Saw it at the Cornerhouse in Manchester which was sold out.
The review essentially splits into two halfs.
The first an objective view from a cinematic stance - the direction, the storyline, the acting, the pace etc.
This was a reasonable success so the cinematic experience was a good, solid one. The acting was good all round, the portrayal of 70's life in the industrialised North was excellent, the characterisation was, in the main, spot on and the direction offered a clear basis for the characters and the storyline to develop. Some cliched elements detracted a little, the cockney geezer for example, and did every single person in the queue at Wigan have to wear a long leather coat? Well that's how it seemed.
Maybe nitpicking but that's what you do when a film attempts to portray a subject matter that the reviewer has a first hand experience of.
The second part of the review, for somebody who was on the scene in the early 70's, focuses on the music and associated content that created the magic and emotion that came from the era, whether it be that first night at Wigan, those first opening bars to the Salvadors, those first bombers etc.
This was achieved in a very positive manner because that sense of excitement about the scene was definitely captured. It matters not if tracks were played out of any real timeline, the blending of the selected tracks with the plot worked really well. The drug taking was not overdone in my opinion though the transition from pills to jacking up seemed a little hasty and perhaps could have been avoided.
I enjoyed it, would recommend people to go and see it and hats off to everybody who made it happen. I went with somebody who has absolutely no experience of the soul scene from any era, other than knowing that the Snake is a northern track! And they enjoyed it so it works from that perspective too.
And finally it received a decent round of applause from the crowd so that tells you something.