Goldsoul

Lamont appears late Sunday(June 17) afternoon in the Blackpool Opera House with a music show and Exclusive Q&A.

Typical twaddle from Martin Dixon Firstly, the Weekender of Nov 10-12 was top notch with great DJs at a fantastic venue. The Strictly involvement has nothing to do with the NS promoters or even Tower management. The BBC film at the venue once a year. They have chosen to focus on Northern. That is their prerogative and I repeat zero to do with us When you have as many achievements as Richard and I, let me know, until then.........

I started as a resident on Saturday,September 30th 1973. Not sure of the date I left but January 1975 springs to mind. The first guest we worked with was Martin Ellis Richard Searling then joined in late 73 as the 3rd resident A variety of guests weaved in and out, most of which are well documented

Best Wishes

Mickey Lee Lane-Hey Sah-Lo-Ney(Stateside demo) Michael- The COD’s(Stateside Demo) Mark Lloyd - Where I’m Gonna Find Her(Parlophone Demo) Here’s hoping......

Did you get the pm?

We don't make too many podcasts these days, but here's a useful and hopefully enjoyable snapshot of the last half century...musically. https://www.mixcloud.com/goldsoul/northern-soul-50-a-half-century-of-dance-floor-favourites/

He’s very aware of his fan base in Europe. I brought him to the UK in 06. Genuinely nice man who knows a fair bit about singing, acting and boxing 😀

He didn’t see any future. He cut sides for Effie Smith’s Duo Disc but by the mid 60’s he was disillusioned. Eventually got into Sports promotion, in particular boxing. Great talent. Dear friend On a side note, you can just about see him in a white suit in the Eddy Murphy film ‘Coming To America’. Look for the Black Awareness church hall get together. He’s about 3 to the left of Eddie and Arsenio Hall 😀

I spoke with Alex and James and hez(Brackett) did not record ‘Sometimes’. McEachin cut 3 sides with Capitol during one day at Vine St studios in 1966. Sometimes, No More Dreams, True Love I reunited them at SoultripUSA Los Angeles 2004

Not true. Firstly, the original master on Sandbag was owned by Mike Szymanski. He went out of business and Bob quite rightly 'followed his nose' to see if any royalties might have accrued. He ran into me and I not only promoted Eugene Thomas of the Epitome of Sound but led Bob to PRS/MCPS where a reasonable Out of royalties were laying untouched. Since then he has a few licensing deals under his belt and long may that continue. A perfect coming together of the U.K. Northern scene and and a rare obscure 45 with a positive outcome.

The 45 had a slight warp but played ok.

I traded a few hundred quids worth of 12 inch promos for it.

It looks as if it's one of my old Record Haven lists from around 1979. Jonathan worked for us st the time and it looks like his comments. For us to list the Frank Wilson suggests Jon was ready to sell, which of course he did to me. I held it for 11 years before selling to Tim Brown for 5k.

You rang.....

Selectadisc had a simple policy of buying street level music genres without giving the supply too much thought. From the early suppliers like Bill Buster(Eric) to Soul Galore they simply wanted sellers. Frequent callers often found originals and thought 'Wow, where did they get those from' 1972 saw hundreds of Valentinos- Sweeter, Rose Batiste- Holding Hands and Stanky Get Funky. They became famous as one stop for Northern without really knowing why. Fans simply made them into a superstar vinyl outlet 😀

Cannot answer that one. My only lengthy conversation with Bobby was over his life, certain singles of which the Trips I had completely forgot about

Pete- I spoke to him at length, but it's merely a case of Simon doing things properly with Soultown. Bobby oversaw the limited runs, but as he said....Soussan paid me so there's nothing to be suspicious about. Knowing SS as I did back then and in touch with him even today, he's not behind Sandy Golden. If he were, you would have seen far more on the street. Simon's flair was to create, not hide em in a cupboard for decades. If I am wrong, I will personally eat a Soul Fox single whole 😂

He did not have the master tapes to the Sweets. Bobby Sanders was a personal friend of mine. Simon genuinely licensed the Sweets from him. Bob would not have given him the tapes to runaway with. I cant see how SS would have been involved and never sold any!! it was more likely that Soultown were involved somehow.

Pete- The plant would have had a type set go to person, who would have designed similar labels like the Sandy Golden and 70's pressings like the Bobby Vee thingy. I doubt Simon was involved in the Sandy G. Not his style at all.

Dreadful news. RIP Jim

The Winter Gardens have released the £40 tickets on their website. Sadly Goldsoul have no full Weekender passes left or £40 tickets.

Around 06 I think.

Smoke and Mirrors? Explain yourself? Soul City was a brand owned by Dave Godin. He gave his blessing to Chris King to use the logo to release several in demand titles who in turn went into a joint venture with Phil Dick. The year I believe was 1999 as I remember Barbara Lynn signing copies at the Fleetwood Weekender later that year. Following a brief partnership, Chris approached Goldsoul to distribute any remaining stock. A 2nd series of titles including titles by The Magnificents from Doris Gilbert's Dee Gee label were released without much success. The label ceased I believe around 2005. All titles are legal on the label. As for the Mayfield Singers, it was never scheduled for Soul City. My understanding is Chris used Soul City labels merely to use on test pressings. I assume the master came from the Mayfiekd release sanctioned by Charly who I believe own the copyright. Goldsoul distributed Don't Start None on a Ltd 45-500 were made from master tapes. Smoke all clear Mirrors duly polished so you can see your face in them 😀

That's looking at it from a record collector perspective. Time it by 10 for newcomers who have no interest in OVO but like the music and go out for a good time.