPs between those dates (Lifeline and Lets Do it). So I would have thought it would have been on one of those two rather than Step Into Your Life
  7. John Reed replied to a post in a topic in Record Wants
    Issues and Demo's are a slightly different as the strings on the issue are further back in the mix and its more bassy than the Demo
  8. Probably first played in some record shop in the US in 1976 and it probably went along the lines of.... Customer: “Hey, what ya got new in?” Store Owner:” Got this new single by a group called Flowers” Customer: “okay, give it a spin…” Store Owner plays record Customer: “its okay…..” Store Owner: “you’re not the first one to say that, do you want it?” Customer: “Nah, I think I’ll give it a miss. Have you got Candi Staton — Young Heart Runs Free?" Store Owner: “Yep.” Store Owner puts Candi by the till Store Owner: “Are you sure you don’t want the Flowers one?” Customer: “Yep, I’m sure” Store Owner: “It’s not a big seller, I think I’ll put this lot down in the basement, hopefully one day someone will want em……” Customer pays and leaves the shop Store owner takes the batch of Flowers and puts them in the basement and forgets they’re there…….
  9. I'm very interested in this as i've never seen one, so if someone could add a scan i'll be really greatfull.
  10. One'll be in the post to Ace Towers when I get back from my holiday after the weekend
  11. There are loads, but a couple off the top of my head are Dynamic Five - Love is the key which has some big Sweet Soul stuff Turner Brothers - Act 1 Probably over a grand each, maybe more
  12. Barbara Streisand's Guilty was a massive London 2 Step tune. Maybe it was different in Parkers, but in London it didn't matter about the ethnicity or where the artist was based for it to be accepted as a 2 Step record.
  13. It was definatly a big tune for a couple the London sound systems in the late 80's cant remember 100% which ones, but one of them may have been Touch Of Class
  14. Its the strong baseline that really dominate's what a 2-Step tune is. Clausel - Let Me Love You was a massive tune in the mid/late 80's in London, just to name one. Also anything to do with Leroy Hutson was a sure fire hit.
  15. There have been a couple of lengthy debates on here too, although I can't seem to find the threads
  16. John Reed replied to a post in a topic in All About the SOUL
    This morning starts at 10:30 and is essential viewing with Phillip Schofield & Holly Willoughby although Eamonn Holmes and Ruth Langsford are on at the moment, so I’d rather look at Soul Source.
  17. Got a Moument release in Argentina in glorious 33 1/3
  18. Does anyone know if Ace/Kent participating this year?
  19. John Reed replied to a post in a topic in Record Wants
    So what's in the deadwax of the yellow or white one?
  20. Well reading this thread I've learned something new today. I never knew Wham had an exclamation mark after the word Wham.
  21. Yep, Comes into effect 2nd of April I think.
  22. It was a limited edition release in 2002 to help promote a CD.
  23. Bettye Swann - Make Me Yours, hits the spot every time I hear it and seems to remain fresh as if I heard it for the first time

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