Markw

Withdraw that - just noticed the thread is not about Nevertheless! D'oh

What about the Crimson release? Reissue? Boot?

Hilarious!

I remember an article some years ago in one of the fanzines or perhaps even Manifesto some years back in which Tim talked about his favourite records. I seem to recall Danny Monday was up there for him but he also talked about an obsession with wanting the Velvet Satins in every format possible - all the original label designs plus all the pressings, boots etc.

If, for example, Butch selects a record to revive like The Flairs, then copies will surface either in the hands of dj's or in sellers boxes or sales lists/ebay, etc. and for the short window of opportunity we can make an educated guess at how many copies there are, or at least which heading they fit under, be it Rarest of the Rare, Super Rare, Difficult, Easy, Common as Muck, etc. The other guide to how rare something is, is to count how many times somebody asks you to sell it to them :-)

Exactly!! Christ, this subject's been done to death soooo many times. It's making feel like reviving the annual "Why does Paul Weller get connected to soul" thread.

Never went to the Casino but surely Butch's Martha Jean Love c/up Old Time Lover and his Just Brothers c/up Go On And Laugh would have done the business?

Nihil illegitamatti carberendum

Some nice tunes listed....except for Kell Osborne "Quicksand"; never understood what that's about. Feel much the same about it as Pete Smith does about Buddy Smith (which I think is superb). Ways, hows about: Jerry Ganey "Just A Fool" (Verve) Liz Lands "Don't Shut Me Out" (Onederful) Ruby & The Romantics "Does He Really Care For Me"

Thanks for clearing that up Paul.

I think it was released on UK Stateside 45 in 1964; but I could be wrong. Any British collectors able to clarify?

"Call me" were the last words I remember, As the spring became December, And I still got no reply; Politely I would ask whoever knew you, What it was that I did to you, But they all knew less than I; If this letter doesn't make it clear, It's been a cold and lonely year, In my empty bed, in my head, I can feel you near................. Oh, I just can't get you out of my mind, Don't you have a heart, I've served my time, Their Motown records were timeless classics, but some of their best stuff was done with ABC-Dunhill.

Can this really be classed as "modern"?

Is this regarded as a "modern" tune?

Sonny Til - Tears and Misery Kenny Carter - I've Got To Find Her So many good tunes on RCA.

I like all sorts of music, have always loved the Who, was there when punk hit in 1976 (me and some school friends are on the Sex Pistols documentary film "the Filth and the Fury") and listen to all sorts at home depending on my mood and what I'm doing. Both my sons are musicians - check out www.spider-kitten.com ; superb doom metal - and try Googling Dirty Revolutions; top drawer ska-punk.

Limitations was a tenner in the early 80s. If I recall, it was mainly Tim Ashibende knocking them out back then. Dave Flynn reactivated this at Capitol Soul Club, the Dome a few years back. Great record, though maybe a bit fast for some these days. Good for you for getting behind it.

I'm not posting this to contribute to any Ian Levine slagfest but this Four Vandals recording puzzles me. I'm not saying it's good or bad - that's a matter of personal opinion (I happen not to like it, others do and that's their choice). What has puzzled me from day one is people thinking it sounds like it was recorded in the 60s. Frankly, they cannot be very discerning. Whilst it is done in a vaguely 60s style, how anyone with half an ear for a tune think it ever sounded like an actual 60s recording is beyond me. First time I heard it (at a do in Cheltenham, I think) I thought people were having a laugh and it was a wind-up. Then, when the penny dropped and it was clear these people actually believed it to be a 60s original...........................in all honesty, I felt embarrassed for them ...............

Chapter Five Frankie & Johnny

Carmarthenshire to the north side of Anglesey would take at least a 5 hour drive, mainly across tiny roads. South Wales/North Wales road and rail links are very difficult. Take it from me; I regularly have to travel from Cardiff to North Wales - 4 hours non-stop is good timing and that's using the main North-South link, the A470.

Eddie Hughes - Soul Searcher. When he belts that bit out as it starts to fade and the girlie voices in the background. Also, Bud Harper - Wherever You Were. Love the way it switches and starts to fade

You don't speak for me. I haven't found any of it tiresome or boring.

Group hug???

Dickie Wonder - £1.............D'OH!!

Very sad. Been coming a long time, but still sad. Of all the great artists that have been passing away these last few years, nobody I think has generated so much comment from Soul-Sourcers and that's testimony to just how important this artist and his fellow Tops were to us. There's a remarkable number of people who have said on here that part of the reason they got into the music was from hearing Levi's astounding voice and those great Four Tops harmonies. Certainly was the case with me, growing up during the 60s and 70s in a house full of Motown sounds and particularly the Four Tops who were my Mod brother's favourite singers. Really really sad he's gone. RIP.